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Open the Door for Three
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You've selected:
Open the Door for Three
Sheetmusic to print
17 sheet music found
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1
Open the Door for Three
Open the Door for Three
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Traditional Fiddle Tunes
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Heather M Music
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Open the Door for Three
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402927 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402927 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 36. Heather Mueller Music #2GptA7FcSShikPj01jSgqz. Published by Heather Mueller Music (A0.1402927). Key: G major.Title: Open the Door for Three Type/Genre: Slip Jigs (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Step into the lively world of Irish music with Open the Door for Three, a captivating set of slip jigs deeply rooted in the musical traditions of Ireland. These spirited tunes, known for their graceful melodies and intricate rhythms, evoke images of lively sessions and gatherings. Whether you're playing at a session or practicing at home, Open the Door for Three invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of these slip jigs transport you to the heart of Ireland's musical landscape. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melodies along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
$2.99 ≈
2.80€
Open The Door
Open The Door
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Concert band
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INTERMEDIATE
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Leslie Bricusse and Ryuichi Sa
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John Ivor Holland
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Open The Door
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1414403 Composed by Leslie Bricusse and Ryuichi Sakamoto. Arranged by John Ivor Holland. 20th Century,C...
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Concert Band - Level 3 - Digital Download SKU: A0.1414403 Composed by Leslie Bricusse and Ryuichi Sakamoto. Arranged by John Ivor Holland. 20th Century,Classical,Film/TV,Multicultural,World. 50 pages. John Ivor Holland #996173. Published by John Ivor Holland (A0.1414403). The Last Emperor is a 1987 epic biographical drama film about the life of Puyi, the final Emperor of China. It is directed by Bernardo Bertolucci and depicts Puyi's life from his ascent to the throne as a small boy to his imprisonment and political rehabilitation by the Chinese Communist Party. It premiered at the 1987 Tokyo International Film Festival, earning widespread positive reviews from critics and was also a commercial success. At the 60th Academy Awards, it won all nine Oscars it was nominated for, including Best Picture, Best Director, and Best Adapted Screenplay. It also won several other accolades, including three BAFTA Awards, four Golden Globe Awards, nine David di Donatello Awards, and a Grammy Award for its musical score, which features nine pieces composed by Ryuichi Sakamoto, five by David Byrne, one from Cong Su, and a few incidental pieces of source music. 'Open The Door' occurs quite early in the film and can be considered to be one of the main themes, often performed instrumentally in concert by Ryuichi Sakamoto - as a song, with lyrics by Leslie Bricusse, it is not often heard, so this piece would work on many levels in a concert of film music.
$69.99 ≈
65.50€
Leave The Door Open
Leave The Door Open
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C Instruments
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INTERMEDIATE/ADVANCED
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Bruno Mars, Anderson
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Dan Ford and Luke Greenhalgh
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Leave The Door Open
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Dan Ford
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1090497 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Bruno...
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C Instrument - Level 4 - Digital Download SKU: A0.1090497 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Bruno Mars, Chris Brody Brown, and Dernst Emile. Arranged by Dan Ford and Luke Greenhalgh. Contemporary,Hip-Hop,Pop,R & B. Lead Sheet / Fake Book. 8 pages. Dan Ford #694675. Published by Dan Ford (A0.1090497). Leave The Door Open — Contemporary rock/pop ensemble By Anderson .paak, (brandon Paak Anderson), Bruno Mars, Dernst Emile, Chris brody Brown. Arranged by Dan Ford and Luke Greenhalgh for contemporary rock/pop ensemble, including parts for rhythm section, tenor saxophone, alto saxophone, and trombone. This arrangement is gig-tested and designed for ease of reading during the heat of a live gig. All parts include chord changes for improvised solos or embellishment of backing parts. N.B. This arrangement does not include lyrics, the melody, or a vocal part. The parts are designed for live performance with a vocalist that knows the melody and lyrics. Leave The Door Open is from American duo Silk Sonic, consisting of Bruno Mars and Anderson .Paak, and was released on their 2021 album An Evening With Silk Sonic. This arrangement features a combined Rhythm Section part with clear chord spellings and rhythmic cues for bass guitar, drum kit, guitar, and piano to follow. Additionally, the alto and tenor saxophone and trombone parts include a combination of three part divisi backing lines and unison figures. The arrangement includes an open repeated outro section improvised solos. Find more arrangements by Dan Ford at www.danfordmusic.com.
