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Only the Hands
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551
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99 ≈
5.51€
Gathering Starflowers: A Music Drama for 2 Pianos
Gathering Starflowers: A Music Drama for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Chris Gordon
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Gathering Starflowers: A Music
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Cool Wind Music Digital
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SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00 ≈
13.81€
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99 ≈
5.51€
Nothing but the Blood (Easy Piano Duet; 1 Piano, 4 Hands)
Nothing but the Blood (Easy Piano Duet; 1 Piano, 4 Hands)
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1 Piano, 4 hands
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BEGINNER
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Sharon Wilson
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Sharon Wilson
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Nothing but the Blood
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Sharon Wilson
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.565116 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Children,Easter,Folk...
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1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.565116 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Children,Easter,Folk,Sacred,Traditional. Score. 20 pages. Sharon Wilson #3431319. Published by Sharon Wilson (A0.565116). This mixed level, 1 piano, 4-hands duet arrangement of the familiar hymn tune PLAINFIELD is designed for a beginning student to play the PRIMO while an intermediate player (teacher, parent, friend, sibling) plays the SECONDO. All notes in the PRIMO are played singly with the hands in one position centered around middle C and then played one octave higher. The PRIMO can also be played as a solo when played as written. Lyrics are included on the PRIMO for sing-along enjoyment.This song is unique in that the melody only uses five notes and when played in the key of C or F, all notes are played with just one hand with no sharps or flats to worry about. Therefore, this arrangement utilizes both keys allowing both left and right hands in the PRIMO a turn on the melody. The song begins in the key of C major with the PRIMO right hand on melody, then transitions to F major where the PRIMO left hand plays the melody. The song concludes by returning to C major and the PRIMO right hand playing melody again.The purchase price includes a 10-page combined score with both piano parts on each page plus the alternate format with the PRIMO and SECONDO on separate pages (4 pages each). Duration 2:35. This arrangement is one of the 10 songs included in the Easy Piano Duets collection titled What Heavenly Music.
$4.99 ≈
4.59€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.20€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.20€
Hallelujah Chorus from Handel's "Messiah" (Easy Piano Duet; 1 Piano, 4-Hands)
Hallelujah Chorus from Handel's "Messiah" (Easy Piano Duet; 1 Piano, 4-Hands)
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1 Piano, 4 hands
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EASY
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Sharon Wilson
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Sharon Wilson
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Hallelujah Chorus from Handel'
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Sharon Wilson
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565343 By Sharon Wilson. By George Frideric Handel. Arranged by Sharon Wilson. Baroque,Ch...
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565343 By Sharon Wilson. By George Frideric Handel. Arranged by Sharon Wilson. Baroque,Children,Christmas,Classical,Easter. Score. 14 pages. Sharon Wilson #3907901. Published by Sharon Wilson (A0.565343). Here is a mixed level, 1 piano, 4-hands duet arrangement of the favorite holiday classic The Hallelujah Chorus from George F. Handel's The Messiah. Only excerpts from the main themes are included so the song is only about a 1-1/2 minutes long. This beloved chorus is perfect for recitals or just some family fun around the piano and promises to be a favorite addition to your holiday repertoire for both Christmas and Easter. This arrangement is designed for a beginning student to play the PRIMO while an intermediate player (teacher, parent, friend, sibling) plays the SECONDO. All notes in the PRIMO are played singly with the hands in one position centered around middle C and then played one octave higher. The score is written in the key of F major giving the PRIMO practice playing a B-flat in the left hand. The purchase price includes a 7-page combined score with both piano parts on each page plus the alternate format with the PRIMO and SECONDO on separate pages (3 pages each).
$4.99 ≈
4.59€
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 page...
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00 ≈
11.04€
My Favorite Songs on the Black Keys - Part A
My Favorite Songs on the Black Keys - Part A
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Easy Piano
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BEGINNER
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Traditional
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Elizabeth Essex
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My Favorite Songs on the Black
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Elizabeth Essex
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1309996 Composed by Traditional. Arranged by Elizabeth Essex. Children,Folk,Instructional,Standards,Tradi...
