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Here Comes The Sun Women
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You've selected:
Here Comes The Sun Women
Sheetmusic to print
11 sheet music found
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1
Here Comes The Sun - Women's barbershop
Here Comes The Sun - Women's barbershop
#
Choral SSAA
#
Rock
#
The Beatles
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Glenda Lloyd
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Here Comes The Sun - Women's b
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SheetMusicPlus
For women\'s barbershop or a cappella ensemble - Advanced Intermediate - Digital Download By The Beatles. Arranged by Glenda Lloyd. Sheet Music Single. 7 p...
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For women\'s barbershop or a cappella ensemble - Advanced Intermediate - Digital Download By The Beatles. Arranged by Glenda Lloyd. Sheet Music Single. 7 pages. Published by Lloydsong
One of George Harrison\'s best pieces, this arrangement was done for World Singing Day 2021. Lots of fun...bell chords and some interesting rhythms to test your skills!
This purchase allows you to make four copies of the sheet music - one per part. Also available priced at the small ensemble rate - see my other listings.
$1.99 ≈
1.78€
Here Comes The Sun
Here Comes The Sun
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Choral 3-part
#
INTERMEDIATE
#
Rock
#
The Beatles
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Karen Ivana
#
Here Comes The Sun
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1384113 By The Beatles. By George Harrison. Arranged by Karen Ivana. 20th Century,Pop,Rock...
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1384113 By The Beatles. By George Harrison. Arranged by Karen Ivana. 20th Century,Pop,Rock. 10 pages. Karen Ivana #968476. Published by Karen Ivana (A0.1384113). This wonderfully optimistic song was written by George Harrison while visiting a friend (Eric Clapton) during a difficult time. It has sections with many time signature changes reflecting George's interest in Indian music. It is arranged for three-part mixed choir and piano. It is scored for SAB, but the bass part could be sung by an SAT choir by using the alternative octave at the marked bars.I also have women's SA and SSA choir versions available.
$2.99 ≈
2.68€
Here Comes The Sun
Here Comes The Sun
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Choral 2-part
#
EASY
#
Rock
#
The Beatles
#
Karen Ivana
#
Here Comes The Sun
#
Karen Ivana
#
SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.1384112 By The Beatles. By George Harrison. Arranged by Karen Ivana. 20th Century,Pop,Rock....
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Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.1384112 By The Beatles. By George Harrison. Arranged by Karen Ivana. 20th Century,Pop,Rock. 8 pages. Karen Ivana #968475. Published by Karen Ivana (A0.1384112). This wonderfully optimistic song was written by George Harrison while visiting a friend (Eric Clapton) during a difficult time. It has sections with many time signature changes reflecting George's interest in Indian music. It is arranged for two-part women's choir and piano.I also have an SSA version available, and a version suitable for a mixed choir (SAB or SAT).
$2.99 ≈
2.68€
Here Comes The Sun
Here Comes The Sun
#
Choral 3-part
#
INTERMEDIATE
#
Rock
#
The Beatles
#
Karen Ivana
#
Here Comes The Sun
#
Karen Ivana
#
SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1384111 By The Beatles. By George Harrison. Arranged by Karen Ivana. 20th Century,Pop,Rock...
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1384111 By The Beatles. By George Harrison. Arranged by Karen Ivana. 20th Century,Pop,Rock. 10 pages. Karen Ivana #968474. Published by Karen Ivana (A0.1384111). This wonderfully optimistic song was written by George Harrison while visiting a friend (Eric Clapton) during a difficult time. It has sections with many time signature changes reflecting George's interest in Indian music. It is arranged for three-part women's choir and piano.I also have an easier SA version available, and a version suitable for a mixed choir (SAB or SAT).
$2.99 ≈
2.68€
Here Comes The Sun
Here Comes The Sun
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Choral 3-part
#
EASY
#
The Beatles
#
Hazel Hannam
#
Here Comes The Sun
#
Hazel Hannam
#
SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1421687 By The Beatles. By George Harrison. Arranged by Hazel Hannam. 20th Century,A ...
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Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1421687 By The Beatles. By George Harrison. Arranged by Hazel Hannam. 20th Century,A Cappella,Pop. 5 pages. Hazel Hannam #1003052. Published by Hazel Hannam (A0.1421687). This arrangement of Here Comes The Sun in 3 parts is suitable for most choirs, especially beginner to intermediate levels. It can be sung by just men, just women, or mixed voices SAB. (see SAB version)Although it is a simple arrangement, there is plenty to push and challenge your singers to help them to improve on technique. Singing on the 'nn' of 'sun' and 'mm' of 'comes' to add interest, creating a tension throughout the song with the grand release at the very end, singing 'comes' as an open vowel sound, and then shutting it back down to an 'mm' right at the last few seconds! It is a joyful song about finally feeling the gentle warmth of the sun after a winter full of cold, wind, rain and snow and long dark days. Reminding us of warmer sunnier days ahead. What could be more hopeful or more uplifting?I hope you enjoy this arrangement of this great Beatles' classic. Please let me know how you get on with and send me any links to youtube of your choir singing it. I'd love to hear you! hazelhannam@icloud.com  Thanks for your support in buying this arrangment. See more of my arrangements on this website by searching Hazel Hannam. Thank you.
$3.99 ≈
3.57€
Here Comes The Sun
Here Comes The Sun
#
Choral 3-part
#
EASY
#
The Beatles
#
Hazel Hannam
#
Here Comes The Sun
#
Hazel Hannam
#
SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1421673 By The Beatles. By George Harrison. Arranged by Hazel Hannam. 20th Century,A ...
