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34 sheet music found Favorite Piano Preludes, Liszt/Chopin Arr. for Brass Quintet
Favorite Piano Preludes, Liszt/Chopin Arr. for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # Liszt/Chopin # Bud Caputo # Favorite Piano Preludes, Liszt # Bud Caputo # SheetMusicPlus
Brass Ensemble Trumpet,Tuba - SKU: A0.826744 Composed by Liszt/Chopin. Arranged by Bud Caputo. 20th Century,Instructional,Standards,World. Score and par...(+)
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano # Trumpet # INTERMEDIATE # Felix Mendelssohn # James M # Mendelssohn: Song Without Word # jmsgu3 # SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...(+)
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial. Psallite ("Sing Praises"): Old Christmas Carol for Brass Quintet with Piano or Organ
Psallite ("Sing Praises"): Old Christmas Carol for Brass Quintet with Piano or Organ # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Christmas # Franz Liszt # William J # Psallite # Sigma Squared Music # SheetMusicPlus
Small Ensemble B-Flat Trumpet,Horn,Organ,Piano,Trombone,Tuba - Level 4 - SKU: A0.1124315 Composed by Franz Liszt. Arranged by William J. Bullock. Christ...(+)
Small Ensemble B-Flat Trumpet,Horn,Organ,Piano,Trombone,Tuba - Level 4 - SKU: A0.1124315 Composed by Franz Liszt. Arranged by William J. Bullock. Christmas,Holiday,Renaissance,Romantic Period. Score and parts. 17 pages. Sigma Squared Music #725068. Published by Sigma Squared Music (A0.1124315). Michael Praetorius’ setting of the sixteenth-century carol Psallite, unigenito made the carol so famous that later composers were enticed to use the carol as the basis for new compositions. One such composer was Franz Liszt, who used it to begin a set of Christmas piano works he composed for his granddaughter, Daniela. She was the first person to hear the work, when Liszt played it for her on Christmas Day, 1881, in her hotel room in Rome. Written in a style typical of the composer’s autumnal works, the movement exploits the melody’s initial bell motto in an elevated style. This arrangement enhances that style by transcribing it for organ (or piano) and brass quintet. Voices of Spring Waltz op. 410 by J. Strauss II
Voices of Spring Waltz op. 410 by J. Strauss II # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE # Classical # Johann Strauss Jr # Alessandro Macrì # 1881) # Voices of Spring Waltz op. 410 # Music Macri Editions # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Fil...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 38 pages. Music Macri Editions #5871333. Published by Music Macri Editions (A0.931268). Voices of Spring (Voci di Primavera) op. 410, è un valzer di Johann Strauss (figlio).Nell'inverno del 1882-83 il compositore fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del Wiener Hopfoperntheater (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta al Theater an der Wien il 1º marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero austro-ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.Strauss, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genée, che aveva già collaborato con il compositore nell'operetta Eine Nacht in Venedig (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.L'autunno del 1882 vide Strauss impegnato a Budapest per curare la prima rappresentazione dell'operetta Der lustige Krieg (L'allegra Guerra; 1881). Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli illustri ospiti della serata: Franz Liszt. I due compositori si conoscevano già molto bene da almeno 30 anni (Strauss aveva dedicato il suo valzer Abschieds-Rufe op. 179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Fu questa visita che fornì l'ispirazione per la scrittura del valzer Frühlingsstimmen.Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strauss durante uno dei suoi concerti al Musikverein nel 1883.Nel 1934 il valzer fu riutilizzato per l'operetta postuma (con musiche di Strauss jr.) Die Tänzerin Fanny Elßler.Durante il Concerto di Capodanno del 1987, Herbert von Karajan, inserì nel programma il valzer Frühlingsstimmen eseguendolo nella versione vocale originale con il soprano Kathleen Battle. Allegro - Score Only
Allegro - Score Only # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Classical # Solo Trumpet Player # ed # Allegro - Score Only # Peet du Toit # SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical...(+)
Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.