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You've selected:
J.S. Jacques
Sheetmusic to print
87 sheet music found
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Can Can - J. Offenbach - Violoncello solo
Can Can - J. Offenbach - Violoncello solo
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Cello (band part)
#
EASY
#
Jacques Offenbach
#
Marival Moreira
#
Can Can - J. Offenbach - Violo
#
MARIVAL MOREIRA SOUSA
#
SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.1186673 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early...
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Cello Solo - Level 2 - Digital Download SKU: A0.1186673 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early Music,Multicultural,World. Individual part. 1 pages. MARIVAL MOREIRA SOUSA #786320. Published by MARIVAL MOREIRA SOUSA (A0.1186673).
$2.99 ≈
2.79€
Can Can - J. Offenbach - Violoncello solo (with chords)
Can Can - J. Offenbach - Violoncello solo (with chords)
#
Cello (band part)
#
EASY
#
Jacques Offenbach
#
Marival Moreira
#
Can Can - J. Offenbach - Violo
#
MARIVAL MOREIRA SOUSA
#
SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.1186672 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early...
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Cello Solo - Level 2 - Digital Download SKU: A0.1186672 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early Music,Multicultural,World. Individual part. 1 pages. MARIVAL MOREIRA SOUSA #786319. Published by MARIVAL MOREIRA SOUSA (A0.1186672).
$2.99 ≈
2.79€
Can Can - J. Offenbach - Oboe solo (with chords)
Can Can - J. Offenbach - Oboe solo (with chords)
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Oboe (band part)
#
EASY
#
Jacques Offenbach
#
Marival Moreira
#
Can Can - J. Offenbach - Oboe
#
MARIVAL MOREIRA SOUSA
#
SheetMusicPlus
Oboe Solo - Level 2 - Digital Download SKU: A0.1180015 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early ...
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Oboe Solo - Level 2 - Digital Download SKU: A0.1180015 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early Music,Multicultural,World. Individual part. 1 pages. MARIVAL MOREIRA SOUSA #779955. Published by MARIVAL MOREIRA SOUSA (A0.1180015).
$2.99 ≈
2.79€
Can Can - J. Offenbach - Oboe solo
Can Can - J. Offenbach - Oboe solo
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Oboe (band part)
#
EASY
#
Jacques Offenbach
#
Marival Moreira
#
Can Can - J. Offenbach - Oboe
#
MARIVAL MOREIRA SOUSA
#
SheetMusicPlus
Oboe Solo - Level 2 - Digital Download SKU: A0.1180038 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early ...
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Oboe Solo - Level 2 - Digital Download SKU: A0.1180038 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early Music,Multicultural,World. Individual part. 1 pages. MARIVAL MOREIRA SOUSA #779979. Published by MARIVAL MOREIRA SOUSA (A0.1180038).
$2.99 ≈
2.79€
Can Can - J. Offenbach - Viola solo
Can Can - J. Offenbach - Viola solo
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Viola (band part)
#
EASY
#
Jacques Offenbach
#
Marival Moreira
#
Can Can - J. Offenbach - Viola
#
MARIVAL MOREIRA SOUSA
#
SheetMusicPlus
Viola Solo - Level 2 - Digital Download SKU: A0.1186661 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early...
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Viola Solo - Level 2 - Digital Download SKU: A0.1186661 Composed by Jacques Offenbach. Arranged by Marival Moreira. 19th Century,Children,Classical,Early Music,Multicultural,World. Individual part. 1 pages. MARIVAL MOREIRA SOUSA #786307. Published by MARIVAL MOREIRA SOUSA (A0.1186661).
$2.99 ≈
2.79€
Jacques Leguerney: Élégie for medium voice and piano
Jacques Leguerney: Élégie for medium voice and piano
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Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Musik Fabrik Music Publishing
#
Jacques Leguerney: Élégie fo
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. ...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Music Publishing #2343119. Published by Musik Fabrik Music Publishing (A0.533321). A setting by Leguerney of a poem by Marceline Desbordes-Valmore. The range is Csharp3-Fsharp4Peut-être un jour sa voix tendre et voilée M'appellera sous de jeunes cyprès : Cachée alors au fond de la vallée, Plus heureuse que lui, j'entendrai ses regrets. Lentement, des coteaux je le verrai descendre ; Quand il croira ses pas et ses vœux superflus, Il pleurera ! ses pleurs rafraîchiront ma cendre; Enchaînée à ses pieds, je ne le fuirai plus. Je ne le fuirai plus ! je l'entendrai; mon âme, Brûlante autour de lui, voudra sécher ses pleurs ; Et ce timide accent, qui trahissait ma flamme, Il le reconnaîtra dans le doux bruit des fleurs. Oh ! qu'il trouve un rosier mourant et solitaire ! Qu'il y cherche mon souffle et l'attire en son sein ! Qu'il dise : « C'est pour moi qu'il a quitté la terre ; « Ses parfums sont à moi, ce n'est plus un larcin. » Qu'il dise : « Un jour à peine il a bordé la rive ; « Son vert tendre égayait le limpide miroir; « Et ses feuilles déjà , dans l'onde fugitive, « Tombent. Faible rosier, tu n'as pas vu le soir ! » Alors, peut-être, alors l'hirondelle endormie, À la voix d'un amant qui pleure son amie, S'échappera du sein des parfums précieux, Emportant sa prière et ses larmes aux cieux. Alors, rêvant aux biens que ce monde nous donne, il laissera tomber sur le froid monument Les rameaux affligés dont la gloire environne Son front triste et charmant. Alors je resterai seule, mais consolée, Les vents respecteront l'empreinte de ses pas. Déjà je voudrais être au fond de la vallée; Déjà je l'attendrais... Dieu ! s'il n'y venait pas !
