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17 sheet music found Saint-Saëns: The Swan for Flute & Piano
Saint-Saëns: The Swan for Flute & Piano # Flute and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for F # jmsgu3 # SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Invention #1 for Flute and Piano
Invention #1 for Flute and Piano # Flute and Piano # ADVANCED # New Age # Contemporary # Felix Rivera # Invention #1 for Flute and Pia # Felix Rivera # SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #8...(+)
Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded. Variations on a Theme by Paganini
Variations on a Theme by Paganini # Flute and Piano # INTERMEDIATE/ADVANCED # Nicolo Paganini # Fiona Hickie # Variations on a Theme by Pagan # Fiona Alice Hickie # SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.737971 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Celtic,Classical,Folk,Irish,Jazz,Romantic Period. Score an...(+)
Flute,Piano - Level 4 - SKU: A0.737971 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Celtic,Classical,Folk,Irish,Jazz,Romantic Period. Score and part. 19 pages. Fiona Alice Hickie #3619323. Published by Fiona Alice Hickie (A0.737971). A theme and variations on a theme by Paganini. Here it has 3 traditional variations plus 3 modern ones.Theme – Caprice No. 24 (Paganini/Leopold Auer), Variation 1 - Semiquaver (Paganini/Leopold Auer), Variation 2 - Triplet (Paganini/Leopold Auer), Variation 3 – Swing (Fiona Hickie), Variation 4 – Jazz Waltz (Fiona Hickie), Variation 5 – Hornpipe (Fiona Hickie), Variation 6 - Theme (Paganini/Fiona Hickie) Sérénade
Sérénade # Flute and Piano # Classical # Charles Marie Widor # Sérénade # Schott Music - Digital # SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53385 Op. 6/5. Composed by Charles Marie Widor. Edited by Edmund Wachter and Elisabeth Wein...(+)
Flute and piano - intermediate to advanced - SKU: S9.Q53385 Op. 6/5. Composed by Charles Marie Widor. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Volume op. 6/5. 7 pages. Schott Music - Digital #Q53385. Published by Schott Music - Digital (S9.Q53385). English • German.Having grown up in a family of organ-builders and organists, the path of Charles-Marie Widor as an organist was predestined. In 1870 he moved from Lyon, the town of his birth, to Paris and became titular organist at Saint-Sulpice. In 1890 Widor succeeded César Franck as professor of organ studies at the Paris Conservatoire, where six years later he was appointed professor of composition, too. Alongside orchestral works, solo concertos, vocal pieces and chamber music, Widor’s most important musical achievement was his contribution to the genre of the organ symphony. His Suite op. 34 for flute and piano, structured around a Romance (1881) and composed for Paul Taffanel, may be considered as marking the beginning of the modern French flute school: here for the first time a composition makes full use of the bright tone of the Böhm flute, as introduced to the music world by Taffanel and his pupils. This Sérénade op. 65 is the arrangement of a duo for harmonium and organ. No further information about the arranger has been found. Plate no. 27148 / published in 1903. Easy Concert Pieces
Easy Concert Pieces # Flute and Piano # EASY # Classical # Easy Concert Pieces # Schott Music -
Digital # SheetMusicPlus
Flute and piano - easy to
intermediate -
This edition: Sheet music.
Downloadable. Op. 2. Schott
Music - Digital #Q54939.
Published by Schott Music -
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Flute and piano - easy to
intermediate -
This edition: Sheet music.
Downloadable. Op. 2. Schott
Music - Digital #Q54939.
Published by Schott Music -
Digital This second volume of flute pieces, too, is based on today's flute teaching practice, containing arrangements from the classical repertoire as well as own compositions by Gü.nther Johannes Schmitz. The pieces are quite different with regard to style, partly influenced by jazz, Impressionism, world music or film music. 'Das Mä.usefest' contains stylistic elements of Jewish music, 'Zyklop' combines oriental and impressionist sounds. 'Fanfare der Gaukler', however, evokes medieval sound associations mixed with modern playing techniques on the flute. 'Ragtime Holiday' and 'The Conquerer' were inspired by the King of Ragtime, Scott Joplin. A jazz version of Rimsky-Korsakov's 'The Flight of the Bumble Bee' is an interesting encore and contained herein as is Bach's Badinerie. Some of the pieces have already been performed at the competition 'Jugend musiziert' and have proven a success.