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Live Before We Die
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You've selected:
Live Before We Die
Sheetmusic to print
52 sheet music found
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1
26
51
Live And Let Die
Live And Let Die
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Wings
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Kevin Riley
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Live And Let Die
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Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/T...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00 ≈
62.96€
Prayer before the close of day (Te lucis ante terminum) for clarinet quartet (mp3)
Prayer before the close of day (Te lucis ante terminum) for clarinet quartet (mp3)
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Clarinet Quartet: 4 clarinets
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ADVANCED
#
Budapest Scoring Clarinet Ense
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Prayer before the close of day
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David Warin Solomons
#
SheetMusicPlus
B-Flat Bass Clarinet,B-Flat Clarinet - Level 5 - Digital Download SKU: A0.1331923 By Budapest Scoring Clarinet Ensemble. By David Warin Solomons. 21st Ce...
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B-Flat Bass Clarinet,B-Flat Clarinet - Level 5 - Digital Download SKU: A0.1331923 By Budapest Scoring Clarinet Ensemble. By David Warin Solomons. 21st Century,Contemporary,Medieval. Full Performance. Duration 440. David Warin Solomons #918694. Published by David Warin Solomons (A0.1331923). The underlying themes of this meditation piece are a sequence of shifting chords representing going to sleep and the ancient chantTe lucis ante terminum (To Thee before the close of day...) (quoted in various parts from bar 20 onwards).Te lucis ante terminum,rerum Creator, poscimus,ut solita clementiasis præsul ad custodiam.Procul recedant somniaet noctium phantasmata;hostemque nostrum comprime,ne polluantur corpora.Præsta, Pater omnÃpotens,per Iesum Christum Dominum,qui tecum in perpetuumregnat cum Sancto SpÃritu. Amen.To Thee before the close of day,Creator of the world, we prayThat, with Thy wonted favour, ThouWouldst be our guard and keeper now.From all ill dreams defend our sight,From fears and terrors of the night;Withhold from us our ghostly foe,That spot of sin we may not know.O Father, that we ask be done,Through Jesus Christ, Thine only Son,Who, with the Holy Ghost and Thee,Doth live and reign eternally.Amen.Performed by The Budapest Scoring Clarinet Ensemble.
$6.50 ≈
5.85€
Live Before We Die from The Addams Family Musical - Piano/Vocal/Guitar, Singer Pro
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Piano, Vocal and Guitar
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Broadway
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Live Before We Die from The Ad
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Musicnotes
Andrew Lippa - Live Before We Die Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instrum...
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Andrew Lippa - Live Before We Die Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice 1;Voice 2;Piano;Guitar; 6 pages -- Show/Broadway~~Musical
$5.50 ≈
4.95€
Long Live Cowgirls
Long Live Cowgirls
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Ian Munsick & Cody Johnson
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Kyle Pudenz
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pu...
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Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99 ≈
4.49€
Places Near Yet Far Piano Vocal Performance
Places Near Yet Far Piano Vocal Performance
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Steven H
#
Ashley Ivers
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Places Near Yet Far Piano Voca
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Boothe Publishing
#
SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1069981 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Contemporary,Pop,Sacred. Full Performanc...
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Piano,Voice - Digital Download SKU: A0.1069981 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Contemporary,Pop,Sacred. Full Performance. Duration 197. Boothe Publishing #4633733. Published by Boothe Publishing (A0.1069981). When I die I believe that I will simply enter a spiritual kingdom. I will be with other members of my family and friends that have believed and lived as I have. I believe that life does not end with the death of the mortal body. We existed as immortal spirit children of God before we came to this earth and took upon ourselves a physical body. I believe that we will continue to exist as immortal spirit children of God after we leave this body behind. I'm grateful for Jesus Christ, the Son of God, who was killed by the Jews. He gave up His life so that God could show forth His power through Him by breaking the bands of death. Jesus Christ was the first fruit of the resurrection. He lives today and will live forever. All of us who have ever lived will become immortal both in body and in spirit through His atoning sacrifice.God promises 1 Corinthians 15:22 For as in Adam all men die, even so in Christ all shall be made alive. I believe.
