All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Into The Past
Not classified
119
Piano & keyboards
Piano solo
105
Organ
56
Piano, Voice
11
Easy Piano
10
Piano Quartet: piano, violin, viola, cello
4
1 Piano, 4 hands
2
Organ, Piano (duet)
2
Piano Accompaniment
2
Piano Trio: piano, violin, cello
2
Harpsichord
1
C Instruments
1
Organ, Trumpet (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano, Vocal and Guitar
1
+ 9 instrumentations
-
Retract
Guitars
Guitar
6
Guitar notes and tablatures
1
Voice
Choral SATB
47
Choral TTBB
10
Choral 3-part
9
Soprano voice, Piano
7
Choral SSAA
3
Choral Unison
2
Vocal duet, Piano
2
Choral 2-part
1
Medium voice, Piano
1
Choral SSATTB
1
+ 5 instrumentations
-
Retract
Woodwind
Flute and Piano
11
Alto Saxophone and Piano
8
Oboe, Piano (duet)
8
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7
Clarinet and Piano
5
Tenor Saxophone and Piano
5
Saxophone ensemble
4
Saxophone Quintet: 5 Saxophones
4
Saxophone Quartet: 4 saxophones
4
2 Saxophones (duet)
3
2 Flutes (duet)
3
Clarinet
3
Clarinet Ensemble
3
Flute
3
Oboe (band part)
2
Flute, Clarinet, Piano (trio)
2
Alto Saxophone
2
Baritone Saxophone, Piano
2
2 Clarinets, Piano
1
Flute ensemble
1
Bass Clarinet, Piano
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute Trio: 3 flutes
1
Flute Quintet : 5 flutes
1
3 Recorders (trio)
1
3 Clarinets (trio)
1
+ 21 instrumentations
-
Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
12
Tuba and Piano
7
Trumpet, Piano
7
Trombone and Piano
5
Brass Quartet
4
Brass Quartet: 2 trumpets, horn, trombone
3
Brass Quintet: 2 trumpets, horn, trombone, tuba
3
Trombone ensemble
3
French Horn and Piano
3
Trombone
2
Euphonium, Piano (duet)
2
Trumpet
2
2 French horns (duet)
1
2 Trombones (duet)
1
Tuba
1
+ 10 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
36
Violin and Piano
13
Violin
11
Viola, Piano
7
Cello (band part)
4
Violin, Cello (duet)
4
Cello, Piano
4
String Trio: violin, viola, cello
3
Viola
3
String Trio: 2 violins, cello
2
2 Cellos (duet)
2
Double Bass
2
Viola (band part)
2
Piano Trio: Violin, Viola, Piano
1
Viola ensemble
1
2 Violas (duet)
1
Cello
1
Violin ensemble
1
+ 13 instrumentations
-
Retract
Percussion & orchestra
Concert band
48
String Orchestra
8
Orchestra
7
Chamber Orchestra
5
Handbells
3
School Ensemble
3
Drums
2
Jazz Ensemble
1
+ 3 instrumentations
-
Retract
Others
Musical course - Solfege
1
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
185,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Into The Past
Sheetmusic to print
736 sheet music found
<
1
26
51
....
726
The Sundials
The Sundials
#
Contemporary
#
Matthew Scott Phillips
#
a shadow
#
The Sundials
#
Matthew Scott Phillips
#
SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott ...
(+)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00 ≈
6.44€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
#
Brass quartet : 2 trumpets, trombone, tuba
#
ADVANCED
#
Contemporary
#
Mike Lyons
#
Brass Quintet - Three Pastoral
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.75€
The Dove
The Dove
#
String Quartet: 2 violins, viola, cello
#
Naji Hakim
#
The Dove
#
Schott Music - Digital
#
SheetMusicPlus
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Download...
(+)
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99 ≈
21.15€
A Look Into The Past
A Look Into The Past
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Blaze Scheuerman
#
A Look Into The Past
#
Blaze Scheuerman
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1077267 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period,Tra...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1077267 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period,Traditional. Score. 14 pages. Blaze Scheuerman #681437. Published by Blaze Scheuerman (A0.1077267). This first movement was primarily inspired by Beethoven’s first five piano sonatas. In an effort to better myself as a composer, I decided to compose a piece following the rules of a certain form instead of a more free form or fantasy-like piece. I chose a Sonata as it both had a rule set I felt like I could follow and was a big enough project to satisfy my ambition. After studying the scores of Beethoven’s first five piano sonatas to gain an understanding of how they work, I have put together my own original piano sonata. It consists of some admiration of the past in the first theme, energy and determination to do something about it in the second theme, and some interesting experimentation and action in the development.
