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Notable Clarinet Quartet
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You've selected:
Notable Clarinet Quartet
Sheetmusic to print
13 sheet music found
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1
Notable - Clarinet Quartet
Notable - Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Phil Rawle
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Notable - Clarinet Quartet
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Phillip Rawle
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1404701 Composed by Phil Rawle. Classical,Contemporary. 13 pages. P...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1404701 Composed by Phil Rawle. Classical,Contemporary. 13 pages. Phillip Rawle #987765. Published by Phillip Rawle (A0.1404701). A soothing, lyrical piece with plenty of rhythmic interchanges and interesting harmonies.Written for three Clarinets in Bb and a Bass Clarinet.Not too difficult.
$5.00 ≈
4.68€
Pizzicati for Clarinet Quartet
Pizzicati for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Classical
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Leo Delibes
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Diego Marani
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Pizzicati for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528171 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Conc...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528171 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 10 pages. Diego Marani #5010887. Published by Diego Marani (A0.528171). Sylvia, originally Sylvia, ou La nymphe de Diane, is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. Sylvia is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The prelude to the first act and the pizzicati in the third are the significantly more famous sections of this already notable score. The latter, the more famous, is a well-known example of pizzicato style. This section is, according to The New Grove Dictionary of Music and Musicians, traditionally played in a halting, hesitant style that appears to have been no part of Delibes's conception.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$9.90 ≈
9.26€
Bach: Partita No. 3 BWV 827 for Clarinet Quartet
Bach: Partita No. 3 BWV 827 for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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James M
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Bach: Partita No. 3 BWV 827 fo
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jmsgu3
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1439145 Composed by Johann Sebastian Bach. Arranged...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1439145 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 70 pages. Jmsgu3 #1019169. Published by jmsgu3 (A0.1439145). BACH: Partita No. 3 BWV 827 Contents: Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue. Bach's Partita No. 3 in A minor, BWV 827, is an essential work in the composer's output for keyboard instruments. Here are some key points about this piece: It is one of the six partitas that Bach composed for harpsichord or clavichord, regarded as pinnacles of Baroque keyboard music. The Partita No. 3 consists of seven movements following the traditional partita structure: Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. The Burlesca movement is particularly notable, featuring rapid hand-crossing and a lively, humorous character unusual for Bach's works. The Sarabande movement is considered one of Bach's most profound and expressive, with its rich harmonies and emotional depth. The final Gigue is a tour de force of contrapuntal writing, with multiple melodic lines interwoven in a lively dance rhythm. With the other partitas, BWV 827 demonstrates Bach's mastery of various dance forms and his ability to elevate them into profound artistic statements. So, in summary, Bach's Partita No. 3 stands out for its structural complexity, emotional range, and virtuosic demands, cementing its place among the composer's most outstanding keyboard achievements.
$42.95 ≈
40.19€
Bach: Partita No. 5 BWV 829 for Clarinet Quartet
Bach: Partita No. 5 BWV 829 for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
#
INTERMEDIATE/ADVANCED
#
Johann Sebastian Bach
#
James M
#
Bach: Partita No. 5 BWV 829 fo
#
jmsgu3
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1440611 Composed by Johann Sebastian Bach. Arranged...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1440611 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 88 pages. Jmsgu3 #1020584. Published by jmsgu3 (A0.1440611). J. S. BACH: Partita No. 5 BWV 829 Contents: Praeambulum, Allemande, Courante, Aria, Sarabande, Menuet, Passepied, Gigue. Bach's Partita No. 5 in G major, BWV 829, is an essential work for several reasons: The Partitas, including BWV 829, were among the last keyboard suites composed by Bach and are his most technically demanding. They were published individually starting in 1726, then collected together as Clavier-Übung I in 1731, the first of Bach's works published under his direction. Partita No. 5 in G major, BWV 829, is particularly notable for its free-ranging structure, unlike the strictly organized English and French Suites. Additionally, the tonalities of the six Partitas form a deliberate sequence of intervals going up and down, with Partita No. 5 in G major completing this tonal scheme. This intervallic sequencing suggests Bach carefully structured the collection as a cohesive whole. Finally, Partita No. 5 is considered an exercise in spiritual delight for its technical demands and expressive qualities. It is one of the repertoire's most famous and challenging keyboard suites.
