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You've selected:
Classical
ORCHESTRA - BAND
Choral SATB
Sheetmusic to print
3,153 sheet music found
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3151
Classical Bops
Classical Bops
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Choral SATB
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INTERMEDIATE
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Howard Godfrey
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Classical Bops
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Howard Godfrey
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1032478 Arranged by Howard Godfrey. Classical,Hip-Hop. Octavo. 5 pages. Howard Godfrey #4838271. Published by Ho...
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Choral Choir (SATB) - Level 3 - SKU: A0.1032478 Arranged by Howard Godfrey. Classical,Hip-Hop. Octavo. 5 pages. Howard Godfrey #4838271. Published by Howard Godfrey (A0.1032478). Classical Bops features three modern pieces- Gucci change, In My Feelings, and Sicko Mode - all arranged classically for SATB.
$3.99 ≈
3.72€
Listen, Listen (SATB with Classical Guitar)
Listen, Listen (SATB with Classical Guitar)
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Choral SATB
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EASY
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Sacred music
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Dean H
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Listen, Listen
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D H Hamill
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1012865 Composed by Dean H. Hamill. Christian,Sacred. Octavo. 5 pages. D H Hamill #5774227. Published by D H Ham...
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Choral Choir (SATB) - Level 2 - SKU: A0.1012865 Composed by Dean H. Hamill. Christian,Sacred. Octavo. 5 pages. D H Hamill #5774227. Published by D H Hamill (A0.1012865). For Christmas programs, this is a delightful, short work for mixed choir with easy Classical Guitar accompaniment. A quick learn and suitable for church, high school and college choirs. Several key changes add interest to the ostinato accompaniment. Two versions are published here, the other with same choral parts but with piano accompaniment. Duration approximately 2 min. 35 sec. (Originally composed for and performed by the Grand Land Singers for their Christmas concerts in 1976, it quickly became a favorite of many of the performers and was a real crowd pleaser.) Please be sure to leave your comments if you perform the work. I can be reached at dean.hamill@hushmail.com.
$2.99 ≈
2.79€
Away In A Manger (SATB with Classical Guitar)
Away In A Manger (SATB with Classical Guitar)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Carl Mueller and W J Kirkpatri
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Dean H Hamill
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Away In A Manger
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D H Hamill
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1012860 Composed by Carl Mueller and W J Kirkpatrick. Arranged by Dean H Hamill. 20th Century,Christian,Christma...
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Choral Choir (SATB) - Level 3 - SKU: A0.1012860 Composed by Carl Mueller and W J Kirkpatrick. Arranged by Dean H Hamill. 20th Century,Christian,Christmas,Praise & Worship,Sacred. Octavo. 5 pages. D H Hamill #5720145. Published by D H Hamill (A0.1012860). One of the most beloved and popular Christmas songs, this arrangement for SATB, Soprano Soloist and Classical Guitar accompaniment is ideal for small ensembles in churches and schools. The rich choral harmonies and flowing vocal lines are easily accessible. The guitar arrangement goes beyond the simple broken chord and strumming of most other arrangements and provides a truly interesting addition. The duration is just under three minutes. Arranger may be reached at dean.hamill@hushmail.com.
$2.99 ≈
2.79€
Inscription for a War - for SATB Choir & Piano
Inscription for a War - for SATB Choir & Piano
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Choral SATB
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Britt Andrew Burns
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Inscription for a War - for SA
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Indie Classical Publications
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SheetMusicPlus
Composed by Britt Andrew Burns. 21st Century, Contemporary Classical. 12 pages. Published by Indie Classical Publications (S0.106707). - - 21st Century,Contem...
