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Love For $ale Score Only
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Love For $ale - Score Only
Love For $ale - Score Only
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Jazz Ensemble
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INTERMEDIATE
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Broadway
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Jamie Cullum
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Thomas Graf
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Love For $ale - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1209356 By Jamie Cullum. By Cole Porter and Rodney Hylton Smith. Arranged by Thomas Graf...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1209356 By Jamie Cullum. By Cole Porter and Rodney Hylton Smith. Arranged by Thomas Graf. Broadway,Jazz,Musical/Show. 18 pages. Thomas Graf - the-hit-factory.com #807474. Published by Thomas Graf - the-hit-factory.com (A0.1209356). This is a special arrangement, that shows the beauty of Cole Porter's classic in 11 - 8 rhythm, wich means a great challenge for your ensemble. Big fun too! Â Solos for Trumpet and Alto Saxophone. Enjoy!Composed by: Cole PorterArranged by: Thomas H. GrafInstrumentation:Â Full ScoreAlto 1 (solo)Alto 2Tenor 1Tenor 2Bari. Sax.Trumpet 1Trumpet 2Trumpet 3Trumpet 4Trumpet 5 Flugelhorn (Solo)Trombone 1Trombone 2Trombone 3Bass TrombonePianoAcoustic BassDrumsAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$10.00 ≈
8.98€
AMORI: 8 madrigals for male chorus
AMORI: 8 madrigals for male chorus
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Choral TTBB
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ADVANCED
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Alessandro Palazzani
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AMORI: 8 madrigals for male ch
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A work by Alessandro Palazzani
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romant...
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00 ≈
2.69€
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
17.92€
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixe...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99 ≈
9.87€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.23€
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Son...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$11.00 ≈
9.88€
Drink to Me Only with Thine Eyes - SSA/TBB/SAT a cappella
Drink to Me Only with Thine Eyes - SSA/TBB/SAT a cappella
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Choral 3-part
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BEGINNER
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Ben Jonson, Traditional
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Jake Alexander
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Drink to Me Only with Thine Ey
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Jake Alexander
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SheetMusicPlus
Choral Choir (3-Part) - Level 1 - Digital Download SKU: A0.854802 Composed by Ben Jonson, Traditional. Arranged by Jake Alexander. A Cappella,Classical,F...
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Choral Choir (3-Part) - Level 1 - Digital Download SKU: A0.854802 Composed by Ben Jonson, Traditional. Arranged by Jake Alexander. A Cappella,Classical,Folk,Traditional,Wedding. Octavo. 2 pages. Jake Alexander #5792727. Published by Jake Alexander (A0.854802). A straightforward, three-part, unaccompanied arrangement of this elegant old love song for female, male or mixed voice choir. Approximately 1'45 in length.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!jakealexander.orgquaggycommunitychoir.com
$1.99 ≈
1.79€
God Loves You (from the "Ten Minute Praise in Scripture and Song" Children’s Musical Program)
God Loves You (from the "Ten Minute Praise in Scripture and Song" Children’s Musical Program)
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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God Loves You
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holida...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holiday,Praise & Worship,Sacred. Score. 6 pages. Sharon Wilson #5025295. Published by Sharon Wilson (A0.565623). This song is filled with encouraging words of God's love for each one of us: From the moment God formed you in His mind, His everlasting love He hoped you would find. . .Remember God loves you every hour of every day. Let His love fill your heart with joy in every way. Remember God so loved the world that He gave His only son; believe in Him always for the victory he won. Though originally written to be performed around Valentine's Day, this song is fitting any time of year as a celebration of God's love for us. This arrangement is one of the four songs in the children's musical choir program titled God Loves You (in the Ten Minute Praise in Scripture and Song series). Purchase price includes the 3-staff score with melody line and piano accompaniment (4 pages) plus a separate score with melody line only for the soloist or unison choir (2 pages). Set in the key of C major, the vocal range is one octave from middle C to high C.
$3.99 ≈
3.58€
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 2...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50 ≈
30.99€
Les Mystères: Attendez l'Epoux - Score Only
Les Mystères: Attendez l'Epoux - Score Only
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Suzy Robinson
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Suzy Robinson
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Les Mystères: Attendez l'Epou
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Suzy Robinson
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinso...