$42.95 ≈
40.19€
Notable - Wind Quartet
Notable - Wind Quartet
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Flute, Oboe, Clarinet, Bassoon
#
INTERMEDIATE
#
Phil Rawle
#
Notable - Wind Quartet
#
Phillip Rawle
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.824683 Composed by Phil Rawle. Concert,Contemporary. ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.824683 Composed by Phil Rawle. Concert,Contemporary. 9 pages. Phillip Rawle #6351419. Published by Phillip Rawle (A0.824683). A soothing, lyrical piece with plenty of rhythmic interchanges and interesting harmonies for wind quartet. Not too difficult.
$5.00 ≈
4.68€
Clarinet Quintet, opus 155 (2013)
Clarinet Quintet, opus 155 (2013)
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Clarinet Quintet: Clarinet, String Quartet
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical...
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.
Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister’s wedding in Vermont. Nancy premiered the solo clarinet piece “Trinca di Chôro” during the wedding ceremony. The second work was “Yo Picasso” (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was “Octet in D, opus 144” (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.
My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.
Clarinet Quintet, opus 155 is in seven movements.
I. Largo
II. Allegro
III. Interlude 1 … Presto
IV. Adagio
V. Reprise … a bit faster than before!
VI. Interlude 2 … Adagio
VII. Allegro con moto
The work begins with a clarinet meditation over pianissimo string chords. The music is very static … not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You’ll get lost! Above the “oom-pah oom-pah” accompaniment, the clarinet soars like a flying bird … diving, hovering, dipping and swooping!!!
ENJOY!!!
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013
Video link: https://youtu.be/2fByM3tEAqc
$9.99 ≈
9.35€
GAVOTTE – CLARINET QUARTET
GAVOTTE – CLARINET QUARTET
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Clarinet Quartet: 4 clarinets
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EASY
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F-J
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RUSSELL T
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GAVOTTE – CLARINET QUARTET
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EMK Music
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1422398 Composed by F-J. Gossec (1734-1829). Arranged by RUSSELL T....
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1422398 Composed by F-J. Gossec (1734-1829). Arranged by RUSSELL T. KING. Chamber,Classical,Contest,Festival. 9 pages. EMK Music #1003740. Published by EMK Music (A0.1422398). Performance time: 2.27 This piece is excellent for practising ensemble skills as well as for filling that small gap in your program with something light and entertaining. You can use as much rubato as you like.François-Joseph Gossec (1734 – 1829) was a French composer of operas, string quartets, symphonies, and choral works. His Gavotte, from his opera Rosine, ou L'épouse abandonnée (1786), remains familiar in popular culture because Carl Stalling and Charles M. Jones used arrangements of it in several Warner Brothers cartoons. Arguably the most notable of these is Porky Pig's dance to an uncredited version of Gossec's Gavotte in Jones’ Porky's Cafe (1942). (Wikipedia).
$14.00 ≈
13.10€
Everybody Needs Somebody To Love
Everybody Needs Somebody To Love
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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The Blues Brothers
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Diego Marani
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Everybody Needs Somebody To Lo
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Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527959 By The Blues Brothers. By Bert Berns, Gerry Wexler, and Soloman B...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527959 By The Blues Brothers. By Bert Berns, Gerry Wexler, and Soloman Burke. Arranged by Diego Marani. Blues,Contemporary,Film/TV,Hip-Hop,R & B,Standards. 18 pages. Diego Marani #3884545. Published by Diego Marani (A0.527959). Everybody Needs Somebody to Love is a song written by Bert Berns, Solomon Burke and Jerry Wexler, and originally recorded by Solomon Burke under the production of Bert Berns at Atlantic Records in 1964. Wilson Pickett covered the song in 1966, and his version made it to #29 pop, and #19 R&B in early 1967. Other notable versions of Everybody Needs Somebody to Love were recorded by The Rolling Stones and The Blues Brothers.
