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Nothing More Wonderful
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You've selected:
Nothing More Wonderful
Sheetmusic to print
22 sheet music found
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1
Nothing More Wonderful (low voice)
Nothing More Wonderful (low voice)
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Piano, Voice
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EASY
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Sacred music
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Christian contemporary
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Jayne Nitz
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Nothing More Wonderful
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Jayne Nitz
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.922879 Composed by Jayne Nitz. Christian,Contemporary,Praise & Worship,Sacred. Score. 9 pages. Jay...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.922879 Composed by Jayne Nitz. Christian,Contemporary,Praise & Worship,Sacred. Score. 9 pages. Jayne Nitz #6413293. Published by Jayne Nitz (A0.922879). Written for solo singer with piano, this contemporary Christian song tries to put into words the greatness of God and all of his gifts. This lower voice version is in the key heard on YouTube. Includes guitar chords and reproducible lead sheet.
$2.50 ≈
2.33€
Nothing More Wonderful (Unison/optional 2-part)
Nothing More Wonderful (Unison/optional 2-part)
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Choral Unison
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EASY
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Sacred music
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Jayne Nitz
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Nothing More Wonderful
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Jayne Nitz
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.922878 Composed by Jayne Nitz. Children,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Ja...
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.922878 Composed by Jayne Nitz. Children,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Jayne Nitz #6413281. Published by Jayne Nitz (A0.922878). This song for kids, suitable for children’s choir, Sunday School, or Vacation Bible School, tries to put into words the greatness of God and all of his gifts. Unison and 2-part, with the 2nd part optional.
$1.99 ≈
1.86€
Nothing to pay! A new tune to a wonderful Frances Ridley Havergal hymn.
Nothing to pay! A new tune to a wonderful Frances Ridley Havergal hymn.
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Choral Unison
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EASY
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Harry Hicks
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Nothing to pay! A new tune to
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994551 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4359...
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994551 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4359597. Published by Harry Hicks (A0.994551). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99 ≈
1.86€
Nothing but the blood of Jesus. A new tune to a wonderful old hymn.
Nothing but the blood of Jesus. A new tune to a wonderful old hymn.
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Choral Unison
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EASY
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Harry Hicks
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Nothing but the blood of Jesus
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994550 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4359...
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994550 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4359593. Published by Harry Hicks (A0.994550). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99 ≈
1.86€
Wonderful Words of Life
Wonderful Words of Life
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Wonderful Words of Life
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SheetMusicPlus
Large Print Hymnal Large P...
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Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player
Song List
: A Child Of The King A Mighty Fortress Is Our God Abide with Me Amazing Grace At Calvary At the Cross Be Still, My Soul Beneath The Cross Of Jesus Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Bringing In The Sheaves Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, Thou Fount Of Every Blessing Come, We That Love The Lord Come, Ye Thankful People, Come Count Your Blessings Crown Him with Many Crowns Day Is Dying In The West Face to Face with Christ My Savior Fairest Lord Jesus Faith of Our Fathers For The Beauty Of The Earth God Be With You God Of Our Fathers God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Leadeth Me He Lives He's Got The Whole World In His Hands Heavenly Sunlight Hiding In Thee His Eye Is On The Sparrow His Name Is Wonderful Holy, Holy, Holy How Firm A Foundation How Great Thou Art I Am His And He Is Mine I Am Thine, O Lord I Have Decided to Follow Jesus I Know Whom I Have Believed I Love To Tell The Story i need Thee Every hour In Christ There Is No East Or West In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus Loves Me! Jesus, Savior, Pilot Me Jesus, the Very Thought of Thee Joy To The World Just A Closer Walk With Thee Just As I Am, Without One Plea Lead Me To Calvary Leaning on the Everlasting Arms Let The Lower Lights Be Burning Love Divine, All Loves Excelling More About Jesus Would I Know More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Near The Cross Near to the Heart of God Nearer, My God, to Thee No, Not One! Now Thank We All Our God O Come, All Ye Faithful O For A Heart To Praise My God O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Happy Day Oh, How He Loves You and Me! Oh, How I Love Jesus O Little Town of Bethlehem O Love That Will Not Let Me Go O Master, Let Me Walk With Thee O Worship the King Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Pass Me Not Rescue the Perishing Revive Us Again Rock Of Ages Safe In The Arms Of Jesus Saved By Grace Savior, Like a Shepherd Lead Us Shall We Gather at the River? Showers Of Blessing Silent Night! Holy Night! Stand Up, Stand Up for Jesus Standing On The Promises Sweet By And By Sweet Hour of Prayer Take My Life and Let It Be Take The Name Of Jesus With You Take Time To Be Holy Tell Me The Old, Old Story The Bond Of Love The Church In The Wildwood The Church's One Foundation The Light Of The World Is Jesus The Lord's My Shepherd, I'll Not Want The Old Rugged Cross This Is My Father's World 'Tis So Sweet to Trust in Jesus Trust and Obey Turn Your Eyes upon Jesus Were You There? What a Friends We Have in Jesus When I Survey the Wondrous Cross When Morning Gilds the Skies When The Roll Is Called Up Yonder Wonderful Words Of Life
$19.95 ≈
18.62€
8 Swinging Xmas Carols for Bb Bass Clarinet & Piano
8 Swinging Xmas Carols for Bb Bass Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Christmas
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Bb
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Keith Terrett
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SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.1315075 By Keith Terrett. By Various. Arranged by Keith Terrett. Christian,Christmas,Holiday,Praise &...