$9.10 ≈
8.49€
J. Offenbach: Orpheus in the Underworld Overture for Cello Quartet
J. Offenbach: Orpheus in the Underworld Overture for Cello Quartet
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4 Cellos
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INTERMEDIATE
#
Jacques Offenbach
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Clara Obsidian
#
J. Offenbach: Orpheus in the U
#
Clara Obsidian
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1310534 Composed by Jacques Offenbach. Arranged by Clara Obsidian. 19th Century,...
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1310534 Composed by Jacques Offenbach. Arranged by Clara Obsidian. 19th Century,Romantic Period. 15 pages. Clara Obsidian #899596. Published by Clara Obsidian (A0.1310534). Orpheus in the Underworld, or Orpheus in Hell are English names for Orphée aux enfers, the comic opera written by Jacques Offenbach. The Overture, also known as the 'Can-can dance' or 'Infernal Galop', was popularized when groups like Moulin Rouge and the Folies Bergère adopted it as their dance set piece.A little fun fact! The overture was not actually writted by Offenbach! It is a giant collage of many themes, in which Jupiter's minuet and John Styx's song recur, and also including J'ai vu le Dieu Bacchus, the couplets Je suis Vénus, the Rondeau des métamorphoses, the Partons, partons section of the Act 2 finale, and the Act 4 galop. It was actually arranged by Austrian musician Carl Binder for the Opera's first production in 1860The arrangement for Cello Quartet features 4 parts that play equal importance to the music, with Ossia included for a variation of difficulty.Full Score and Parts---------------------.
$8.99 ≈
8.39€
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
#
Jacques Offenbach
#
Nicole Elyse DiPaolo
#
Vous aimez le danger/Ah! que j
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period....
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.35€
The Time Between Genesis 1:1 and 1:2
The Time Between Genesis 1:1 and 1:2
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Guitar
#
INTERMEDIATE
#
J
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The Time Between Genesis 1:1 a
#
J.S. Jacques
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jacques #3586003. Published by J.S. Jacques (A0.1028595). This piece was composed for solo classical guitar, but it could be performed on a variety of instruments. Excellent for guitar students, especially those seeking to learn the higher regions of the fret board. A choice piece for guitarists of all levels wishing to improve their a ( p), m, i right hand pattern. An excellent piece for church services, especially as it centers on a cryptic chapter of Bible history.If you would like to know how I play it, I'll be happy to make a YouTube tutorial. If so, or if you have questions about the title or anything else, feel free to email me at jerjacques@gmail.com.A performance would typically be around 80 BPM and last 1:40 to 2 minutes.
$2.60 ≈
2.43€
Jacques Leguerney: Première Sonate for piano and violin
Jacques Leguerney: Première Sonate for piano and violin
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Violin and Piano
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ADVANCED
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Jacques Leguerney
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Jacques Leguerney: Première S
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publ...
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Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95 ≈
24.22€
The Marine’s Hymn
The Marine’s Hymn
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Guitar notes and tablatures
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EASY
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Jacques Offenbach
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Mark Phillips
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The Marine’s Hymn
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A. J. Cornell Publications
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.691374 Composed by Jacques Offenbach. Arranged by Mark Phillips. Holiday,Patriotic. Guitar Tab. 2 pages. A. J...
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Guitar - Level 2 - Digital Download SKU: A0.691374 Composed by Jacques Offenbach. Arranged by Mark Phillips. Holiday,Patriotic. Guitar Tab. 2 pages. A. J. Cornell Publications #3388053. Published by A. J. Cornell Publications (A0.691374). The Marine’s Hymn for easy classical guitar duet (in standard notation and tablature).
