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You've selected:
Con la Música: Guitar
Sheetmusic to print
81 sheet music found
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Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
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Guitar
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ADVANCED
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Juan Carlos Cortés Aguirre
#
#
Ave María Fantasía en Trémo
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.958663 Composed by Juan Carlos Cortés Aguirre. 20th Century,Standards. Individual part. 9 pages. Juan...
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Solo Guitar - Level 5 - Digital Download SKU: A0.958663 Composed by Juan Carlos Cortés Aguirre. 20th Century,Standards. Individual part. 9 pages. Juan Carlos Cortés Aguirre #4313259. Published by Juan Carlos Cortés Aguirre (A0.958663). Trémolo para Guitarra Clásica (Guitarra Acústica). Composición musical por JUAN CARLOS CORTÉS.Puesto previamente a consideración para su interpretación, concepto y aprobación; siendo después elogiado favorablemente por algunos de los más aclamados Guitarristas del mundo como: Christopher Parkening, David Rusell, Ernesto Bitetti, Göran Söllscher, Carlos Posada Ramos y muchos más. Apropiado para recital con repertorio latinoamericano o neo clásico donde se demuestra un gran lucimiento técnico del trémolo para guitarra. Su nombre describe las campanas que presentan los armónicos iniciales, invocando a la oración, que se presenta luego reflexiva con el canto melodioso del trémolo, invitando al recogimiento y la paz espiritual.
$7.99 ≈
7.16€
CAPRICHO ARABE for guitar by Tarrega - Rev. and fing. by Flavio Sala
CAPRICHO ARABE for guitar by Tarrega - Rev. and fing. by Flavio Sala
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Guitar
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INTERMEDIATE
#
Classical
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Francisco Tarrega
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Flavio Sala
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CAPRICHO ARABE for guitar by T
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Flavio Sala
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SheetMusicPlus
Guitar - Intermediate - Digital Download Composed by Francisco Tarrega (1852-1909). Arranged by Flavio Sala. 20th Century, Romantic Period, Post- Roma...
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Guitar - Intermediate - Digital Download Composed by Francisco Tarrega (1852-1909). Arranged by Flavio Sala. 20th Century, Romantic Period, Post- Romantic. Score. 6 pages. Published by Flavio Sala
Francísco Tárrega (1852 – 1909) è il fondatore della Scuola Chitarristica Spagnola, la solache può vantare più di 150 anni distoria e un unico filo conduttore.
Partitodall’opera di Fernando Sor (1778 –1839) e di Dionisio Aguado (1784 –1849), Tàrrega ampliò e affinò la tecnica, arricchendo la chitarra classica dinuovi mezzi espressivi e di repertorio. Tali innovazioni sono giunte fino ainostri giorni grazie ai suoi numerosi discepoli diretti, tra cui Miguel Llobet, Daniel Fortea e PascualRoch e indiretti: Andrés Segovia,Regino ed Eduardo Sainz de la Maza, AlirioDíaz, Pasqualino Garzia e molti altri.
Emilio Pujol (1886 – 1980), che studiò con Tárrega durante gliultimi 7 anni di vita di quest’ultimo, raccolse l’eredità del Maestro in un monumentalemetodo, in 4 volumi, di inestimabile valore: la Escuela Razonada de la Guitarra,basada en los principios de la técnica de Tárrega, con una prefazione di Manuel De Falla, portando a termine ciò che perTárrega restò un sogno e che la morte prematura non gli permise neanche diiniziare.
Il CaprichoÁrabe, scritto nel1899, è forse la composizione più celebrata di Tárrega, dopo Recuerdosde la Alhambra.
In questarevisione ho tenuto presente la versione pubblicata in Spagna dall’editore UnionMusical Española e le biografie più importanti scritte su Tárrega:EmilioPujol: Tárrega (Edizioni: L’empreinte mélodique), Wolf Moser: Francisco Tárrega yla guitarra en España entre 1830 y 1960 (Edizioni: Piles) e AdriánRius Espinós: Francisco Tárrega, una biografíadocumental (Edizioni:Orphenica Lyra).
