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I Felt the Pain
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You've selected:
I Felt the Pain
Sheetmusic to print
51 sheet music found
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1
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51
I Felt the Pain
I Felt the Pain
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Choral Unison
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INTERMEDIATE
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Sacred music
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Sandra Baumgarten
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I Felt the Pain
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Sandra Baumgarten
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1031018 Composed by Sandra Baumgarten. Christian,Contemporary,Holiday,Praise & Worship. Lead Sheet / Fa...
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C Instrument - Level 3 - Digital Download SKU: A0.1031018 Composed by Sandra Baumgarten. Christian,Contemporary,Holiday,Praise & Worship. Lead Sheet / Fake Book. 3 pages. Sandra Baumgarten #2834091. Published by Sandra Baumgarten (A0.1031018). An introspective, heart-felt telling of love and forgiveness from Jesus' perspective at the cross. Perfect for communion as a solo or congregational song.
$1.99 ≈
1.79€
May The Lord Be With You / Que el Señor esté contigo
May The Lord Be With You / Que el Señor esté contigo
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Piano, Vocal and Guitar
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Sacred music
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Shaun Parry
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May The Lord Be With You / Que
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MusicforMillions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by Music...
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99 ≈
1.79€
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
26.90€
i feel the hurt
i feel the hurt
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Piano solo
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Sacred music
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THEMIS KOUTRAS
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i feel the hurt
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - Digital Download SKU: A0.1066610 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 381. THEMIS KOU...
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Piano - Digital Download SKU: A0.1066610 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 381. THEMIS KOUTRAS #4782797. Published by THEMIS KOUTRAS (A0.1066610). This is how it is with me many times i felt the pain suffering of our LORD even more when i watch the gospel it is like withing my heart i am feeling the same pain and suffering he went through very much like sting martyred but not physically i feel it spiritually withing my heart ye true but when he then is risen acceding i then remember this and feel the exact joy he feels i feel it for him been happy that he now lives again forever ye true.
$4.99 ≈
4.48€
Back to the Heart
Back to the Heart
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Alto voice, Piano
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INTERMEDIATE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #295...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95 ≈
4.45€
The Price He Paid, sacred music for SATB choir
The Price He Paid, sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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the love of Thy pure Son, all
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Kevin G
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The Price He Paid, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & ...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 12 pages. Kevin G. Pace #1078902. Published by Kevin G. Pace (A0.1503453). Beautiful, sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.Falsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone. Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid.
$2.99 ≈
2.69€
The Price He Paid, a sacred hymn
The Price He Paid, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
#
Sacred music
#
the love of Thy pure Son, all
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Kevin G
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The Price He Paid, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1497494 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & ...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1497494 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1073907. Published by Kevin G. Pace (A0.1497494). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid. Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.CHORUSFalsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone.CHORUS Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUS.
$2.99 ≈
2.69€
When I Survey the Wondrous Cross
When I Survey the Wondrous Cross
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Piano solo
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EASY
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Sacred music
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Lowell Mason
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Amanda Tero
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When I Survey the Wondrous Cro
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1149581 Composed by Lowell Mason. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Sco...
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Piano Solo - Level 2 - Digital Download SKU: A0.1149581 Composed by Lowell Mason. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Score. 5 pages. Amanda Tero #749728. Published by Amanda Tero (A0.1149581). Paint a picture of the scene of the cross with this easy yet heart-felt rendition of “When I Survey the Wondrous Cross†easy intermediate piano sheet music. This early intermediate level sheet music for “When I Survey the Wondrous Cross†starts in A minor, painting the scene of the cross and what it truly means to stop and survey it. It transitions into a hopeful second verse in the key of C major. Great for church services or recital for both piano students and piano teachers. This piano sheet music is similar in level to most Level 4 piano books and ABRSM Level 4. 3 pages. Keys of A minor and C major The left hand is simple with a lot of octaves and repeated notes. The right hand has the melody with secondary notes. The basic format of this arrangement: introduction, verse 1, interlude (transition from minor to major), verse 2, ending. Musical Elements in When I Survey the Wondrous Cross early intermediate piano sheet music - Keys of A minor and C major - LH octaves with ledger lines in octaves - A lot of RH sixths - 8va - Accidentals - Basic rhythm (eighth notes, quarter notes, etc.) Practice tips for When I Survey the Wondrous Cross early intermediate piano sheet music This piece will provide a lot of discussion with how to shape the piece. It begins minor and transitions into major, giving the student a very easy way to provide contrast in their playing. © 2022 by Amanda Tero.
$4.99 ≈
4.48€
I Felt a Funeral in My Brain
I Felt a Funeral in My Brain
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jay Dougherty
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I Felt a Funeral in My Brain
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1343384 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,F...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1343384 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 14 pages. Jay Dougherty #928911. Published by Jay Dougherty (A0.1343384). With a text by Emily Dickinson, I Felt a Funeral in My Brain is a haunting and introspective exploration of the psychological and emotional turmoil experienced during moments of intense internal crisis. The poem, composed circa 1861, delves into the human psyche, employing vivid and metaphorical language to convey the unraveling of the speaker's mental stability.Striving to bring awareness to the mental health crises of our day, Jay Dougherty's setting of this text serves as a visceral exploration of the poem's profound emotional and psychological themes. Through a careful selection of musical elements, the composition endeavors to immerse the audience in the turbulent inner world of the speaker through various uses of word painting and sonic experiences.Please purchase one copy per singer.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$3.99 ≈
3.58€
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
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Clarinet Ensemble
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BEGINNER
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Renaissance
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John Wilbye
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Alan Edgar
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AH! CANNOT SIGHS OR TEARS NOR
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edga...
