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You've selected:
He Who Keeps You
Sheetmusic to print
11 sheet music found
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1
Psalm 121 - voice and harp
Psalm 121 - voice and harp
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Sacred music
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Regina Ederveen
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Psalm 121 - voice and harp
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R. Ederveen
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859372 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 10...
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Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859372 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 10 pages. R. Ederveen #3542479. Published by R. Ederveen (A0.859372). Psalm 121 - voice and harpAn old traditional Psalm melody arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 6'30'' For information contact via www.reginaederveen.nlSongs of Peace - Part 3 - Psalm 121 I lift up my eyes unto the mountains from where shall my salvation come? I lift up my eyes unto the mountains from where shall my salvation come? My salvation comes, from the Lord. Who is Maker of the Heaven and the Earth. He will not let your foot to be faltered and He Who keeps you will not slumber neither sleep. He will not let your foot to be faltered He Who keeps Israel will slumber neither sleep. My salvation comes, from the Lord. Who is Maker of the Heaven and the Earth. The Lord is your Keeper and is your sun shade. He will protect you from the sun and from the moon. The Lord He will keep you from all the evil and He will keep your life, your coming and your going. From eternity, even from before, from this time on and for evermore. The Lord is your Keeper, and is your sun shade. He wil protect you from the sun and leave you never. The Lord He will keep you from all the evil and He will keep your life forever and forever! This song is part of ''Songs of Peace'', a collection of 4 Biblical songs for voice and harp. Songs of Peace consists of: 1 The Lord our Rock2 Psalm 343 Psalm 1214 Psalm 150''Praise God with the lute and with the harp.''
$7.99 ≈
7.37€
He Who Keeps You
He Who Keeps You
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Bruce Chadbourne
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He Who Keeps You
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Ceadda Music
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1196759 Composed by Bruce Chadbourne. Christian,Folk,Hanukkah,Jewish,Religious. Chords/Lyrics. 2 pages. Ceadd...
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Guitar - Level 2 - Digital Download SKU: A0.1196759 Composed by Bruce Chadbourne. Christian,Folk,Hanukkah,Jewish,Religious. Chords/Lyrics. 2 pages. Ceadda Music #795922. Published by Ceadda Music (A0.1196759). A worshipful rendition of Psalm 121 (I will lift my eyes unto the mountains) for guitar and voice. Easily played in the key of A minor, it also plays well in E minor (copy provided on second page). Ad libs can be added between phrases. Audio sample provided.
$3.99 ≈
3.68€
He Keeps Me Singing
He Keeps Me Singing
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Piano, Vocal and Guitar
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INTERMEDIATE
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Southwest Baptist Church
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Lyndell Leatherman
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He Keeps Me Singing
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1298627 By Southwest Baptist Church. By Words & Music: Luther B. Bridgers. Arranged by Lynd...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1298627 By Southwest Baptist Church. By Words & Music: Luther B. Bridgers. Arranged by Lyndell Leatherman. Christian,Religious. Score. 2 pages. Leatherman Music Services #888505. Published by Leatherman Music Services (A0.1298627). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.76€
The Bonnie Banks of Loch Lomond (SSATB)
The Bonnie Banks of Loch Lomond (SSATB)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Traditional
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Sara Garrard
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The Bonnie Banks of Loch Lomon
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Sara Garrard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.819480 Composed by Traditional. Arranged by Sara Garrard. A Cappella,Contemporary,Folk,Gr...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.819480 Composed by Traditional. Arranged by Sara Garrard. A Cappella,Contemporary,Folk,Graduation,World. Octavo. 8 pages. Sara Garrard #6097335. Published by Sara Garrard (A0.819480). Arrangement of the traditional Scottish folk song. Suitable for full choir or a quintet / small a capella ensemble, this is a challenging arrangement that will reward with rich harmonies and interweaving lines.Rehearsal recording.A possible story being told through these lyrics (of which many variants exist) is of a soldier's farewell - taken prisoner and sentenced to be executed, he will take the low road home through death - to a friend or lover with whom he shared an idyllic lost youth. The verses tell of the beauty of the landscape of their childhood home and how nature keeps going, spring coming again each year, regardless of their trials and sadness. The world does na ken how we're greetin': The world does not know how we're grieving
$4.50 ≈
4.15€
Groom's First Waltz
Groom's First Waltz
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Piano solo
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INTERMEDIATE
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Jeff Bjorck
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Jeff Bjorck
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Groom's First Waltz
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1276710 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. 19th Century,New Age,Wedding. Score. 5 p...
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Piano Solo - Level 3 - Digital Download SKU: A0.1276710 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. 19th Century,New Age,Wedding. Score. 5 pages. Pure Piano Music by Jeff Bjorck #868446. Published by Pure Piano Music by Jeff Bjorck (A0.1276710). This original solo piano composition by Jeff Bjorck appears on his album/CD, Keepsakes in the Attic. He notes that this song is intended to reflect a grandfather’s fond memory of his first waltz, performed at his own wedding reception. Imagine a young man who had not danced a day in his life before beginning to practice for this daunting event. As such, the melody starts somewhat rigidly and tentatively, but then it becomes more fluid and joyous as the new groom gains in confidence and finds himself enjoying the dance with his bride. Gone are the fears of missteps, replaced by the delight of looking in her eyes and celebrating the loving promise of a lifetime together.