Alla luce di taliletture, ho ritenuto opportuno segnare le dinamiche e omettere alcuniabbellimenti e glissati. Lo stesso Tárrega, infatti, pare ebbe dei ripensamentia riguardo. Ho mantenuto, pertanto, quelli nelle ripetizioni, tagliando glialtri. Ho aggiunto e cambiato alcune diteggiature di entrambe le mani, considerandol’evoluzione della chitarra classica anche dal punto di vista della costruzione,nonché la tecnica flamenca. Infine, l’idea nell’Introduzione, di eseguire laseconda scala discendente, interamente con la sola mano sinistra, è, invece,totalmente mia.
Bojano, 29Settembre 2020.
Flavio Sala.
***
$10.00 ≈
8.96€
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
#
Guitar
#
Juan Carlos Cortés Aguirre
#
Ave María Fantasía en Trémo
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre. 20th Century,Holiday,Instructional,Wedding. Full Performance. Durati...
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Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre. 20th Century,Holiday,Instructional,Wedding. Full Performance. Duration 293. Juan Carlos Cortés Aguirre #4316841. Published by Juan Carlos Cortés Aguirre (A0.1070307). Trémolo para Guitarra Clásica (Guitarra Acústica). Composición musical por JUAN CARLOS CORTÉS. Puesto previamente una consideración para su interpretación, concepto y aprobación; siendo después elogiado favorablemente por algunos de los más aclamados Guitarristas del mundo como: Christopher Parkening, David Rusell, Ernesto Bitetti, Göran Söllscher, Carlos Posada Ramos y muchos más. Apropiado para los amantes del repertorio latinoamericano o neo clásico donde se demuestra un gran lucimiento técnico del trémolo para guitarra. Su nombre describe las campanas que presentan los armónicos iniciales, invocando a la oración, que se presenta luego reflexiva con el canto melodioso del trémolo, invitando al reconocimiento y la paz espiritual.
$2.25 ≈
2.02€
Con la Música: Guitar
Con la Música: Guitar
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Guitar (band part)
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Instructional
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Jay Althouse
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Con la Música: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Jay Althouse. For Choir. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Jay Althouse. For Choir. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.69€
Contrastes
Contrastes
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Emmanuel Cabrera Lagunas
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Contrastes
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Emmanuel Cabrera Lagunas
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera Lagunas. Chamber,Contemporary,Multicultural,World. 37 pages. Emmanuel Ca...
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Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera Lagunas. Chamber,Contemporary,Multicultural,World. 37 pages. Emmanuel Cabrera Lagunas #795566. Published by Emmanuel Cabrera Lagunas (A0.1196426). Contrastes es una obra escrita para el cuarteto de guitarras hidalguense ¨Emiola¨, quienes fueron alumnos del autor en el año 2016. La pieza, construida en una forma sonata contiene puentes y secciones contrastantes buscando combinar elementos modales que recuerdan la música de la antigua Grecia, elementos de la música popular como el blues y rÃtmicas de la música folklórica mexicana. Al igual que en la mayorÃa de sus obras para guitarra, el compositor se apoya de diversos estilos musicales que lo han influenciado a lo largo de su vida para generar y mostrar su propia personalidad, haciendo hincapié de esta manera en la universalidad de la música sin importar la segregación que existe a causa de la división en estilos musicales.
$8.00 ≈
7.16€
Variaciones candomberas - Score Only
Variaciones candomberas - Score Only
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Guitar
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ADVANCED
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Emmanuel Cabrera Lagunas
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Variaciones candomberas - Scor
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Emmanuel Cabrera Lagunas
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SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.1209125 Composed by Emmanuel Cabrera Lagunas. Contemporary,Multicultural,World. 25 pages. Emmanuel Cabrera La...
