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You've selected:
Classical Revolution
Sheetmusic to print
123 sheet music found
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101
Revolutions
Revolutions
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Piano solo
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INTERMEDIATE
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New Age
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Contemporary
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Adrian Lord
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Revolutions
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Adrian Lord
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1206475 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 4 pages. Adrian Lord #8046...
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Piano Solo - Level 3 - Digital Download SKU: A0.1206475 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 4 pages. Adrian Lord #804679. Published by Adrian Lord (A0.1206475). Revolutions is taken from my debut album “Journey - Twelve Romances for Pianoâ€.  I enjoyed maintaining the interest in this piece whilst the left hand bass pattern remains a constant throughout. It reminds me of the wheels turning on the woollen spinning and weaving machinery, that my father’s parents and their ancestors would have worked on in the mills of Lancashire. This download includes: 1. RevolutionsAlso available: “Piano Meditations and “Sky “Blue Pianoâ€. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.
$3.75 ≈
£2.97
Filhos da Revolução dos Cravos / Children of the Carnation Revolution
Filhos da Revolução dos Cravos / Children of the Carnation Revolution
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1 Piano, 4 hands
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EASY
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Rudesindo Soutelo
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Filhos da Revolução dos Crav
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1391632 Composed by Rudesindo Soutelo. 21st Century,Children,Classical,Contemporary. Scor...
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1391632 Composed by Rudesindo Soutelo. 21st Century,Children,Classical,Contemporary. Score. 14 pages. Publisher by Rudesindo Soutelo #975144. Published by Publisher by Rudesindo Soutelo (A0.1391632). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Piano Duet [ca. 5' 21]ISMN: 979-0-707704-21-9The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The original version, for Orff instruments, was written for the Instrumental Group of the Vila Praia de Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution.The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espÃrito revolucionário são percebidos, pelas gerações que nasceram depóis, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princÃpio duma nova revolução.A versão original, para instrumentos Orff, foi escrita para o Grupo Instrumental da Escola Básica e Secundária de Vila Praia de Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos.O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do tÃtulo.
$5.00 ≈
£3.95
Elegie in Eb Minor (Classical Music for Tablet Series)
Elegie in Eb Minor (Classical Music for Tablet Series)
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Piano solo
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ADVANCED
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Classical
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Elegie in Eb Minor
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. ...
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Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.†He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
£3.16
La Carmagnole - Chant Révolutionnaire de 1792 pour 2 violons
La Carmagnole - Chant Révolutionnaire de 1792 pour 2 violons
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2 Violins (duet)
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BEGINNER
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1792, French Revolution, and U
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Cumant Micheline
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La Carmagnole - Chant Révolut
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Micheline Cumant
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SheetMusicPlus
Violin Duet Violin - Level 1 - Digital Download SKU: A0.942782 Composed by 1792, French Revolution, and Unknown. Arranged by Cumant Micheline. Classical,...
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Violin Duet Violin - Level 1 - Digital Download SKU: A0.942782 Composed by 1792, French Revolution, and Unknown. Arranged by Cumant Micheline. Classical,Patriotic. 1 pages. Micheline Cumant #4643123. Published by Micheline Cumant (A0.942782). A well-known song of the french Revolution arranged for 2 violins. Created in 1792. .
$1.99 ≈
£1.57
La Carmagnole - Chant Révolutionnaire de 1792 pour 2 clarinettes en si bémol
La Carmagnole - Chant Révolutionnaire de 1792 pour 2 clarinettes en si bémol
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2 Clarinets (duet)
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BEGINNER
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Unknown, 1792
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Cumant Micheline
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La Carmagnole - Chant Révolut
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Micheline Cumant
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SheetMusicPlus
Clarinet Duet Clarinet - Level 1 - Digital Download SKU: A0.942779 Composed by Unknown, 1792. Arranged by Cumant Micheline. Classical,Patriotic. 2 scores...
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Clarinet Duet Clarinet - Level 1 - Digital Download SKU: A0.942779 Composed by Unknown, 1792. Arranged by Cumant Micheline. Classical,Patriotic. 2 scores. 1 pages. Micheline Cumant #4643119. Published by Micheline Cumant (A0.942779). A well-known song of the french revolution .
