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Dialogue for Double Bass Quartet
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You've selected:
Dialogue for Double Bass Quartet
Sheetmusic to print
19 sheet music found
<
1
Dialogue for Double Bass Quartet
Dialogue for Double Bass Quartet
#
4 Double Basses
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INTERMEDIATE/ADVANCED
#
Richard Chiarappa
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Richard Chiarappa
#
Dialogue for Double Bass Quart
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Richard J. Chiarappa
#
SheetMusicPlus
String Quartet Double Bass,String Quartet - Level 4 - Digital Download SKU: A0.1367512 Composed by Richard Chiarappa. Arranged by Richard Chiarappa. 21st...
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String Quartet Double Bass,String Quartet - Level 4 - Digital Download SKU: A0.1367512 Composed by Richard Chiarappa. Arranged by Richard Chiarappa. 21st Century,Chamber,Classical. 15 pages. Richard J. Chiarappa #951857. Published by Richard J. Chiarappa (A0.1367512). An arrangement of the original Dialogue for Double Bass & Strings, that allows for advanced and moderate level double bass players to perform as an ensemble. This piece was requested by Susan Powell, DB teacher at the Hartt School in West Hartford, CT, for her DB students class. I composed the original piece for my advanced high school DB player in his senior year. There is also a version for DB and Piano, and recently for DB and Full Orchestra. It's a unique piece for your audience!
$40.00 ≈
35.82€
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET.
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET.
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String Quintet: 2 violins, viola, cello, bass
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EASY
#
Frederic Chopin
#
Iury Cardoso
#
"Nocturne"
#
Iury Cardoso
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1486613 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Ce...
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1486613 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. 23 pages. Iury Cardoso #1063678. Published by Iury Cardoso (A0.1486613). Beautiful easy STRING QUINTET arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin (Score and parts: 23 pages) This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easier version for STRING QUINTET, where the melodies (and chords) were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. In this arrangement, you will hear different instruments playing the main melody at some point, starting with the cello and then the first violin. In the second part the melody is played by the viola and at the beginning of the third part by the second violin. At the end, there is a dialogue between these instruments before ending the song with the final coda. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians. - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Version with piano available: On this site, there is also a version of this same arrangement with the piano. - STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! nocturne chopin for string quintet nocturne chopin sheet music nocturne for string quintet nocturne chopin string quintet sheet music nocturne chopin easy string quintet nocturne for strings orchestranocturne chopin strings orchestra sheet music nocturne chopin easy strings orchestranocturne for beginners easy string quintet chamber music nocturne chopin but on string quintet nocturne chopin string quintet version nocturne chopin easy string quintet arrangement nocturne chopin string quintet best arrangement easy string quintet romantic sheet music easy strings nocturne chopin easier version nocturne sheet music nocturne chopin best arrangement for string quintet nocturne arrangement for string quintet nocturne chopin for easy string quintet easy romantic sheet music for string quintet easy nocturne chopin for string quintet easy nocturne chopin sheet music easy version of nocturne op.9 n.2 for string quintet easy nocturne chopin string quintet sheet music chopin easy string quintet nocturne for string quintet beginner easy string quintet chamber music nocturne chopin but on the string quintet nocturne for beginners chopin for string students nocturne chopin best easy arrangement for string quintet nocturne chopin easy version for string quintet easy violin easy cello easy viola easy double basschopin easy sheet music for string quintet nocturne chopin best easy arrangement for string quintet nocturne chopin arrangement for easy violin solo with piano nocturne chopin for string quintet.
$12.99 ≈
11.63€
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET.
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET.
#
String Quintet: 2 violins, viola, cello, bass
#
EASY
#
Frederic Chopin
#
Iury Cardoso
#
"Nocturne"
#
Iury Cardoso
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1486615 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Ce...