$5.99 ≈
5.51€
Anthem of World United
Anthem of World United
#
Choral SATB
#
INTERMEDIATE
#
Johnson Gao
#
Johnson Gao
#
Anthem of World United
#
Johnson Gao
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultur...
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must uniteâ€Â Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Instituteâ€. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. è¬åœ‹æ¶ˆäº¡, 世界一統æŒÂ 七彩狀元 2023 å¹´ 10 月 3 日 世界原無國。 æŽ åœ°å‰²ç‚ºç–†ã€‚ 開疆先殖民; 有國必建è»ã€‚ 兵乃凶器也, è–人ä¸å¾—æ„而用之。 如今世é“悪。 美, ä¸, ä¿„, æçˆã€‚ å„想稱霸雄; ä¸æ€åˆä½œå‹¤ã€‚ å用拆臺術。 åˆé‘½è§¸æŠ¼è¨ˆ, 無所ä¸ç”¨å…¶æ¥µã€‚ é“高æ‰ä¸€å°º, é”高已一丈。 ä¸è¦‹æœ«æ—¥è¿‘, é‚„è¦æ¶èˆ‡å¥ªã€‚ 情願åŒæ¸ç›¡; ä½ æ»æˆ‘ä¸æ´»ã€‚ æ¥ç¬‘何ç‰çµ•ã€‚ 人體å«ç´°èƒžã€‚ 細胞皆有膜。 有膜知自ç§ã€‚ 自ç§åŸºå› 在進化ä¸åŠŸå‹³å“著。 å°ç§æ„›å·±æ„›åœ‹; 大ç§æ¨å·±æ»…國, 天下為公。 蓋實為æ§äººé¡žä¹‹å¤§ç§ä¹Ÿã€‚統觀當今世界,皇, åŽ, 總統, 主å¸, 無一é…ç•¶æœªä¾†ä¸–ç•Œé ˜è¢–ã€‚ 唯其åªçŸ¥å°ç§æ„›å·±æ„›åœ‹; 勿崇大ç§æ»…國, 天下為公。 å°ä¸çŸ¥æ˜”日辉煌的爱国主义 æ£åœ¨æˆä¸ºå…¨çƒåŒ–é“路上的攔路虎。 悲哉, 悲哉! ç±Œå»ºä¸–ç•Œé ˜è¢–æ•™è‚²å¸é™¢ã€‚ å¯è¬‚當務之急。 勸å›èŽ«å¤ªè ¢, è¬åœ‹å¿…消亡; æ¤ä¹ƒæ·å²è¦å¾‹ã€‚å•Š, 哈, 哦, ä¾, å‘€! 智人主義需æ創; 世界必æ¸ä¸€ã€‚.
$1.99 ≈
1.83€
Other Echoes Inhabit the Garden
Other Echoes Inhabit the Garden
#
Contemporary
#
William Grosvenor Neil
#
Other Echoes Inhabit the Garde
#
TheComposerStudio.Com, LLC
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages...
(+)
Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00 ≈
32.19€
Excerpt from the Lyric Suite
Excerpt from the Lyric Suite
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie C...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00 ≈
4.60€
THE GODMOTHER
THE GODMOTHER
#
String Orchestra
#
INTERMEDIATE
#
Contemporary
#
Vincent Vitale
#
THE GODMOTHER
#
Vincent Vitale
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3125251...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3125251. Published by Vincent Vitale (A0.835543). Being of Italian heritage I especially thought it would be fun to compose The Godmother which contains very small hints of the theme from The Godfather throughout.  See if you can pick them out. Thinking back into my past I visualized all my Italian relatives in the family and the life style we led which helped give the composition that Italian flair. I truly believe you, your students and your audience will enjoy this piece. Written for the Intermediate level the composition includes full score and parts for Violin 1, Violin 2, Viola, Cello and St. Bass. If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. Thank you very much for your consideration and I wish you and your students much musical success.
$24.00 ≈
22.08€
A Place at the Table
A Place at the Table
#
A Place at the Table
#
Hope Publishing - Digital
#
SheetMusicPlus
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. ...
(+)
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95 ≈
13.75€
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
#
Choral SATB
#
INTERMEDIATE
#
Michael A
#
AND THE WORD BECAME FLESH - SE
#
M.A. Morizio
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Mori...
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99 ≈
9.19€
Pastor’s Wife
Pastor’s Wife
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
Michael Anthony Milton
#
Michael Anthony Milton
#
Pastor’s Wife
#
Bethesda Music Group
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1250599 By Michael Anthony Milton. By Michael Anthony Milton. Arranged by Michael Anthony M...