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Composed by Britt Andrew Burns. 21st Century, Contemporary Classical. 12 pages. Published by Indie Classical Publications (S0.106707). - - 21st Century,Contemporary Classical - Indie Classical Publications
$2.00 ≈
1.87€
17 Christmas carols for chorus of mixed voices - Volume 3
17 Christmas carols for chorus of mixed voices - Volume 3
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Choral SATB
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INTERMEDIATE
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Christmas
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Sacred music
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Santino Cara
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17 Christmas carols for chorus
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Santino Cara
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SheetMusicPlus
Composed by Santino Cara. A Cappella, Christian, Christmas, Classical. Octavo. 98 pages. Santino Cara #481159. Published by Santino Cara ...
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Composed by Santino Cara. A Cappella, Christian, Christmas, Classical. Octavo. 98 pages. Santino Cara #481159. Published by Santino Cara
In this third volume of 17 Christmas carols, they are included compositions written over the last 20 years. Are songs composed specially for the choir of mixed voices, a cappella and some chants accompanied by the organ. The texts are taken from ancient sacred texts, from important authors, and some were written by me personally. Most of the lyrics are in Latin, and others in Italian. The songs are composed in decidedly classical style type motet, madrigal, hymn, etc., except for someone who is in a modern style. In this fthird volume, I have tried to diversify the various emotionalmoments that a major event like the Christmas can have a decisive influence on a composer of Sacred Music. - - Santino Cara.
$12.80 ≈
11.95€
16 Christmas carols for chorus of mixed voices - Volume 1
16 Christmas carols for chorus of mixed voices - Volume 1
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Choral SATB
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INTERMEDIATE
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Christmas
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Sacred music
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Santino Cara
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16 Christmas carols for chorus
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Santino Cara
#
SheetMusicPlus
Composed by Santino Cara. A Cappella, Christian, Christmas, Classical, Sacred. Octavo. 96 pages. Santino Cara #481155. Published by Santino Cara...
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Composed by Santino Cara. A Cappella, Christian, Christmas, Classical, Sacred. Octavo. 96 pages. Santino Cara #481155. Published by Santino Cara
In this first volume of 16 Christmas carols, they are included compositions written over the last 20 years. Are songs composed specially for the choir of mixed voices, a cappella and some chants accompanied by the organ. The texts are taken from ancient sacred texts, from important authors, and some were written by me personally. Most of the lyrics are in Latin, and others in Italian. The songs are composed in decidedly classical style type motet, madrigal, hymn, etc., except for someone who is in a modern style. In this first volume, I have tried to diversify the various emotional moments that a major event like the Christmas can have a decisive influence on a composer of Sacred Music - - Santino Cara.
$12.80 ≈
11.95€
16 Christmas carols for chorus of mixed voices - Volume 2
16 Christmas carols for chorus of mixed voices - Volume 2
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Choral SATB
#
INTERMEDIATE
#
Christmas
#
Sacred music
#
Santino Cara
#
16 Christmas carols for chorus
#
Santino Cara
#
SheetMusicPlus
Composed by Santino Cara. A Cappella, Christian, Christmas, Classical. Octavo. 97 pages. Santino Cara #481157. Published by Santino Cara ...
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Composed by Santino Cara. A Cappella, Christian, Christmas, Classical. Octavo. 97 pages. Santino Cara #481157. Published by Santino Cara
In this second volume of 16 Christmas carols, they are included compositions written over the last 20 years. Are songs composed specially for the choir of mixed voices, a cappella and some chants accompanied by the organ. The texts are taken from ancient sacred texts, from important authors, and some were written by me personally. All the lyrics are in Latin, except for one which is in English. The songs are composed in decidedly classical style type motet, madrigal, hymn, etc., except for someone who is in a modern style. In this second volume, I have tried to diversify the various emotional moments that a major event like the Christmas can have a decisive influence on a composer of Sacred Music. - - Santino Cara.
$12.80 ≈
11.95€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
#
ADVANCED
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Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
24.22€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.62€
Bella Ciao
Bella Ciao
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Choral SATB
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INTERMEDIATE/ADVANCED
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Italian Folk Song
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Yat Fung Lam
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Bella Ciao
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Music Ad Lib
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1226407 By Italian Folk Song. By Italian Folk Song. Arranged by Yat Fung Lam. 20th Century,A Cappella,Classical,...