$19.99 ≈
18.71€
We Can Work It Out
We Can Work It Out
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.763033 By The Beatles. By John Lennon and Paul McCart...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.763033 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 8 pages. RayThompsonMusic #370744. Published by RayThompsonMusic (A0.763033). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartneyand John Lennon. It was first issued as a double A-side single with Day Tripper in December 1965.It also appeared on the 1966 US release Yesterday and Today. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions. Arranged wind quartet: fl, ob, cl and bsn. Melody is shared amongst 3 treble clef instruments, bassoon provides steady bass line. Video is the clarinet quartet version.
$14.95 ≈
13.99€
We Can Work It Out
We Can Work It Out
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String Quartet: 2 violins, viola, cello
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EASY
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1042755 By The Beatles. By John Lennon and Paul McCartney. Arranged...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1042755 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 7 pages. RayThompsonMusic #647539. Published by RayThompsonMusic (A0.1042755). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon.It was first issued as a double A-side single with Day Tripper in December 1965.It also appeared on the 1966 US release Yesterday and Today.The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s.We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions.Arranged string quartet Video is the clarinet quartet version.
$14.99 ≈
14.03€
We Can Work It Out
We Can Work It Out
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.771560 By The Beatles. By John Lennon and Paul McCartney. Ar...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.771560 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. Score and parts. 8 pages. RayThompsonMusic #379203. Published by RayThompsonMusic (A0.771560). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartneyand John Lennon. It was first issued as a double A-side single with Day Tripper in December 1965. It also appeared on the 1966 US release Yesterday and Today. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions. Arranged brass quartet: 2 tpt,tbn and tuba Melody is shared amongst 3 treble clef instruments, tuba provides steady bass line. Alt. horn in F part for tbn. Video is the clarinet quartet version.
$17.95 ≈
16.80€
Orchestral Movement in D minor
Orchestral Movement in D minor
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Orchestra
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ADVANCED
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Steve Shade
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Orchestral Movement in D minor
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Steve Shade
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.834364 Composed by Steve Shade. 20th Century,Classical,Contemporary,Romantic Period. Score and parts....
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Full Orchestra - Level 5 - Digital Download SKU: A0.834364 Composed by Steve Shade. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Steve Shade #4993543. Published by Steve Shade (A0.834364). The Orchestral Movement in D minor is a single movement piece for symphony orchestra. A slow, sinister melody is introduced by the low strings. This theme is developed across the orchestra until a fast and aggressive theme burst out of the calmness. The energy stops as an oboe solo restates the main theme, paving the way for a woodwind trio that transitions the piece to a lyrical theme in A minor. This slow, expressive melody builds to a gushing climax which resolves with a retransition to the opening themes, both of which are now in A minor. A dissonant deceptive cadences leads to the final section, a coda that restates the main fast theme which is now accelerated, developed, and supported by the full ensemble. The piece concludes with rapid-moving parts from high to low, bringing the piece to an exciting ending. Contents: 109 pages (Cover, Instrumentation List, Conductor's Score, Fully-edited parts for all players)Duration: About 7.5 minutesDifficulty: Early Advanced/AdvancedNotable Features:All strings are given expressive melodiesA Horn quartet is given during the slow A themeFlute, Oboe, and Clarinet are given an expressive trio sectionClarinet is given a solo passage
$39.95 ≈
37.39€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Tuba ensemble
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INTERMEDIATE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-t...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
12.16€
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Notable Clarinet Quartet
