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You've selected:
Pitch Only Bass Clef
Sheetmusic to print
40 sheet music found
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26
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00 ≈
9.34€
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00 ≈
9.34€
AIR from Water Music for Duo, Intermediate Level for any treble instrument and one bass instrument o
AIR from Water Music for Duo, Intermediate Level for any treble instrument and one bass instrument o
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Classical
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George Frideric Handel
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Sherry Lewis
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AIR from Water Music for Duo,
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Sherry Lewis Publishing
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SheetMusicPlus
Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.521361 Composed by George Frideric Handel. Arranged by Sherry Lewi...
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Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.521361 Composed by George Frideric Handel. Arranged by Sherry Lewis. Baroque,Christmas,Easter,Wedding. 7 pages. Sherry Lewis Publishing #5983359. Published by Sherry Lewis Publishing (A0.521361). AIR, FROM WATER MUSIC, HANDEL String Duo, Woodwind duo, any combination of a treble clef instrument and a bass clef instrument, concert pitch. Can include violin and cello, flute and cello, oboe and cello, flute and bassoon, oboe and bassoon, etc.SPECIAL NOTE: DOUBLE STOPS/PARTS ARE FOR STRINGS ONLY AND NOT NECESSARY TO THE PERFORMANCEIntermediate Level score: 2 pages parts: 2 pages pages time: 3'50DEMO NOTE: DEMO WILL PLAY IN STRINGS. Often I've begun the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course.MY QUARTET VERSIONS in short notice work fine for solo, two parts, three parts and quartet however I offer individual versions for one, two, three and four parts: https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing to view all of the titles and sets I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.
$4.50 ≈
4.20€
REVELATION FOR BRASS QUINTET (Arr. of Revelation for Solo Trumpet and Piano) SCORE ONLY
REVELATION FOR BRASS QUINTET (Arr. of Revelation for Solo Trumpet and Piano) SCORE ONLY
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Contemporary
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Francis Osentowski, DMA
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REVELATION FOR BRASS QUINTET
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Francis Osentowski
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.953862 Composed by Francis Osentowski, DMA. Contemporary. Score and parts. 22 pages. Francis Osentows...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.953862 Composed by Francis Osentowski, DMA. Contemporary. Score and parts. 22 pages. Francis Osentowski #6132219. Published by Francis Osentowski (A0.953862).  REVELATION FOR BRASS QUINTET is a transcription of a solo trumpet piece written Jack Stone a former performer in the famous UNT One O'clock lab band. It is a high energy piece with a with a big ending. It is written for good performers with advanced technique. Playable by top flight high school level to professionals. Ranges are not extreme and the one High C for Trumpet It has an ossia available. The tuba uses pitches up to the top of the bass clef staff. Hope you enjoy this piece.
$5.00 ≈
4.67€
America's Favorite Christmas Carols arranged for Wind Instruments
America's Favorite Christmas Carols - Wind Instruments
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Concert band
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EASY
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Christmas
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Various
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Colin Kirkpatrick
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America's Favorite Christmas C
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score ...