$5.50 ≈
5.07€
Beginning Here
Beginning Here
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Choral SATB
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INTERMEDIATE/ADVANCED
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Nicholas White
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Beginning Here
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1254712 Composed by Nicholas White. 21st Century,A Cappella,Chamber,Christian. Octavo. 12...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1254712 Composed by Nicholas White. 21st Century,A Cappella,Chamber,Christian. Octavo. 12 pages. Nicholas White Music #846851. Published by Nicholas White Music (A0.1254712). A choral setting of Malcolm Guite's exquisite sonnettBeginning here we glimpse the Three-in-one; The river runs, the clouds are torn apart,The Father speaks, the Spirit and the Son Reveal to us the single loving heartThat beats behind the being of all thingsAnd calls and keeps and kindles us to light. The dove descends, the spirit soars and sings ‘You are belovèd, you are my delight!’In that quick light and life, as water spills And streams around the Man like quickening rain, The voice that made the universe revealsThe God in Man who makes it new again.He calls us too, to step into that riverTo die and rise and live and love forever.
$2.00 ≈
1.84€
50 Favorite Hymns Piano Accompaniment Tracks
50 Favorite Hymns Piano Accompaniment Tracks
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Piano solo
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Sacred music
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Gospel/Spiritual
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Chris Cooke
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50 Favorite Hymns Piano Accomp
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Chris Cooke
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SheetMusicPlus
Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #30...
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Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.
$9.97 ≈
9.19€
William Taylor SSA
William Taylor SSA
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Choral 3-part
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Traditional
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Debbie Warren
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William Taylor SSA
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Keep Calm and Keep Singing
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SheetMusicPlus
Choral Choir (SSA) - Digital Download SKU: A0.846741 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 12 pages. Keep Calm an...
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Choral Choir (SSA) - Digital Download SKU: A0.846741 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 12 pages. Keep Calm and Keep Singing #453430. Published by Keep Calm and Keep Singing (A0.846741). The Ballad of William Taylor (or Willy Taylor), Bold William Taylor or The Female Lieutenant (as it is sometimes called) tells the story of a woman who is deserted on her wedding day by William Taylor because he has been pressed ganged and sent away to sea. She decides to follow after him and disguises herself as a man in order to sign up. Her identity is discovered when her tunic bursts open during a battle revealing her womanhood! She tells the Captain she is looking for William Taylor and he tells her where to find him. However, William Taylor has found a new lady. Clearly upset that William Taylor has forgotten her so easily our heroine draws a pair of pistols and dispatches both her disloyal lover and his new lady! In some versions the Captain is so impressed with her that he either marries her himself or makes her a ship’s commander or both! In this arrangement for SSA the middle voice is always on the tune in the verses whereas the higher and lower harmony voices either sing the melody or their harmony part. It is important these counter- melodies do not overpower the tune and the words otherwise the story is lost. Try to bring out the melody in the chorus. In fact you might like to try having all the voices on the melody for the first chorus to establish it. Also works with mixed voices by adding men to the alto part for the verses and the melody line for the chorus. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase. Easy level Duration: 2'30.
$1.99 ≈
1.84€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that’dshow healthy indifference;…
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.60€
Sing Aloud to God
Sing Aloud to God
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Paul M
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Sing Aloud to God
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Paul Osborne Music
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SheetMusicPlus
Composed by Paul M. Osborne. 21st Century, Contemporary Classical, Modern, Sacred. Score. 10 pages. Published by Paul Osborne Music ...
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Composed by Paul M. Osborne. 21st Century, Contemporary Classical, Modern, Sacred. Score. 10 pages. Published by Paul Osborne Music
A challenging, modern fugue requiring rhythmic intensity and constant metrical shifts. This piece keeps all four parts busy, particularly the basses, who churn along as the motor of the piece throughout. This piece was premiered by Resonance Vocal Ensemble in the summer of 2018. Text from Psalm 81. Appropriate for intermediate to advanced high school choirs and above.
Paul Osborne is a choral director, tenor soloist, and composer/arranger from California's Central Coast. He received his degree at Concordia College in Moorhead, MN, where he studied choral conducting with René Clausen. He is currently the Chorus Master for Opera San Luis Obispo and Central Coast Gilbert and Sullivan, the founder and director of Resonance Vocal Ensemble, the director of the Young Men’s Ensemble with the Central Coast Youth Chorus, and the worship leader at Paso Robles Church of the Nazarene. He performs frequently with the San Luis Obispo Master Chorale, The Cuesta Concord Chorus, and in the annual "Bach in the Mission" concert series with the Cal Poly Early Music Ensemble.
$1.99 ≈
1.84€
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He Who Keeps You
