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Conversations with the Moon
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You've selected:
Conversations with the Moon
Sheetmusic to print
8 sheet music found
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1
Conversations with the Moon
Conversations with the Moon
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Patrick Lee Hebert
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Conversations with the Moon
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Patrick Lee Hebert
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.962453 Composed by Patrick Lee Hebert. 20th Century,Contemporary. Score. 3 pages. Patrick Lee Hebert #293...
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Piano Solo - Level 4 - Digital Download SKU: A0.962453 Composed by Patrick Lee Hebert. 20th Century,Contemporary. Score. 3 pages. Patrick Lee Hebert #2931175. Published by Patrick Lee Hebert (A0.962453). From The Poet's Dream 1998 HPS.
$3.99 ≈
3.70€
Perdido Bay Moon Rag
Perdido Bay Moon Rag
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Piano solo
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INTERMEDIATE/ADVANCED
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Ragtime
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Donald Ashwander
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Perdido Bay Moon Rag
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Publi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Published by The Donald Ashwander Estate (A0.1295715). Perdido Bay Moon Rag is a heartfelt and evocative solo piano composition dedicated to the memory of an elegant lady whose love for dance and a chance suggestion led to the creation of this beautiful piece. The composition pays homage to the serene beauty and cherished memories of Bear Point, Alabama, a place rich in history and personal significance to the composer, Donald Ashwander.The story behind Perdido Bay Moon Rag begins on a summer day when Donald, along with friends Edith and Edwin Zelnicker, found themselves on the picturesque Bear Point, Alabama. This tranquil peninsula on the shores of Perdido Bay held a special place in their hearts, as it was a locale where they had spent countless hours as children. They reminisced about their youth, playing beneath the majestic magnolia trees adorned with Spanish Moss and exploring ancient Indian mounds in search of pottery shards.It was during this nostalgic conversation that Edith, the elegant lady in question, suggested the title for a piano composition: Perdido Bay Moon Rag. Enchanted by the idea, Donald was determined to bring this vision to life. Upon returning to New York, he began crafting the piece, but it somehow eluded his grasp. Despite this initial challenge, he designed an appropriate cover for the composition and sent it to Edith and Edwin in Mobile.Over the years, Perdido Bay Moon Rag remained a fixture on Edith and Edwin's piano, a symbol of a cherished memory and unfulfilled promise. Edith confessed to her friend that she had attempted to play the piece but found it too complex, and so it remained unplayed.Time passed, and sadly, Edith fell ill. On a poignant visit to Mobile after Edith's passing, the atmosphere in their home was filled with her spirit. There, prominently displayed on the piano, lay Perdido Bay Moon Rag. In that moment, Donald knew that he needed to fulfill his promise and honor Edith's memory properly.With newfound determination and inspiration, Donald embarked on a journey to create a completely new composition that would capture the essence of Bear Point, Perdido Bay, and the moonlit nights they had cherished. This time, the music flowed effortlessly from his fingertips, as if guided by the memories and love he held for his dear friend.Perdido Bay Moon Rag is a testament to the enduring power of memories, friendship, and the creative process. It reflects the tranquility of Bear Point, the gentle sway of Spanish Moss, and the serenity of moonlit nights on the bay. Through its delicate melodies and intricate rhythms, the composition invites listeners to share in the deep emotions and fond recollections that inspired its creation.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95 ≈
5.52€
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
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Choral SATB
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EASY
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Chris Lawry, Angela Cope
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The Little Things -
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Moonhouse Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages....