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Guitar - Level 5 - Digital Download SKU: A0.1209125 Composed by Emmanuel Cabrera Lagunas. Contemporary,Multicultural,World. 25 pages. Emmanuel Cabrera Lagunas #807227. Published by Emmanuel Cabrera Lagunas (A0.1209125). Variaciones candomberas es una pieza musical para cuarteto de guitarras que combina elementos de la música académica contemporánea con elementos de la música tradicional latinoamericana. La obra comienza con un material melódico cromático utilizado en un quebrado irregular., la melodÃa es reforzada en intervalos paralelos de 4a, 4a aumentada y 3as mayores y menores, la cual evoluciona en tres diferentes variaciones que gradualmente presentan ritmos de música tocada en los barrios tradicionales de Uruguay, hasta finalizar con una alegre y enérgica combinación de patrones rÃtmicos del Candombe transferidos a la guitarra por medio de rasgueos, golpes y sonoridades polimodales.
$8.00 ≈
7.16€
Miniatura de los alebrijes
Miniatura de los alebrijes
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Guitar
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ADVANCED
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Emmanuel Cabrera Lagunas
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Miniatura de los alebrijes
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Emmanuel Cabrera Lagunas
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1165136 Composed by Emmanuel Cabrera Lagunas. Contemporary,Multicultural,World. Individual part. 4 pages...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1165136 Composed by Emmanuel Cabrera Lagunas. Contemporary,Multicultural,World. Individual part. 4 pages. Emmanuel Cabrera Lagunas #765486. Published by Emmanuel Cabrera Lagunas (A0.1165136). Miniatura para guitarra que contiene una combinación de melodÃas y ritmos que hacen referencia a los utilizados en la música tradicional de Oaxaca, generando una amalgama entre lenguajes de la música contemporánea de concierto y el folklor tradicional mexicano, dando como resultado una sonoridad hÃbrida que compagina a la perfección con la idea y morfologÃa de los alebrijes, artesanÃas mexicanas oriundas de Oaxaca que representan seres fantásticos e imaginarios, cuya fisonomÃa surge de combinar diferentes elementos de varios animales para retratar seres alucinantes con coloridos contrastantes.
$8.00 ≈
7.16€
Élégie
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.54€
Recuerdos de la Alhanbra for Classical Guitar
Recuerdos de la Alhanbra for Classical Guitar
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Guitar
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for C
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contes...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99 ≈
1.78€
Quiero Tocar la Guitarra
Quiero Tocar la Guitarra
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Guitar
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BEGINNER
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Instructional
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Victor Barba
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Quiero Tocar la Guitarra
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Victor Barba. For Guitar (All). All Styles. 48 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Victor Barba. For Guitar (All). All Styles. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610659475. Quiero Tocar La Guitarra, del reconocido autor Victor M. Barba es uno de los mejores libros para aprender a tocar la guitarra. Por fin hay un libro muy facil de entender, porque tiene los nombres de las notas escritas, asi como la musica, la tablatura, las graficas de la guitarra, y escuchando el audio en linea, te sera mas facil de aprender las canciones. Con este libro vas a aprender lo basico de la teoria musical, y a leer musica. Viene con 20 estudios para guitarra, acordes, escalas y ritmos de Cumbia, Norteno, Corrido, Balada, Rancheras, Rock, Pop y muchos mas. Quiero Tocar La Guitarra es el libro perfecto para ti, o para regalar a alguien que quieras. De la serie de libros de Easy Music School, and Mel Bay Publications! El audio en linea viene incluido.Quiero Tocar La Guitarra, (I want to play the guitar) by Victor M. Barba is one of the best books for guitar. Finally there is an "Easy to understand" book to learn how to play the basics on the guitar. The only book that includes music notes, music note names, tablature, guitar graphics and fingering, plus online audio, all in one book. With this book you will learn how to read music and learn music theory; you have 20 progressive guitar studies, many original songs, and Latin and Mexican rhythms such as Ballad, Cumbia, NorteAo, Corrido, Rock and Tex-Mex. If you ever wanted to learn some of these rhythms, "Quiero Tocar La Guitarra" is a must-have from Easy Music School and Mel Bay Publications! Companion online audio of examples included.
