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Me First for Two Violins
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
36.44€
Three Pieces for Two Violins and Piano
Three Pieces for Two Violins and Piano
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Rebecca Clarke
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Three Pieces for Two Violins a
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Imagine Music - Digital
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SheetMusicPlus
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by...
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Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00 ≈
29.94€
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Cello - Will Mace, Robert Asto
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"Quincie", Quintet For Two Vio
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Geraldine
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, a...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00 ≈
70.17€
Valentine's Day Waltzes for Two Violins
Valentine's Day Waltzes for Two Violins
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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Dacre, Friedman, and Joseph Iv
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Steven Kruse
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Valentine's Day Waltzes for Tw
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String Play for All
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SheetMusicPlus
Violin Duet Violin - Level 4 - Digital Download SKU: A0.859870 Composed by Dacre, Friedman, and Joseph Ivanovici. Arranged by Steven Kruse. Holiday,Love,...
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.859870 Composed by Dacre, Friedman, and Joseph Ivanovici. Arranged by Steven Kruse. Holiday,Love,Pop,Romantic Period. 8 pages. String Play for All #2932785. Published by String Play for All (A0.859870). This duo arrangement is for advanced students, amateurs, or professionals. Everyone will love these old classic waltzes, including Daisy Bell (Harry Dacre), Waves of the Danube (Ivanovici) and Let Me Call You Sweetheart (Friedman). The arrangement includes the sound of screeching bicycle brakes as well as whistling. The first violin part extends to fifth position. The second violin part remains within the range of first position, however both parts contain challenging double stops.The arrangement is perfect for perfect for parties and informal gatherings.. The duration of this suite is approximately 3 ½ minutes. Get into the mood for Valentine’s Day with this fun arrangement!
$5.99 ≈
5.60€
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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2 Violins (duet)
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INTERMEDIATE
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Christmas
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Colbie Caillat
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David McKeown
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Have Yourself A Merry Little C
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David McKeown
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.587312 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by David McKeown. Christmas,Ho...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.587312 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by David McKeown. Christmas,Holiday,Jazz. 3 pages. David McKeown #3130765. Published by David McKeown (A0.587312). Have Yourself a Merry Little Christmas was first performed by Judy Garland in the film musical Meet Me in St Louis. Even though it was an instant wartime hit with homesick GIs, it is Frank Sinatra’s 1957 recording, with more upbeat lyrics, that has ensured the song endures as a Christmas classic. This version is arranged as a duet for two Violins. Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. The rhythms are straightforward; there are some less familiar accidentals and the arrangement covers a wide range. The overall performance time is around two and a half minutes. The short sample audio is from the Clarinet and Alto Saxophone version while the full length video on the youtube link is the arrangement for Clarinet duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and developing expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
5.60€
Love Me Like You Do
Love Me Like You Do
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String Trio: 2 violins, cello
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INTERMEDIATE
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Ellie Goulding
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Sarah Cellobat Chaffee
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Love Me Like You Do
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.526066 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arra...
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.526066 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #4274541. Published by Sarah Cellobat Chaffee (A0.526066). *INSTRUMENTATION: 2 VIOLINS & CELLO*Love Me Like You Do was the second single released from the soundtrack of box office hit Fifty Shades of Grey, and Ellie Goulding's powerful interpretation earned her her first Grammy nomination for Best Pop Solo Performance. The song has been massively popular ever since, and it is often requested for strings. This arrangement for two-violin and cello trio was originally commissioned for a wedding ceremony, and it's perfect for not only ceremonies but also cocktail hour, proposals, pop concerts, or any other occasion that needs a beautiful string love ballad! Maintaining the rhythmic drive and bass support of the original song, this arrangement is rated intermediate - there are a handful of higher notes and a few tricky rhythms in the v1 part, but the other two parts are fairly basic, and this can definitely be played by students or easily sightread by professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
14.03€
Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin Duet with Piano)
Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin Duet with Piano)
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2 Violins (duet)
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Praise Him with Stringed Instr
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Sharon Wilson
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1370065 By Sharon Wilson. By Elisha Albright Hoffman, George Bennard, Howard E. Smith, James McGr...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1370065 By Sharon Wilson. By Elisha Albright Hoffman, George Bennard, Howard E. Smith, James McGranahan, Joseph Brackett, Jr., Traditional, and William G. Fischer. Arranged by Sharon Wilson. Christian,Easter,Lent,Praise & Worship,Sacred. 142 pages. Sharon Wilson #954439. Published by Sharon Wilson (A0.1370065). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments . . . (KJV)This collection contains 10 favorite hymns arranged as instrumental trios (for two VIOLINS with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  All notes for both VIOLIN parts are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN 1, VIOLIN 2, and PIANO) plus separate 1-staff scores for each VIOLIN part as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Beach SpringI Know Whom I Have BelievedLove Lifted MeNever AloneShowers of BlessingSimple GiftsStricken, Smitten, and AfflictedThe Old Rugged CrossWhat a Wonderful SaviorWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$24.99 ≈
23.38€
Can't Buy Me Love
Can't Buy Me Love
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String Trio: 2 violins, cello
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INTERMEDIATE
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Rock
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The Beatles
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Sarah Cellobat Chaffee
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Can't Buy Me Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.526134 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sarah Cellobat Chaffe...