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Easy Piano - Level 1 - Digital Download SKU: A0.1309996 Composed by Traditional. Arranged by Elizabeth Essex. Children,Folk,Instructional,Standards,Traditional. Score. 26 pages. Elizabeth Essex #899121. Published by Elizabeth Essex (A0.1309996). Students of any age will recognize the melodies in My Favorite Songs on the Black Keys and will want to sing along!Ideal for young beginners who can differentiate fingers and know their numbers, this first book in the series, Part A, contains only songs playable with one hand on one set three black keys. Each song is arranged in finger number notation for right and for left hand. The left-hand notes are colored red as well as turned stem down to assist in differentiating right and left-hand notes. When printed double-sided, the left hand page is on the left side and the right hand page is on the right side. I recommend learning these songs in the order given, singing the songs first, then sight reading. Try memorizing each song and try playing them hands together too!As an added bonus, some helpful worksheets are in the back of the book.Table of Contents:Hot Cross Buns – LH Hot Cross Buns – RHRain is Falling Down – LH Rain is Falling Down – RHThe Closet Key – LH The Closet Key – RHMary had a Little Lamb – LH Mary had a Little Lamb – RHPease Porridge – LH Pease Porridge – RHDown by the Station – LH Down by the Station – RHGently Sleep – LH Gently Sleep – RHThe Long-legged Sailor – LH The Long-legged Sailor – RHPiano Finger Numbers 1Piano Finger Numbers 2Draw Quarter NotesDraw Half NotesSong-writing Exercise: Opus 1 See my other arrangements:Sheet Music Press (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth%20EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.comm.
$7.99 ≈
7.35€
Variations for Multi-Hands Piano
Variations for Multi-Hands Piano
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1 Piano, 4 hands
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Contemporary
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Paul SanGregory
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Variations for Multi-Hands Pia
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Distant Engraver Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Digital Download SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728....
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1 Piano,4 Hands,Piano Duet - Digital Download SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728. Published by Distant Engraver Music (A0.977046). This set of six variations is based on a theme made only of chords. The theme is quiet and simple, yet as the variations begin adding rhythms, melodies and textures, various musical styles, characters and dramatic expressions appear. When certain variations take on characteristics of jazz or salsa, audience members might even forget that they are still hearing the same basic chord structure. This piece is written so that almost any number of players can take turns performing it on either one, or two pianos. When fewer players perform the piece, one pianist can play two or three of the easier parts simultaneously. The minimum number of performers needed is four, but to facilitate the playing of cross rhythms, some groups may prefer 5 or 6 players in some variations. The music is written on 5 separate staves with suggestions of where and how to rotate players in and out of the performance, but performers should feel free to divide the parts between themselves in any way that works for them. Videos of two different performances can be seen at the following links:http://paulsg.net/Videos/MHVariations.movhttps://www.youtube.com/watch?v=k4jbIXK1LiQ&feature=youtu.be
$10.00 ≈
9.20€
The Bare Necessities
The Bare Necessities
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Piano solo
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EASY
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Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thom...
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99 ≈
4.59€
The Daedalus and Icarus Journey
The Daedalus and Icarus Journey
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Apostolos Paraskevas
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The Daedalus and Icarus Journe
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic P...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99 ≈
8.27€
The Godfather (love Theme)
The Godfather (love Theme)
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1 Piano, 4 hands
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INTERMEDIATE
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Nino Rota
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Kurt Meyer
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The Godfather
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Kurt Meyer Self-Publishing
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1173862 Composed by Nino Rota. Arranged by Kurt Meyer. 20th Century,Film/TV,Multicultural...
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1173862 Composed by Nino Rota. Arranged by Kurt Meyer. 20th Century,Film/TV,Multicultural,Pop,Standards,World. Score. 8 pages. Kurt Meyer Self-Publishing #774015. Published by Kurt Meyer Self-Publishing (A0.1173862). The hit love theme from the iconic movie THE GODFATHER arranged for Piano Duet (1 Piano, 4 Hands) will sure to be a captivating addition to your next music program! A brief arpeggiated introduction morphs into the main melodic theme, with the melody passing between both piano parts. After a modulation towards the end, some tremolo textures and a hemiola-based polyrhythm accompaniment add some extra musical flavor to this must-have arrangement.May only print one copy per purchase.Other corresponding stand-alone arrangements to this setting:~Handbell Choir~Clarinet QuartetKurt Meyer Self-Publishing (KMSP) Code: KMSP-0023-DP.
$7.50 ≈
6.90€
Breton Fantasy – II. Mouezhioù an Amzer Dremenet (Voices of the Past) (Second Movement Only) –
Breton Fantasy – II. Mouezhioù an Amzer Dremenet (Voices of the Past) (Second Movement Only) –
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1 Piano, 4 hands
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Joshua Tyra
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Breton Fantasy – II. Mouezhi
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Joshua Tyra
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.953897 Composed by Joshua Tyra. Celtic,Contemporary. Score. 18 pages. Joshua Tyra #601893...
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.953897 Composed by Joshua Tyra. Celtic,Contemporary. Score. 18 pages. Joshua Tyra #6018937. Published by Joshua Tyra (A0.953897). This is the second movement of Breton Fantasy, an exciting two-movement piece for one piano, four hands inspired by the region of Brittany (Bretagne), France. Mouezhioù an Amzer Dremenet (Voices of the Past) is a dynamic medley of four well-known Breton folk tunes that interact playfully as they build to the final dramatic flourish. Program notes included. Composer's note: I wrote this movement as a Mother's Day gift for my mother Rae Anne Tyra in 2019. We still enjoy playing it together.