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Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Published by Suzy Robinson (A0.1166886). I wanted to write something based on a mediaeval mystery play and happened across an 11th Century version of the play of the Bridegroom – the tale of the wise and the foolish virgins. It was called Sponsus and is the oldest of this type of play written in both the vernacular and in Latin. What is even more extraordinary is that it is, in fact, a trilingual text in Latin, langue d'oc, and some words in the langue d'oïl. The passage which I have set is in langue d'oc, but for ease of singing I used a modern-French translation. This is scored for soprano, baroque violin, and viola da gamba. It can be performed at 415 or 440 ad libertum.I am very taken by the patchwork nature of mystery plays which is part promenade, part liturgy, part staged, part audience participation. I hope that having set a straightforwardly strophic text and using instruments more often heard in Early Music, jigsaws well with the more modern angular and sometimes dissonant nature of the melodic lines of this piece. I love the play of languages, and the mixing up through words and music of past, present, and future, revealing that time is perhaps a circuitous exploration rather than a strictly linear trajectory. And the end of all our exploring / Will be to arrive where we started / And know the place for the first time..
$3.99 ≈
3.58€
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
22.45€
Requiem - The Promise of Eternity (CHORAL SCORE)
Requiem - The Promise of Eternity (CHORAL SCORE)
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Choral SATB
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INTERMEDIATE/ADVANCED
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D
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Kyrie
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Requiem - The Promise of Etern
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.799674 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Octavo. 84 pages. D. M. Gardner...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.799674 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Octavo. 84 pages. D. M. Gardner Music #4324463. Published by D. M. Gardner Music (A0.799674). A stunning and uplifting new setting of traditional Requiem texts intermingled with comforting prayers and biblical themes, Requiem - The Promise of Eternity is a statement of hope, faith, and joy in the promise that all may one day be greeted at the gates of Heaven with the warm embrace of a loving Father. This powerful five-movement work is an intense and emotional journey ranging from the fear, anger, and pain of loss, to the indescribable tranquility found in the promise of hope, mercy, and love. Movements: Introit & Kyrie; Sanctus; Pie Jesu and the Lord's Prayer; Agnus Dei et Lux Aeterna; In Paradisum. Duration: 37 minutes.CHECK OUT THE PREMIERE ON YOUTUBE!***THIS PURCHASE IS FOR THE CHORAL SCORE ONLY***FULL SCORE AND PARTS ARE AVAILABLE SEPARATELYFULLSCORE: http://www.sheetmusicplus.com/title/21172287CHORAL: http://www.sheetmusicplus.com/title/21172286 (this page)PARTS: http://www.sheetmusicplus.com/title/21172285Instrumental parts included in this purchase:Choral Score w/ orchestral reduction (rehearsal piano)For audio samples of all movements or additional information about the composer, please visit: https://www.dmgardner.com
$3.99 ≈
3.58€
A Whiter Shade Of Pale - Score Only
A Whiter Shade Of Pale - Score Only
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Rock
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Procol Harum
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Peet du Toit
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A Whiter Shade Of Pale - Score
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 3 - Digital Download SKU: A0.1372181 By Procol Harum. By Gary Brooker, Keith Reid, and Matthew Fisher. Arranged by Peet du Toit. Ro...
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Brass Quintet - Level 3 - Digital Download SKU: A0.1372181 By Procol Harum. By Gary Brooker, Keith Reid, and Matthew Fisher. Arranged by Peet du Toit. Rock. 11 pages. Peet du Toit #956459. Published by Peet du Toit (A0.1372181). A Whiter Shade of Pale is the debut single by the English rock band Procol Harum, released 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June 1967 and stayed there for six weeks. Without much promotion, it reached number 5 on the US Billboard Hot 100. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide.Keith Reid got the title and starting point for the song at a party. He overheard someone at the party saying to a woman, You've turned a whiter shade of pale, and the phrase stuck in his mind.Here is my representation of this magical music to be performed by a brass quintet and a percussionist. Enjoy!
$17.00 ≈
15.27€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
22.46€
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. P...
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Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99 ≈
8.97€
At Higbee's - Score Only
At Higbee's - Score Only
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Choral Unison
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INTERMEDIATE/ADVANCED
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Contemporary
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Benj Pasek and Justin Paul
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W
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At Higbee's - Score Only
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Diamond S Music
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.790105 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score and p...
