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You've selected:
Hemisphere
Sheetmusic to print
122 sheet music found
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Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Bass guitar
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INTERMEDIATE/ADVANCED
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tra...
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Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
5.59€
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Drums
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ADVANCED
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Rock
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Rush
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Evan Aria Serenity
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Cygnus X-1 Book Ii: Hemisphere
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Jaslow Drum Sheets
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SheetMusicPlus
Drum Set,Drums - Level 5 - SKU: A0.1335514 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Evan Aria Serenity. Pop,Rock. Score. 17 page...
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Drum Set,Drums - Level 5 - SKU: A0.1335514 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Evan Aria Serenity. Pop,Rock. Score. 17 pages. Jaslow Drum Sheets #921348. Published by Jaslow Drum Sheets (A0.1335514). Drum tab sheet music transcription for Cygnus X-1 Book II: Hemispheres by Rush, from the album Hemispheres (1978). Drums by Neil Peart. Progressive rock, difficulty 5/5.jdrumsheets.com
$7.99 ≈
7.46€
Winter Solstice
Winter Solstice
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String Quintet: 2 violins, viola, cello, bass
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INTERMEDIATE
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Joseph Pugh
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Winter Solstice
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Joseph Pugh
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1143334 Composed by Joseph Pugh. Chamber,Classical,Contemporary,Holiday,Pop. 6 pages. ...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1143334 Composed by Joseph Pugh. Chamber,Classical,Contemporary,Holiday,Pop. 6 pages. Joseph Pugh #743696. Published by Joseph Pugh (A0.1143334). The December solstice, also known as the southern solstice, is the solstice that occurs each December – typically on 21 December, but may vary by one day in either direction according to the Gregorian calendar. In the Northern Hemisphere, the December solstice is the winter solstice (the day with the shortest period of daylight), whilst in the Southern Hemisphere it is the summer solstice (the day with the longest period of daylight). The solstice also marks the changing of seasons in many countries. 21 December is the first day of winter (in the Northern Hemisphere) and the first day of summer (in the Southern Hemisphere). This arrangement, by Joseph Pugh commemorates the event with the String Quintet.
$15.99 ≈
14.92€
Winter Soltice
Winter Soltice
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Joseph Pugh
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Winter Soltice
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Joseph Pugh
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1143123 Composed by Joseph Pugh. Chamber,Christmas,Classical,Contemporary,Holiday. 6 pages. Joseph Pugh #...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1143123 Composed by Joseph Pugh. Chamber,Christmas,Classical,Contemporary,Holiday. 6 pages. Joseph Pugh #743485. Published by Joseph Pugh (A0.1143123). The December solstice, also known as the southern solstice, is the solstice that occurs each December – typically on 21 December, but may vary by one day in either direction according to the Gregorian calendar. In the Northern Hemisphere, the December solstice is the winter solstice (the day with the shortest period of daylight), whilst in the Southern Hemisphere it is the summer solstice (the day with the longest period of daylight). The solstice also marks the changing of seasons in many countries. 21 December is the first day of winter (in the Northern Hemisphere) and the first day of summer (in the Southern Hemisphere). This arrangement, by Joseph Pugh commemorates the event with brass.
$13.99 ≈
13.06€
Winter Solstice
Winter Solstice
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
#
Joseph Pugh
#
Winter Solstice
#
Joseph Pugh
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1143336 Composed by Joseph Pugh. Chamber,Classical,Contemporary,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1143336 Composed by Joseph Pugh. Chamber,Classical,Contemporary,Holiday,Jazz. 6 pages. Joseph Pugh #743698. Published by Joseph Pugh (A0.1143336). The December solstice, also known as the southern solstice, is the solstice that occurs each December – typically on 21 December, but may vary by one day in either direction according to the Gregorian calendar. In the Northern Hemisphere, the December solstice is the winter solstice (the day with the shortest period of daylight), whilst in the Southern Hemisphere it is the summer solstice (the day with the longest period of daylight). The solstice also marks the changing of seasons in many countries. 21 December is the first day of winter (in the Northern Hemisphere) and the first day of summer (in the Southern Hemisphere). This arrangement, by Joseph Pugh commemorates the event with the Woodwind Quintet.
$9.99 ≈
9.32€
Colores de un otoño incipiente
Colores de un otoño incipiente
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Piano solo
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INTERMEDIATE
#
Juan MarÃa Solare
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clipboard-write
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Colores de un otoño incipie
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.742752 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. ...
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Piano Solo - Level 3 - SKU: A0.742752 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el día. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
$5.00 ≈
4.67€
Pegasus
Pegasus
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Piano solo
#
Heather Cattanach
#
Pegasus
#
Heather Cattanach
#
SheetMusicPlus
Piano Solo - SKU: A0.507430 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 6 pages. Published by Heather Cattanach (A0.5...