$3.99 ≈
3.72€
Le Bouquet (Jacques Prévert) for alto and guitar
Le Bouquet (Jacques Prévert) for alto and guitar
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Piano, Vocal and Guitar
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EASY
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David Warin Solomons
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Le Bouquet
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1378788 Composed by David Warin Solomons. Contemporary,Folk. Score. 7 pages. David Warin So...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1378788 Composed by David Warin Solomons. Contemporary,Folk. Score. 7 pages. David Warin Solomons #963496. Published by David Warin Solomons (A0.1378788). This gentle and romantic piece is inspired by Prévert's poem Le Bouquet. Que faites-vous là petite filleAvec ces fleurs fraîchement coupées?Que faites-vous là jeune filleAvec ces fleurs ces fleurs séchées?Que faites-vous là jolie femmeAvec ces fleurs qui se fanent?Que faites-vous là vieille femmeAvec ces fleurs qui meurent?J'attends le vainqueurWhat are you doing there, little girl,With those freshly cut flowers?What are you doing there, young girl,With those dried flowers?What are you doing there, pretty woman,With those faded flowers?What are you doing there, old woman,With those dying flowers?I'm waiting for the victorious oneThe sound sample is an electronic preview with the voice part played on alto flute sample.The pdf file contains score and separate guitar part.The video shows a version with added recorder part.
$6.00 ≈
5.60€
Le Bouquet (Jacques Prévert) for alto voice, alto recorder and guitar (mp3)
Le Bouquet (Jacques Prévert) for alto voice, alto recorder and guitar (mp3)
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David Warin Solomons
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Le Bouquet
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David Warin Solomons
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SheetMusicPlus
Guitar,Recorder,Voice - Level 3 - Digital Download SKU: A0.1378789 Composed by David Warin Solomons. Contemporary,Folk. Full Performance. Duration 109. D...
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Guitar,Recorder,Voice - Level 3 - Digital Download SKU: A0.1378789 Composed by David Warin Solomons. Contemporary,Folk. Full Performance. Duration 109. David Warin Solomons #963497. Published by David Warin Solomons (A0.1378789). This gentle and romantic piece, with interweaving melodies is inspired by Prévert's poem Le Bouquet. Que faites-vous là petite filleAvec ces fleurs fraîchement coupées?Que faites-vous là jeune filleAvec ces fleurs ces fleurs séchées?Que faites-vous là jolie femmeAvec ces fleurs qui se fanent?Que faites-vous là vieille femmeAvec ces fleurs qui meurent?J'attends le vainqueurWhat are you doing there, little girl,With those freshly cut flowers?What are you doing there, young girl,With those dried flowers?What are you doing there, pretty woman,With those faded flowers?What are you doing there, old woman,With those dying flowers?I'm waiting for the victorious one.
$4.50 ≈
4.20€
Can Can - J. Offenbach
Can Can - J. Offenbach
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Mandolin
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EASY
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Jacques Offenbach
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songbooks
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Can Can - J. Offenbach
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songbooks.info
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SheetMusicPlus
Mandolin - Level 2 - Digital Download SKU: A0.1347368 Composed by Jacques Offenbach. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 2 ...
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Mandolin - Level 2 - Digital Download SKU: A0.1347368 Composed by Jacques Offenbach. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 2 pages. Songbooks.info #932177. Published by songbooks.info (A0.1347368). Well-known and popular themes from classical music - notated for the Mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22 ≈
2.07€
Barcarole aus Hoffmanns Erzählungen - J. Offenbach
Barcarole aus Hoffmanns Erzählungen - J. Offenbach
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Mandolin
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EASY
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Jacques Offenbach
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songbooks
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Barcarole aus Hoffmanns Erzäh
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songbooks.info
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SheetMusicPlus
Mandolin - Level 2 - Digital Download SKU: A0.1347811 Composed by Jacques Offenbach. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 4 ...
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Mandolin - Level 2 - Digital Download SKU: A0.1347811 Composed by Jacques Offenbach. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 4 pages. Songbooks.info #932624. Published by songbooks.info (A0.1347811). Well-known and popular themes from classical music - notated for the Mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22 ≈
2.07€
Bach-Gounod: Ave Maria for Oboe and Piano
Bach-Gounod: Ave Maria for Oboe and Piano
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Oboe, Piano (duet)
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Obo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pa...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.42€
Bach-Gounod: Ave Maria for Flute and Piano
Bach-Gounod: Ave Maria for Flute and Piano
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Flute and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Worship, Easter, Mother'
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Bach-Gounod: Ave Maria for Flu
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.42€
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Ten
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his
own melody over a rippling keyboard accompaniment which was a slightly adapted version of the
Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,
published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de
Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major
into F major and it was scored for violin (or cello), organ and piano. In 1859, the French
music publishing company Jacques-Léopold Heugel brought out a vocal version based on the
familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the
Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95 ≈
7.42€
Bach-Gounod: Ave Maria for Clarinet and Piano
Bach-Gounod: Ave Maria for Clarinet and Piano
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Clarinet and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Cla
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.42€
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Alto Saxophone and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alt
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Par...
(+)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B
flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate
player who can manage a top “b” with confidence.
In 1853, the well-known French composer Charles Gounod added his own melody over a rippling
keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,
BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of
the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s
original arrangement transposed Bach’s keyboard part from C major into F major and it was
scored for violin (or cello), organ and piano. In 1859, the French music publishing company
Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria
(Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95 ≈
7.42€
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