$1.99 ≈
£1.57
La Carmagnole-Chant Révolutionnaire de 1792 pour 2 violoncelles
La Carmagnole-Chant Révolutionnaire de 1792 pour 2 violoncelles
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2 Cellos (duet)
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BEGINNER
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Unknown, created in 1792
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Cumant Micheline
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La Carmagnole-Chant Révolutio
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Micheline Cumant
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SheetMusicPlus
Cello Duet Cello - Level 1 - Digital Download SKU: A0.942781 Composed by Unknown, created in 1792. Arranged by Cumant Micheline. Classical,Patriotic. Sco...
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Cello Duet Cello - Level 1 - Digital Download SKU: A0.942781 Composed by Unknown, created in 1792. Arranged by Cumant Micheline. Classical,Patriotic. Score. 1 pages. Micheline Cumant #4643125. Published by Micheline Cumant (A0.942781). A well-known song of the french Revolution arranged for 2 cellos. Created in 1792.
$1.99 ≈
£1.57
Halo (Beyonce)
Halo (Beyonce)
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String Quartet: 2 violins, viola, cello
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Pop music
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Beyonce
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Songhea Sackrider
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Halo
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Classical Revolution
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SheetMusicPlus
By Beyonce. Arranged by Songhea Sackrider. Score, Set of Parts. 9 pages. Published by Classical Revolution (H0.242863-142159). - Score,Set of Parts - - Classic...
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By Beyonce. Arranged by Songhea Sackrider. Score, Set of Parts. 9 pages. Published by Classical Revolution (H0.242863-142159). - Score,Set of Parts - - Classical Revolution
$12.99 ≈
£10.27
Umberto Pedraglio: OBJETS TROUVÉS: VIBRATIONS ET RÉVOLUTIONS (ES 1044)
Umberto Pedraglio: OBJETS TROUVÉS: VIBRATIONS ET RÉVOLUTIONS (ES 1044)
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Contemporary
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Umberto Pedraglio
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Umberto Pedraglio: OBJETS TROU
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Sconfinarte
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SheetMusicPlus
Instrumental Duet Baritone Saxophone,Cello,Instrumental Duet - Level 5 - Digital Download SKU: A0.1147910 Composed by Umberto Pedraglio. Classical,Contem...
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Instrumental Duet Baritone Saxophone,Cello,Instrumental Duet - Level 5 - Digital Download SKU: A0.1147910 Composed by Umberto Pedraglio. Classical,Contemporary. Score and parts. 13 pages. Sconfinarte #748109. Published by Sconfinarte (A0.1147910). OBJETS TROUVÉS: VIBRATIONS ET RÉVOLUTIONS (ES 1044) per Sassofono baritono e Violoncello Organico: Sxf bar, Vc Prima esecuzione: Brescia, 24/11/2018 – Duo Tubi & Corde.
$20.00 ≈
£15.82
Filhos da Revolução dos Cravos / Children of the Carnation Revolution (Orff Inst.)
Filhos da Revolução dos Cravos / Children of the Carnation Revolution (Orff Inst.)
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Rudesindo Soutelo
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Orff Instruments (Score + Part
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Filhos da Revolução dos Crav
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts...
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Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,Children,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #1004474. Published by Publisher by Rudesindo Soutelo (A0.1423143). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Orff Instruments [ca. 5' 21]Première: 24-IV-2024. Auditório Ramos Pereira, Vila Praia de Âncora (Portugal). Int.: Clube Instrumental da EBS do Vale do Âncora. Prof. Manuela Moura. ISWC: T-324.609.051-3ISMN: 979-0-707704-20-2Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/379996834The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The piece was composed for the Instrumental Club of the Vale do Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution. There is a version for piano 4 hands. The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depois, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.A obra foi escrita para o Clube Instrumental da Escola Básica e Secundária do Vale do Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos. Há uma versão para Piano a 4 mãos. O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.
$10.00 ≈
£7.91
German National Anthem (( Deutschlandlied ) for Brass Quintet
German National Anthem (( Deutschlandlied ) for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Patriotic
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Josef Franz Haydn
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Keith Terrett
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German National Anthem
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Casio
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SheetMusicPlus
Composed by Josef Franz Haydn. Arranged by Keith Terrett. Classical Period, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Casio (S0.110...