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Piano Solo - SKU: A0.507430 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 6 pages. Published by Heather Cattanach (A0.507430). In octaves the cantabile melody line soars above arpeggiated figures in this Early Advanced Piano Solo. Pegasus, the winged horse of Greek mythology, struck the ground with his hoof, releasing a spring of water which gives the gift of poetry to those who drink from it. The hero Bellerophon rode Pegasus and killed the monster Chimaera. Look for Pegasus in the northern hemisphere at the end of summer and through autumn. In the southern hemisphere you can see him in late winter through spring. From “88 Constellations” a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 2 minutes. 5 pages. (General Instructional, Modern, Romantic, Repertoire, Recital).
$4.99 ≈
4.66€
Hydrus
Hydrus
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Piano solo
#
Heather Cattanach
#
Hydrus
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Heather Cattanach
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SheetMusicPlus
Piano Solo - SKU: A0.507394 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 4 pages. Published by Heather Cattanach (A0.5...
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Piano Solo - SKU: A0.507394 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 4 pages. Published by Heather Cattanach (A0.507394). Hydrus is the male water snake, another constellation in the southern hemisphere named to match an existing ancient partner in the northern hemisphere. Hydrus is smaller than his counterpart Hydra, the largest constellation in the night sky. This constellation has been reconfigured more times than any other. Thus it seemed appropriate to use one of Messiaen’s scales of limited transposition, the sixth mode. The chord sequence is a palindrome, which is then reversed and flipped up to the right hand. From “88 Constellations” a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Late Intermediate Piano Solo. Performance Time 1 1/2 minutes. 3 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).
$4.99 ≈
4.66€
Let It Snow! Let It Snow! Let It Snow!
Let It Snow! Let It Snow! Let It Snow!
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Jessica Simpson
#
Kevin P Holdgate
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Let It Snow! Let It Snow! Let
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Kevin P Holdgate
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1313069 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by Kevin P Holdgate. 20th Century,Christmas,Jazz. Brass Band. 27 pages. Kevin P Holdgate #901904. Published by Kevin P Holdgate (A0.1313069). Let It Snow! Let It Snow! Let It Snow!, also known as simply Let It Snow, is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945 in Hollywood, California, during a heat wave as Cahn and Styne imagined cooler conditions. The song was first recorded by Vaughn Monroe, and was released just after Thanksgiving, and became a hit by Christmas.Despite the lyrics making no mention of any holiday, the song has come to be regarded as a Christmas song worldwide due to its winter theme, being played on radio stations during the Christmas and holiday season, and having often been covered by various artists on Christmas-themed albums. In the Southern Hemisphere, it can be played during the winter months of June, July, and August; and in New Zealand, some play it at Matariki.This simple arrangement by Kevin P Holdgate for Brass band has a big band feel with many close harmonies. Simple realised solo s for Flgel and cornet make up the interlude between the verses. (These sections could be repeated with aadditional solos added to the same backing if desired.).
$29.99 ≈
27.99€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.72€
Almost May Score and Parts
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.32€
Almost May Lead Sheet
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.79€
I Love Christmas
I Love Christmas
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Piano, Voice
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Sacred music
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Michelle Madder
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I Love Christmas
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JAMM Music Pty Ltd
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.988533 Composed by Michelle Madder. Christian,Christmas,Praise & Worship,Sacred. Score. 3 pages. JAMM Music Pty Ltd #6644861...
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Piano,Vocal,Voice - SKU: A0.988533 Composed by Michelle Madder. Christian,Christmas,Praise & Worship,Sacred. Score. 3 pages. JAMM Music Pty Ltd #6644861. Published by JAMM Music Pty Ltd (A0.988533). A catchy, moving Christmas song written especially for the Southern Hemisphere! Now you can sing about Summer Nights rather than snow! Melody, lyrics and chords and a live recording by our family band. Merry Christmas!
$3.99 ≈
3.72€
Christmas In Australia
Christmas In Australia
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Choral Unison
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EASY
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Contemporary
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.774746 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sand...
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Choral Choir (Unison) - Level 2 - SKU: A0.774746 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888943. Published by Sandra Milliken (A0.774746). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$4.99 ≈
4.66€
Christmas In Australia
Christmas In Australia
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Choral 2-part
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EASY
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.1121346 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Christmas,Contemporary. Octavo. 8 page...
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Choral Choir (SA) - Level 2 - SKU: A0.1121346 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Christmas,Contemporary. Octavo. 8 pages. Sandra Milliken #722519. Published by Sandra Milliken (A0.1121346). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs. An instrumental accompaniment for Glockenspiel and string ensemble is also available separately.
$2.30 ≈
2.15€
Cetus
Cetus
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Piano solo
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Heather Cattanach
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Cetus
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Heather Cattanach
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SheetMusicPlus
Piano Solo - SKU: A0.507277 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 4 pages. Published by Heather Cattanach (A0.5...