$1.99 ≈
1.79€
Places Near Yet Far Guitar Minus Vocal
Places Near Yet Far Guitar Minus Vocal
#
Bass guitar
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Steven H
#
Places Near Yet Far Guitar Min
#
Boothe Publishing
#
SheetMusicPlus
Bass Guitar - Digital Download SKU: A0.1069962 Composed by Steven H. Boothe. Christian,Contemporary,Pop,Sacred. Accompaniment. Duration 208. Boothe Publi...
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Bass Guitar - Digital Download SKU: A0.1069962 Composed by Steven H. Boothe. Christian,Contemporary,Pop,Sacred. Accompaniment. Duration 208. Boothe Publishing #4633677. Published by Boothe Publishing (A0.1069962). When I die I believe that I will simply enter a spiritual kingdom. I will be with other members of my family and friends that have believed and lived as I have. I believe that life does not end with the death of the mortal body. We existed as immortal spirit children of God before we came to this earth and took upon ourselves a physical body. I believe that we will continue to exist as immortal spirit children of God after we leave this body behind. I'm grateful for Jesus Christ, the Son of God, who was killed by the Jews. He gave up His life so that God could show forth His power through Him by breaking the bands of death. Jesus Christ was the first fruit of the resurrection. He lives today and will live forever. All of us who have ever lived will become immortal both in body and in spirit through His atoning sacrifice.God promises 1 Corinthians 15:22 For as in Adam all men die, even so in Christ all shall be made alive. I believe.
$1.99 ≈
1.79€
Places Near Yet Far Piano Minus Vocal
Places Near Yet Far Piano Minus Vocal
#
Piano solo
#
Steven H
#
Ashley Ivers
#
Places Near Yet Far Piano Minu
#
Boothe Publishing
#
SheetMusicPlus
Piano - Digital Download SKU: A0.1069963 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Contemporary,Pop,Sacred. Accompaniment. Durati...
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Piano - Digital Download SKU: A0.1069963 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Contemporary,Pop,Sacred. Accompaniment. Duration 197. Boothe Publishing #4633681. Published by Boothe Publishing (A0.1069963). When I die I believe that I will simply enter a spiritual kingdom. I will be with other members of my family and friends that have believed and lived as I have. I believe that life does not end with the death of the mortal body. We existed as immortal spirit children of God before we came to this earth and took upon ourselves a physical body. I believe that we will continue to exist as immortal spirit children of God after we leave this body behind. I'm grateful for Jesus Christ, the Son of God, who was killed by the Jews. He gave up His life so that God could show forth His power through Him by breaking the bands of death. Jesus Christ was the first fruit of the resurrection. He lives today and will live forever. All of us who have ever lived will become immortal both in body and in spirit through His atoning sacrifice.God promises 1 Corinthians 15:22 For as in Adam all men die, even so in Christ all shall be made alive. I believe.
$1.99 ≈
1.79€
We Are In Love
We Are In Love
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Choral SATB
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ADVANCED
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Jazz
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Harry Connick Jr
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Kerry Marsh
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We Are In Love
#
Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal J...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.
$49.99 ≈
44.96€
Even As a Child, sacred music for SATB choir
Even As a Child, sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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He was God’s own Son
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Even As a Child, sacred music
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1421969 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & ...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1421969 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 13 pages. Kevin G. Pace #1003305. Published by Kevin G. Pace (A0.1421969). A moving, sacred choral composition.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Even As a Child“ . . . becometh as a child, submissive, . . .†- (Mosiah 3:19)When Jesus was a child, he reasoned with the scribes,Desiring to teach them at the temple spires.Because his age was twelve, He stayed in Nazareth,Growing much in wisdom’s path, gaining holy breath.He waited patiently, his ministry to come . . .Yielding to his Father’s will; He was God’s own Son.He trusted as He lived with all obedience,Even as He faced, with strength, many mortal threats.Then when his end was nigh, when none would intercede,Standing before Pilate’s face, He did never plead.He firmly held his peace and answered to no man.Nearing his own death He pled: Clean those soldier’s hands!In honor He did live, thus showing us the way.Now He only begs that we, too, can God obey.Oh, even as this Child abandoned earthly hopes,Can we also live our lives with our Savior yoked?Chorus:Will we also give to Him each worldly desire,Even as this Child of God, and so be lifted higher?
