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You've selected:
Let The Trumpets Sound Harp
Sheetmusic to print
10 sheet music found
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1
Let The Trumpets Sound - Harp
Let The Trumpets Sound - Harp
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Harp (band part)
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Sacred music
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Joseph M
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Let The Trumpets Sound - Harp
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Hal Leonard - Digital
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SheetMusicPlus
Choir,Choral - Digital Download SKU: HX.1117018 Composed by Joseph M. Martin and Terry W. York and Joseph M. Martin. This edition: scorch. Sacred. Choral...
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Choir,Choral - Digital Download SKU: HX.1117018 Composed by Joseph M. Martin and Terry W. York and Joseph M. Martin. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 290. Hal Leonard - Digital #340655. Published by Hal Leonard - Digital (HX.1117018).
$7.00 ≈
6.44€
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
5.15€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.75€
Overture (the Sound Of Music)
Overture (the Sound Of Music)
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Orchestra
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INTERMEDIATE/ADVANCED
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Oscar Hammerstein and Richard
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Marcus Martin
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Overture
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Cornelius Edition
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1354689 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Marcus Martin. 20th Century,Br...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1354689 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Marcus Martin. 20th Century,Broadway,Children,Christmas,Film/TV,Musical/Show. 53 pages. Cornelius Edition (uk) #939384. Published by Cornelius Edition (uk) (A0.1354689). The iconic opening to the 1964 film, completed with an addional ending  to enable this to be used as a effective concert item. Scored for 2fl(picc), oboe, 2 Bb Clarinets, Bassoon, 2 Horns 2 Trumpets 2 Trombones, Percussion, Harp and StringsFull Score and parts included.
$59.99 ≈
55.18€
Overture (the Sound Of Music)
Overture (the Sound Of Music)
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Orchestra
#
INTERMEDIATE/ADVANCED
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Oscar Hammerstein and Richard
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Marcus Martin
#
Overture
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Cornelius Edition
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1354675 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Marcus Martin. 20th Century,Br...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1354675 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Marcus Martin. 20th Century,Broadway,Children,Christmas,Film/TV,Musical/Show. 53 pages. Cornelius Edition (uk) #939370. Published by Cornelius Edition (uk) (A0.1354675). The iconic opening to the 1964 film, completed with an addional ending  to enable this to be used as a effective concert item. Scored for 2fl(picc), oboe, 2 Bb Clarinets, Bassoon, 2 Horns 2 Trumpets 2 Trombones, Percussion, Harp and StringsFull Score and parts included.
$59.99 ≈
55.18€
Let Me Entertain You
Let Me Entertain You
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Orchestra
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INTERMEDIATE/ADVANCED
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Rock
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Robbie Williams
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Daryl McKenzie
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3 Trombones
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Let Me Entertain You
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1364576 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Daryl McKenzie. Po...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1364576 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Daryl McKenzie. Pop,Rock. 106 pages. Daryl McKenzie #948863. Published by Daryl McKenzie (A0.1364576). Arranged in the style of Robbie Williams for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl/Picc, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of FFeatures Trumpet soloist at the end (may be improvised)Note: Playable without Saxes. Playable with 3 Trumpets & 3 Trombones.Full audio demo (Sibelius Sounds): click hereAlso available as a Big Band arrangement or a small band (3-5 horns): Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99 ≈
91.97€
Medioevo By Jannes Jacobs
Medioevo By Jannes Jacobs
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Concert band
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Contemporary
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by...
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Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00 ≈
13.80€
Pas de Deux for Brass Quintet
Pas de Deux for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Pyotr Tchaikovsky
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Frank Starobin
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Pas de Deux for Brass Quintet
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Frank Starobin
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.874056 Composed by Pyotr Tchaikovsky. Arranged by Frank Starobin. Christmas,Concert,Romantic Period. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.874056 Composed by Pyotr Tchaikovsky. Arranged by Frank Starobin. Christmas,Concert,Romantic Period. Score and parts. 17 pages. Frank Starobin #3400563. Published by Frank Starobin (A0.874056). Pyotr Ilyich Tchaikovsky's ballet The Nutcracker debuted in 1892. One of the best-known scenes from the work is Pas de Deux which comes near the end of the ballet. This version for brass quintet places muted trumpets, horn, and trombone in the role of the plucked strings and harps, while the tuba plays the melody followed by an unmuted trombone. Players should experiment with both straight mutes and cup mutes. Some other notes on this arrangement: -ppp dynamics should not be so soft that quality of sound is degraded. -the trumpet runs at bar 56 should be played in time and unrushed -duration 4:45https://www.youtube.com/watch?v=WFkW0gb2Cc4
$15.00 ≈
13.80€
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ? Score and Parts
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. O...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99 ≈
91.97€
From Russia With Love
From Russia With Love
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Orchestra
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INTERMEDIATE/ADVANCED
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Lionel Bart
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Jan Angermüller
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From Russia With Love
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Elbsound.studio
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1291094 Composed by Lionel Bart. Arranged by Jan Angermüller. Film/TV,Pop,Rock,Standards,Thriller....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1291094 Composed by Lionel Bart. Arranged by Jan Angermüller. Film/TV,Pop,Rock,Standards,Thriller. Score and Parts. 86 pages. Elbsound.studio #881787. Published by Elbsound.studio (A0.1291094). From Russia with Love for full symphonic orchestra based on the original instrumental movie opening. Includes score and all parts86 pages (including one preview page)Duration ca. 2m30s Key: E MinorInstruments:2222-44402 Flutes (Alto Flute optional), Oboe, English Horn, 2 Clarinets, 2 Bassons4 Horns, 4 Trumpets (4th optional), 4 Trombones (or 3 Trombones+1 Tuba), 3 optional Saxes (ATB)3 or 4 Percussion (including Timpani, Bongo drums, Bass drum, Vibraphone, Snare Drum, Tam-Tam)Eletric Guitar, Upright Bass, Harp, Keyboard (Organ), Drum set, Strings
$249.00 ≈
229.03€
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