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O Come to Set Us Free
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You've selected:
O Come to Set Us Free
Sheetmusic to print
8 sheet music found
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1
O Come to Set Us Free
O Come to Set Us Free
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Choral SATB
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Sacred music
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Mary Mcdonald
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O Come to Set Us Free
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Lorenz Publishing Company
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SheetMusicPlus
By Mary Mcdonald. For SATB choir and piano (with optional bass, drum set). Sacred Anthem: Advent, Christmas. Choral score. Published by Lorenz Publishing Compan...
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By Mary Mcdonald. For SATB choir and piano (with optional bass, drum set). Sacred Anthem: Advent, Christmas. Choral score. Published by Lorenz Publishing Company
$2.40 ≈
2.24€
Waiting
Waiting
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Choral SATB
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Sacred music
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Jay Althouse
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Choral Octavo
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Waiting
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-21564 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensem...
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Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-21564 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Advent; Christmas; Sacred. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-21564. Published by Jubilate Music Group - Digital (JX.00-21564). English. Isaiah 7:13-14, Isaiah 40:1-5, Isaiah 40:28-31, Matthew 1:18-23, Luke2:25-35.We are waiting, we are hoping, we are praying to know His grace. This plaintive Advent message is conveyed with great lyricism in this gentle original anthem by Jay Althouse. Unison vocals and call and response on the verses contrast with full harmonies on the choral refrain: Immanuel, O come to set us free, and we will find our rest in Thee. Highly recommended!
$2.25 ≈
2.10€
Waiting
Waiting
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Choral 3-part
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EASY
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Sacred music
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Jay Althouse
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Choral Octavo
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Waiting
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - Digital Download SKU: JX.00-21565 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Perfo...
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - Digital Download SKU: JX.00-21565 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Advent; Christmas; Sacred. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-21565. Published by Jubilate Music Group - Digital (JX.00-21565). English. Isaiah 7:13-14, Isaiah 40:1-5, Isaiah 40:28-31, Matthew 1:18-23, Luke2:25-35.We are waiting, we are hoping, we are praying to know His grace. This plaintive Advent message is conveyed with great lyricism in this gentle original anthem by Jay Althouse. Unison vocals and call and response on the verses contrast with full harmonies on the choral refrain: Immanuel, O come to set us free, and we will find our rest in Thee. Highly recommended!
$2.25 ≈
2.10€
O Come to Set Us Free (2pt Mixed)
O Come to Set Us Free (2pt Mixed)
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Choral 2-part
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Sacred music
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Mary Mcdonald
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O Come to Set Us Free
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Composed by Mary Mcdonald. For 2-part mixed choir, piano accompaniment (with optional bass, drum set (bongos)). Sacred Anthem. Advent, Christmas. Octavo. Publis...
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Composed by Mary Mcdonald. For 2-part mixed choir, piano accompaniment (with optional bass, drum set (bongos)). Sacred Anthem. Advent, Christmas. Octavo. Published by Lorenz Publishing - Digital Sheet Music
$2.40 ≈
2.24€
In Every Corner Sing
In Every Corner Sing
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In Every Corner Sing
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SheetMusicPlus
100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes...
