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Cantabile for Viola and Piano
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You've selected:
Cantabile for Viola and Piano
Sheetmusic to print
48 sheet music found
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1
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Sonata Pathetique, Adagio Cantabile, by Beethoven, for Viola and Piano
Sonata Pathetique, Adagio Cantabile, by Beethoven, for Viola and Piano
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Viola, Piano
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INTERMEDIATE/ADVANCED
#
Classical
#
Ludwig van Beethoven
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David McKeown
#
Sonata Pathetique, Adagio Cant
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David McKeown
#
SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.587806 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Standards. Score a...
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Piano,Viola - Level 4 - Digital Download SKU: A0.587806 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Standards. Score and part. 9 pages. David McKeown #4979351. Published by David McKeown (A0.587806). Adagio Cantabile is the second movement of Ludwig van Beethoven’s Piano Sonata No.8, named by his publisher, the Sonata Pathetique. This example of Eighteenth Century marketing was successful! The Sonata was a hit with both critics and the buying public and did much to establish the young composer’s reputation. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There is a separate solo part included with the score. The full length youtube performance is the clarinet version of this arrangement.Soloists at an advanced intermediate level and above will find this ideal for formal and informal performances. The rhythms are mostly straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. Since the main melody is played by the viola, the piano part is easier than the original. The overall performance time is around four and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.30€
Cantabile for Viola and Piano
Cantabile for Viola and Piano
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Viola, Piano
#
INTERMEDIATE
#
Thomas Koron
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Cantabile for Viola and Piano
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Thomas Koron
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1025898 Composed by Thomas Koron. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1025898 Composed by Thomas Koron. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 7 pages. Thomas Koron #5334717. Published by Thomas Koron (A0.1025898). This short and charming one-movement composition for viola and piano is perfect for virtually any occasion, including recitals and wedding ceremonies.
$4.99 ≈
4.67€
Cantabile for Viola and Piano op. 22
Cantabile for Viola and Piano op. 22
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Viola, Piano
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Contemporary
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Emiliano Arroyo
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Cantabile for Viola and Piano
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Emiliano Arroyo
#
SheetMusicPlus
Composed by Emiliano Arroyo. 20th Century,Concert,Contemporary. Score and part. 10 pages. Emiliano Arroyo #4736227. Published by Emiliano Arroyo...
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Composed by Emiliano Arroyo. 20th Century,Concert,Contemporary. Score and part. 10 pages. Emiliano Arroyo #4736227. Published by Emiliano Arroyo
$12.99 ≈
12.15€
Fantaisie-Impromptu (I'm Always Chasing Rainbows), for Viola and Piano
Fantaisie-Impromptu (I'm Always Chasing Rainbows), for Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Film/TV
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Frederic Chopin
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Nigel Williams
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Fantaisie-Impromptu
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Nigel Williams
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.763421 Composed by Frederic Chopin. Arranged by Nigel Williams. Concert,Instructional,Standards,World. S...
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Piano,Viola - Level 3 - Digital Download SKU: A0.763421 Composed by Frederic Chopin. Arranged by Nigel Williams. Concert,Instructional,Standards,World. Score and part. 8 pages. Nigel Williams #5361851. Published by Nigel Williams (A0.763421). This much loved melody by Chopin is also remembered in the classic 1917 song recorded by Judy Garland, I'm Always Chasing Rainbows. In this arrangement for viola and piano the piano provides a gentle accompaniment to the viola, and the phrasing is there to encourage a legato 'cantabile' performance. Ideal repertoire for High School students working at home, the performance duration is two and a half minutes and the full score has individual parts attached. Enjoy browsing my many instrumental duet arrangements of this and other popular classic melodies - all available on SMP.
$4.49 ≈
4.20€
Concertino by Leo Portnoff Op.13 arr.for Viola and Piano
Concertino by Leo Portnoff Op.13 arr.for Viola and Piano
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Viola, Piano
#
EASY
#
Leo Portnoff
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Violin Friends
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Concertino by Leo Portnoff Op.
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Suomi Music
#
SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1204631 Composed by Leo Portnoff. Arranged by Violin Friends. Chamber,Classical,Instructional,Romantic P...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1204631 Composed by Leo Portnoff. Arranged by Violin Friends. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 21 pages. Suomi Music #803103. Published by Suomi Music (A0.1204631). Concertino by Leo Portnoff Op. 13 arr. for Viola and PianoLeo Portnoff (1875 in Kiev – 1940 in Miami, Florida) was a musician, teacher, and composer. He was a professor at the Stern Conservatory in Berlin from 1906 to 1915. He arrived in the United States in 1922. He initially resided in Brooklyn, and later moved to Florida to teach music at the University of Miami. (Wikipedia)Part 1 Allegro moderatoPart 2 Andante cantabilePart 3 AllegrettoDuration: 8 minLevel: 2-3Total printable pages: 21.