$5.00 ≈
4.68€
A Whitman Triptych: II. What Is the Grass? (Downloadable)
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85 ≈
2.67€
Leave The Door Open
Leave The Door Open
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Bruno Mars, Anderson
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MAJOR SCORE PUBLISHING TM
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Leave The Door Open
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Major Score Publishing
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SheetMusicPlus
Alto Saxophone,Drum Set,Electric Bass Guitar,Electric Guitar,Flugelhorn,Flute,Piano,Tenor Saxophone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.834696...
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Alto Saxophone,Drum Set,Electric Bass Guitar,Electric Guitar,Flugelhorn,Flute,Piano,Tenor Saxophone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.834696 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Brandon Paak Anderson, Bruno Mars, Chris Brody Brown, Christopher Brody Brown, and Dernst Emile. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,R & B,Singer/Songwriter,Soul. 72 pages. Major Score Publishing #6460861. Published by Major Score Publishing (A0.834696). Leave the Door Open (Silk Sonic)Singer(s) & 7 or 9 piece bandDesigned for maximum audience impact for high profile live performances, concerts & events, this stunning arrangement provides the backing and power of a 7 or 9 piece showband! This chart is designed to be highly flexible to feature one vocalist singing both the Anderson PAAK & Bruno Mars parts, OR split up between two vocalists like on the SILK SONIC recording. The background vocal lines have been very tastefully and subtly arranged for the horns supporting the vocal and building the performance energy. The drums are key in this arrangement and are fully written out. The guitar part includes the palm mute falls from the recording and a full piano and bass part come highly detailed allowing for a truly authentic delivery. Also we have provided three alternate horn parts in case your showband only has 3 horns ( alto sax/flute, 1 flugel, 1 trombone) instead of 5 horns as in the 9 piece version (1 alto/flute & 1 tenor sax, 2 flugel horns & 1 trombone) in addition to the full rhythm section ( piano, guitar, bass & drums) to ensure you have the maximum support for either scenario. All parts are highly detailed and fully written out for a total of 67 pages including the full score for reference.  Great detail has been put into this chart to exceed your performers and audience's expectations to deliver a superior performance experience!
$74.99 ≈
70.18€
We Are All In This Together
We Are All In This Together
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Rock
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Jerry Westerman
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Jerry Westerman
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When the Glass is Gone
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We Are All In This Together
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Passing Lane Music
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SheetMusicPlus
Bass Guitar,Piano,Voice - Digital Download SKU: A0.1070128 Composed by Jerry Westerman. Arranged by Jerry Westerman. Pop,Rock. Full Performance. Duration...
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Bass Guitar,Piano,Voice - Digital Download SKU: A0.1070128 Composed by Jerry Westerman. Arranged by Jerry Westerman. Pop,Rock. Full Performance. Duration 289. Passing Lane Music #5741871. Published by Passing Lane Music (A0.1070128). We Are All In This Together promotes the hope that everyone of us around the world will work together, follow CDC guidelines and help shorten the time it takes to defeat COVID19. We All Are In This Together, released by J. Westerman of Passing Lane Music is the fourth single following the release of three sequential albums by Through the Glass - J. Westerman. Those albums are Open the Doors, This Side of the Glass & When the Glass is Gone. To learn more about Passing Lane Music & Through the Glass - J. Westerman visit https://passinglanemusic.wixsite.com/j-westerman
$1.99 ≈
1.86€
Prayers and Blessings (Piano/Vocal Score)
Prayers and Blessings (Piano/Vocal Score)
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. ...
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
$11.00 ≈
10.29€
Thank You for Loving Me
Thank You for Loving Me
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Jerry Westerman
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Jerry Westerman
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When the Glass is Gone
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Thank You for Loving Me
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Passing Lane Music
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SheetMusicPlus
Digital Download SKU: A0.1070123 Composed by Jerry Westerman. Arranged by Jerry Westerman. Christian,Holiday,Love,Rock,Wedding. Full Performance. Duratio...