$14.99 ≈
13.42€
200 Copas
200 Copas
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Guitar notes and tablatures
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EASY
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Karol G
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mb-guitar
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200 Copas
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mb-guitar
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1273941 By Karol G. By Carolina Giraldo, Daniel Echavarria Oviedo, and Daniel Felix. Arranged by mb-guitar. 2...
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Guitar - Level 2 - Digital Download SKU: A0.1273941 By Karol G. By Carolina Giraldo, Daniel Echavarria Oviedo, and Daniel Felix. Arranged by mb-guitar. 21st Century,Latin,Mariachi,Multicultural,Pop,World. Guitar Tab. 4 pages. Mb-guitar #866072. Published by mb-guitar (A0.1273941). ¡Descubre el emocionante arreglo que te traemos para la exitosa canción 200 Copas de Karol G! Hemos creado una versión única y cautivadora de este hit que seguramente te sorprenderá. Diseñado para guitarristas y músicos apasionados, este arreglo resalta la esencia vibrante de la canción mientras mantiene su originalidad.Con un enfoque en la precisión y la fidelidad a la canción original, este arreglo te permitirá capturar cada matiz y emoción de 200 Copas en tus interpretaciones. Hemos creado una introducción alterna que te agradará, ya que es tomada de otra de sus canciones. Si te gusta Karol G sabrás reconocerla.Nuestro arreglo destaca los momentos más emocionantes y pegajosos de la canción, permitiéndote contar tu propia historia a través de la música. Si eres un fanático de Karol G o simplemente buscas una nueva y emocionante pieza para agregar a tu repertorio, este arreglo es para ti.No pierdas la oportunidad de interpretar 200 Copas de una manera totalmente nueva y emocionante. Aprovecha este arreglo excepcional para crear momentos memorables en tus presentaciones y cautivar a tu audiencia. ¡Hazte con tu copia hoy y comienza a deleitarte con la música que amas!
$7.00 ≈
6.27€
Landini: Ecco la Primavera for Guitar Trio
Landini: Ecco la Primavera for Guitar Trio
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3 Guitars (trio)
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INTERMEDIATE
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Classical
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Landini
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James M
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Landini: Ecco la Primavera for
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jmsgu3
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SheetMusicPlus
Guitar Ensemble - Level 3 - Digital Download SKU: A0.1486342 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Ren...
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Guitar Ensemble - Level 3 - Digital Download SKU: A0.1486342 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Renaissance. Score and Parts. 14 pages. Jmsgu3 #1063404. Published by jmsgu3 (A0.1486342). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95 ≈
31.30€
Music for Three, Collection No. 9 La Música de México for String Trio/Wind Trio/Mixed Trio 57009
Music for Three, Collection No. 9 La Música de México for String Trio/Wind Trio/Mixed Trio 57009
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Daniel Kelley
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Daniel Kelley
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Quartets!
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Music for Three, Collection No
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Last Resort Music Publishing
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SheetMusicPlus
Cello,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1341878 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Latin,Multicultural,...
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Cello,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1341878 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Latin,Multicultural,Wedding,World. 81 pages. Last Resort Music Publishing #927389. Published by Last Resort Music Publishing (A0.1341878). MUSIC for THREE COLLECTIONSCollection No. 9: La Música de MéxicoSet of Parts + Score #57009 Set Includes the following Parts Part 1 - Flute or Oboe or Violin Part 2 - Flute or Oboe or ViolinPart 2 - ViolaPart 2 - Clarinet in BbPart 3 - Cello or Bassoon Keyboard or Guitar with chord symbolsScore (Parts 1-3 in C)Available as Separate Parts by Digital DownloadPart 1 Clarinet in Bb Part 3 Bass Clarinet in Bb  An incredible collection of Mexican tunes, arranged for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings.  The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played.  Table of ContentsCielito Lindo (Cortes)La Bamba (Mexican Folk Song)Mexican Hat Dance (Folk Dance)La Cucaracha (Mexican Folk Song)La Golondrina (Sevilla)Zacatecas March (Codina)Las Mañanitas - The Mexican Birthday Song (Traditional)Published by Last Resort Music - Hundreds of Arrangements available for Solos, Duets, Trios & Quartets!
