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Hold The Lass Till I Come At her
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• Hold Steady [The]
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You've selected:
Hold The Lass Till I Come At her
Sheetmusic to print
7 sheet music found
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1
Hold The Lass Till I Come At her
Hold The Lass Till I Come At her
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Traditional Fiddle Tunes
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Heather M Music
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Hold The Lass Till I Come At h
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399085 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399085 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 51. Heather Mueller Music #3YEigNJU4ZdEmNADFYFnWq. Published by Heather Mueller Music (A0.1399085). Key: D major.Title: Hold The Lass Till I Come At Her Type/Genre: Traditional Fiddle Tune - Reel (Scottish) Availability: Sheet Music for Sale Immerse yourself in the spirited rhythms of Scottish tradition with Hold The Lass Till I Come At Her, a lively reel that captures the essence of the Highlands. Key Features: Authentic Scottish Flavor: Hold The Lass Till I Come At Her embodies the spirit of Scottish reel music, with its infectious rhythm and spirited melody. Delve into the rich tapestry of Scottish musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of Hold The Lass Till I Come At Her. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Hold The Lass Till I Come At Her. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of Scottish fiddling techniques. Cultural Connection: Connect with the cultural heritage of Scotland as you delve into Hold The Lass Till I Come At Her. Let the music transport you to the misty moors and lively ceilidhs where Scottish fiddlers have long celebrated the joy of music and dance. Whether you're a seasoned performer or a newcomer to Scottish music, Hold The Lass Till I Come At Her offers a spirited musical experience that celebrates the vibrant spirit and tradition of Scottish reel music. Join in the jubilant rhythms of Hold The Lass Till I Come At Her and let the music inspire your own musical journey through the Highlands.
$2.99 ≈
2.68€
ISADAR - In Search For The Meaning Of Christmas (complete collection)
ISADAR - In Search For The Meaning Of Christmas (complete collection)
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Public Domain, as performed
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Isadar
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ISADAR - In Search For The Mea
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SheetMusicPlus
Piano Solo, Collection / Songbook - Advanced Intermediate - Digital Download Composed by Public Domain, as performed and recorded by Isadar. Arranged...
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Piano Solo, Collection / Songbook - Advanced Intermediate - Digital Download Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Neo-Classical, Christmas, Children's Music, Recital, New Age. 50 pages. Published by Mainya Music Publishing (BMI)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story's "The Gift", George Winston's "December", early Windham Hill solo piano artists, and "A Winter's Solstice" compilations.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Contents:
1. Bring A Torch (Bring A Torch, Jeanette, Isabella)
2. Children Go Where I Send Thee / The Holly & The Ivy
3. Star Of Wonder (We Three Kings of Orient Are)
4. Silent (Silent Night, Holy Night)
5. Midnight (It Came Upon the Midnight Clear)
6. What Child Is This?
7. Greensleeves (homage to Liz Story)
8. Three Ships (I Saw Three Ships, Come Sailing In)
9. The Coventry Carol (Lully, Lulla, Lullay)
10. Sing We Now Of Christmas (Noël Nouvelet)
11. Carol Of The Bells
Album & Songbook review by: Kathy Parsons (MainlyPiano.com):
I have discovered a real wealth of great solo piano Christmas CDs this year! Isadar’s In Search For the Meaning of Christmas definitely falls into this category! Thoughtful, introspective, and a bit moody, Isadar’s arrangements are true to the carols (with some small melody changes in “Bring a Torch” and “Carol of the Bells” that bother me just a little) and still seem very personal. “Bring a Torch”, “The Holly and the Ivy”, and “I Saw Three Ships” are given a lighthearted, joyful treatment. “Star of Wonder (We Three Kings)”, “What Child Is This?”, “The Coventry Carol”, and “Sing We Now of Christmas” are all minor, somber, reverent pieces, and all four are given loving arrangements that keep the dark, mysterious nature of the songs and reflect Isadar’s own sensibilities. “Carol of the Bells” and Isadar's take on Liz Story’s arrangement of “Greensleeves” are energetic without losing all abandon. “Silent Night” and “It Came Upon a Midnight Clear” present us with a very cold, deep solitude - both feel like late night with moonlight reflecting off the snow. Both are moody, but very beautifully so. George Winston’s “December” is one of my all-time favorite holiday albums, and I feel In Search For the Meaning of Christmas holds up exceptionally well next to it. This is an excellent collection of Christmas music, and I highly recommend it!