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1486615 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. 23 pages. Iury Cardoso #1063680. Published by Iury Cardoso (A0.1486615). Beautiful easy STRING QUINTET arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin (Score and parts: 23 pages) This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easier version for STRING QUINTET, where the melodies (and chords) were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. In this arrangement, you will hear different instruments playing the main melody at some point, starting with the cello and then the first violin. In the second part the melody is played by the viola and at the beginning of the third part by the second violin. At the end, there is a dialogue between these instruments before ending the song with the final coda. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians. - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website. - Version with piano available: On this site, there is also a version of this same arrangement with the piano. - STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! nocturne chopin for string quintet nocturne chopin sheet music nocturne for string quintet nocturne chopin string quintet sheet music nocturne chopin easy string quintet nocturne for strings orchestranocturne chopin strings orchestra sheet music nocturne chopin easy strings orchestranocturne for beginners easy string quintet chamber music nocturne chopin but on string quintet nocturne chopin string quintet version nocturne chopin easy string quintet arrangement nocturne chopin string quintet best arrangement easy string quintet romantic sheet music easy strings nocturne chopin easier version nocturne sheet music nocturne chopin best arrangement for string quintet nocturne arrangement for string quintet nocturne chopin for easy string quintet easy romantic sheet music for string quintet easy nocturne chopin for string quintet easy nocturne chopin sheet music easy version of nocturne op.9 n.2 for string quintet easy nocturne chopin string quintet sheet music chopin easy string quintet nocturne for string quintet beginner easy string quintet chamber music nocturne chopin but on the string quintet nocturne for beginners chopin for string students nocturne chopin best easy arrangement for string quintet nocturne chopin easy version for string quintet easy violin easy cello easy viola easy double basschopin easy sheet music for string quintet nocturne chopin best easy arrangement for string quintet nocturne chopin arrangement for easy violin solo with piano nocturne chopin for string quintet.
$12.99 ≈
11.63€
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
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Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Strings - Level 3 - Digital Download SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Strings - Level 3 - Digital Download SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Published by jmsgu3 (A0.549209). Instrumentation: Two string quartets arranged antiphonally. Full Score: 28 pgs. Study Score: 14 pgs. Instrumental parts: 2 pg. ea. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. www.jamesguthrie.com.
$47.95 ≈
42.94€
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
#
INTERMEDIATE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.94€
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. J...
(+)
String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. Published by jmsgu3 (A0.549211). A musical monument: the first composition to employ dynamics. Instrumentation: 2 violins, 1 viola, 5 cellos 1 double bass. Arranged in two antiphonal choirs: I - string quartet, II - cello choir w/bass. The double bass part assumes low c extension; however, a non-extension bass part is included.Giovanni Gabrieli's Sonata Pian e Forte is essential as it represents the shift from the Renaissance to the Baroque period. It is part of his 1597 Sacrae symphoniae, which contains sixty-three choral and instrumental works, many in multi-choir formations. It is the first known composition in history to employ dynamics, with Gabrieli using specific notation to indicate instrumentation and experimenting with assembling massive instrumental forces into isolated groups separated by space. This innovation contributed heavily to the Baroque Concertato style and the development of the sonata, a musical form that came into general use toward the end of the sixteenth century. The structure of the piece is defined by the dialogue between two instrumental choirs, making it a key example of Gabrieli's influential contributions to the transition in musical style during his time.
$47.95 ≈
42.94€
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.94€
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET and PIANO.
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET and PIANO.
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Frederic Chopin
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Iury Cardoso
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1486350 Composed by Frederic Chopin. Arranged by Iury Cardoso. 1...
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String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1486350 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. 23 pages. Iury Cardoso #1063412. Published by Iury Cardoso (A0.1486350). Beautiful easy STRING QUINTET and PIANO arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and parts: 23 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for solo piano) into an easier version for STRING QUINTET and PIANO, where the melodies (and chords) were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song.In this arrangement, you will hear different instruments playing the main melody at some point, starting with the piano and then the first violin. In the second part the melody is played by the cello and in the third part by the second violin and viola. At the end, there is a dialogue between these instruments before ending the song with the final coda. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- Version without the piano available: On this site, there is also a version of this same arrangement without the piano.- STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!nocturne chopin for string quintet and pianonocturne chopin sheet musicnocturne for string quintet and pianonocturne chopin string quintet and piano sheet musicnocturne chopin easy string quintet and pianonocturne for beginnerseasy string quintet and piano chamber musicnocturne chopin but on string quintet and pianonocturne chopin string quintet and piano versionnocturne chopin easy string quintet and piano arrangementnocturne chopin string quintet and piano best arrangementeasy string quintet and piano romantic sheet musiceasy piano with string orchestrapiano with string orchestranocturne chopin easier versionnocturne sheet musicnocturne chopin best arrangement for string quintet with pianonocturne arrangement for string quintet with pianonocturne chopin for easy string quintet with pianoeasy romantic sheet music for string quintet with pianoeasy nocturne chopin for string quintet with pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for string quintet pianoeasy nocturne chopin string quintet piano sheet musicchopin easy string quintet pianonocturne for string quintet and piano beginnerseasy string quintet and piano chamber musicnocturne chopin but on the string quintet pianonocturne for beginnerschopin for string studentsnocturne chopin best easy arrangement for piano and string orchestranocturne chopin easy version for string quintet pianoeasy violineasy celloeasy violaeasy double basseasy pianochopin easy sheet music for string quintet pianonocturne chopin best easy arrangement for string quintet and pianonocturne chopin arrangement for solo piano and quintetnocturne chopin for string quintet and piano.