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Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99 ≈
18.66€
Away in a Manager - Brass Band
Away in a Manager - Brass Band
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John van Gulik
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John van Gulik
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Away in a Manager - Brass Band
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John van Gulik
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308907 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday,Religious. Brass Band. 31 pages. John van Gulik #898165. Published by John van Gulik (A0.1308907). A new arrangement in time for Christmas using two of the most popular tunes for Away in a Manager. The first tune commonly known as Kirkpatrick, starts off with the Euphonium which is gradually joined in turn by all the instruments. Further into the piece, the also commonly used tune Mueller is introduced.Instrumentation :Soprano, 1st, and 2nd CornetsFlugel Horn1st and 2nd HornsBaritone1st, 2nd, and Bass TrombonesEuphonium, Eb and Bb BassPercussion (Timpani/Glock)Comes with full score in letter/landscape format for double sided printing and binding on short edge. Â All parts included in letter/portrait format.Note: additional parts are included for horns in F and baritones to tubas in bass clef concert pitchSee https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00 ≈
18.67€
Gnossienne No.1 (Satie) - tuba and piano with FREE BACKING TRACK
Gnossienne No.1 (Satie) - tuba and piano with FREE BACKING TRACK
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Tuba and Piano
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INTERMEDIATE
#
Contemporary
#
Classical
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Erik Satie
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Austin Ralphson
#
Gnossienne No.1
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Austin Ralphson
#
SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.1176379 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 8 page...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.1176379 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 8 pages. Austin Ralphson #776506. Published by Austin Ralphson (A0.1176379). Erik Satie invented the word 'Gnossiennes' to indicate a new type of composition. He notated the original piano score without barlines, so I have done the same in this arrangement. The piece is only short at about 2 minutes, but can be repeated in its entirety if desired.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/1-DkHFw-jRs and also in the video screen above.Parts are provided in B flat (treble clef), E flat (treble clef) and concert pitch (bass clef).You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/Au7FV
$3.99 ≈
3.72€
Ob-la-di, Ob-la-da
Ob-la-di, Ob-la-da
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Pop music
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The Beatles
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Derek Hasted
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Ob-la-di, Ob-la-da
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Derek Hasted
#
SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1278576 By The Beatles. By John Lennon and Paul McCartney. Arranged by Derek Hasted. Pop. 27 pages. Derek Has...
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Guitar - Level 2 - Digital Download SKU: A0.1278576 By The Beatles. By John Lennon and Paul McCartney. Arranged by Derek Hasted. Pop. 27 pages. Derek Hasted #870257. Published by Derek Hasted (A0.1278576). OB-LA-DI, OB-LA-DA (The Beatles) - 4 GUITARS/LARGE ENSEMBLEPrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a piece that’s well-known to audiences and easy to play too...Ideal for School Concerts or as a bit of mischief in an adult concert.My version of Ob-La-Di, Ob-La-Da contains some of the countermelodies of the original, but all the while being manageable by Early Intermediate players, with the parts increasing only slightly in complexity as we move to the top voices.Guitar 4 requires the bottom string tuned down to D to make the best of the pitch range, but it’s also supplied in bass clef where the deeper pitch means there’s no need to re-tune.Guitar 3 is accompanied by chord names for those who wish to strum.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.66€
Gnossienne No.1 (Satie) - trombone / euphonium and piano with FREE BACKING TRACK
Gnossienne No.1 (Satie) - trombone / euphonium and piano with FREE BACKING TRACK
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Trombone and Piano
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INTERMEDIATE
#
Contemporary
#
Classical
#
Erik Satie
#
Austin Ralphson
#
Gnossienne No.1
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Austin Ralphson
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1176372 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 7 ...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1176372 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Wedding. Score and part. 7 pages. Austin Ralphson #776498. Published by Austin Ralphson (A0.1176372). Erik Satie invented the word 'Gnossiennes' to indicate a new type of composition. He notated the original piano score without barlines, so I have done the same in this arrangement. The piece is only short at about 2 minutes, but can be repeated in its entirety if desired.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/1-DkHFw-jRs and also in the video screen above.Parts are provided in B flat (treble clef) and concert pitch (bass clef).You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/jDSA0
$3.99 ≈
3.72€
Rule Britannia for Flexible Brass Duet
Rule Britannia for Flexible Brass Duet
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Thomas Augustine Arne
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G L Harvey
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Rule Britannia for Flexible Br
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G L Harvey
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.805917 Composed by Thomas Augustine Arne. Arranged by G L Harvey. Concert,Patrio...