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.1315075 By Keith Terrett. By Various. Arranged by Keith Terrett. Christian,Christmas,Holiday,Praise & Worship. Score and part. 31 pages. Keith Terrett #903819. Published by Keith Terrett (A0.1315075). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Bass Clarinet & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.For more music for Bb & Bass Clarinet check out my publisher in the USA:http://bassclarinet.org.
$15.99 ≈
14.92€
8 Swinging Xmas Carols for Descant (Soprano Recorder) & Piano
8 Swinging Xmas Carols for Descant (Soprano Recorder) & Piano
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Descant (Soprano) Recorder
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INTERMEDIATE/ADVANCED
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Christmas
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Des
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Keith Terrett
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 4 - Digital Download SKU: A0.1315338 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christi...
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Recorder Solo,Soprano Recorder - Level 4 - Digital Download SKU: A0.1315338 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Contest,Festival,Praise & Worship. Individual part. 29 pages. Keith Terrett #904087. Published by Keith Terrett (A0.1315338). An exciting arrangement of eight popular swinging xmas carols arranged for Soprano/Descant Recorder & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.For more of my music for Recorder, check out:AMERICAN RECORDER SOCIETY MEMBERS LIBRARYGlen Shannon, EditorKeith TerrettHavana Rhubarb Rumbafor 4-7 RecordersPublished as a supplement to American Recorder.
$15.99 ≈
14.92€
You've Lost That Lovin' Feelin'
You've Lost That Lovin' Feelin'
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Jazz Ensemble
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Elvis Presley and The Righteou
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Eric Burger
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You've Lost That Lovin' Feelin
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Eric Burger Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.509037 By Elvis Presley and The Righteous Brothers. By Barry Mann, Cynthia Weil, and Phil Spector....
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.509037 By Elvis Presley and The Righteous Brothers. By Barry Mann, Cynthia Weil, and Phil Spector. Arranged by Eric Burger. Jazz,Pop,Rock. Score and parts. 45 pages. Published by Eric Burger Music (A0.509037). A wonderful feature your your great vocalist - this Hall and Oates version of the classic has all of the great backing vocal parts covered in the horns, so nothing will be missing. Great for concert, party or dance gigs. Vocal part includes lyrics of course! Please click the link to check out the YouTube playback of the score. Eric Burger is a long time commercial and military arranger who has written many charts that are performed by bands around the world. Each part is beautifully typeset for ease of reading, and every chart is proven on the “band-stand†by working bands and is sure to be a hit with your audiences. For more information, to request custom work, or for other fine charts please visit https://www.EricBurgerMusic.com Custom work is available, including adapting any work to your ensemble's instrumentation!
$60.00 ≈
56.00€
No Time To Die
No Time To Die
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Pop music
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Billie Eilish
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Colin Tommis
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No Time To Die
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Colin Tommis
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop...
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Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual part. 4 pages. Colin Tommis #6114397. Published by Colin Tommis (A0.961511). This intermediate /advanced version of the new James Bond song lasts towards 4 minutes and is unusual in so much that the 3rd string is detuned to F#. This makes it trickier to read but much more fun to play. There are some large stretches and unusual hammer techniques. In the latter, the player creates a note from nothing by hammering a left-hand finger down on a string. I have employed a lot of off-beats, and the idea is to keep it licking along, almost like a piece of dance reggae-style music. This makes it wonderful for the listener and challenging for the player. This is offered in notation only, there is no tab.
