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From a Distant Home
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You've selected:
From a Distant Home
Sheetmusic to print
20 sheet music found
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1
From a Distant Home
From a Distant Home
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Handbells
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Michael Helman
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From a Distant Home
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB272 Composed by Michael Helman. Christmas, Epiphany. With 2 octaves handchimes. Sco...
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3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB272 Composed by Michael Helman. Christmas, Epiphany. With 2 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB272. Published by Chorister's Guild - Digital (C7.CGB272). UPC: 749193007570.This energetic, rhythmic arrangement of a Puerto Rican carol will be a favorite of your ringers and listeners this Christmas season. Use of mallets on rolls and accompaniment rhythms bring lots of interest for your lower bell ringers. Changes of tempo and key as well as use of chimes bring variety to this arrangement. From A Distant Home will work well for concert or worship settings.
$4.95 ≈
4.54€
When Wakes the Sun at Early Dawn. A Favorite Alpine Melody
When Wakes the Sun at Early Dawn. A Favorite Alpine Melody
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Piano, Voice
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Mr
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When Wakes the Sun at Early Da
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.2891 Composed by Mr. Watson. Country life, Courtship, Love. Lester S. Levy Collection. 3 pages. Published by J...
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Piano and voice - Digital Download SKU: LV.2891 Composed by Mr. Watson. Country life, Courtship, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2891). When Wakes the Sun at Early Dawn. A Favorite Alpine Melody. Words by Moncrieff. Music by Mr. Watson. Published 1835 by Firth & Hall, 1 Franklin Sqr. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Country life, Courtship, Love. First line reads When wakes the sun at early dawn, then from his distant cottage home.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.50€
Far From Home
Far From Home
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Violin and Piano
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BEGINNER
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Traditional Fiddle Tunes
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Heather M Music
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Far From Home
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1402838 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1402838 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 96. Heather Mueller Music #7ibrQYvJ5qf6za8qfZzIWh. Published by Heather Mueller Music (A0.1402838). Key: G major.Title: Far From Home Type/Genre: Reel Arranger: Heather M Music Composer: Trad (Traditional) Description: Embark on a musical journey with Far From Home, a spirited reel that draws inspiration from the musical traditions of England, Ireland, and Scotland. This lively tune, known for its infectious rhythms and vibrant melodies, captures the essence of Celtic music and evokes images of distant lands and adventures. Whether you're playing at a session or honing your skills at home, Far From Home invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of this reel transport you to the heart of England, Ireland, and Scotland's musical landscapes. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
$2.99 ≈
2.74€
A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
2.43€
Remembrance music for Brass Band - 1. Abide with Me, 2.Songs from World War One, 3. Postlude Ellers
Remembrance music for Brass Band - 1. Abide with Me, 2.Songs from World War One, 3. Postlude Ellers
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Patriotic
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David Catherwood
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David Catherwood
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Remembrance music for Brass Ba
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Opus 3 Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Digital Download SKU: A0.1111158 By David Catherwood. By David Catherwood. Arranged by David Catherwood. Patriotic. Brass Band. 108 pages. Opus 3 Music #713432. Published by Opus 3 Music (A0.1111158). 3 arrangements suitable for the Remembrance/Veterans Day period 1. Abide with Me, 2. Songs from World War One, 3. Postlude on Ellers Abide with Me arranged for Brass Ensemble/Brass Band This arrangement will be useful to accompany congregational or choral singing (as it is in suitable keys) or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments covering all orchestral brass and brass band instruments and transpositions Part 1 in Bb (Trumpet 1/Cornet) Part 2 in Bb (Trumpet 2 /Cornet) Part 2 in Eb (Eb Horn 1) Part 3 in C (Trombone) Part 3 in Eb (Eb Horn 2) Part 3 in F (Horn in F) Part 3 in Bb (Baritone/Bb Trombone (treble clef) Part for Bb Euphonium Part 4 in C (Tuba/Bass Trombone) Part 4 in Eb (Eb Bass Tuba (treble clef) Part 4 in Bb (Bb Bass Tuba (treble clef) Part for Bb Euphonium Percussion Score in C Keep the Home Fires Burning - Songs from World War One arranged for Brass BandContains a selection of songs including - Pack up your troubles, Long way to Tipperary, Keep the Home Fires burning, Roses of Picardy and more... Full Score and parts for standard brass band Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion Postlude on Ellers arranged for Brass Band The noble hymn tune 'Ellers' (How wonderful it is to walk with God) is here combined with distant evocative bugle calls - this plus a majestic 'last verse' provides a new arrangement that will provide a fitting end to any gathering (especially suitable for Memorial/Veterans/Remembrance Services) Short (condensed) score only but the full band parts come as follows (Sop, Solo, 1st & 2nd Cornets Flugel, Solo 1st & 2nd Horns, 1st & 2nd Baritone, 1st, 2nd & Bass Trombone, Euphonium, Eb & Bb Basses and Percussion).