$1.99 ≈
1.79€
Even As a Child, a sacred hymn
Even As a Child, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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He was God’s own Son
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Even As a Child, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1305527 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worsh...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1305527 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #894978. Published by Kevin G. Pace (A0.1305527). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Even As a Child“ . . . becometh as a child, submissive, . . .†- (Mosiah 3:19)When Jesus was a child, he reasoned with the scribes,Desiring to teach them at the temple spires.Because his age was twelve, He stayed in Nazareth,Growing much in wisdom’s path, gaining holy breath.He waited patiently, his ministry to come . . .Yielding to his Father’s will; He was God’s own Son.He trusted as He lived with all obedience,Even as He faced, with strength, many mortal threats.Then when his end was nigh, when none would intercede,Standing before Pilate’s face, He did never plead.He firmly held his peace and answered to no man.Nearing his own death He pled: Clean those soldier’s hands!In honor He did live, thus showing us the way.Now He only begs that we, too, can God obey.Oh, even as this Child abandoned earthly hopes,Can we also live our lives with our Savior yoked?Chorus:Will we also give to Him each worldly desire,Even as this Child of God, and so be lifted higher?
$1.99 ≈
1.79€
Our Living Christ, a sacred hymn
Our Living Christ, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Kevin G
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Our Living Christ, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1409342 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Pr...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1409342 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #991967. Published by Kevin G. Pace (A0.1409342). A beautiful, sacred Easter hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Our living Christ . . . died so all God’s children could be spared;Spared by Him to save each in his care . . .Died to bring all mortals safely home,Home to kneel before his humble throne.Our living Christ . . . died to raise his body from the tomb;Died to raise mankind from endless doom,Saving all God’s children ev’rywhereSo we can be ever where He dwells.Our living Christ . . . died to reunite a spirit soulWith each mortal body and be whole . . .Whole to live again within God’s sphereWith His love forever to be near.Our living Christ . . . lives today wherever we may be;Lives for us through all eternity . . .Lives so we can learn to be like Him;Lives so we can feel his love within . . .Our living Christ!Our living, loving Christ!
$1.99 ≈
1.79€
Live Before We Die
Live Before We Die
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Piano, Vocal and Guitar
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Halloween
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Andrew Lippa and The Addams Fa
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Halloween
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Live Before We Die
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Andrew Lippa and The Addams Family (Musical). Broadway; Halloween; Musical/Show. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music...
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By Andrew Lippa and The Addams Family (Musical). Broadway; Halloween; Musical/Show. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Live Before We Die
Live Before We Die
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Piano, Voice
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Halloween
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Andrew Lippa and The Addams Fa
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Halloween
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Live Before We Die
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Andrew Lippa and The Addams Family (Musical). For piano/voice/chords. Broadway; Halloween; Musical/Show. PV. 6 pages. Published by Hal Leonard - Digital Shee...
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By Andrew Lippa and The Addams Family (Musical). For piano/voice/chords. Broadway; Halloween; Musical/Show. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Andrew Lippa: Live Before We Die for voice, piano and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Andrew Lippa
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Virtualsheetmusic
Instantly downloadable sheet music by Andrew Lippa for voice, piano and guitar of MEDIUM skill level.
Instantly downloadable sheet music by Andrew Lippa for voice, piano and guitar of MEDIUM skill level.
$7.99 ≈
7.19€
Andrew Lippa: Live Before We Die for voice & piano
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Piano, Voice
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INTERMEDIATE
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Andrew Lippa
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Virtualsheetmusic
Instantly downloadable sheet music by Andrew Lippa for voice & piano of MEDIUM skill level.
Instantly downloadable sheet music by Andrew Lippa for voice & piano of MEDIUM skill level.
$7.99 ≈
7.19€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.36€
L'alchimista
L'alchimista
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Piano solo
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Contemporary
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0...
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99 ≈
3.59€
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
3.15€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.18€
Everything for the Church Soloist-Digital Download
Everything for the Church Soloist-Digital Download
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Various Writers
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Don Doig, Jack Schrader, and J
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. ...
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95 ≈
71.90€
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Live Before We Die