In Search For the Meaning of Christmas is the companion songbook to Isadar’s 1999 solo piano release by the same name. Meticulously transcribed note-for-note by David Shenton of New York Music Publishing, the music is faithful to the recording in every way (except for the pianist - YOU!). The scores are clear, concise, and easy to read, and also include chord indications for improvisation or the use of instruments other than or in addition to the piano. Isadar’s arrangements cover a whole range of emotions, from very dark and somber to joyful and buoyant. All of the pieces from the CD are here, including Isadar’s homage to Liz Story and her beautiful version of “Greensleeves.” My personal favorites of the eleven songs in this book are the bright and cheerful “Bring A Torch,” “What Child Is This?”, “Greensleeves,” the darkly gorgeous “The Coventry Carol,” and “Sing We Now of Christmas.” Other titles that I really like are “Children Go Where I Send Thee/The Holly and the Ivy,” “Star of Wonder (We Three Kings)," “Carol of the Bells,” and the effervescent “Three Ships.” “Silent” (Silent Night) and “Midnight” (It Came Upon a Midnight Clear) are a bit too dark for my own holiday tastes, but are interesting and very personal arrangements. This book will make a great addition to your holiday sheet music collection and is available from isadar.com and amazon.com.
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$49.99 ≈
44.77€
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
8.95€
CASSANDRA'S VISION
CASSANDRA'S VISION
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Violin and Piano
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Contemporary
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Mo...
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00 ≈
4.48€
'Here the Deities Approve' from Welcome to All the Pleasures - Purcell (Easy Piano)
'Here the Deities Approve' from Welcome to All the Pleasures - Purcell (Easy Piano)
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Piano solo
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EASY
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Henry Purcell
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PianoForEveryone
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'Here the Deities Approve' fro
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PianoForEveryone
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1507553 By Henry Purcell. By Henry Purcell. Arranged by PianoForEveryone. Baroque,Classical. Score. 4 pag...
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Piano Solo - Level 2 - Digital Download SKU: A0.1507553 By Henry Purcell. By Henry Purcell. Arranged by PianoForEveryone. Baroque,Classical. Score. 4 pages. PianoForEveryone #1082955. Published by PianoForEveryone (A0.1507553). An easy piano arrangement of Purcell's 'Here the Deities Approve' from Welcome to All the Pleasures. The voicing has been reduced whilst still retaining the melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing, aiming for high quality sheet music at a cheap, affordable rate.
$5.99 ≈
5.36€
Three Shakespeare Nocturnes
Three Shakespeare Nocturnes
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Mikael Carlsson
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Three Shakespeare Nocturnes
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SheetMusicPlus
Piano Accompaniment, Choir, SATB - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Contemporary Classical, Post-Rom...
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Piano Accompaniment, Choir, SATB - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Contemporary Classical, Post-Romantic, Funeral. 28 pages. Published by Carlssons Kluster
Composed by Mikael Carlsson, lyrics by Sir William Shakespeare. Composition year: 2015. Secular.
An expressive three movement work for SATB choir with divisi and piano accompaniment exploring Shakespeare text s with a nocturnal setting. Beautiful harmony and forward movement leads the way of 'Over Hill, Over Dale' ('Midsummer Night's Dream'), ominous piano glissandi and misterioso chords dominate 'Heavily, Heavily' ('Much Ado About Nothing') and shimmering light and a dazzling ending with the effect of whistling and sea waves makes the final 'Night of Our Solemnities' ('Midsummer Night's Dream) particularly memorable.
1. Over Hill, Over Dale (Midsummer Night's Dream)
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire.
I do wander everywhere
Swifter than the moon’s sphere.
And I serve the fairy queen
To dew her orbs upon the green.
The cowslips tall her pensioners be.
In their gold coats spots you see.
Those be rubies, fairy favors.
In those freckles live their savors.
I must go seek some dewdrops here
And hang a pearl in every cowslip’s ear.
Farewell, thou lob of spirits. I’ll be gone.
Our queen and all our elves come here anon.
2. Heavily, Heavily (Much Ado About Nothing)
Pardon, goddess of the night,
Those that slew thy virgin knight,
For the which with songs of woe
Round about her tomb they go.
Midnight, assist our moan.
Help us to sigh and groan
Heavily, heavily.
Graves, yawn and yield your dead,
Till death be utterèd,
Heavily, heavily.
3. Night of Our Solemnities (Midsummer Night's Dream)
Four days will quickly steep themselves in night.
Four nights will quickly dream away the time.
And then the moon, like to a silver bow
New bent in heaven, shall behold the night
Of our solemnities.
Choral score including piano part. 28 pages.
Total duration: 15:30.
Movement 1: 4:30
Movement 2: 5:00
Movement 3: 6:00
Suitable for concert programs concerning themes such as Shakespeare, night, evening, love, sorrow, evening, forgiving.
Discover more music by Mikael Carlsson at http://www.mikaelcarlsson.com
$6.99 ≈
6.26€
Chording to Consort Full Score Version with chords Book 2 - Score Only
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to Consort Full Score
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John ...
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Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.75€
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Hold The Lass Till I Come At her