$40.00 ≈
36.70€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.38€
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.34€
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.34€
Rustic Serenade
Rustic Serenade
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String Quartet: 2 violins, viola, cello
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Kenneth Piotrowski
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Rustic Serenade
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Imagine Music - Digital
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SheetMusicPlus
String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by...
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String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.
$28.00 ≈
25.69€
Best of Songs of Inspiration and Celebration
Best of Songs of Inspiration and Celebration
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Piano, Vocal and Guitar
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EASY
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Best of Songs of Inspiration a
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Schott Music - Digital
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SheetMusicPlus
Voice, piano and guitar - easy - Digital Download SKU: S9.Q45897 30 Songs from 250 Years of Pride, Patriotism and Praise. This edition: songbook. ...
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Voice, piano and guitar - easy - Digital Download SKU: S9.Q45897 30 Songs from 250 Years of Pride, Patriotism and Praise. This edition: songbook. Schott Best Of. Downloadable, Songbook. Schott Music - Digital #Q45897. Published by Schott Music - Digital (S9.Q45897). Contained in this newest book from the 'Best of …' series are songs of pride, patriotism, and praise. The collection contains commemorative tunes such as national anthems, and songs of battle and glory. Also included are works sung at festivals, national events and times of rejoicing. Some songs recall past glories and others reach out to future hopes and aspirations. Finally, there are light-hearted songs - celebrating good English roast beef, a distant dream island, and the joy of home.
$18.99 ≈
17.43€
Far Far Away
Far Far Away
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Sulwyn Lok
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Far Far Away
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Lang Wu
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SheetMusicPlus
Instrumental Solo,Lute,Pipa - Level 2 - Digital Download SKU: A0.1389226 By Sulwyn Lok. By Lang Wu. Multicultural,World. Individual part. 3 pages. Lang W...
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Instrumental Solo,Lute,Pipa - Level 2 - Digital Download SKU: A0.1389226 By Sulwyn Lok. By Lang Wu. Multicultural,World. Individual part. 3 pages. Lang Wu #972759. Published by Lang Wu (A0.1389226). This piece depicts a night under the crescent moon in my hometown, a small city in southwestern China. The tranquility beyond the crowds, the joys and sorrows of gatherings and partings.The Ruan is a traditional Chinese instrument, with a mellow and serene sound, creating a distant and poetic atmosphere.The performer is Sulwyn Lok, a Ruan player from Singapore. The cover designer is Du Juan, and the floral-shaped Ruan in the artwork is inspired by Cave 220 of the Mogao Grottoes in Dunhuang.
$4.99 ≈
4.58€
The Swallows for cello and piano
The Swallows for cello and piano
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Cello, Piano
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INTERMEDIATE
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David Warin Solomons
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The Swallows for cello and pia
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David Warin Solomons
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.576585 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and part. 11 pages. Davi...
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Cello,Piano - Level 3 - Digital Download SKU: A0.576585 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and part. 11 pages. David Warin Solomons #38161. Published by David Warin Solomons (A0.576585). The Swallows is based on the poem by Gourgen Mahari, as translated from the Armenian by James Russell. The Armenian poet Gourgen Mahari, who died in the USSR in 1969 is lamenting his many compatriots who were exiled, dispossessed and killed during the 20th century (poem shown below) Versions are available on this site for: voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and guitar and for voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and piano The sound sample is an electronic preview. The pdf file contain score and parts. The original song can be heard on youtube at: https://www.youtube.com/watch?v=vucw5zpeGzQ  == The Swallows == Far in the distant Nile Valley down nameless highways unknown, where the Dead Sea`s gloomy ripples break, straining on their way unfinished home, with a song in their hearts, the swallows died, unable to return. Far in the distant Nile Valley down down nameless highways unknown. They never came back to adorn the Spring with heady song, to chant with the winds the green meadow, rebuild abandoned nests. They died on distant mountains, plains afar, unable to return. Far away. Can they subsist with the love of our hearts or our gardens` blossoms gay or our joyous vernal rains? They who died on the way unfinished home. Far in the distant Nile Valley. Unable to return.
$9.00 ≈
8.26€
The Swallows for cello and guitar
The Swallows for cello and guitar
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Cello, Guitar (duet)
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INTERMEDIATE
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David Warin Solomons
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The Swallows for cello and gui
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576586 Composed by David Warin Solomons. 20th Century,Contemporary,...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576586 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 11 pages. David Warin Solomons #38163. Published by David Warin Solomons (A0.576586). The Swallows is based on the poem by Gourgen Mahari, as translated from the Armenian by James Russell. The Armenian poet Gourgen Mahari, who died in the USSR in 1969 is lamenting his many compatriots who were exiled, dispossessed and killed during the 20th century (poem shown below) Versions are available on this site for: voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and guitar and for voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and piano The sound sample is an electronic preview. The pdf file contain score and parts. The original song can be heard on youtube at: https://www.youtube.com/watch?v=vucw5zpeGzQ  == The Swallows == Far in the distant Nile Valley down nameless highways unknown, where the Dead Sea`s gloomy ripples break, straining on their way unfinished home, with a song in their hearts, the swallows died, unable to return. Far in the distant Nile Valley down down nameless highways unknown. They never came back to adorn the Spring with heady song, to chant with the winds the green meadow, rebuild abandoned nests. They died on distant mountains, plains afar, unable to return. Far away. Can they subsist with the love of our hearts or our gardens` blossoms gay or our joyous vernal rains? They who died on the way unfinished home. Far in the distant Nile Valley. Unable to return.