$5.99 ≈
5.59€
Tarantelle: String Bass
Tarantelle: String Bass
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Doublebass (band part)
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Instructional
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Almon C
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Concert/Contest
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Tarantelle: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0014505_SB String Bass. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - ...
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String Orchestra - Digital Download SKU: AX.00-PC-0014505_SB String Bass. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014505_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014505_SB). UPC: 038081378008.A frenetic pace characterizes this piece written in the true Italian style of the 6/8 couples dance. Thought to have been danced to ward off the effects of the bite of the tarantula spider, there's nothing that severe here---just a wonderful, percussive rondo. The piece features some lively syncopation and ends with an extended finish that gets more rousing with each passing measure. Your audiences will be tapping their feet from the opening measure, and your orchestra will want to play it over and over.Closer; Concert/Contest; Festival.
$5.99 ≈
5.59€
Elizabethan Serenade
Elizabethan Serenade
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Contemporary
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Ronald Binge
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Derek Hasted
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Elizabethan Serenade
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge. By Ronald Binge. Arranged by Derek Hasted. 20th Century. Score and p...
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge. By Ronald Binge. Arranged by Derek Hasted. 20th Century. Score and parts. 33 pages. Derek Hasted #714839. Published by Derek Hasted (A0.1112883). ELIZABETHAN SERENADE - 6 Guitars or 5+BassFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Ronald Binge was a fantastic composer, but few people know of his works. He worked as an arranger for Mantovani, and was, they say, responsible for “The Mantovani Sound†- that cascade of overlapping waterfalls of strings. His Elizabethan Serenade is nothing less that utterly charming. My arrangement is modelled on the version I wrote for the Hampshire Guitar Orchestra (which played 4 different sizes of guitar). This arrangement is one tone higher, and fits nicely onto 6 classical or acoustic guitars (or a large ensemble). Guitar 6 is in treble and bass clefs, so one can substitute a double bass or electric bass, or thicken up the existing part with a deeper sound. My arrangement is mixed ability, almost all the music is early intermediate, but the top line is perhaps intermediate. There are plenty of dynamics which make the music come alive, but there is no fingering - almost all of it can be played in First Position, and a gentle mellow sound will create the most amazing accompaniment which the audience will be convinced has a hidden echo somewhere. When my guitar orchestra played this in concert, you could hear a pin drop - it is a wonderful piece and deserves to be played far more often. I hope YOU enjoy playing this piece!
$4.99 ≈
4.66€
The Northern Lights
The Northern Lights
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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John Maul
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John Maul
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The Northern Lights
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John Maul
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1263287 By John Maul. By John Maul. Arranged by John Maul. Contemporary,Film/TV,New Age,Spiritual. Score....
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Piano Solo - Level 4 - Digital Download SKU: A0.1263287 By John Maul. By John Maul. Arranged by John Maul. Contemporary,Film/TV,New Age,Spiritual. Score. 5 pages. John Maul #856248. Published by John Maul (A0.1263287). Nothing can be more breath taking than seeing the Northern Lights - their shifting shapes and colours. This piece attempts to musically recreate that impression through shifting harmonies and simple melodies in a calm and tranquil mood. Please click on the following Youtube link to hear a wonderful performance by pianist, Jill Morton.
$4.95 ≈
4.62€
Tarantelle: Cello
Tarantelle: Cello
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String Orchestra
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Instructional
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Almon C
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Concert/Contest
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Tarantelle: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0014505_VC1 Cello. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - Digit...
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String Orchestra - Digital Download SKU: AX.00-PC-0014505_VC1 Cello. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014505_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014505_VC1). UPC: 038081378008.A frenetic pace characterizes this piece written in the true Italian style of the 6/8 couples dance. Thought to have been danced to ward off the effects of the bite of the tarantula spider, there's nothing that severe here---just a wonderful, percussive rondo. The piece features some lively syncopation and ends with an extended finish that gets more rousing with each passing measure. Your audiences will be tapping their feet from the opening measure, and your orchestra will want to play it over and over.Closer; Concert/Contest; Festival.
$5.99 ≈
5.59€
Tarantelle: Score
Tarantelle: Score
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String Orchestra
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Instructional
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Almon C
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Concert/Contest
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Tarantelle: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0002824 Score. Composed by Almon C. Bock. Instructional. Score. 24 pages. Alfred Music - Digital...
