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Fantasy on a Theme by Brahms
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You've selected:
Fantasy on a Theme by Brahms
Sheetmusic to print
4 sheet music found
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1
Fantasy on a Theme by Brahms
Fantasy on a Theme by Brahms
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Harald Feller
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Fantasy on a Theme by Brahms
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Schott Music - Digital
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SheetMusicPlus
Trumpet (clarinet) and organ - Digital Download SKU: S9.Q24078 Composed by Harald Feller. This edition: Sheet music. Downloadable. Duration 6 minutes. Sc...
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Trumpet (clarinet) and organ - Digital Download SKU: S9.Q24078 Composed by Harald Feller. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q24078. Published by Schott Music - Digital (S9.Q24078). Es mag ungewöhnlich erscheinen, ein Thema von Brahms für Trompete und Orgel zu setzen. Bei der Literatur für diese Besetzung denkt man eher an wirkungsvolle Brillanz als an Gedankentiefe, Kontrapunktik oder expressive Melodik. Doch gerade in der schöpferischen Auseinandersetzung mit Brahms’scher Musik ergab sich für den Komponisten Harald Feller die Möglichkeit, das Ausdrucksspektrum für diese Besetzung zu erweitern und der Trompete auch eine lyrische Seite abzugewinnen. Das thematische Material bildet das Thema der frühen Orgelfuge in as-Moll, der der junge Komponist bereits seine ganze kontrapunktische Meisterschaft zeigt. Die vorliegende „Fanstasie ist mit den Elementen dieses Themas, deren Umkehrung, Vergrößerung und Diminuition weitgehend sehr dicht kontrapunktisch gearbeitet. Es finden sich aber auch für jedes der beiden Instrumente eine kurze Kadenz mit der Möglichkeit einer gewissen Virtuosität und Freiheit. Die Passagen mit Dämpfer sind wiederum von äußerster melodischer Zartheit. (Auszug aus dem Vorwort).
$17.99 ≈
16.84€
London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Contemporary
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Antonio J
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London Town Fantasy for Trombo
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Par...
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.
Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).
The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50 ≈
25.73€
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Easy Piano
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EASY
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 3...
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95 ≈
18.67€
Moonlight Sonata and Friends Beginner Piano Collection
Moonlight Sonata and Friends Beginner Piano Collection
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Easy Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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SilverTonalities
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Moonlight Sonata and Friends B
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1389155 Composed by Ludwig van Beethoven. Arranged by SilverTonalities. Baroque,Classical,Instructional,R...
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Easy Piano - Level 1 - Digital Download SKU: A0.1389155 Composed by Ludwig van Beethoven. Arranged by SilverTonalities. Baroque,Classical,Instructional,Romantic Period. Score. 41 pages. SilverTonalities #972684. Published by SilverTonalities (A0.1389155). Moonlight Sonata and Friends Beginner Piano CollectionPopular Classics for Beginner Pianists by SilverTonalities!With Letter Names embedded in Noteheads to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2ARIOSO BWV 156, is a Cantata written by the famous German Baroque Composer Johann Sebastian Bach in 1729. A Cantata is a Vocal composition with an Instrumental Accompaniment typically in several Movements and often including a Choir, pages 3-6HUNGARIAN DANCE NUMBER 6 by the German Romantic Composer, Johannes Brahms, originates from a set of 21 Pieces on a Hungarian Theme completed in 1879, pages 7-9REVERIE L68 is a delicate, gentle and “dreamy†Piano Solo Piece which was written in 1890 by the popular French Impressionistic/Romantic Era Composter, Claude Debussy, pages 10-12MARCH OF THE PRIESTS from the famous Austrian Composer Wolfgang Amadeus Mozart’s 2 Act Opera “The Magic Flute†K260 (Die Zauberflote), which premiered in 1791 and contains Masonic Ritual Elements as well as Fairy Tale themes, pages 13-15ROMEO AND JULIET is an Overture Fantasy by the Russian Romantic Era Composer, Peter Ilyich Tchaikovsky. Based on William Shakespeare’s famous Play “Romeo and Julietâ€, it premiered in Moscow in 1870, pages 16-19PAS DES FLEURS (Dance of the Flowers) is known as the “Grand Waltz†from the 1867 Ballet “Naila†by the French Romantic Composer, Leo Delibes, pages 20-23HORNPIPE from the famous German Baroque Composer, George Friedrich Handel’s, “Water Musicâ€, is from a collection of 3 Orchestral Suites which premiered in 1717, pages 24-26MOONLIGHT SONATA 1ST MOVEMENT Theme, from Ludwig van Beethoven’s Piano Sonata Number 14 In C Sharp Minor Opus 27, Number 2, which was written in 1801 and dedicated to his student, Countess Giulietta Guicciardi, pages 27-30PAVANE OF A SLEEPING BEAUTY (Pavane de le Belle au bois dormant) was written by the French 19th Century Composer, Maurice Ravel, and is the first Piece from his popular “Mother Goose Suiteâ€, pages 31-33THE GLADIATOR MARCH was written in 1886 by the American Composer John Philip Sousa while he was serving as the leader of the United States Marine Corps Band, pages 34-36WHERE THE LEMON TREES BLOOM (Wo die Zitronen Bluhen), Opus 364 written by the Austrian Composer Johann Strauss Junior in 1874, pages 37-39.
$9.99 ≈
9.35€
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1
Fantasy on a Theme by Brahms