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1421673 By The Beatles. By George Harrison. Arranged by Hazel Hannam. 20th Century,A Cappella,Pop. 4 pages. Hazel Hannam #1003037. Published by Hazel Hannam (A0.1421673). This arrangement of Here Comes The Sun in 3 parts is suitable for most choirs, especially beginner to intermediate levels. It can be sung by just men, just women, (see SSA version) or mixed voices SAB.Although it is a simple arrangement, there is plenty to push and challenge your singers to help them to improve. Singing on the 'nn' of 'sun' and 'mm' of 'comes' to add interest, creating a tension throughout the song with the grand release at the very end, singing 'comes' as an open vowel sound, and then shutting it back down to an 'mm' right at the last few seconds! It is a joyful song about finally feeling the gentle warmth of the sun after a winter full of cold wind, rain and snow. Reminding us of warmer sunnier days ahead. What could be more hopeful or more uplifting?I hope you enjoy this arrangement of this great Beatles' classic. Please let me know how you get on with and send me any links to youtube of your choir singing it. I'd love to hear you! hazelhannam@icloud.com  Thanks for your support in buying this arrangment. See more of my arrangements on this website by searching Hazel Hannam. Thank you.
$3.50 ≈
3.13€
Opera Scenes for Women
Opera Scenes for Women
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Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Philip Seward
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Opera Scenes for Women
#
Music Anon
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. ...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00 ≈
40.30€
In Every Corner Sing
In Every Corner Sing
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In Every Corner Sing
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SheetMusicPlus
100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes...
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100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes
Song List
: Because You Live, O Christ Carol Our Christmas Celebrate Each Generation Child of Christmas Story Child of Joy and Peace Christ Has Not Risen Christ Is Our Peace Christ, Let Us Come with You Christmas Day Christ, We Have Claimed You Church of the Living Christ Come and Find the Quiet Center Come, Celebrate the Women Come into the Streets with Me Come Now, Lord Jesus Come, on This Wedding Day Come, Teach Us, Spirit of Our God Come to a Wedding Come to Our Land Come to This Christmas Singing Community of Christ Every Day Faith Has Set Us on a Journey For the Bread and Wine and Blessing For the Music of Creation From the Apple in the Garden From the Waiting Comes the Sign Gentle God, When We Are Driven Give Thanks for Life Give Thanks for Life and Faith and Health God of All Time God of Freedom, God of Justice God of Our Every Day God of the Galaxies God of the World We Know God of Wonder, God of Thunder God Was in Christ Great God of Earth and Heaven Here in the Busy City Here Is the Place Here to the House of God We Come Here We Bring, Small or Great How Happy You Who Work fo Peace! How Small a Spark Has Lit a Living Fire I Am Standing Waiting In the Name of Christ We Gather Jesus, I Come Jesus, Savior, Spirit, Sun! Lift High the Cross Loving Spirit New Child of God, Come to Be Blessed Now as We Go Now the Greening of the Summer Now to Your Table Spread O Christ Who by a Cross O God, We Bear the Imprint of Your Face O Little Love Of Women and of Women's Hopes We Sing Our Life Has Its Seasons Peace Child Sing a Happy Alleluia Sing a Song for Peace and Justice Sing Green Sing to Celebrate the City Small Things Count, So Jesus Said Spirit of Love Spirit Who Broods, Spirit Who Sings Stranger God, You Come to Us Take My Gifts Teach Us, O Loving Heart of Christ The Grain Is Ripe The Spring Has Come This Thread I Weave Through All The World To Christ Whose Hands Will Bless Touch the Earth Lightly We Light a Candle for a Life We Wait for You When Human Voices Cannot Sing When We Lift Our Pack and Go Where Is the Room? Where the Good Seed Grows Who Is My Mother, Who Is My Brother? Who Is the Child that Is to Be Born?
$14.95 ≈
13.39€
At Sunset
At Sunset
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Concert band
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EASY
#
Emma Louise Ashford
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John Ivor Holland
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At Sunset
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1466034 Composed by Emma Louise Ashford. Arranged by John Ivor Holland. 20th Century,Classical,Praise &...
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Concert Band - Level 2 - Digital Download SKU: A0.1466034 Composed by Emma Louise Ashford. Arranged by John Ivor Holland. 20th Century,Classical,Praise & Worship,Religious. 47 pages. John Ivor Holland #1044637. Published by John Ivor Holland (A0.1466034). Emma Louise Ashford (27 March 1850 – 22 September 1930) was an American organist, composer, and music editor, writing over 600 compositions. From 1894 to 1930 she was an editor at Lorenz Publishing Company, and at its periodicals The Choir Leader and The Organist. Born in Newark, Delaware, the only child of English parents she received her first musical training at an early age from her father, James Hindle, who was a singing teacher. The family moved around somewhat, but her compositions soon became noticed whilst living in Nashville, where she was a sought-after organist for multiple churches alongside her husband, John Ashford, as choirmaster. 'At Sunset' comes from a collection of voluntaries for organ (or harmonium), circa 1920, now freshly arranged for concert band as part of an ongoing project to bring more music by women into the worldwide repertoire.
$49.99 ≈
44.77€
What Will We Say?
What Will We Say?
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Aaron Gage
#
What Will We Say?
#
Aaron Gage
#
SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage...
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
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Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that’dshow healthy indifference;…
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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