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Large Ensemble - Level 4 - Digital Download SKU: A0.790105 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 36 pages. Diamond S Music #3620157. Published by Diamond S Music (A0.790105). AT HIGBEE'S from A CHRISTMAS STORY the musical - FULL SCORE & PARTS - for Vocal Solo and 8 Piece Band . Arranged for Vocal Solos (with Ensemble) and 8 piece arrangement. This song is designed to segue into Up On Santa’s Lap which is available separately - However, it is also possible to play At Higbee’s as a stand alone piece as well. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute, Piccolo), Reed 2 (Flute, Bb Clarinet, Tenor Sax), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux). Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralphie To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun, Christmas Morning. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$29.99 ≈
26.94€
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
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Percussion
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BEGINNER
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Children
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Traditional
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Sharon Wilson
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Folk Songs for 13-note Bells a
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Sharon Wilson
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SheetMusicPlus
Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Publ...
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Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Published by Sharon Wilson
This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.
The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is “easy” with fewer notes. The second verse is “intermediate” and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the “easy” verse, an optional ending is provided or it can be skipped to perform the two verses together.
Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.
This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, “Chroma-Notes Stick Ons” can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.
Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.
The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.
Other suggestions and uses:
* have both parts played by bells or both parts played using only Boomwhackers®
* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)
* use as part of the music education for children at school, home, or church
* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministries
Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples.
Titles included in this collection:
Alphabet Song
Be Kind to Your Loved Ones
B-I-N-G-O
Doo-dah-day!
Good Morning, Merry Sunshine
He’s Got the Whole World In His Hands
Hickory Dickory Dock
Hokey Pokey
Hot Cross Buns
I Love the Mountains
Itsy Bitsy Spider
Little Robin Red-breast
Old MacDonald
On Top of Old Smokey
Rain, Rain, Go Away
Row, Row, Row Your Boat
Simple Gifts
Skip to My Lou
Take Me Out to the Ball Game
The Water Is Wide
Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.
$25.00 ≈
22.46€
Souvenirs des Huguenots - Score Only
Souvenirs des Huguenots - Score Only
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Concert band
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ADVANCED
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Louise Farrenc
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Robert Debbaut
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Souvenirs des Huguenots - Scor
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ROBERT DEBBAUT
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages....
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Concert Band - Level 5 - Digital Download SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT #781763. Published by ROBERT DEBBAUT (A0.1182001). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century.  They would only allow her to teach piano, not composition, because she was undeniably a virtuoso pianist.  During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. She wrote no works for wind band of any kind, yet she lived in a golden age of especially French band music. As such, I felt a new generation of music students should hear the music of this incredibly talented composer who had the misfortunate of being born female in the 19th Century. This work is certainly characteristic of the Romantic Era and would make a lovely concert overture. the main sub ject of her variations is Martin Luther's A Mighty Fortress is Our God. If you purchase this score (and like it), please write to me at debbaut@gmail.com, subject Farrenc and I will send you a copy of the wav file as well as a link to her original piano work (I;'ve not taken too many liberties). If you still like it, parts may be had for $100 via Venmo or personal check. Write to debbaut@gmail.com, subject Farrenc..
$9.99 ≈
8.97€
AMAR UN SOLO AMANTE - (Love only one lover) - For SATB Choir - Score Only
AMAR UN SOLO AMANTE - (Love only one lover) - For SATB Choir - Score Only
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Choral SATB
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Renaissance
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Lodovico Agostini
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Renato Tagliabue
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AMAR UN SOLO AMANTE -
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Renato Tagliabue
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.724113 Composed by Lodovico Agostini. Arranged by Renato Tagliabue. Renaissance. Score and parts. 5 pages. Rena...
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Small Ensemble - Digital Download SKU: A0.724113 Composed by Lodovico Agostini. Arranged by Renato Tagliabue. Renaissance. Score and parts. 5 pages. Renato Tagliabue #3492563. Published by Renato Tagliabue (A0.724113).
$12.90 ≈
11.59€
Falling In Love With Love
Falling In Love With Love
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Choral SATB
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INTERMEDIATE
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Richard Rodgers
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William J
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Parts.
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Falling In Love With Love
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William Bullock
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1016467 Composed by Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Chamb...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1016467 Composed by Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Chamber,Musical/Show,Pop,Standards. Octavo. 12 pages. William Bullock #5766141. Published by William Bullock (A0.1016467). A Bullock Editions publication for SATB chorus and string quartet: Falling in Love with Love-Full Score & Parts. Music: Richard Rodgers. Lyrics: Lorenz Hart. Arrangement: William J. Bullock. Duration: 1:20. Arranger’s Note: Refrain of the song; mostly two-part women vs. men, opening out into SATB only at the climatic end; accompaniment alternates between punctuating chords and undulating legato lines; program note included. Formats: Full Score & Parts (H0.795711-SC001281528); Chorus & Piano Reduction (H0.795731-SC001281528).
$12.99 ≈
11.67€
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