(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1250599 By Michael Anthony Milton. By Michael Anthony Milton. Arranged by Michael Anthony Milton. Christian,Country,Folk,Singer/Songwriter. Score. 34 pages. Bethesda Music Group #844901. Published by Bethesda Music Group (A0.1250599). Instrumentation: Lead and Backing Vocals, Acoustic Guitar, Piano, Violin, Pedal SteelGenre: Acoustic, Sentimental, SlowIdeal for: Church settings, Worship services, Special occasions, Commemorative eventsDescription:Pastor's Wife by Michael Anthony Milton is a heartfelt and soul-stirring piece of music that resonates with the emotions of gratitude, love, and admiration. Crafted with meticulous attention to detail, this composition captures the essence of the pastoral journey and celebrates the unsung hero behind the scenes: the pastor's wife.This exquisite arrangement is designed to create a profound and touching experience in church settings, where the piece can be seamlessly integrated into worship services, special occasions, and commemorative events. Its acoustic sound creates an intimate atmosphere, allowing the lyrics to be conveyed with utmost clarity and emotional impact.With its sentimental and slow tempo, Pastor's Wife evokes a sense of reverence and reflection, providing a moment of deep connection and appreciation. The lead and backing vocals carry the heartfelt message, supported by the tender melodies of the acoustic guitar, piano, violin, and the evocative tones of the pedal steel.The beauty of Pastor's Wife lies not only in its musicality but also in its ability to tell a captivating story. Through its carefully crafted lyrics and melodic progression, the composition narrates the journey of a devoted and selfless partner, standing beside the pastor, supporting their ministry, and offering comfort and strength to the congregation.The uniqueness of Pastor's Wife lies in its ability to encapsulate the profound emotions associated with the role of a pastor's wife, making it an ideal choice for those seeking a heartfelt tribute to these remarkable individuals. Whether you are a worship leader, a church musician, or a pastor looking to honor the significant contributions of a pastor's wife, this composition is sure to touch the hearts of all who listen.Experience the power of Pastor's Wife and let it serve as a testament to the dedication and sacrifice of these remarkable women. Its gentle melodies, poignant harmonies, and captivating lyrics will leave a lasting impression, creating a memorable moment of reverence and gratitude.Keywords: Pastor's Wife, Michael Anthony Milton, sheet music, acoustic, sentimental, slow, lead vocals, backing vocals, guitar, piano, violin, pedal steel, church settings, worship services, special occasions, commemorative events, tribute, devotion, selflessness, emotions, gratitude, love, admiration, lyrics, melodies, worship leader, church musician, pastor, dedication, sacrifice.
$5.99 ≈
5.51€
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
#
Oboe, Piano (duet)
#
ADVANCED
#
Contemporary
#
Sy Brandon
#
Craters of the Moon for Oboe,
#
Sy Brandon
#
SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pa...
(+)
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99 ≈
13.79€
You Are The Reason
You Are The Reason
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE
#
Pop music
#
Calum Scott
#
Dan Sanchez
#
You Are The Reason
#
Dan Sanchez
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.799141 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan...
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.799141 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan Sanchez. Pop. Score and parts. 18 pages. Dan Sanchez #6092207. Published by Dan Sanchez (A0.799141). This rendition of Calum Scott’s You Are The Reason for string quartet can also be performed with a string trio, since the 2nd violin part is optional. This song has really nice melody, and the inner voices have nice supporting harmonies.One thing that sets my arrangements apart from others is that I fit all of my parts on no more than 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99 ≈
11.95€
On Top Of The World
On Top Of The World
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE
#
Rock
#
Imagine Dragons
#
Dan Sanchez
#
On Top Of The World
#
Dan Sanchez
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.799121 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Dani...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.799121 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, and Daniel Sermon. Arranged by Dan Sanchez. Rock. Score and parts. 15 pages. Dan Sanchez #4969495. Published by Dan Sanchez (A0.799121). This String Quartet arrangement of On Top of the World by Imagine Dragons is sure to lift the spirit of your audience. It’s a care-free toe-tapper! This can also be performed with a String Trio, since the 2nd Violin part is optional. One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99 ≈
11.95€
You Are The Reason
You Are The Reason
#
Violin
#
INTERMEDIATE
#
Pop music
#
Calum Scott
#
Dan Sanchez
#
You Are The Reason
#
Dan Sanchez
#
SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.799145 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan Sanchez. Pop. 5 p...