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Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edgar Ted Moon #962294. Published by Alan Edgar Ted Moon (A0.1377700). Instrumentation: Eb Clarinet, four Bb Clarinets, Alto, Bass, Contra-alto and Contrabass Clarinets. The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, 1598. originally for SSATTB a capella. As Wilbye labelled this Apt for Viols or Voices, I felt justified in making this arrangement.
$21.00 ≈
18.86€
WORD ENSCRIBED
WORD ENSCRIBED
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Piano solo
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Sacred music
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Gospel/Spiritual
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THEMIS KOUTRAS
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WORD ENSCRIBED
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - Digital Download SKU: A0.1066575 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 161. THEMIS KOU...
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Piano - Digital Download SKU: A0.1066575 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 161. THEMIS KOUTRAS #4765873. Published by THEMIS KOUTRAS (A0.1066575). This song is about the scripture GOD said that in the future he says he shall place and pin his law (word) in our hearts and mind so we will know it off by heart ye true i prayed for this and instantly was knocked out by the power of GOD but i felt no pain i then saw GOD in my thinking heart placing his book written there ye true i then was able to know it all off by heart ye true
$4.99 ≈
4.48€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
17.07€
As dawn breaks
As dawn breaks
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Contemporary
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Erik Satie
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David Rain
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As dawn breaks
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David Rain, Choral Composer
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1091873 Composed by Erik Satie. Arranged by David Rain. A Cappella,Classical,Conte...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1091873 Composed by Erik Satie. Arranged by David Rain. A Cappella,Classical,Contemporary. 6 pages. David Rain, Choral Composer #696006. Published by David Rain, Choral Composer (A0.1091873). Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. As dawn breaks was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. As dawn breaks works perfectly as the opening number of this suite. Finally, my instruction to choirs is to sing as if in a painting, and indeed I invite any artists who might draw inspiration from this piece to consider creating a companion work of art to accompany it.
$2.00 ≈
1.80€
I'm So Glad You're Loving Me
I'm So Glad You're Loving Me
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Piano, Vocal and Guitar
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INTERMEDIATE
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Ronald Patton
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Ronald Patton
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I'm So Glad You're Loving Me
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Twintastic Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1239603 By Ronald Patton. By Arnold Patton and Ronald Patton. Arranged by Ronald Patton. Br...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1239603 By Ronald Patton. By Arnold Patton and Ronald Patton. Arranged by Ronald Patton. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. Score. 10 pages. Twintastic Music #834979. Published by Twintastic Music (A0.1239603). I'm So Glad You're Loving Me deals with one's journey from longing and pain to newfound joy and gratitude. The infectious melody and heartfelt verses, captures the universal desire for deep connection and celebrates the redemptive power of love.
$4.99 ≈
4.48€
Pax Aeternam for cello and piano
Pax Aeternam for cello and piano
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Cello, Piano
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INTERMEDIATE
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and pia
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Maria Thompson Corley
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Cent...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00 ≈
13.47€
Pax Aeternam for tuba and piano
Pax Aeternam for tuba and piano
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Tuba and Piano
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ADVANCED
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Contemporary
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley ...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00 ≈
13.47€
Tremors of Krakatoa
Tremors of Krakatoa
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Judith Katz
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Tremors of Krakatoa
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Imagine Music - Digital
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SheetMusicPlus
Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagin...
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Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagine Music - Digital (IZ.CMS181). 9 x 12 in inches.With tremors that started in May of 1883, the volcano on the Indonesian island of Krakatoa fully erupted on August 26th of that same year. The eruption continued until the late morning of August 27th, destroying over 70% of the island, the surrounding archipelago, and collapsed into a caldera.This event is counted as one of the deadliest and most destructive events in recorded history. Over 36,000 deaths were the result of both the eruption and the tsunamis that were created. Weeks later, the eruptions on Krakatoa intensified, causing explosions on neighboring islands. Globally, these explosions had effects on Australia and as far away as South Africa.The 1883 Krakatoa eruption also darkened the sky worldwide for years afterwards, caused by volcanic ash. Spectacular sunsets were created and they inspired artists to capture the effects. British artist William Ashcroft made numerous color sketches, attempting to capture the look of the red-tinged skies, and there is a theory that Edvard Munch's blood-red sky depicted in the painting, The Scream, was inspired from his observing the color of the sky over Norway at the time.Of all the original compositions and arrangements that I have written, this is my first foray into program music. Program music can be a difficult genre; has the story really been conveyed? Does the orchestration fit the composition? Is it too short, or rather, way too long.I decided to write this for woodwind choir, rather than woodwind quintet. The sound of a woodwind choir offers enough variety of sound to convey both the frenetic quality of panic, fear, and desperation of a volcanic eruption, and yet the calm, sadness of how people felt, not knowing when things were going to erupt again.
$32.00 ≈
28.74€
Break, Break, Break
Break, Break, Break
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian C
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Break, Break, Break
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Brian C. Herald
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.883416 Composed by Brian C. Herald. Contemporary. Octavo. 8 pages. Brian C. Herald #3042089. Pub...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.883416 Composed by Brian C. Herald. Contemporary. Octavo. 8 pages. Brian C. Herald #3042089. Published by Brian C. Herald (A0.883416). As my first complete venture into the realm of choral writing, Break, Break, Break portrays the text of Alfred Tennyson’s beautiful poem in an eight-part vocal setting. As the individual from the text is looking upon the ocean, I felt the words drawn by him would come in waves, and painted them in that fashion. As the piece progresses, we learn more about what is ailing this grieving individual, which I built with an overall rising intensity between voices. My hope is that this piece will leave the listener with a sense of gratefulness for what they have, since all of that can change in an instant.
$15.00 ≈
13.47€
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I Felt the Pain