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Choral Choir (SATB) - Level 4 - SKU: A0.1226407 By Italian Folk Song. By Italian Folk Song. Arranged by Yat Fung Lam. 20th Century,A Cappella,Classical,Country. Octavo. 8 pages. Music Ad Lib #822411. Published by Music Ad Lib (A0.1226407). Bella ciao is an Italian folk song that originated in the late 19th century, but gained popularity during World War II as a symbol of the anti-fascist resistance movement in Italy. The song was sung by partisans who fought against the fascist regime of Benito Mussolini, and it became an anthem of the Italian Resistance during the war.This arrangement is classically and professionally arranged, with SATB standard choir voicing, suitable for intermediate to advanced level choirs.
$19.99 ≈
18.66€
Air on a G-string ( Aria from D major Suite) J. S. Bach
Air on a G-string ( Aria from D major Suite) J. S. Bach
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Chad Weirick
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Air on a G-string
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Chad Weirick
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.788685 Composed by Johann Sebastian Bach. Arranged by Chad Weirick. Baroque,Jazz. Octavo. 5 pages. Chad Weirick ...
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Choral Choir (SATB) - Level 4 - SKU: A0.788685 Composed by Johann Sebastian Bach. Arranged by Chad Weirick. Baroque,Jazz. Octavo. 5 pages. Chad Weirick #5210537. Published by Chad Weirick (A0.788685). The classic 'Air on a G-string' from the D Major Suite ( yes, I changed the key for ease of singing :) ) May be performed 'classicaly' as is or add the String Bass for a 'swingle singers' feel .
$2.99 ≈
2.79€
Fall On Me (original Version)
Fall On Me (original Version)
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Choral SATB
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INTERMEDIATE
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Chad Vaccarino and Ian Axel
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Sandra Milliken
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Christine Aguilera
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Fall On Me
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.774760 Composed by Chad Vaccarino and Ian Axel. Arranged by Sandra Milliken. A Cappella. Octavo. 10 pages. Sandr...
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Choral Choir (SATB) - Level 3 - SKU: A0.774760 Composed by Chad Vaccarino and Ian Axel. Arranged by Sandra Milliken. A Cappella. Octavo. 10 pages. Sandra Milliken #5785185. Published by Sandra Milliken (A0.774760). Fall on Me is a song written by Ian Axel and Chad Vaccarino King, members of the American duo A Great Big World. Following its release, the song became an instant hit with music fans in North America.In September 2018, Italian tenor Andrea Bocelli released a classically flavoured English/Italian version of the song recorded with his son Matteo. Matteo wrote the Italian and additional English lyrics for this recording, in collaboration with Fortunato Zampaglione. This version of the song features in the end credits of the Disney film, The Nutcracker and The Four Realms.In 2019 A Great Big World recorded their own version of Fall on Me in collaboration with American singer/songwriter Christina Aguilera. The song is the duo's second collaboration with Aguilera, following the single Say Something, which peaked at No. 4 on the Hot 100 in 2013Fall on Me (the original version) is a beautifully poignant song that seemingly beckons for the divine influence of a higher spiritual power in the search for love. The Bocelli version incorporates an additional sentiment - the bond between parent and child. Andrea Bocelli said of this version, Anyone who is a parent, anyone who knows the precious responsibility of being a mother or a father, will fully grasp the meaning of this piece. It is his first duet with his son Matteo.This a cappella arrangement for SATB choir is based on the version by A Great Big World & Christine Aguilera. It is also available, separately, for SSAA choir.
$2.15 ≈
2.01€
Ebony And Ivory
Ebony And Ivory
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Choral SATB
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EASY
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Paul Mccartney W/Stevie Wonder
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Sandra Milliken
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Ebony And Ivory
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774768 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.774768 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 10 pages. Sandra Milliken #6021497. Published by Sandra Milliken (A0.774768). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.
