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From Chaos To Harmony
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• Fifth Harmony
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You've selected:
From Chaos To Harmony
Sheetmusic to print
6 sheet music found
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1
From Chaos To Harmony
From Chaos To Harmony
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Drums
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INTERMEDIATE
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Rock
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Ian George Brown
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Will Beavis
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From Chaos To Harmony
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Will Beavis
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SheetMusicPlus
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1337068 Composed by Ian George Brown. Arranged by Will Beavis. Pop,Rock. Score. 2 pages. Will Beavis ...
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1337068 Composed by Ian George Brown. Arranged by Will Beavis. Pop,Rock. Score. 2 pages. Will Beavis #922876. Published by Will Beavis (A0.1337068). Download the drum score for From Chaos To Harmony by Ian Brown, from his 2019 album: Ripples. This is a detailed transcription of the drum parts, which I believe were recorded by Ian Brown's son.
$4.99 ≈
$6.87
October Dawn - Choral Song (SSAATB)
October Dawn - Choral Song (SSAATB)
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Choral SATB
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INTERMEDIATE
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Contemporary
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital ...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00 ≈
$4.13
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Choral SATB
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INTERMEDIATE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99 ≈
$5.49
A Prayer and a Prelude
A Prayer and a Prelude
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Piano solo
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INTERMEDIATE
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Contemporary
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #53...
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Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99 ≈
$6.87
Gankino Horo
Gankino Horo
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2 Violas (duet)
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INTERMEDIATE/ADVANCED
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Traditional Bulgarian
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James Scott
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Gankino Horo
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Mesa Music Publishing
#
SheetMusicPlus
Viola Duet Viola - Level 4 - Digital Download SKU: A0.1110794 Composed by Traditional Bulgarian. Arranged by James Scott. Chamber,Multicultural,World. Sc...
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Viola Duet Viola - Level 4 - Digital Download SKU: A0.1110794 Composed by Traditional Bulgarian. Arranged by James Scott. Chamber,Multicultural,World. Score. 13 pages. Mesa Music Publishing #713091. Published by Mesa Music Publishing (A0.1110794). The “Gankino Horo†(the word horo just means dance), is a rather madcap dance from north-central Bulgaria. Rhythm, melody and harmony combine to create an atmosphere of barely controlled chaos. A sort of Balkan goat rodeo.
$12.00 ≈
$16.51
Gankino Horo
Gankino Horo
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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Traditional Bulgarian
#
James Scott
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Gankino Horo
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Mesa Music Publishing
#
SheetMusicPlus
Violin Duet Violin - Level 4 - Digital Download SKU: A0.1110792 Composed by Traditional Bulgarian. Arranged by James Scott. Chamber,Multicultural,World. ...
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.1110792 Composed by Traditional Bulgarian. Arranged by James Scott. Chamber,Multicultural,World. 13 pages. Mesa Music Publishing #713088. Published by Mesa Music Publishing (A0.1110792). The “Gankino Horo†(the word horo just means dance), is a rather madcap dance from north-central Bulgaria. Rhythm, melody and harmony combine to create an atmosphere of barely controlled chaos. A sort of Balkan goat rodeo.
$12.00 ≈
$16.51
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