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.526134 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 12 pages. Sarah Cellobat Chaffee #5355499. Published by Sarah Cellobat Chaffee (A0.526134). *INSTRUMENTATION: 2 VIOLINS & CELLO*Everyone loves the Beatles - and since we all get Beatles requests so often, the more in your repertoire the better! This arrangement of Can't Buy Me Love for your two-violin and cello trio is as much fun to play as it is to listen to, and it will be great for pop concerts, weddings, receptions, cocktail parties, solo & ensemble contests, or any other occasion that needs some vintage rock n' roll! Rated intermediate -- although it does have some interesting syncopated rhythms, this chart is almost entirely in first position and will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
14.03€
Run To Me
Run To Me
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Bee Gees
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Sherry Lewis
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Run To Me
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521802 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Ar...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521802 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Sherry Lewis. Pop,Wedding. 16 pages. Sherry Lewis Publishing #6487431. Published by Sherry Lewis Publishing (A0.521802). RUN TO ME String Quartet, Intermediate Level for 2 violins, viola and cello ABOUT THE DEMO: In the recording I omitted the first 16 or so measures to get to the chorus Score: yes Parts: 6 pages Time:3'10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
12.15€
STRING QUARTET WEDDING MUSIC - FOR STRING QUARTET 12 SELECTIONS FOR RECEPTIONS AND COCKTAIL TIME
STRING QUARTET WEDDING MUSIC - FOR STRING QUARTET 12 SELECTIONS FOR RECEPTIONS AND COCKTAIL TIME
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Vivaldi, Offenbach, Mozart, Ma
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Sherry Lewis
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STRING QUARTET WEDDING MUSIC -
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521461 Composed by Vivaldi, Offenbach, Mozart, Mascagni, Gabriel-Ma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521461 Composed by Vivaldi, Offenbach, Mozart, Mascagni, Gabriel-Marie, Cui, Rachmaninoff, Schubert. Arranged by Sherry Lewis. Baroque,Classical,Romantic Period,Wedding. 115 pages. Sherry Lewis Publishing #6092413. Published by Sherry Lewis Publishing (A0.521461). 'Cocktails Anyone?' is a set of 12 highly recognizable and enjoyed songs for the cocktail time. Intermediate Level String Quartet AUDIO: I randomly chose the first selection as an audio sample parts: 110+ pages time: Approx. 90 minutes Songs included in this set: Autumn, allegro movement - Vivaldi Barcarolle - Offenbach Concerto in D for 2 violins and lute, allegro - Vivaldi Eine Kleine Nacht Music, 1st Mov. - Mozart Intermezzo sinfonico - Mascagni La Cinquantaine - Gabriel-Marie Orientale - Cui Rhapsody on a Theme of Paganini - Rachmaninoff Serenade - Schubert Spring, danza pastorale from the Four Seasons - Vivaldi The Swan - Saint Saëns Waves of the Danube (Anniversary Waltz) - Ivanovici  MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$29.99 ≈
28.06€
All Of Me
All Of Me
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String Quartet: 2 violins, viola, cello
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EASY
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Soul/R&B
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John Legend
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Inacio Saldanha
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All Of Me
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Inacio Saldanha
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SheetMusicPlus
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798101 By John Legend. By John Stephens and Toby Gad. Arranged by Inacio Saldanha. R &...
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798101 By John Legend. By John Stephens and Toby Gad. Arranged by Inacio Saldanha. R & B,Soul. Score and parts. 16 pages. Inacio Saldanha #5197261. Published by Inacio Saldanha (A0.798101). All of Me is a hit song by American singer John Legend from his fourth studio album Love in the Future (2013). It is dedicated to Legend's wife Chrissy Teigen. All of Me first aired on American mainstream urban radio as the album's third single on August 12, 2013.On the week ending May 16, 2014, it peaked at number one on the Billboard Hot 100 becoming his first number-one single in the United States. It knocked off Happy by Pharrell Williams, which had spent 10 weeks at number one. The song peaked at number two in the United Kingdom, South Africa and New Zealand and topped the charts in Australia, Canada, Ireland, Portugal, Sweden, Switzerland and the Netherlands. It became the second best-selling song of 2014 in the United States with 4.67 million copies sold for the year, as well as the third best-selling song in the United Kingdom. All of Me was the third best-selling song of 2014 with 12.3 million equivalent-units worldwide (sales plus streaming), according to the IFPI.A remix of the song (Tiësto's Birthday Treatment remix), featuring EDM artist Tiësto, was released in January 2014 and won the 2015 Grammy Award for Best Remixed Recording, Non-Classical, while another remix was done in March of that year by trance artist Dash Berlin. A live version of the song was nominated for Best Pop Solo Performance, losing to Williams' Happy.Arranged for String Quartet. Key of F# minor. Early intermediate.
