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7 sheet music found
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1
Mi corazón
Mi corazón
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Guitar
#
INTERMEDIATE
#
Contemporary
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David Jacques
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Mi corazón
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4271 Composed by David Jacques. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4271. Published by...
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4271 Composed by David Jacques. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4271. Published by Les Productions d'OZ - Digital (ZZ.DZ-4271). Mi Corazon est dédié à Carmen Genest -ma complice dans la vie et sur scène- et rappelle nos tournées en Amérique du sud. Composé dans un style néo-romantique, elle sâ??inspire plus spécialement des airs lyriques mexicains.Mi Corazon is dedicated to Carmen Genest - my accomplice in life and on stage - and recalls our tours in South America. Composed in a neo-romantic style, it is particularly inspired by Mexican lyrical airs.
$3.95 ≈
3.54€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.12€
Nevermore for alto and classical guitar (mp3)
Nevermore for alto and classical guitar (mp3)
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András Csáki
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Nevermore for alto and classic
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David Warin Solomons
#
SheetMusicPlus
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemp...
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00 ≈
5.37€
Nevermore for alto and classical guitar
Nevermore for alto and classical guitar
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
David Warin Solomons
#
Nevermore for alto and classic
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David Warin Solomons
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #958551. Published by David Warin Solomons (A0.1373984). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat major The pdf contains score and separate guitar partThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$11.00 ≈
9.85€
Wonderful, Wonderful Jesus
Wonderful, Wonderful Jesus
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Piano, Vocal and Guitar
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INTERMEDIATE
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Ralph Carmichael Singers
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Lyndell Leatherman
#
some were not
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Wonderful, Wonderful Jesus
#
Leatherman Music Services
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1397865 By Ralph Carmichael Singers. By Words: Anna B. Russell / Music: Ernest O. Sellers. ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1397865 By Ralph Carmichael Singers. By Words: Anna B. Russell / Music: Ernest O. Sellers. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #981136. Published by Leatherman Music Services (A0.1397865). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.57€
Cool Cowboy Glen (guitar part of duet)
Cool Cowboy Glen (guitar part of duet)
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The Candlelight Guitarist feat
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Brad Powell
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By ...
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. 5 pages. Geofonica Artistworks #1003478. Published by Geofonica Artistworks (A0.1422145). This is the GUITAR PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in TABS-plus-standard notation is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell. Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99 ≈
2.68€
Cool Cowboy Glen (bass part of duet)
Cool Cowboy Glen (bass part of duet)
#
The Candlelight Guitarist feat
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Brad Powell
#
Cool Cowboy Glen
#
Geofonica Artistworks
#
SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422152 By The Candlelight Guitarist feat. Frank Sanchez. By ...
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422152 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Country,Folk,Latin,Pop,Rock. 5 pages. Geofonica Artistworks #1003498. Published by Geofonica Artistworks (A0.1422152). This is the BASS PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The GUITAR PART is available separately, in standard notation, and also in TABS-plus-standard notation.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99 ≈
2.68€
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Elle nest plus