$9.99 ≈
9.35€
Piano Quartet, op. 76
Piano Quartet, op. 76
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
#
Adrian Gagiu
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Piano Quartet, op. 76
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Adrian Gagiu
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1004716 Composed by Adrian Gagiu. 20th Century,Contemporary. ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1004716 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 95 pages. Adrian Gagiu #5213345. Published by Adrian Gagiu (A0.1004716). Piano Quartet in F major in neoclassical style, loosely following the general outline of the Baroque sonata and the rhythmical patterns of the Baroque suite. A little manifesto for melody and striving for serenity, as opposed to the esthetics of avant-garde music. After the shock of the first harsh chord, the first movement (Andante molto sostenuto, un poco maestoso) wipes away all tension, in search for a renewed serenity, making use of allemande rhythmic patterns. The second movement (Allegro moderato), a scherzo-sonata form with courante rhythmic formulas and two trios, follows without a break.The third movement (Andante con moto e cantabile) is the emotional core of the composition, starting restrained and sad, with Romanian influences and a sarabande rhythm, but followed miraculously by a grand, ecstatic section.The Finale is a developed, expansive rondo (Allegro non troppo) with subtle Romanian influences, making use of bourrée and gavotte rhythms, plus minuet and gigue in the exalted coda.
$34.99 ≈
32.74€
Andante Cantabile opus 123 no. 3
Andante Cantabile opus 123 no. 3
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Viola, Piano
#
EASY
#
Tabitha Kierszka
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Tabitha Kierszka
#
Andante Cantabile opus 123 no.
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Tabitha Kierszka
#
SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1151797 By Tabitha Kierszka. By Charles Dancla. Arranged by Tabitha Kierszka. 19th Century,Romantic Peri...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1151797 By Tabitha Kierszka. By Charles Dancla. Arranged by Tabitha Kierszka. 19th Century,Romantic Period. Score and part. 8 pages. Tabitha Kierszka #751996. Published by Tabitha Kierszka (A0.1151797). Andante cantabile is number 3 from Petite Ecole de la Melodie, 12 petites pieces for violin and piano, here in an arrangement for viola with piano accompaniment. Viola part in first position. Notation is spacious and easy to read. Total 8 pages, separate viola part is included. Performance time approx. 2m45s.The piano accompaniment for viola or cello is available as audio play-along via the youtube link below.
$1.99 ≈
1.86€
Mussorgsky: Pictures at an Exhibition for Viola & Piano
Mussorgsky: Pictures at an Exhibition for Viola & Piano
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic...
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Piano,Viola - Level 4 - Digital Download SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303441. Published by jmsgu3 (A0.549930). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95 ≈
30.83€
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition
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Piano Quartet: piano, violin, viola, cello
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ADVANCED
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Modest Petrovich Mussorgsky
#
James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie...
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Piano Quartet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1398434 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 219 pages. Jmsgu3 #981709. Published by jmsgu3 (A0.1398434). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$49.95 ≈
46.73€
Mussorgsky: Pictures at an Exhibition for Piano Quintet - 2nd Edition
Mussorgsky: Pictures at an Exhibition for Piano Quintet - 2nd Edition
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1399100 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1399100 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 235 pages. Jmsgu3 #982395. Published by jmsgu3 (A0.1399100). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$54.95 ≈
51.41€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.45€
Autumnal Picture for Viola and Piano
Autumnal Picture for Viola and Piano
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Viola
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Gregory Hamilton
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Autumnal Picture for Viola and
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Dr. Gregory Hamilton
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SheetMusicPlus
Viola Solo - Digital Download SKU: A0.771819 Composed by Gregory Hamilton. 20th Century,Contemporary. Individual part. 10 pages. Dr. Gregory Hamilton #29...
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Viola Solo - Digital Download SKU: A0.771819 Composed by Gregory Hamilton. 20th Century,Contemporary. Individual part. 10 pages. Dr. Gregory Hamilton #2917027. Published by Dr. Gregory Hamilton (A0.771819). Autumnal Picture for Viola and Piano, by Gregory Hamilton...is a lyrical work and should be played always cantabile and with expression.www.gregoryhamilton.org
$20.00 ≈
18.71€
Mussorgsky: Pictures at an Exhibition for Piano Quartet
Mussorgsky: Pictures at an Exhibition for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - Digital Download SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romanti...
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Piano Quartet - Level 4 - Digital Download SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95 ≈
49.54€
Pathétique - Adagio cantabile, op. 13 No. 8 for viola and guitar
Pathétique - Adagio cantabile, op. 13 No. 8 for viola and guitar
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Viola, Guitar (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Klas Krantz
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Pathétique - Adagio cantabile
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Amadeus Music
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.531720 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. C...