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100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes
Song List
: Because You Live, O Christ Carol Our Christmas Celebrate Each Generation Child of Christmas Story Child of Joy and Peace Christ Has Not Risen Christ Is Our Peace Christ, Let Us Come with You Christmas Day Christ, We Have Claimed You Church of the Living Christ Come and Find the Quiet Center Come, Celebrate the Women Come into the Streets with Me Come Now, Lord Jesus Come, on This Wedding Day Come, Teach Us, Spirit of Our God Come to a Wedding Come to Our Land Come to This Christmas Singing Community of Christ Every Day Faith Has Set Us on a Journey For the Bread and Wine and Blessing For the Music of Creation From the Apple in the Garden From the Waiting Comes the Sign Gentle God, When We Are Driven Give Thanks for Life Give Thanks for Life and Faith and Health God of All Time God of Freedom, God of Justice God of Our Every Day God of the Galaxies God of the World We Know God of Wonder, God of Thunder God Was in Christ Great God of Earth and Heaven Here in the Busy City Here Is the Place Here to the House of God We Come Here We Bring, Small or Great How Happy You Who Work fo Peace! How Small a Spark Has Lit a Living Fire I Am Standing Waiting In the Name of Christ We Gather Jesus, I Come Jesus, Savior, Spirit, Sun! Lift High the Cross Loving Spirit New Child of God, Come to Be Blessed Now as We Go Now the Greening of the Summer Now to Your Table Spread O Christ Who by a Cross O God, We Bear the Imprint of Your Face O Little Love Of Women and of Women's Hopes We Sing Our Life Has Its Seasons Peace Child Sing a Happy Alleluia Sing a Song for Peace and Justice Sing Green Sing to Celebrate the City Small Things Count, So Jesus Said Spirit of Love Spirit Who Broods, Spirit Who Sings Stranger God, You Come to Us Take My Gifts Teach Us, O Loving Heart of Christ The Grain Is Ripe The Spring Has Come This Thread I Weave Through All The World To Christ Whose Hands Will Bless Touch the Earth Lightly We Light a Candle for a Life We Wait for You When Human Voices Cannot Sing When We Lift Our Pack and Go Where Is the Room? Where the Good Seed Grows Who Is My Mother, Who Is My Brother? Who Is the Child that Is to Be Born?
$14.95 ≈
13.95€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.23€
Your Favorite Christmas Hymns and Carols for Brass, Book 1
Your Favorite Christmas Hymns and Carols for Brass, Book 1
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Brass ensemble
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.522154 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score a...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.522154 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 68 pages. Colin Kirkpatrick Publications #3579897. Published by Colin Kirkpatrick Publications (A0.522154). Your Favorite Christmas Hymns and Carols for Brass, Book 1Arranged for brass by Colin Kirkpatrick Here’s a brand new collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. They are presented in a set of two books and include full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios.The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves) The audio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and Silent Night. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99 ≈
24.25€
Your Favorite Christmas Hymns and Carols for Strings, Book 1
Your Favorite Christmas Hymns and Carols for Strings, Book 1
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String Quartet: 2 violins, viola, cello
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EASY
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Christmas
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Various
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Prais...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, Christmas. Score, Set of Parts. 61 pages. Published by Colin Kirkpatrick Publications
YourFavorite Christmas Hymns and Carols for Strings, Book 1
Arrangedfor strings by Colin Kirkpatrick
Here’sa brand new collection of best-loved Christmas hymns and carols arranged for strings,to brighten up your next Christmas event. They are presented in a set of twobooks and include full four-part instrumental scores plus parts for first violin,second violin, viola, cello and optional double bass. Both cello and bass partsappear on a single staff. The arrangements can be used with string quartet, stringquintet or string ensemble. There’s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The left handplays only the bass part most of the time, with the right hand part kept assimple as possible. It could be used as the basis of an accompaniment whichmeans that you can use the arrangements as solos, duets or trios.
Thearrangements are intended either as stand-alone pieces that could be used asinterludes in a concert or service, or they could be used to accompany solo,choral or congregational singing. The arrangements been written in string-friendlykeys as often as possible. While the hymns mostly use the traditionalharmonies, the carols have been treated more freely.
Book 1 includes thefollowing 19 titles: Angels from the Realms of Glory (Melody: Gloria); Awayin a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: PuerNobis); Christians Awake! (Melody: Yorkshire); Deck the Halls withBoughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; GoodChristian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas(Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; ItCame Upon the Midnight Clear (Melody: Carol); Little Jesus, SweetlySleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); OCome all ye Faithful (Melody: Adeste Fidelis); O Little Town ofBethlehem (Melody: Saint Louis); O Holy Night (Melody: CantiqueNoël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy;We Wish You a Merry Christmas and What Child is This? (Melody:Greensleeves)
Theaudio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and SilentNight. Please note that the arrangements are usually not usually compatiblewith the brass collection of the same name
$25.99 ≈
24.25€
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O Come to Set Us Free