$9.00 ≈
8.26€
Passacaglia in C (Organ)
Passacaglia in C (Organ)
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Organ
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ADVANCED
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John Pitts
#
#
Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99 ≈
7.33€
Passacaglia in C (piano duet)
Passacaglia in C (piano duet)
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1 Piano, 4 hands
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ADVANCED
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John Pitts
#
Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 p...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99 ≈
9.17€
If All Else Fails
If All Else Fails
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Piano solo
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EASY
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Contemporary
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Adam Grim
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If All Else Fails
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Adam B. Grim
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.939371 Composed by Adam Grim. 20th Century,Concert,Contemporary. Score. 4 pages. Adam B. Grim #5360043. P...
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Piano Solo - Level 2 - Digital Download SKU: A0.939371 Composed by Adam Grim. 20th Century,Concert,Contemporary. Score. 4 pages. Adam B. Grim #5360043. Published by Adam B. Grim (A0.939371). This piano solo is dedicated to a friend of mine who passed away in a car accident. This piece for solo piano creates a melodic representation of life and frustration with the loss of a friend, and is the result of deep thought when you are far away from those you lose. When the accident happened, I was at home coming back to college after winter break. During all of the services, I was away in Trinidad and Tobago playing steel pan, so I was unable to attend. This piece is meant to be distant and emotional. The YouTube link is from the premiere of this piece, and is much better than the midi audio file. Please watch and enjoy.
$7.99 ≈
7.33€
Hindu Song
Hindu Song
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Violin and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Fredo Jung and Fritz Kreisler
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Hindu Song
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Schott Music - Digital
#
SheetMusicPlus
String trio - advanced - Digital Download SKU: S9.Q11382 From the Opera Sadko. Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fredo ...
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String trio - advanced - Digital Download SKU: S9.Q11382 From the Opera Sadko. Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fredo Jung and Fritz Kreisler. This edition: score and parts. Downloadable, Score and parts. Duration 4' 15. Schott Music - Digital #Q11382. Published by Schott Music - Digital (S9.Q11382). The Russian composer Nikolai Rimsky-Korsakov (1844–1908) had a penchant for fairy tales and devoted himself to such stories at an early age: to the character of the seafarer and gusli player Sadko in an orchestral work, or to legendary Arabian figures in Antar, later especially in his symphonic suite Sheherazade of course. The subject of the wandering minstrel Sadko who would rather be a rich merchant was taken up again in the opera of the same title: Before going off to distant places, he asks three foreign merchants – a Varangian, a Venetian and an Indian – to tell him about their home countries. His famous Hindu song with an exotic touch was arranged by Fritz Kreisler for violin and piano – the present edition contains this charming piece in a version for string trio.
$11.99 ≈
11.00€
Tucana
Tucana
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Piano solo
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Heather Cattanach
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Tucana
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Heather Cattanach
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.507466 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 3 pages. Published by Heather...
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Piano Solo - Digital Download SKU: A0.507466 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507466). A humorous Late Intermediate Piano Solo from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Chords, arpeggios, chromatic and contrary motion scales: the Toucan is fun to play. It is one of the four Southern Birds, along with Grus, Pavo and Phoenix. With its huge colourful bill, the toucan is rather comical looking. The constellation is home to a dwarf galaxy that contains very old stars, and contains the Small Magellanic Cloud, one of the most distant deep sky objects able to be viewed without binoculars. Performance Time 1 minute, 15 seconds. 2 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).
$3.99 ≈
3.66€
Memories of Aunty Mary
Memories of Aunty Mary
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Cello, Piano
#
INTERMEDIATE
#
Allan Leslie McDougall
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Memories of Aunty Mary
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Allan Leslie McDougall
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.983606 Composed by Allan Leslie McDougall. Concert,Holiday,Patriotic,Romantic Period. Score and part. 5 ...
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Cello,Piano - Level 3 - Digital Download SKU: A0.983606 Composed by Allan Leslie McDougall. Concert,Holiday,Patriotic,Romantic Period. Score and part. 5 pages. Allan Leslie McDougall #4995349. Published by Allan Leslie McDougall (A0.983606). For cello and piano accompaniment. In memory of my (distant) Aunty Mary whose soldier fiance never returned home to Australia from France in the First World War. She always remembered me at Christmas and would give me a box of handkerchiefs. Looking back, I now realize I didn't quite appreciate her then for the remarkably lovely and warm lady that she was. She never married.
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From a Distant Home