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Instrumental Duet Guitar,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.531720 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. Score and parts. 10 pages. Amadeus Music #12215. Published by Amadeus Music (A0.531720). Ludwig van Beethoven (1770-1827). Piano Sonata No. 8 in C minor, op. 13, commonly known as Pathétique, was published in 1799, though written the year before, when the composer was 28 years old. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named by the publisher, who was impressed by the sonata's tragic sonorities, to Beethoven's liking.
$5.95 ≈
5.57€
Mozart – Complete String quartet no.19 in C major K465 for piano solo
Mozart – Complete String quartet no.19 in C major K465 for piano solo
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Piano solo
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Santino Cara
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Mozart – Complete String qua
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.516760 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 25 pages. Santino...
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Piano Solo - Level 5 - Digital Download SKU: A0.516760 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 25 pages. Santino Cara #1986397. Published by Santino Cara (A0.516760). Piano version of the string quartet no.19 Dissonant Quartet in C major K.465, from The Six String Quartets for two violins, viola and cello dedicaded to Haydn, composed in Vienna in 1785 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2007 by Santino Cara. Versione per pianoforte del quartetto d'achi no.18 Quartetto dissonante in Do maggiore k.465, dai Sei Quartetti ad arco per due violini, viola e violoncello dedicati a Haydn, composto a Vienna nel 1785 e trascritto a Roma nel 2007 da Santino Cara. Movements - Movimenti: 1. Adagio - Allegro 2. Andante cantabile 3. Menuetto and Trio (Allegro) 4. Allegro.
$15.60 ≈
14.60€
Adagio from "Sonata Pathetique" for Viola & Piano
Adagio from "Sonata Pathetique" for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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L
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Diego Marani
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Adagio from "Sonata Pathetique
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.725958 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic P...
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Piano,Viola - Level 3 - Digital Download SKU: A0.725958 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #333702. Published by Diego Marani (A0.725958). Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement for viola with piano accompaniment is suitable for classroom, repertoire and recital.
$9.99 ≈
9.35€
Telemann: Sonata in G Major for Viola & Piano
Telemann: Sonata in G Major for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in G Major fo
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.550712 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,St...
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Piano,Viola - Level 3 - Digital Download SKU: A0.550712 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #4794833. Published by jmsgu3 (A0.550712). Sonata in four movements. Duration: 6:45, Score: 19 pages. 159 measures. 1. Cantabile 2. Allegro 3. Affetuoso 4. Allegro
$32.95 ≈
30.83€
Vivaldi - Violin Concerto in A minor RV 357 Op.4 No.4 for String Quartet
Vivaldi - Violin Concerto in A minor RV 357 Op.4 No.4 for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto in A
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Santino Cara
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.516902 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.516902 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 31 pages. Santino Cara #2961011. Published by Santino Cara (A0.516902). Version for String Quartet of the Concerto in A minor RV 357for violin solo and string orchestra composed in 1714 by Antonio Vivaldi. Dedicated to the Venetian nobleman Mr. Vettor Delfino and published for first time in 1716 in La Stravaganza Op.4 No.4. With the complete score of the concert, they are inserted also the separate instrumental parts. Movements: 1. Allegro, 2. Grave e cantabile, 3. Allegro This concerto is a personal reconstruction of Santino Cara made from the manuscript kept in the National Library of Turin, and is cataloged in the transcriptions of Santino Cara with the code: CS2156. There are two other versions of this concerto, the original version for violin solo and string orchestra, and the version for violin and piano, both published on my Sheet Music Plus page. http://www.sheetmusicplus.com/publishers/Santino-Cara/1492 .
$14.40 ≈
13.47€
Lento Cantabile - 3rd Movement of Piano Quintet nº1
Lento Cantabile - 3rd Movement of Piano Quintet nº1
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Piano Quintet: piano, 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Liliane Secco
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Liliane Secco
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Lento Cantabile - 3rd Movement
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Liliane Secco
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1133238 By Liliane Secco. By Liliane Secco. Arranged by Liliane Secco. Chambe...
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Piano Quintet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1133238 By Liliane Secco. By Liliane Secco. Arranged by Liliane Secco. Chamber,Classical,Contemporary,Multicultural,World. 26 pages. Liliane Secco #733396. Published by Liliane Secco (A0.1133238). This is the third movement of the Piano Quintet nº1 for string quartet and piano. Full Score and individual parts. Reflective, quiet, melancholic, dark and intense. This is an original piece written by a Brazilian female composer.
$14.99 ≈
14.03€
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Cantabile for Viola and Piano