$12.99 ≈
12.15€
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quintet/String Orchestr
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quintet/String Orchestr
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String Quintet: 2 violins, viola, cello, bass
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INTERMEDIATE
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Classical
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Frederic Chopin
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Sherry Lewis
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Chopin Piano Concerto No. 1, 2
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.571759 Composed by Frederic Chopin. Arranged by Sherry Lewis. Romantic...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.571759 Composed by Frederic Chopin. Arranged by Sherry Lewis. Romantic Period,Wedding. 18 pages. Sherry Lewis Publishing #180911. Published by Sherry Lewis Publishing (A0.571759). Chopin Piano Concerto No. 1, Romanza, 1st section, 4 min. STRING ORCHESTRA Intermediate Level for 2 violins, viola, cello and string bass Score: yes Parts: 6 pages Time: 4:05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$9.99 ≈
9.35€
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quartet
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Frederic Chopin
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Sherry Lewis
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Chopin Piano Concerto No. 1, 2
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.573546 Composed by Frederic Chopin. Arranged by Sherry Lewis. Class...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.573546 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 16 pages. Sherry Lewis Publishing #182918. Published by Sherry Lewis Publishing (A0.573546). Chopin Piano Concerto No. 1, Romanza, 1st section, 4 min. STRING QUARTET Intermediate Level for 2 violins, viola and cello Score: yes Parts: 5 pages Time: 4:05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$9.00 ≈
8.42€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.45€
Take Me To Church
Take Me To Church
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String Trio: 2 violins, viola
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ADVANCED
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Rock
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Hozier
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Caroline McCaskey
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Take Me To Church
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AltStrings
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SheetMusicPlus
String Ensemble,String Trio Viola,Violin - Level 5 - Digital Download SKU: A0.851927 By Hozier. By Andrew Hozier-Byrne. Arranged by Caroline McCaskey. Ro...
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String Ensemble,String Trio Viola,Violin - Level 5 - Digital Download SKU: A0.851927 By Hozier. By Andrew Hozier-Byrne. Arranged by Caroline McCaskey. Rock. Score and parts. 14 pages. AltStrings #2118819. Published by AltStrings (A0.851927). This arrangement of Take Me to Church for Advanced String Trio (Two Violins and Viola) features the first violin, with interesting and varied chordal accompaniment.
$12.99 ≈
12.15€
Take Me To Church
Take Me To Church
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String Trio: 2 violins, cello
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ADVANCED
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Rock
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Hozier
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Caroline McCaskey
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Take Me To Church
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AltStrings
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.851926 By Hozier. By Andrew Hozier-Byrne. Arranged by Caroline McCaskey. Ro...
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String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.851926 By Hozier. By Andrew Hozier-Byrne. Arranged by Caroline McCaskey. Rock. Score and parts. 14 pages. AltStrings #2118817. Published by AltStrings (A0.851926). This arrangement of Take Me to Church for Advanced String Trio (Two Violins and Cello) features the first violin, with interesting and varied chordal accompaniment.
$12.99 ≈
12.15€
The Glastry Pearl. Tone Poem Elegy For My Mum.
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00 ≈
187.13€
As Long As You Love Me
As Long As You Love Me
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String Trio: 2 violins, cello
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INTERMEDIATE/ADVANCED
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Pop music
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The Backstreet Boys
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Sarah Cellobat Chaffee
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As Long As You Love Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.834776 By The Backstreet Boys. By Martin Sandberg. Arranged by Sarah Cellobat Chaffee. Cont...
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String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.834776 By The Backstreet Boys. By Martin Sandberg. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #441584. Published by Sarah Cellobat Chaffee (A0.834776). *INSTRUMENTATION: 2 VIOLINS & CELLO*As Long As You Love Me was the second single from the Backstreet Boys' very first album. Released in 1997, the song soon became one of the band's biggest hits and is now considered one of their signature songs. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! Maintaining the fun upbeat groove, layers of harmonies, beautiful melody lines, and dynamic contrasts of the original, this Cellobat arrangement for your two-violin and cello trio is just as much fun to play as it is to listen to, and it's sure to get everybody singing along! This chart will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia. Rated advanced-intermediate - there's nothing too crazy in any of the parts, but the violins have lots of interesting syncopated rhythms throughout. This will be playable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99 ≈
14.03€
Me First for Two Violins
Me First for Two Violins
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2 Violins (duet)
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INTERMEDIATE
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Philip Clark
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Me First for Two Violins
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PClarkMusic
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SheetMusicPlus
Composed by Philip Clark. For Violin, Two Violins. Repertoire. Intermediate. Published by PClarkMusic ...
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Composed by Philip Clark. For Violin, Two Violins. Repertoire. Intermediate. Published by PClarkMusic
$2.50 ≈
2.34€
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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String Orchestra
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Classical
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and...
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00 ≈
27.13€
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Me First for Two Violins
