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You've selected:
Lament In Tremolo Form
Sheetmusic to print
2 sheet music found
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1
Lament In Tremolo Form
Lament In Tremolo Form
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Laurindo Almeida
#
Popnroll 1976
#
Lament In Tremolo Form
#
Popnroll 1976
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1300023 By Laurindo Almeida. By Laurindo Almeida. Arranged by Popnroll 1976. 20th Century,Classical,Jazz...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1300023 By Laurindo Almeida. By Laurindo Almeida. Arranged by Popnroll 1976. 20th Century,Classical,Jazz,Latin. Individual part. 4 pages. Popnroll 1976 #889791. Published by Popnroll 1976 (A0.1300023). Lament In Tremolo Form - Laurindo Almeida (for Classical Guitar)Laurindo Almeida is a jazz classical guitarist from Brazil.This is a complete transcription of his guitar performance.It is included in the album Guitar Player released in 1977, which is a collection of performances by guitarists of the time.Discog link:https://www.discogs.com/ja/master/336045-Various-Guitar-PlayerIt is a romantic piece with Am-based tremolo technique reminiscent of the famous Memories of the Alhambra by Spanish composer/guitarist Francisco Talega. From the chorus of the latter half of the song, the key changes to F major, creating a bright but melancholic atmosphere.Composed and performed by Laurindo AlmeidaPDF format, 4 pages.
$19.99 ≈
$27.31
Circles - Concerto for Cello & (H.S.) String Orchestra
Circles - Concerto for Cello & (H.S.) String Orchestra
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
the end, everyone is bowing an
#
Eric Moore
#
Circles - Concerto for Cello &
#
Cello Loft
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cel...
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00 ≈
$27.32
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1
Lament In Tremolo Form