$3.99 ≈
3.67€
Reencuentro [piano 4 hands]
Reencuentro [piano 4 hands]
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1 Piano, 4 hands
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INTERMEDIATE
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Juan MarÃa Solare
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Reencuentro [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596574 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Jazz,Wo...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596574 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Jazz,World. Score and parts. 7 pages. Juan Maria Solare #4794263. Published by Juan Maria Solare (A0.596574). Reencuentro (Reunion): Slow Milonga (country-side milonga) written down after a visit to the cemetery at El Escorial (Spain) on 30 March 2008. This is the typical piece that is destilated in concentric stages: first a lead sheet version (only melody and chords), later a simple piano solo version that starts to become more and more complex. The easy piano version was written on 7 April 2008 and finished in Berlin on 9th April 2008. Premiere of this version for piano solo: by the composer on 3 July 2008 at the theatre of the University in Bremen, during a concert of the Orquesta No TÃpica. Premiere in the Americas by Iván Pérez Faccaro on 27 November 2008 at the Conservatorio Superior de Música de Buenos Aires Ãstor Piazzolla (Argentina). Incluided in the CD Tango Monologues (January 2010) by Juan MarÃa Solare. (https://open.spotify.com/track/71ksY7eCbpeKM1Kjj2x9KT) Second version, for piano four hands, written in Köln on April 17, 2008. There are first corrections made in Köln on November 7, 2008, which echo the versions made in between. Premiere by Helga Beier & Markus Deinhard on Thursday, May 27, 2010, recital Klavier 1- bis 6-händig in the theater of the University of Bremen.
$4.00 ≈
3.68€
Blame It On The Boogie
Blame It On The Boogie
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Jazz Ensemble
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INTERMEDIATE
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David Jackson-Rich, Elmar Kroh
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Nathaniel Frisque
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Blame It On The Boogie
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Nathaniel Frisque
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Cl...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Nathaniel Frisque. Jazz,Pop. Score and parts. 42 pages. Nathaniel Frisque #164885. Published by Nathaniel Frisque (A0.555276). I arranged this piece at the request of my friends in the 2020-2021 Viking Jazz Ensemble at Wisconsin Lutheran High School. We hoped to do Blame it on the Boogie for that year's Prism concert, and they had asked my director to find an arrangement. He found one, but it was out of print. We were already playing an arrangement I did of Don't Start Now by Dua Lipa, so my friends turned to me and said, You can do one more, right? A year later, the 2021-2022 Jazz Ensemble performed this in front of 4 sold-out Prism concerts. This arrangement won first place in the WSMA 2022 Student Composition Project Arrangement Category- High School Division. This arrangement starts with the original melody and harmonies as presented on the original recording. The intro features bass and bari sax, the verse melody is passed to the saxophones, and the chorus is in the hands of the trumpets. I know. Scary. The second verse takes a turn, changing keys to the relative minor and changing feels into a jazz-latin groove. The melody starts in the trumpets and moves to the saxophones, while everyone else is comping on a montuno-based rhythm. The second chorus serves as a Breakdown section and transitions the piece into the solo section. The solo section is heavily inspired by the steel pan music of Trinidad and Tobago. The transition from the chorus into the solo section is stolen from Summersong, a piece of steel pan literature. The chord progression is ripped from the soca tune Pan in A Minor by Lord Kitchener. The backgrounds are traditional strum rhythms from the genre. The transition out of the solo section is a chromatic line also commonly used in steel pan music, especially pieces performed for the annual steel pan competition Panorama. The final chorus is presented in the same style and key as the original recording. Some slight changes are made in the backgrounds, and the entire band brings back the idea from the introduction to bring the piece to an end. This piece exists for one reason only: for you and the audience to have fun.
$54.99 ≈
50.61€
Like the Murmur of the Dove's Song
Like the Murmur of the Dove's Song
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Choral Unison
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Sacred music
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David A White
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Like the Murmur of the Dove's
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Chorister's Guild - Digital
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SheetMusicPlus
Unison/Two-part chorus - Digital Download SKU: C7.CGA352 Composed by David A White. Pentecost, General. Sacred Anthem. Octavo. 4 pages. Chorister's Guild...
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Unison/Two-part chorus - Digital Download SKU: C7.CGA352 Composed by David A White. Pentecost, General. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA352. Published by Chorister's Guild - Digital (C7.CGA352). UPC: 749193002315.This moving and expressive anthem uses hand signs for the deaf to enhance not only the understanding of the text, but also to add another dimension to the composition. The obbligato part for flute or other C instrument, adds to the effectiveness. However, the handsigns are optional and the anthem may be taught without them. Composer: Ruth Artman Text Author: Ruth Artman.
$1.85 ≈
1.70€
March: Helping Hands (Rob Bushnell) - Brass Band
March: Helping Hands (Rob Bushnell) - Brass Band
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99 ≈
41.41€
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Only the Hands