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Digital Download SKU: A0.1070123 Composed by Jerry Westerman. Arranged by Jerry Westerman. Christian,Holiday,Love,Rock,Wedding. Full Performance. Duration 234. Passing Lane Music #3687733. Published by Passing Lane Music (A0.1070123). Thank You for Loving Me, released by J. Westerman of Passing Lane Music is the first single following the release of three sequential albums by Through the Glass - J. Westerman. Those albums are Open the Doors, This Side of the Glass & When the Glass is Gone. To learn more about Passing Lane Music & Through the Glass - J. Westerman visit https://passinglanemusic.wixsite.com/j-westerman.
$1.99 ≈
1.86€
Hornpipe/Jack's the Lad (flex instrumentation, violins)
Hornpipe/Jack's the Lad (flex instrumentation, violins)
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Jennifer Rhodes
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Jennifer Rhodes
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Hornpipe/Jack's the Lad
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Jennie Rhodes Music
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SheetMusicPlus
Piano Accompaniment,Violin - Level 2 - Digital Download SKU: A0.1106200 By Jennifer Rhodes. By Trad. English. Arranged by Jennifer Rhodes. 19th Century,C...
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Piano Accompaniment,Violin - Level 2 - Digital Download SKU: A0.1106200 By Jennifer Rhodes. By Trad. English. Arranged by Jennifer Rhodes. 19th Century,Chamber,Classical,Folk,Instructional. 10 pages. Jennie Rhodes Music #709315. Published by Jennie Rhodes Music (A0.1106200). Flex instrumentation! Up to three violins with optional piano, suited for Suzuki violin levels 2-4, depending on the part. Charming, lively arrangement of the traditional English tune with variations provided for the repeats. Great way to bring players together for recitals or gigs. This piece is extracted from Shall We Dance? a collection of fun, flexible violin chamber music designed to help teachers produce a complete, themed “show†within their own studios and classes. The arrangements are designed with flexibility in mind, cover a range of levels, and open doors to creative concert programming. Visit jennierhodesmusic.com to peruse the full collection and similar compilations.
$5.95 ≈
5.57€
Jig: The Kesh (flex instrumentation, violins)
Jig: The Kesh (flex instrumentation, violins)
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Celtic/Irish
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Folkloric/Traditional
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Jennifer Rhodes
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Jennifer Rhodes
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Jig: The Kesh
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Jennie Rhodes Music
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SheetMusicPlus
Piano Accompaniment,Violin - Level 2 - Digital Download SKU: A0.1106187 By Jennifer Rhodes. By Traditional Irish. Arranged by Jennifer Rhodes. Celtic,Cha...
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Piano Accompaniment,Violin - Level 2 - Digital Download SKU: A0.1106187 By Jennifer Rhodes. By Traditional Irish. Arranged by Jennifer Rhodes. Celtic,Chamber,Classical,Folk,Instructional,Irish. 10 pages. Jennie Rhodes Music #709299. Published by Jennie Rhodes Music (A0.1106187). Flex instrumentation! Up to three violins with optional piano, suited for Suzuki violin levels 2+. Charming, lively arrangement of the traditional Irish tune. Great way to bring players together for recitals or gigs. This piece is extracted from Shall We Dance? a collection of 8 fun, flexible violin chamber music arrangements designed to help teachers produce a complete, themed “show†within their own studios and classes. The arrangements are designed with flexibility in mind, cover a range of levels, and open doors to creative concert programming. Visit jennierhodesmusic.com to peruse the full collection and similar compilations.
$5.95 ≈
5.57€
The Open Door
The Open Door
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Harp, Voice
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INTERMEDIATE
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Mary Lloyd
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The Open Door
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Afghan Press Music for the Harp
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.797554 Composed by Mary Lloyd. Folk,World. Score and parts. 35 pages....