$30.00 ≈
26.87€
M?todo de Guitarra Moderna Grado 1, Edici?n en Espa?ol
M?todo de Guitarra Moderna Grado 1, Edici?n en Espa?ol
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Mel Bay
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M?todo de Guitarra Moderna Gra
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Spanish language - Beginning - Digital Download SKU: M0.93210SPEB Composed by Mel Bay. Modern Guitar Method. 0. E-book. Mel Bay Publications - Digital Sh...
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Spanish language - Beginning - Digital Download SKU: M0.93210SPEB Composed by Mel Bay. Modern Guitar Method. 0. E-book. Mel Bay Publications - Digital Sheet Music #93210SPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93210SPEB). ISBN 9781609749125. 8.75x11.75 inches.Este es el método más importante del mundo para aprender a tocar una guitarra de estilo plectrum, probado en el tiempo y demostrado ser exitoso en la construcción del conocimiento armónico y la técnica necesaria para tocar en cualquier estilo. El libro 1 enseña la lectura de notas en primera posición y presenta solos, duetos, escalas y acordes en las teclas C, A menor, G y E menor. Mel Bay, un pionero en la educación de la guitarra, ideó un sistema de enseñanza que requiere que el estudiante aprenda solo la teorÃa y la técnica de la música para comprender y realizar la tarea en cuestión. Notación estándar solamente. En español.This is the world's premier method for learning to play plectrum-style guitar, time-tested and proven to be successful in building the harmonic knowledge and technique needed to play in any style. Book 1 teaches note reading in first position and presents solos, duets, scales and chords in the keys of C, A minor, G and E minor. Mel Bay, a pioneer in guitar education, devised a teaching system which requires the student to learn only enough music theory and technique to understand and perform the assignment at hand. Standard notation only. In Spanish.
$9.99 ≈
8.95€
Nuestro secreto amor. Letra y música por: Leopoldo Díaz Vélez.
Nuestro secreto amor. Letra y música por: Leopoldo Díaz Vélez.
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Piano solo
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INTERMEDIATE/ADVANCED
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Leopoldo DÃaz Vélez
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Juan Carlos Cortés Aguirre
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Nuestro secreto amor. Letra y
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1120143 By Leopoldo DÃaz Vélez. By Leopoldo DÃaz Vélez. Arranged by Juan Carlos Cortés Agu...
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Piano Solo - Level 4 - Digital Download SKU: A0.1120143 By Leopoldo DÃaz Vélez. By Leopoldo DÃaz Vélez. Arranged by Juan Carlos Cortés Aguirre. Instructional,Latin,Multicultural,Singer/Songwriter,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #721460. Published by Juan Carlos Cortés Aguirre (A0.1120143). Transcripción musical para piano solo por: JUAN CARLOS CORTÉS A. Del tango: Nuestro secreto amor, del letrista, cantor, guitarrero, compositor y recitador argentino Leopoldo DÃaz Vélez (1 septiembre 1917 - 4 julio 2007). Basado en la grabación original en versión del cantor Argentino Ledesma acompañado por la orquesta de Mario Demarco. Texto: NUESTRO SECRETO AMOR. Letra y música: Leopoldo DÃaz Vélez. Grabado por Argentino Ledesma con el acompañamiento de la orquesta de Mario Demarco. INTRODUCCIÓN: Si tú te vas... No te podré llorar como quisiera, y moriré en la sombra de mi cuarto, para que nadie sepa de mi pena. Si yo me voy... Tampoco tú podrás llorar mi ausencia, y entre la gente, con indiferencia, todo, verás pasar. Es el destino asÃ, De amarnos en secreto, Ya que todo lo nuestro Debemos ocultar. Es el destino asÃ, Que nuestras vidas Sin piedad separa, Cuando más juntas Viven nuestras almas, Cuando más hondo y fiel es nuestro amor. INTERLUDIO: Es el destino asÃ, De amarnos en secreto, Ya que todo lo nuestro Debemos ocultar. Es el destino asÃ, Que nuestras vidas Sin piedad separa, Cuando más juntas Viven nuestras almas, Cuando más hondo Y fiel es nuestro amor.