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String Orchestra - Digital Download SKU: AX.00-PR-0002824 Score. Composed by Almon C. Bock. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0002824. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002824). UPC: 038081378008.A frenetic pace characterizes this piece written in the true Italian style of the 6/8 couples dance. Thought to have been danced to ward off the effects of the bite of the tarantula spider, there's nothing that severe here---just a wonderful, percussive rondo. The piece features some lively syncopation and ends with an extended finish that gets more rousing with each passing measure. Your audiences will be tapping their feet from the opening measure, and your orchestra will want to play it over and over.Closer; Concert/Contest; Festival.
$8.00 ≈
7.47€
Tarantelle: 2nd Violin
Tarantelle: 2nd Violin
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String Orchestra
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Instructional
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Almon C
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Concert/Contest
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Tarantelle: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0014505_VN2 2nd Violin. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - ...
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String Orchestra - Digital Download SKU: AX.00-PC-0014505_VN2 2nd Violin. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014505_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014505_VN2). UPC: 038081378008.A frenetic pace characterizes this piece written in the true Italian style of the 6/8 couples dance. Thought to have been danced to ward off the effects of the bite of the tarantula spider, there's nothing that severe here---just a wonderful, percussive rondo. The piece features some lively syncopation and ends with an extended finish that gets more rousing with each passing measure. Your audiences will be tapping their feet from the opening measure, and your orchestra will want to play it over and over.Closer; Concert/Contest; Festival.
$5.99 ≈
5.59€
Tarantelle: Viola
Tarantelle: Viola
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String Orchestra
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Instructional
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Almon C
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Concert/Contest
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Tarantelle: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0014505_VA1 Viola. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - Digit...
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String Orchestra - Digital Download SKU: AX.00-PC-0014505_VA1 Viola. Composed by Almon C. Bock. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014505_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014505_VA1). UPC: 038081378008.A frenetic pace characterizes this piece written in the true Italian style of the 6/8 couples dance. Thought to have been danced to ward off the effects of the bite of the tarantula spider, there's nothing that severe here---just a wonderful, percussive rondo. The piece features some lively syncopation and ends with an extended finish that gets more rousing with each passing measure. Your audiences will be tapping their feet from the opening measure, and your orchestra will want to play it over and over.Closer; Concert/Contest; Festival.
$5.99 ≈
5.59€
Tarantelle: 1st Violin
Tarantelle: 1st Violin
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Violin (band part)
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Instructional
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Almon C
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Concert/Contest
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Tarantelle: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0014505_VN1 1st Violin. Composed by Almon C. Bock. Instructional. Part. 4 pages. Alfred Music - ...
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String Orchestra - Digital Download SKU: AX.00-PC-0014505_VN1 1st Violin. Composed by Almon C. Bock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014505_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014505_VN1). UPC: 038081378008.A frenetic pace characterizes this piece written in the true Italian style of the 6/8 couples dance. Thought to have been danced to ward off the effects of the bite of the tarantula spider, there's nothing that severe here---just a wonderful, percussive rondo. The piece features some lively syncopation and ends with an extended finish that gets more rousing with each passing measure. Your audiences will be tapping their feet from the opening measure, and your orchestra will want to play it over and over.Closer; Concert/Contest; Festival.
$5.99 ≈
5.59€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.39€
Hymn Favorites, Book 4 - A Collection of Sixteen Piano Solos
Hymn Favorites, Book 4 - A Collection of Sixteen Piano Solos
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Piano solo
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INTERMEDIATE
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Sacred music
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Various
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Hymn Favorites, Book 4 - A Col
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Easter, Thanksgiving, Wedding. Sheet Mu...
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Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Easter, Thanksgiving, Wedding. Sheet Music Single. 62 pages. Published by Sharon Wilson
This collection of sixteen piano solos features unique and inspiring arrangements of favorite hymns. From peaceful and relaxing to upbeat and joyful, the intermediate to advanced-intermediate pianist will find these uplifting songs a delightful addition to their church repertoire.
Each of the 16 arrangements is also available separately with accompanying preview pages and audio samples.
Titles in this collection include:
All Hail the Power of Jesus’ Name
Amazing Grace
Great Is Thy Faithfulness
Here Is Love
I Love to Tell the Story
Leaning on the Everlasting Arms
Love Divine, All Loves Excelling
The Love of God
Marvelous Grace
More Love to Thee
Nothing but the Blood of Jesus
Open My Eyes That I May See
Redeemed, How I Love to Proclaim It
Revive Us Again
The Solid Rock (My Hope Is Built on Nothing Less)
Wonderful Peace
$16.99 ≈
15.86€
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Nothing More Wonderful