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.805917 Composed by Thomas Augustine Arne. Arranged by G L Harvey. Concert,Patriotic,Standards,Traditional,World. Score and parts. 12 pages. G L Harvey #5984095. Published by G L Harvey (A0.805917). This old English melody (1745) is particularly well known as the final number in Henry Wood's Fantasia on British Sea Songs, as performed at the Last Night of the Proms. Here it has been arranged simply as an intermediate level duet for mixed brass. The arrangement is designed to work for any two brass players with parts covering Trumpet, Horn in Eb & F, Euphonium and Trombone (treble and bass clef), Tuba, Eb and Bb bass etc. The only requirement is that when different instruments are being used, then the highest pitch instrument should play part 1 (melody).
$5.99 ≈
5.59€
You'll Never Walk Alone
You'll Never Walk Alone
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Richard Rodgers
#
G L Harvey
#
You'll Never Walk Alone
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G L Harvey
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.805904 Composed by Richard Rodgers. Arranged by G L Harvey. Broadway,Film/TV,Ins...
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.805904 Composed by Richard Rodgers. Arranged by G L Harvey. Broadway,Film/TV,Instructional,Musical/Show,Patriotic,Standards. Score and parts. 16 pages. G L Harvey #5371779. Published by G L Harvey (A0.805904). This popular classic is well known in the UK as the Liverpool football anthem and here it has been arranged simply as an intermediate level duet for mixed brass. The arrangement is designed to work for any two brass players with parts covering Trumpet, Horn in Eb & F, Euphonium and Trombone (treble and bass clef), Tuba, Eb and Bb bass etc. The only requirement is that when different instruments are being used, then the highest pitch instrument should play part 1 (melody).
$6.99 ≈
6.53€
Your Favorite Christmas Hymns and Carols for Brass, Book 1
Your Favorite Christmas Hymns and Carols for Brass, Book 1
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Brass ensemble
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EASY
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Sacred music
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Various
#
Colin Kirkpatrick
#
Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.522154 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score a...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.522154 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 68 pages. Colin Kirkpatrick Publications #3579897. Published by Colin Kirkpatrick Publications (A0.522154). Your Favorite Christmas Hymns and Carols for Brass, Book 1Arranged for brass by Colin Kirkpatrick Here’s a brand new collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. They are presented in a set of two books and include full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios.The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves) The audio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and Silent Night. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99 ≈
24.26€
Your Favorite Christmas Hymns and Carols for Brass, Book 2
Your Favorite Christmas Hymns and Carols for Brass, Book 2
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Brass ensemble
#
EASY
#
Sacred music
#
Various
#
Colin Kirkpatrick
#
#
Your Favorite Christmas Hymns
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score a...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pages. Colin Kirkpatrick Publications #3580273. Published by Colin Kirkpatrick Publications (A0.522155). Your Favorite Christmas Hymns and Carols for Brass, Book 2Arranged for brass by Colin KirkpatrickThis is the second volume of the collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas). The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99 ≈
24.26€
Elegy-Field of Blood
Elegy-Field of Blood
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Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00 ≈
11.20€
Elegy-Field of Blood
Elegy-Field of Blood
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00 ≈
74.68€
Lullaby - Piano/Keyboard Solo
Lullaby - Piano/Keyboard Solo
#
Easy Piano
#
Kathy Hirche
#
Kathy Hirche
#
D
#
Lullaby - Piano/Keyboard Solo
#
Kathy Hirche
#
SheetMusicPlus
Easy Piano - Digital Download SKU: A0.819994 Composed by Kathy Hirche. Arranged by Kathy Hirche. Contemporary,Standards. Score. 3 pages. Kathy Hirche #42...