$14.99 ≈
13.42€
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET and PIANO.
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET and PIANO.
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Frederic Chopin
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Iury Cardoso
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1486353 Composed by Frederic Chopin. Arranged by Iury Cardoso. ...
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1486353 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. 23 pages. Iury Cardoso #1063415. Published by Iury Cardoso (A0.1486353). Beautiful easy STRING QUINTET and PIANO arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and parts: 23 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for solo piano) into an easier version for STRING QUINTET and PIANO, where the melodies (and chords) were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song.In this arrangement, you will hear different instruments playing the main melody at some point, starting with the piano and then the first violin. In the second part the melody is played by the cello and in the third part by the second violin and viola. At the end, there is a dialogue between these instruments before ending the song with the final coda. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Version without the piano available: On this site, there is also a version of this same arrangement without the piano.- STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!nocturne chopin for string quintet and pianonocturne chopin sheet musicnocturne for string quintet and pianonocturne chopin string quintet and piano sheet musicnocturne chopin easy string quintet and pianonocturne for beginnerseasy string quintet and piano chamber musicnocturne chopin but on string quintet and pianonocturne chopin string quintet and piano versionnocturne chopin easy string quintet and piano arrangementnocturne chopin string quintet and piano best arrangementeasy string quintet and piano romantic sheet musiceasy piano with string orchestrapiano with string orchestranocturne chopin easier versionnocturne sheet musicnocturne chopin best arrangement for string quintet with pianonocturne arrangement for string quintet with pianonocturne chopin for easy string quintet with pianoeasy romantic sheet music for string quintet with pianoeasy nocturne chopin for string quintet with pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for string quintet pianoeasy nocturne chopin string quintet piano sheet musicchopin easy string quintet pianonocturne for string quintet and piano beginnerseasy string quintet and piano chamber musicnocturne chopin but on the string quintet pianonocturne for beginnerschopin for string studentsnocturne chopin best easy arrangement for piano and string orchestranocturne chopin easy version for string quintet pianoeasy violineasy celloeasy violaeasy double basseasy pianochopin easy sheet music for string quintet pianonocturne chopin best easy arrangement for string quintet and pianonocturne chopin arrangement for solo piano and quintetnocturne chopin for string quintet and piano.
$14.99 ≈
13.42€
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.94€
Almost May Score and Parts
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arrange...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
22.38€
Serenade | Schubert | String Quintet
Serenade | Schubert | String Quintet
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String Quintet: 2 violins, viola, cello, bass
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EASY
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Classical
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Franz Schubert
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Milanov
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Serenade | Schubert | String Q
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Milanov
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1248418 Composed by Franz Schubert. Arranged by Milanov. Romantic Peri...
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1248418 Composed by Franz Schubert. Arranged by Milanov. Romantic Period,Wedding. 10 pages. Milanov #842934. Published by Milanov (A0.1248418). Serenade by Schubert for String Quartet. Easy Intermediate.Schubert's Serenata, also known as Ständchen or Serenade, is a sublime musical masterpiece that captures the essence of romantic longing and gentle serenading. With delicate melodies and evocative harmonies, Schubert creates an intimate dialogue between the singer and piano accompaniment, painting a vivid portrait of whispered emotions beneath a starry sky. The Serenata's tender vulnerability and timeless beauty speak to the universal power of music to convey the deepest sentiments of the human heart.
$15.99 ≈
14.32€
Serenade | Schubert | String Quintet | Chords
Serenade | Schubert | String Quintet | Chords
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String Quintet: 2 violins, viola, cello, bass
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EASY
#
Classical
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Franz Schubert
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Milanov
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Serenade | Schubert | String Q
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Milanov
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1248417 Composed by Franz Schubert. Arranged by Milanov. Romantic Peri...
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1248417 Composed by Franz Schubert. Arranged by Milanov. Romantic Period,Wedding. 10 pages. Milanov #842932. Published by Milanov (A0.1248417). Serenade by Schubert for String Quartet with chords. Easy intermediate.Schubert's Serenata, also known as Ständchen or Serenade, is a sublime musical masterpiece that captures the essence of romantic longing and gentle serenading. With delicate melodies and evocative harmonies, Schubert creates an intimate dialogue between the singer and piano accompaniment, painting a vivid portrait of whispered emotions beneath a starry sky. The Serenata's tender vulnerability and timeless beauty speak to the universal power of music to convey the deepest sentiments of the human heart.