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Piano Solo - SKU: A0.507277 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 4 pages. Published by Heather Cattanach (A0.507277). Cetus is the sea dragon sent to destroy the kingdom of Cepheus and Cassiopeia, who tied their daughter to a rock as a sacrifice to the monster. Despite its huge jaws, scaly body and wicked coiled tail, Perseus the hero destroyed the monster and saved Andromeda. This constellation was recorded by Ptolemy in the second century and can be seen in the northern hemisphere.This Late Intermediate Piano Solo from “88 Constellations” a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano) is in the unusual and exciting time signature of 11/8. Performance Time 1 minute 15 seconds. 3 pages. (General Instructional, 21st Century, Modern, Repertoire, Recital).
$3.99 ≈
3.72€
Phoenix
Phoenix
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Piano solo
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Heather Cattanach
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Phoenix
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Heather Cattanach
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SheetMusicPlus
Piano Solo - SKU: A0.507438 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 9 pages. Published by Heather Cattanach (A0.5...
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Piano Solo - SKU: A0.507438 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 9 pages. Published by Heather Cattanach (A0.507438). Advanced Piano Solo incorporating varying styles including polyphony. The Phoenix constellation represents the mythical bird that rises from its own ashes. Three other exotic birds belong to the group of four southern hemisphere birds, namely Grus, Pavo and Tucana. This begins with the Phoenix, aged 500, bursting into flames. He is reborn. A long process of renewal ensues, with the baby taking hesitant steps and learning through painstaking effort how to do everything all over again. Written for a friend whose name contains the musical letters ABD and E, which comprise the opening and closing. From “88 Constellations” a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 4 minutes. 8 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).
$7.99 ≈
7.46€
Indus
Indus
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Piano solo
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Heather Cattanach
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Indus
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Heather Cattanach
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SheetMusicPlus
Piano Solo - SKU: A0.507395 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional,Multicultural,World. Score. 3 pages. Published by Hea...
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Piano Solo - SKU: A0.507395 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional,Multicultural,World. Score. 3 pages. Published by Heather Cattanach (A0.507395). This exotic Late Intermediate Piano Solo calls for expressive playing. Indus was charted by Dutch explorers Pieter Dirkszoon Keyser and Frederick de Houtman on their journeys to the East Indies. Cartographer Petrus Plancius placed it on his globe and Johann Bayer on his atlas. Indus represents the people the explorers encountered on their journeys. He stands in the southern hemisphere holding a spear. The Aeolian Dominant scale starts off major but ends with the minor scale. Or you can think of it as the Aeolian scale with a raised third, or Mixolydian with a lowered sixth. The major-minor juxtaposition gives it an exotic sound. It is used in Indian music where is is known as raga Charukesi. From “88 Constellations” a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Late Intermediate Piano Solo. Performance Time 2 minutes. 2 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).
$3.99 ≈
3.72€
Caminant (walker)
Caminant (walker)
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Choral SATB
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INTERMEDIATE
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César Zumel
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Caminant
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César Zumel
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.939999 Composed by César Zumel. Contemporary,World. Octavo. 6 pages. César Zumel #3544365. Published by César...
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Choral Choir (SATB) - Level 3 - SKU: A0.939999 Composed by César Zumel. Contemporary,World. Octavo. 6 pages. César Zumel #3544365. Published by César Zumel (A0.939999). Arriving the summer in the North hemisphere, light shows us Nature easy to rediscover by walking around. Trees, smal rivers, animals, wild life plenty of energy just wainting to be reveiled again. This is Caminant, the way you walk and experience new feelings.Bass as obstinato at 60 steps per minute is accompanied by soprani and alti, meantime tenori flows as hidden melody.
$3.99 ≈
3.72€
Two Love Songs
Two Love Songs
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Choral 3-part
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INTERMEDIATE/ADVANCED
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Sally Whitwell
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Two Love Songs
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.873033 Composed by Sally Whitwell. A Cappella,Contemporary. Octavo. 9 pages. Sally Whitwell #3873149. Published b...
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Choral Choir (SSA) - Level 4 - SKU: A0.873033 Composed by Sally Whitwell. A Cappella,Contemporary. Octavo. 9 pages. Sally Whitwell #3873149. Published by Sally Whitwell (A0.873033). I entered into a composition competition in the Northern Hemisphere summer of 2014. It was a part of something called the F estival of Love presented by Southbank in London, a festival celebrating the enactment of the Same Sex Couple Act in the United Kingdom. This issue is close to my heart as my partner is from the UK and we are as gay as a row of rainbow striped teepees.During the festival, members of the public passing through Southbank Centre were asked to write down a couple of sentences about something they love. Those texts were then posted on the internet and composers were invited over a period of just 24 hours, to set them to music for a cappella female vocal trio Juice. I was absolutely thrilled that one of my compositions, Going Somewhere, was selected for performance.Although I will likely never meet the authors of these texts Ella from Brixton, nor Susie from Hammersmith, (I mean, they didn’t even leave their surnames!) I like to think I have a creative connection to them. Just like Ella, i really enjoy being on my little island-of-me as I walk through the city or sit on a train, the stimulus of the flow of energy and people around me is something I very much enjoy. I also really love Susie was able to find her place in the world at trapeze school. This world is so richly diverse in its opportunities, there’s surely got to be something for everyone.
$1.99 ≈
1.86€
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