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages. Moonhouse Music #5792953. Published by Moonhouse Music (A0.749985). During the Covid 19 lockdown the community choir Amber Valley Voices have worked with their MD Angie Cope and accompanist and composer Chris Lawry to write a lock down inspired song to rehearse in their Zoom rehearsals to hopefully use in their forthcoming concerts once restrictions are eased and we can begin to meet and sing together again.Much love to all out there that can't sing together yet; we are feeling your pain with you!Sheet music (for Unison, SA and SATB choir) available from www.chrislawry.com. If you need a backing track or leadsheet, or anything, please get in touch using: contact@chrislawry.com Lyrics: Waiting by the window, Parcels at the door, Kisses left hanging in the air. Doorstep daughters and street-side sons, It's the little things to show that you still care. ]Smiles from total strangers we pass along the way, Neighbours that speak now ev’ry day. Time for conversations, time for souls to touch It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch. It’s the little things that now mean oh so much. A letter from a loved one, flowers from a friend The look that says I know, I understand Early morning birdsong, a woodlands dappled light, It’s the outward signs of natures healing hand.To wander through a meadow, to drink in cleaner air New life bursts out around us ‘midst our pain. So much has been lost at immeasurable cost But together we’ll rebuild our world again. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much.
$1.99 ≈
1.85€
Shine on Harvest Moon (Brass Sextet)
Shine on Harvest Moon (Brass Sextet)
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Rita Arendz
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Rita Arendz
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Shine on Harvest Moon
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Rita Arendz
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SheetMusicPlus
Brass Ensemble Cornet,E-Flat Tuba TC,Euphonium,Horn,Trombone - Level 3 - Digital Download SKU: A0.1290783 By Rita Arendz. By Nora Bayes-Norworth. Arrange...
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Brass Ensemble Cornet,E-Flat Tuba TC,Euphonium,Horn,Trombone - Level 3 - Digital Download SKU: A0.1290783 By Rita Arendz. By Nora Bayes-Norworth. Arranged by Rita Arendz. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show,Traditional. Score and Parts. 18 pages. Rita Arendz #881478. Published by Rita Arendz (A0.1290783). With its debut in 1908 on Broadway in New York City, this pop standard from the Vaudeville show Ziegfried's Follies has been covered by such artists as Liza Minelli, Bing Crosby, and as late as 2017, by Indie folk singer Mree (Marie Hsiao).Shine on Harvest Moon also has a long association with Hollywood films such as Shine on Harvest Moon (1932 animation), a Roy Rogers' western, Pennies from Heaven, and the British comedy show Shine on Harvey Moon. Â The song and dance duo of Laurel and Hardy also used the song. Â Â This arrangement for Brass Sextet with optional percussion is a bit of a through back to the original setting, with a mix of the campy uptempo setting, then into the more melancholy style of someone scared of the dark, while their partner is trying to tell them, they are in love and should get married. Â For the conversation to occur, the moon must shine.Harvest Moon refers to the Full Moon closest to the Autumnal Equinox (for 2023, which will be September 23rd).Instrumentation is for British Brass Band ensemble of two cornets, tenor horn, tenor trombone TC, Bb Euphonium, and Eb Bass. Â Orchestral brass alternates are included.Duration 3:45 Â 18 pages.
$19.99 ≈
18.54€
Calibrating the Moon - Tuba and Piano
Calibrating the Moon - Tuba and Piano
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Tuba and Piano
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ADVANCED
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Contemporary
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Kyle Vanderburg
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Calibrating the Moon - Tuba an
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NoteForge
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Publishe...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
$14.99 ≈
13.90€
Interstellar
Interstellar
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #289720...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00 ≈
4.64€
Running off the Track. Song & Chorus
Running off the Track. Song & Chorus
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Piano, Voice
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W
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Place no matter whar
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Running off the Track. Song &
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.19134 Composed by W. Irving Hartshorne. Railroad passenger cars, Accidents, Conversation, Fear, Travel. Lester...
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Piano and voice - Digital Download SKU: LV.19134 Composed by W. Irving Hartshorne. Railroad passenger cars, Accidents, Conversation, Fear, Travel. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19134). Running off the Track. Song & Chorus. Composed by W. Irving Hartshorne. Published 1862 by Balmer & Weber, 56 Fourth St. in St. Louis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroad passenger cars, Accidents, Conversation, Fear, Travel. First line reads Scene a moonlight evening; Place no matter whar.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.55€
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano solo
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ADVANCED
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,...
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Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
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