$2.20 ≈
2.05€
You're Not There
You're Not There
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Choral SATB
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BEGINNER
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Peter Rudd
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You're Not There
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Peter Rudd
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.1024815 Composed by Peter Rudd. Contemporary. Octavo. 9 pages. Peter Rudd #3541453. Published by Peter Rudd (A0...
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Choral Choir (Mixed) - Level 1 - SKU: A0.1024815 Composed by Peter Rudd. Contemporary. Octavo. 9 pages. Peter Rudd #3541453. Published by Peter Rudd (A0.1024815). This song can be interpreted classically with a choir or by a rock group where the voice can follow the piano. The score is the full version, the audio file is just electric guitar and piano.
$3.99 ≈
3.72€
St. Louis Blues
St. Louis Blues
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Choral SATB
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INTERMEDIATE
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W
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Scott S
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St. Louis Blues
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1098119 Composed by W.C. Handy. Arranged by Scott S. Stewart. 20th Century,Blues,Historic,Instructional,Standard...
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Choral Choir (SATB) - Level 3 - SKU: A0.1098119 Composed by W.C. Handy. Arranged by Scott S. Stewart. 20th Century,Blues,Historic,Instructional,Standards. Octavo. 24 pages. Scott S. Stewart #701988. Published by Scott S. Stewart (A0.1098119). William Christopher [W.C.] Handy, (who often referred to himself as the ‘Father of the Blues’), first published “St. Louis Blues,” (The jazzman’s Hamlet), his most famous composition, in 1914. It became one of the most popular and celebrated jazz standards in history. The musical style of a tango merged with the blues, and lyrics, a lament about a woman on the streets of St. Louis distraught over her husband’s absence – written in a southern dialect style – make this a fascinating introduction to the evolution of ‘the blues’ for student and audience member alike. Arranged for 4-part SATB ensemble with piano accompaniment, and notated for a classically trained group of musicians, this entry level primer serves not only to inform but present Handy’s creativity and genius. Performance time: 6:00+ An apt study for Black History month.
$2.99 ≈
2.79€
A Declamation: Don't Be An Asshole
A Declamation: Don't Be An Asshole
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Choral SATB
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INTERMEDIATE
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Scott S
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A Declamation: Don't Be An Ass
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955800 Composed by Scott S. Stewart. A Cappella,Contemporary,Folk,Patriotic. Octavo. 6 pages. Scott S. Stewart #...
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Choral Choir (SATB) - Level 3 - SKU: A0.955800 Composed by Scott S. Stewart. A Cappella,Contemporary,Folk,Patriotic. Octavo. 6 pages. Scott S. Stewart #6069787. Published by Scott S. Stewart (A0.955800). A Declamation: Don't Be An Asshole is a whimsical, yet much needed, musical public service announcement about your right to, or not to, wear a mask. It is scored for a classically trained 4-part SATB a cappella ensemble. The assisting mp3 file is a GarageBand realization scored for brass ensemble should give the potential buyer a taste of the compositional style. Performance time: 2:29. .
$1.99 ≈
1.86€
Cantique de Noël (O Holy Night)
Cantique de Noël (O Holy Night)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Christmas
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Adolphe-Charles Adam
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Scott S
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Cantique de Noël
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.955805 Composed by Adolphe-Charles Adam. Arranged by Scott S. Stewart. Christmas,Romantic Period,Sacred. ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.955805 Composed by Adolphe-Charles Adam. Arranged by Scott S. Stewart. Christmas,Romantic Period,Sacred. 9 pages. Scott S. Stewart #6069803. Published by Scott S. Stewart (A0.955805). Cantique de Noël (O Holy Night) is probably one of the most popular musical Christmasl offerings. This arrangement is scored for a soprano solo, 4-part SATB ensemble and piano. It uses both the original French text of poet Placide Cappeau and the English translation of the American Unitarian Minister John Sullivan Dwight. It is highly effective with classically trained singers. Performance time: 4:27
$2.99 ≈
2.79€
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