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Instrumental Duet Harp,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.797554 Composed by Mary Lloyd. Folk,World. Score and parts. 35 pages. Afghan Press Music for the Harp #5778787. Published by Afghan Press Music for the Harp (A0.797554). Thirteen original contemplative pieces, fairly easy to play, and almost all are suitable for 22-string lap harp. Also contained are three original poems by Mary Lloyd as well as lyrics for The Songsmith, Harper's Lullaby, Never Lost, and Tend My Lambs. Music is a blessing and a joy that I feel should be shared writes Mary in the preface of her book. Table of Contents: Harper's Lullaby, Tripping Down the Steps, Never Lost, Grasshopper Jig (all in the key of G), The Journey, Lament for Lost Dreams (both in the key of F), The Open Door, Remembrance, Wishing, The Songsmith, Questions, and Tend My Lambs (all in the key of C).
$12.00 ≈
11.23€
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contempo...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
9.36€
A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
2.48€
Somebody
Somebody
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Rock
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Jerry Westerman
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Jerry Westerman
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When the Glass is Gone
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Somebody
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Passing Lane Music
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SheetMusicPlus
Digital Download SKU: A0.1070127 Composed by Jerry Westerman. Arranged by Jerry Westerman. Rock. Full Performance. Duration 281. Passing Lane Music #4808...
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Digital Download SKU: A0.1070127 Composed by Jerry Westerman. Arranged by Jerry Westerman. Rock. Full Performance. Duration 281. Passing Lane Music #4808397. Published by Passing Lane Music (A0.1070127). Somebody, released by J. Westerman of Passing Lane Music is the third single following the release of three sequential albums by Through the Glass - J. Westerman. Those albums are Open the Doors, This Side of the Glass & When the Glass is Gone. To learn more about Passing Lane Music & Through the Glass - J. Westerman visit https://passinglanemusic.wixsite.com/j-westerman
$1.99 ≈
1.86€
I'm Human, You're Human
I'm Human, You're Human
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Rock
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Jerry Westerman
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Jerry Westerman
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When the Glass is Gone
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I'm Human, You're Human
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Passing Lane Music
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SheetMusicPlus
Bass Guitar,Piano,Voice - Digital Download SKU: A0.1070130 Composed by Jerry Westerman. Arranged by Jerry Westerman. Pop,Rock. Full Performance. Duration...
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Bass Guitar,Piano,Voice - Digital Download SKU: A0.1070130 Composed by Jerry Westerman. Arranged by Jerry Westerman. Pop,Rock. Full Performance. Duration 213. Passing Lane Music #5991777. Published by Passing Lane Music (A0.1070130). I'm Human, You're Human addresses discrimination issues still haunting American society. It urges all to realize we are human and we all live in this world. I'm Human, You're Human, released by J. Westerman of Passing Lane Music is the fifth single following the release of three sequential albums by Through the Glass - J. Westerman. Those albums are Open the Doors, This Side of the Glass & When the Glass is Gone. To learn more about Passing Lane Music visit https://passinglanemusic.wixsite.com/j-westerman
$1.99 ≈
1.86€
Hungarian Dance No. 1 (flex instrumentation, violins)
Hungarian Dance No. 1 (flex instrumentation, violins)
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Jennifer Rhodes
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Jennifer Rhodes
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Hungarian Dance No. 1
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Jennie Rhodes Music
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SheetMusicPlus
Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1106215 By Jennifer Rhodes. By Johannes Brahms. Arranged by Jennifer Rhodes. Chamber,Clas...
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Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1106215 By Jennifer Rhodes. By Johannes Brahms. Arranged by Jennifer Rhodes. Chamber,Classical,Folk,Instructional,Romantic Period. 18 pages. Jennie Rhodes Music #709329. Published by Jennie Rhodes Music (A0.1106215). Flex instrumentation! Up to three violins with optional piano, suited for Suzuki violin levels 4-6, depending on the part. Brahms famous piece thoughtfully arranged with pedagogical skills and growth in mind. Great way to bring players together for recitals or gigs. This piece is extracted from Shall We Dance? a collection of fun, flexible violin chamber music arrangements designed to help teachers produce a complete, themed “show†within their own studios and classes. The arrangements are designed with flexibility in mind, cover a range of levels, and open doors to creative concert programming. Visit jennierhodesmusic.com to peruse the full collection and similar compilations.
$9.95 ≈
9.31€
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