(+)
Violin Solo - Level 3 - Digital Download SKU: A0.799145 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan Sanchez. Pop. 5 pages. Dan Sanchez #6099707. Published by Dan Sanchez (A0.799145). This solo violin arrangement of Calum Scott’s You Are The Reason works well for bridal processionals, or for simply adding a touch of romance to any performance. One thing that sets my arrangements apart from others is that I fit all of my parts on no more than 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$4.99 ≈
4.59€
A Moment In The Present
A Moment In The Present
#
Piano solo
#
INTERMEDIATE
#
Blaze Scheuerman
#
A Moment In The Present
#
Blaze Scheuerman
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Ro...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 6 pages. Blaze Scheuerman #688577. Published by Blaze Scheuerman (A0.1084402). The second movement of Blaze's Piano Sonata in E Major No. 1, following A Look Into The Past, A Moment In The Present was primarily inspired by Beethoven’s Piano Sonata in F Minor No. 1 and Piano Sonata in C Minor No. 8 “Pathetiqueâ€. I gave it its name because I find it to be a very relaxing and dawdling piece. It reminds me of someone just lounging around and enjoying nothing but taking in the moment. The syncopated melody gives off the feeling that his thoughts are also jumbled together. He is not actively trying to achieve anything, but instead just letting anything come to him. It is supposed to contrast the first movement by being simpler and more relaxing (where the first is dominating and complex). I especially wanted a much more lyrical and monophonic (single voiced) piece to contrast with the polyphony (many voiced) and layers of the first.
$4.99 ≈
4.59€
Into the Past
Into the Past
#
Orchestra
#
Contemporary
#
Justin Brown
#
Into the Past
#
Justin Brown
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.981063 Composed by Justin Brown. Contemporary. Score and parts. 86 pages. Justin Brown #5996917. Published by J...
(+)
Full Orchestra - Digital Download SKU: A0.981063 Composed by Justin Brown. Contemporary. Score and parts. 86 pages. Justin Brown #5996917. Published by Justin Brown (A0.981063). A fun energetic song for full orchestra that stirs up emotion and feelings of memories past. .
$24.99 ≈
22.99€
Back To The Future
Back To The Future
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Alan Silvestri
#
Graham Boag
#
Back To The Future
#
Graham Boag
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99 ≈
55.18€
Prelude to Dashti in E (Window into the Past - for Oboe, Violin, Harp & Strings)
Prelude to Dashti in E (Window into the Past - for Oboe, Violin, Harp & Strings)
#
Chamber Orchestra
#
INTERMEDIATE
#
Mehdi D
#
Prelude to Dashti in E
#
Mehdi D. Ardebili
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1102386 Composed by Mehdi D. Ardebili. 19th Century,Classical,Multicultural,Romantic Period,World....
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1102386 Composed by Mehdi D. Ardebili. 19th Century,Classical,Multicultural,Romantic Period,World. Score and Parts. 2 pages. Mehdi D. Ardebili #705795. Published by Mehdi D. Ardebili (A0.1102386). Dedicated in memory of the late contemporary Persian poet Houshang Ebtehaj. Miniature piece in Dashti E for oboe, violin solo, harp & strings out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.SoundCloud Link: https://on.soundcloud.com/5Z1XH.
$16.00 ≈
14.72€
with their absences we mourn
with their absences we mourn
#
Orchestra
#
INTERMEDIATE
#
Contemporary
#
Nathan Grocholski
#
with their absences we mourn
#
Nathan Grocholski
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Gro...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248. Published by Nathan Grocholski (A0.1074986). The past year has been filled with collective grief throughout the entire world. In some way or another, the global pandemic of 2020-21 has affected each one of us in our own way. In this piece, I illustrate the five stages of grief; denial, anger, bargaining, depression, and acceptance. The entire piece is harmonically based on two pitches, E and G-sharp. In the denial and anger stage of this work, this is characterized by a C augmented chord. Once the music finally makes sense of this loss, each of the instruments begin to play off each other; as part of the bargaining. About two-thirds of the way into the entire composition, the piece dramatically slows down and the E and G-sharp chord returns, only this time with C-sharp to represent a minor chord. The texture is heavy to represent depression. At measure 201, the flute enters with a melody that gradually grows, symbolic of accepting the loss as the texture increases. The final phrase of this piece ends with the true acceptance of this loss, but the grief has not completely dissipated. It shrinks, but still remains. The opening section’s E and G# are retained in the final chord of the composition to show that grief remains. But they are now part of an E major triad, suggesting acceptance and moving forward.
$5.00 ≈
4.60€
<
1
26
51
....
726
Into The Past