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Easy Piano - Digital Download SKU: A0.819994 Composed by Kathy Hirche. Arranged by Kathy Hirche. Contemporary,Standards. Score. 3 pages. Kathy Hirche #4278395. Published by Kathy Hirche (A0.819994). This piece is from the 5-NOTE FAVOURITES series - a collection of pieces that can be played using a five-finger position (C to G in each hand) and are suitable for elementary level performers of all ages. The pieces are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge.The 5-NOTE FAVOURITES series uses a limited/basic range of pitches, rhythmic values and articulations/signs: Pitches - C D E F G in the treble clef and in the bass clef, with some octave displacement (indicated by 8va); Rhythmic values - semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter-note), quavers (eighth-notes); quavers (eighth-notes) appear only in groups of 2 or 4; Articulations/signs - staccato, accent, slur, tie, pause, repeat, 1st and 2nd time bars. All pieces are written within the range of a 61-note keyboard. Performers using an electronic keyboard rather than an acoustic piano should be encouraged to experiment with the sounds available and select the timbre(s) to suit the piece. ISMN 979-0-9009-762-7-7 kathysprintmusic.com
$1.99 ≈
1.86€
Waltzing in the Rain - Piano/Keyboard Solo
Waltzing in the Rain - Piano/Keyboard Solo
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Easy Piano
#
BEGINNER
#
Kathy Hirche
#
Kathy Hirche
#
D
#
Waltzing in the Rain - Piano/K
#
Kathy Hirche
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.820000 Composed by Kathy Hirche. Arranged by Kathy Hirche. Contemporary,Standards. Score. 3 pages. Kathy ...
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Easy Piano - Level 1 - Digital Download SKU: A0.820000 Composed by Kathy Hirche. Arranged by Kathy Hirche. Contemporary,Standards. Score. 3 pages. Kathy Hirche #4278425. Published by Kathy Hirche (A0.820000). This piece is from the 5-NOTE FAVOURITES series - a collection of pieces that can be played using a five-finger position (C to G in each hand) and are suitable for elementary level performers of all ages. The pieces are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge.The 5-NOTE FAVOURITES series uses a limited/basic range of pitches, rhythmic values and articulations/signs: Pitches - C D E F G in the treble clef and in the bass clef, with some octave displacement (indicated by 8va); Rhythmic values - semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter-note), quavers (eighth-notes); quavers (eighth-notes) appear only in groups of 2 or 4; Articulations/signs - staccato, accent, slur, tie, pause, repeat, 1st and 2nd time bars. All pieces are written within the range of a 61-note keyboard. Performers using an electronic keyboard rather than an acoustic piano should be encouraged to experiment with the sounds available and select the timbre(s) to suit the piece. ISMN 979-0-9009-762-2-2 kathysprintmusic.com.
$1.99 ≈
1.86€
Tim's Dance - Piano/Keyboard Solo
Tim's Dance - Piano/Keyboard Solo
#
Easy Piano
#
BEGINNER
#
Kathy Hirche
#
Kathy Hirche
#
D
#
Tim's Dance - Piano/Keyboard S
#
Kathy Hirche
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.819999 Composed by Kathy Hirche. Arranged by Kathy Hirche. Contemporary,Standards. Score. 3 pages. Kathy ...
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Easy Piano - Level 1 - Digital Download SKU: A0.819999 Composed by Kathy Hirche. Arranged by Kathy Hirche. Contemporary,Standards. Score. 3 pages. Kathy Hirche #4278405. Published by Kathy Hirche (A0.819999). This piece is from the 5-NOTE FAVOURITES series - a collection of pieces that can be played using a five-finger position (C to G in each hand) and are suitable for elementary level performers of all ages. The pieces are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge.The 5-NOTE FAVOURITES series uses a limited/basic range of pitches, rhythmic values and articulations/signs: Pitches - C D E F G in the treble clef and in the bass clef, with some octave displacement (indicated by 8va); Rhythmic values - semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter-note), quavers (eighth-notes); quavers (eighth-notes) appear only in groups of 2 or 4; Articulations/signs - staccato, accent, slur, tie, pause, repeat, 1st and 2nd time bars. All pieces are written within the range of a 61-note keyboard. Performers using an electronic keyboard rather than an acoustic piano should be encouraged to experiment with the sounds available and select the timbre(s) to suit the piece. ISMN 979-0-9009-762-3-9 kathysprintmusic.com.
$1.99 ≈
1.86€
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Pitch Only Bass Clef