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Composed by Josef Franz Haydn. Arranged by Keith Terrett. Classical Period, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Casio (S0.110845). - Score,Set of Parts - Classical Period,World,European,Patriotic - Casio
An arrangement of the national anthem of Germany ( "Deutschlandlied"), arranged for classical brass quintet.The "Deutschlandlied" (English: "Song of Germany", German pronunciation: [?d??t?lant?li?t]; also known as "Das Lied der Deutschen" or "The Song of the Germans"), or part of it, has been the national anthem of Germany since 1922, except in East Germany, whose anthem was "Auferstanden aus Ruinen" ("Risen from Ruins") from 1949 to 1990.Since World War II and the fall of Nazi Germany, only the third stanza has been used as the national anthem. The stanza's beginning, "Einigkeit und Recht und Freiheit" ("Unity and Justice and Freedom") is considered the unofficial national motto of Germany,[1] and is inscribed on modern German Army belt buckles and the rims of some German coins.The music was written by Austrian composer Joseph Haydn in 1797 as an anthem for the birthday of Francis II, Emperor of the Holy Roman Empire and later of Austria. In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the lyrics of "Das Lied der Deutschen" to Haydn's melody, lyrics that were considered revolutionary at the time.The song is also well known by the beginning and refrain of the first stanza, "Deutschland, Deutschland über alles" ("Germany, Germany above all"), but this has never been its title. The line "Germany, Germany above all" meant that the most important goal of 19th-century German liberal revolutionaries should be a unified Germany which would overcome the perceived anti-liberal ethos of then-fragmented Germany (Kleinstaaterei). Along with the flag of Germany, it was one of the symbols of the March Revolution of 1848.In order to endorse its republican and liberal tradition, the song was chosen as the national anthem of Germany in 1922, during the Weimar Republic. West Germany adopted the "Deutschlandlied" as its official national anthem in 1952 for similar reasons, with only the third stanza sung on official occasions. Upon German reunification in 1990, only the third stanza was confirmed as the national anthem.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99 ≈
£7.11
Revolution
Revolution
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Piano solo
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Jill Boyd
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Revolution
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Jill Boyd Music
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SheetMusicPlus
Composed by Jill Boyd. Contemporary Classical, Impressionistic, Neo-Classical. 2 pages. Published by Jill Boyd Music (S0.176771). - - Contemporary Classical,Im...
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Composed by Jill Boyd. Contemporary Classical, Impressionistic, Neo-Classical. 2 pages. Published by Jill Boyd Music (S0.176771). - - Contemporary Classical,Impressionistic,Neo-Classical - Jill Boyd Music
$4.50 ≈
£3.56
Song Of The Liberty Bell (unaccompanied cello)
Song Of The Liberty Bell (unaccompanied cello)
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Cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Mark O'Connor
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Song Of The Liberty Bell
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Mark O'Connor Musik Internationa
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SheetMusicPlus
Cello - Advanced Intermediate - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Americana. Solo ...
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Cello - Advanced Intermediate - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Americana. Solo Part. 7 pages. Published by Mark O'Connor Musik Internationa
Song Of The Liberty Bell (for unaccompanied cello) MO132
Cello Solo
Music by Mark O’Connor
2 pages - 3:00 minutes in length
Song Of The Liberty Bell for unaccompanied cello was composed by Mark O’Connor and used as the theme song for the critically acclaimed PBS documentary, “Liberty! The American Revolution”. O’Connor wrote the piece to include three different instrument groupings - unaccompanied solo, folk ensemble, and string orchestra. The Sony Classical album “Liberty!” features “Song Of The Liberty Bell” in all three arrangements with Yo-Yo Ma as the guest cellist on the recording. Album notes author Thomas Fleming calls the music “profoundly moving” with “exquisite melody”. The music is suited for all levels.
Original music printed from the composer’s manuscripts.