$7.99 ≈
7.16€
Illusions for clarinet and classical guitar
Illusions for clarinet and classical guitar
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Clarinet, Guitar (duet)
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Illusions for clarinet and cla
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1495824 By David Warin Solomons. By David Warin Solomons. 21st Century,Contemporar...
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Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1495824 By David Warin Solomons. By David Warin Solomons. 21st Century,Contemporary. 11 pages. David Warin Solomons #1072355. Published by David Warin Solomons (A0.1495824). Arrangement for clarinet and guitar of my setting of the poem Illusionsby Bluma Finkelstein.The sound sample is an electronic preview (apart form the first few bars), but the video here shows the performance of the original song.The pdf file contains score and partsOriginal words:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years(c) David Warin Solomons.
$10.00 ≈
8.96€
Illusions for bassoon and classical guitar
Illusions for bassoon and classical guitar
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Guitar, Bassoon
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Illusions for bassoon and clas
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David Warin Solomons
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SheetMusicPlus
Bassoon,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1496089 Composed by David Warin Solomons. 20th Century,Contemporary. 11 pages. Davi...
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Bassoon,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1496089 Composed by David Warin Solomons. 20th Century,Contemporary. 11 pages. David Warin Solomons #1072620. Published by David Warin Solomons (A0.1496089). Arrangement for bassoon and guitar of my setting of the poem Illusionsby Bluma Finkelstein.The sound sample is an electronic preview (apart from the first few bars, which come from the song recording).The video here shows the performance of the original song.The pdf file contains score and partsOriginal words:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years(c) David Warin Solomons
$10.00 ≈
8.96€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.12€
Momentos
Momentos
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Nico Mustillo
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Nicolas Mustillo
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Momentos
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Nico Mustillo
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SheetMusicPlus
By Nico Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Classical, Contemporary, Contest, Festival, Jazz, Multicultural, World. Individua...
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By Nico Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Classical, Contemporary, Contest, Festival, Jazz, Multicultural, World. Individual part. 11 pages. Nico Mustillo #128676. Published by Nico Mustillo
La obra consta de 3 movimientos:1- Diadema2- Danza aerea3- SaltosEl lenguaje musical de la obra nos introduce en el siglo XX y XI, con reminiscencia al jazz, rock, flamenco, música clásica/contemporánea y rupturista, es ideal para los guitarristas que quieran incorporar nuevo material a su repertorio.(La grabación de youtube de la obra, pertenece a una versión anterior)www.nicomustillo.weebly.com.
$20.00 ≈
17.91€
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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La dulzura del silencio
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. ...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3534751. Published by Gustavo Fuentes (A0.900399). The sweetness of Silence. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.Lovers communicate in unique and diverse ways. They use words of love, loving glances and tender caresses to share in the joy of being together.But one of the most enjoyable things a couple can share is silence. Being silent, perhaps holding hands and looking into each other’s eyes, can communicate plenty. Merely knowing the other person is right there by your side with love, affection and understanding is one of the most gratifying feelings in the world. And that is what this song is about: love, lovers and shared silence. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La comunicación entre los enamorados es única y diversa. Palabras de amor, miradas, caricias, todo aporta en el momento de compartir el sentimiento de felicidad y dicha que los envuelve.Y una de las cosas más disfrutables es compartir el silencio. Ese dulce silencio –tal vez tomados de la mano y mirándose a los ojos- donde sin decir una palabra se dice tanto, y donde la mayor motivación es saber que el otro está ahÃ, presente a su lado con su amor, su cariño y su comprensión.De eso habla esta canción: del amor, de los enamorados, y de la dulzura de su silencio compartido.
$4.99 ≈
4.47€
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