$15.99 ≈
14.32€
La Vie En Rose
La Vie En Rose
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
Piano Quartet Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236696 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by A...
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Piano Quartet Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236696 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 7 pages. Andre_Nusa #832217. Published by Andre_Nusa (A0.1236696). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, double bass, and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, contrabass, and piano unite to breathe new life into this beloved.
$12.99 ≈
11.63€
La Vie En Rose
La Vie En Rose
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
#
SheetMusicPlus
Piano Quartet Double Bass,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1236394 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by A...
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Piano Quartet Double Bass,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1236394 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 6 pages. Andre_Nusa #831910. Published by Andre_Nusa (A0.1236394). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, double bass, and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, contrabass, and piano unite to breathe new life into this beloved classic.
$12.99 ≈
11.63€
Partita No. 4 in D Major, BWV 828
Partita No. 4 in D Major, BWV 828
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Classical
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 4 in D Major, BWV
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Songburd Music
#
SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroqu...
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 89 pages. Songburd Music #993405. Published by Songburd Music (A0.1411059). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 4 in D Major (BWV 828) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue.Notably, Bach’s keyboard Partita No. 4 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$89.99 ≈
80.59€
Partita No. 1 in B-Flat Major, BWV 825
Partita No. 1 in B-Flat Major, BWV 825
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Classical
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Johann Sebastian Bach
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Lydia Consilvio
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Partita No. 1 in B-Flat Major,
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Songburd Music
#
SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroqu...
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 53 pages. Songburd Music #993398. Published by Songburd Music (A0.1411052). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 1 in B-Flat Major (BWV 825) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 1 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99 ≈
53.73€
Partita No. 3 in A Minor, BWV 827
Partita No. 3 in A Minor, BWV 827
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Classical
#
Johann Sebastian Bach
#
Lydia Consilvio
#
Partita No. 3 in A Minor, BWV
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Songburd Music
#
SheetMusicPlus
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroqu...
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 64 pages. Songburd Music #981022. Published by Songburd Music (A0.1397731). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 3 in A Minor (BWV 827) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 3 is comprised of movements based on Renaissance dance forms— allemande, corrente, sarabande, and gigue—each influenced by the step-pattern of that specific dance.  These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99 ≈
53.73€
The John Dunbar Theme
The John Dunbar Theme
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John Barry
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Graham Boag
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The John Dunbar Theme
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Graham Boag
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.1090913 Composed by John Barry. Arranged by Graham Boag. Contemporary,Film/TV. Score and ...
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.1090913 Composed by John Barry. Arranged by Graham Boag. Contemporary,Film/TV. Score and parts. 11 pages. Graham Boag #695055. Published by Graham Boag (A0.1090913). The John Dunbar Theme from the movie Dances With Wolves is arranged here for Double Bass Quartet. Dances with Wolves is a 1990 American epic Western film starring, directed, and produced by Kevin Costner in his feature directorial debut. It is a film adaptation of the 1988 novel Dances with Wolves by Michael Blake that tells the story of Union Army Lieutenant John J. Dunbar (Costner), who travels to the American frontier to find a military post, and who meets a group of Lakota. Costner developed the film with an initial budget of $15 million. Much of the dialogue is spoken in Lakota with English subtitles. It was shot from July to November 1989 in South Dakota and Wyoming, and translated by Doris Leader Charge, of the Lakota Studies department at Sinte Gleska University. The film earned favourable reviews from critics and audiences, who praised Costner's directing, the performances, screenplay, score, cinematography, and production values. It was a box office hit, grossing $424.2 million worldwide, making it the fourth-highest grossing film of 1990, and is the highest-grossing film for Orion Pictures. The film was nominated for 12 Academy Awards at the 63rd Academy Awards and won seven, including Best Picture, Best Director for Costner, Best Adapted Screenplay, Best Film Editing, Best Cinematography, Best Original Score, and Best Sound Mixing. The film also won the Golden Globe Award for Best Motion Picture – Drama. It is one of only three Westerns to win the Oscar for Best Picture, the other two being Cimarron (1931) and Unforgiven (1992). It is credited as a leading influence for the revitalization of the Western genre of filmmaking in Hollywood. In 2007, Dances with Wolves was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.
$15.99 ≈
14.32€
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Dialogue for Double Bass Quartet