Music editing, copying and engraving by Mark O’Connor
using “Finale” on Apple Macintosh 1996
Composed by Mark O’Connor
The string orchestra version can be heard on “Liberty!” Sony Classical
Mark O’Connor - violin, Yo-Yo Ma – cello, and the Nashville Symphony Orchestra
Catalogue Number MO132
Copyright © 1996 by Mark O’Connor Music International
$7.50 ≈
£5.93
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
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Guitar
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Studies
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Ernesto Garcia de Leon
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Ernesto García de León - 20
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Michael Lorimer Editions
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SheetMusicPlus
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editi...
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.
For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.
These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.
The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.
As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.
Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95 ≈
£13.41
Three Rondos from op.92 arr. for lever harp
Three Rondos from op.92 arr. for lever harp
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Harp
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Classical
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François Joseph Naderman
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Alessandro Palazzani
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Three Rondos from op.92 arr. f
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A work by Alessandro Palazzani
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SheetMusicPlus
Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Repertoire, Technique Training, European, Recital. Score, Sheet ...
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Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Repertoire, Technique Training, European, Recital. Score, Sheet Music Single, Solo Part. 22 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$11.50 ≈
£9.10
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestra
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INTERMEDIATE
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Patriotic
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Per...
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
£30.84
Sonata op.92 n.1 in E flat major for lever harp
Sonata op.92 n.1 in E flat major for lever harp
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Harp
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INTERMEDIATE
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Classical
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François Joseph Nader
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Alessandro Palazzani
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Sonata op.92 n.1 in E flat maj
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A work by Alessandro Palazzani
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SheetMusicPlus
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classic...
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Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Repertoire, Technique Training, European, Recital. Score, Sheet Music Single, Solo Part. 14 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$9.00 ≈
£7.12
Sonata op.92 n.3 in B flat major for lever harp
Sonata op.92 n.3 in B flat major for lever harp
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Harp
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INTERMEDIATE
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Classical
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François Joseph Nader
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Alessandro Palazzani
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Sonata op.92 n.3 in B flat maj
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A work by Alessandro Palazzani
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SheetMusicPlus
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Romanti...
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Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Romantic Period, Classical Period, Repertoire, Technique Training, Recital. Score, Sheet Music Single, Solo Part. 17 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$11.50 ≈
£9.10
Sonata op.92 n.3 in B flat major for lever harp
Sonata op.92 n.3 in B flat major for lever harp
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Harp
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INTERMEDIATE
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Classical
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François Joseph Nader
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Alessandro Palazzani
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Sonata op.92 n.3 in B flat maj
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A work by Alessandro Palazzani
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SheetMusicPlus
Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Romanti...
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Piano Solo, Harp, lever harp - Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Romantic Period, Classical Period, Repertoire, Technique Training, Recital. Score, Sheet Music Single, Solo Part. 17 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$9.00 ≈
£7.12
Sonata op.19 n.1 in B flat major for lever harp
Sonata op.19 n.1 in B flat major for lever harp
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Harp
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INTERMEDIATE/ADVANCED
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Classical
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François Joseph Nader
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Alessandro Palazzani
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Sonata op.19 n.1 in B flat maj
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A work by Alessandro Palazzani
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SheetMusicPlus
Piano Solo, Harp, lever harp - Advanced Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. ...
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Piano Solo, Harp, lever harp - Advanced Intermediate - Digital Download Composed by François Joseph Naderman. Arranged by Alessandro Palazzani. Classical Period, Repertoire, European, Recital. Score, Sheet Music Single, Solo Part. 18 pages. Published by A work by Alessandro Palazzani
François Joseph Naderman (1781-1835) was a classic harpist, composer and teacher of the period after the French revolution. Very famous in his time, he became the first harp professor at conservatoire de Paris, starting the glorious French school of harp.His works are regarded as some of the most important pieces in the harp repertoire today. Especially the seven progressive sonatas op. 92 are frequently studied, played and recorded.For their usefulness and didactic effectiveness, and for their high artistic quality, I selected some works by Naderman and I arranged them for the lever harp.As my intent is eminently practical and not at all historical or philological, I took some liberty in rearranging the pieces, changing some harmonic progression and adding some passages and cadences to simplify the lever changes. The fingerings for these varied passages are written in the score.Obviously I recommend that you compare my arrangements with the original score, on which you will find all Naderman's fingerings and, of course, the music in its original form.
$9.00 ≈
£7.12
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