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Nice Work If You Can Get It: Piano Accompaniment
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You've selected:
Nice Work If You Can Get It: Piano Accompaniment
Sheetmusic to print
13 sheet music found
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1
Nice Work If You Can Get It: Piano Accompaniment
Nice Work If You Can Get It: Piano Accompaniment
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Piano (band part)
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Classical
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George Gershwin
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Dave Wolpe
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Nice Work If You Can Get It: P
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014740_K Piano Accompaniment. Composed by George Gershwin. Arranged by Dave Wolpe. Classical. Part...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014740_K Piano Accompaniment. Composed by George Gershwin. Arranged by Dave Wolpe. Classical. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0014740_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014740_K). ISBN 9780757934919. UPC: 654979009283.A great combination of Gershwin and Wolpe! This vocal solo with big band chart is written in two different keys for your flexibility---it works for your female or male vocalist. A great Gershwin song with wonderful lyrics, this chart has reversible parts---just flip the page for female or male vocal key. Scored with easy vocal ranges, tasty backgrounds, a tenor sax solo and a swinging ensemble, it's the perfect chart for any concert or dance. (Male vocal in F, female vocal in C).
$3.00 ≈
2.80€
Nice Work If You Can Get It - Piano Accompaniment by George Gershwin - Solo & Accompaniment, Singer Pro
Singer Pro~~Solo & Accompaniment
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Jazz
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George Gershwin
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Nice Work If You Can Get It -
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Musicnotes
Nice Work If You Can Get It - Piano Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Nice Work If You Can Get It - Piano Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Singer Pro;Solo & Accompaniment, instruments: C Instrument;Piano Accompaniment;Violin;Oboe;Flute;Recorder; 3 pages -- Jazz~~Jazz Standards~~Show/Broadway
$5.25 ≈
4.90€
Nice Work If You Can Get It by George Gershwin - Instrumental Parts
Solo & Accompaniment~~Instrumental Parts
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George Gershwin
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Nice Work If You Can Get It
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Musicnotes
Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...
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Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Piano Accompaniment;Trombone -- Jazz Standards~~Standards~~Traditional Pop~~Musical
$5.18 ≈
4.84€
Nice Work If You Can Get It by George Gershwin - Instrumental Parts
Solo & Accompaniment~~Instrumental Parts
#
George Gershwin
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Nice Work If You Can Get It
#
Musicnotes
Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...
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Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Piano Accompaniment;Trumpet -- Jazz Standards~~Standards~~Traditional Pop~~Musical
$5.18 ≈
4.84€
Nice Work If You Can Get It by George Gershwin - Instrumental Parts
Solo & Accompaniment~~Instrumental Parts
#
George Gershwin
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Nice Work If You Can Get It
#
Musicnotes
Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...
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Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Piano Accompaniment;Tenor Saxophone -- Jazz Standards~~Standards~~Traditional Pop~~Musical
$5.18 ≈
4.84€
Nice Work If You Can Get It by George Gershwin - Instrumental Parts
Solo & Accompaniment~~Instrumental Parts
#
George Gershwin
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Nice Work If You Can Get It
#
Musicnotes
Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...
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Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Flute;Piano Accompaniment -- Jazz Standards~~Standards~~Traditional Pop~~Musical
$5.18 ≈
4.84€
Nice Work If You Can Get It by George Gershwin - Instrumental Parts
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Alto Saxophone and Piano
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George Gershwin
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Nice Work If You Can Get It
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Musicnotes
Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...
(+)
Nice Work If You Can Get It Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Alto Saxophone;Piano Accompaniment -- Jazz Standards~~Standards~~Traditional Pop~~Musical
$5.18 ≈
4.84€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Viola, Piano
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EASY
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Contemporary
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament – "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.76€
Swingin' with the Gershwins - 4 Prints by Mac Huff - SAB Choir + Piano
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Choral 3-part
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Mac Huff
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Swingin' with the Gershwins -
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Musicnotes
Performed by: Mac Huff: Swingin' with the Gershwins - They Can't Take That Away From Me - Nice Work If You Can Get It - 'S Wonderful - Let's...
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Performed by: Mac Huff: Swingin' with the Gershwins - They Can't Take That Away From Me - Nice Work If You Can Get It - 'S Wonderful - Let's Call The Whole Thing Off - They All Laughed Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: SAB Choir + Piano, instruments: SAB Choir;Piano Accompaniment; 19 pages -- Swing~~Show/Broadway~~Choral~~Standards~~Traditional Pop~~Vocal Jazz~~Musical~~Vocal Pop
$2.65 ≈
2.47€
Swingin' with the Gershwins - 3 Prints by Mac Huff - 2-Part Choir + Piano
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Choral 2-part
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Mac Huff
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Swingin' with the Gershwins -
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Musicnotes
Performed by: Mac Huff: Swingin' with the Gershwins - They Can't Take That Away From Me - Nice Work If You Can Get It - 'S Wonderful - Let's...
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Performed by: Mac Huff: Swingin' with the Gershwins - They Can't Take That Away From Me - Nice Work If You Can Get It - 'S Wonderful - Let's Call The Whole Thing Off - They All Laughed Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 2-Part Choir + Piano, instruments: 2-Part Choir;Piano Accompaniment; 19 pages -- Swing~~Show/Broadway~~Choral~~Standards~~Traditional Pop~~Vocal Jazz~~Musical~~Vocal Pop
$2.65 ≈
2.47€
Collection: Nice Work If You Can Get It by George Gershwin - Instrumental Parts
Solo & Accompaniment~~Instrumental Parts
#
George Gershwin
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Collection: Nice Work If You C
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Musicnotes
False Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts...
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False Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Clarinet;Piano Accompaniment -- Jazz Standards~~Standards~~Traditional Pop~~Musical
$5.95 ≈
5.55€
Swingin' with the Gershwins - 5 Prints by Mac Huff - SATB Choir + Piano
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Choral SATB
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Mac Huff
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Swingin' with the Gershwins -
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Musicnotes
Performed by: Mac Huff: Swingin' with the Gershwins - They Can't Take That Away From Me - Nice Work If You Can Get It - 'S Wonderful - Let's...
(+)
Performed by: Mac Huff: Swingin' with the Gershwins - They Can't Take That Away From Me - Nice Work If You Can Get It - 'S Wonderful - Let's Call The Whole Thing Off - They All Laughed Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: SATB Choir + Piano, instruments: SATB Choir;Piano Accompaniment; 19 pages -- Vocal Jazz~~Show/Broadway~~Choral~~Vocal Pop~~Musical~~Swing~~Standards~~Traditional Pop
$2.95 ≈
2.75€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
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