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4 sheet music found
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1
Carnival Song for children's voices and guitar chords
Carnival Song for children's voices and guitar chords
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Bow estate
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David Warin Solomons
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Carnival Song for children's v
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Guitar,Voice - Level 1 - Digital Download SKU: A0.577475 Composed by David Warin Solomons. 20th Century,Children,Folk,World. Score and par...
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Small Ensemble Guitar,Voice - Level 1 - Digital Download SKU: A0.577475 Composed by David Warin Solomons. 20th Century,Children,Folk,World. Score and parts. 8 pages. David Warin Solomons #1921915. Published by David Warin Solomons (A0.577475). Carnival Song originally composed for the 1980 Carnival in the East End of London (Coventry Cross Estate in Bromley by Bow). The children sing the names of the places where they live and chant the names of the places where they come from (a bit like Toch's Geographical Fugue) with the guitar improvising. The sound sample is the original rehearsal-performance by the children on the Bromley By Bow estate (in 1980) with the composer on guitar.  The pdf file contains versions in the original key (G major) and in two higher keys (B flat and D) and those same keys with blank underlay in voice 2 for the places where the children live, so these can be added in by hand for any particular carnival. .
$8.00 ≈
7.49€
Jacques Leguerney: Trio for violin, violoncello and piano
Jacques Leguerney: Trio for violin, violoncello and piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Jacques Leguerney
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Jacques Leguerney: Trio for vi
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score an...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.â€The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.
$25.95 ≈
24.28€
Four Winds
Four Winds
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Contemporary
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Don Bowyer
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Four Winds
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Dolphin Don's Music School
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpa...
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Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Xylophone - Digital Download SKU: A0.990176 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 105 pages. Dolphin Don's Music School #6475223. Published by Dolphin Don's Music School (A0.990176). The title refers to the Four Winds of the Apocalypse. This single movement work is based entirely on a six-note synthetic scale including the notes C, D, E, G, Ab, A. Every other note of this scale is combined into two different triads, one augmented and the other suspended. The alternation of these two triads serves as the only harmonic structure for the piece.The trombone begins by stating a simple idea, which is blown around the ensemble until it develops into the first theme when the woodwinds take over. Following a driving ostinato percussion transition, the trumpet states the second theme.The chimes state the third theme, a twisted interpretation of the Medieval hymn, Dies Irae. The bass instruments join the chimes in repeating the third theme, while the rest of the winds restate the second theme and the percussion continue their ostinato.Each section states and repeats its own motive in a group effort that constitutes the fourth theme, then the woodwinds gently return to the first theme, accompanied by a subdued and rhythmically altered version of the third theme.The percussion ostinato returns, though rhythmically altered. The trumpets and horns bring back an altered version of the second theme, while the woodwinds do the same for the first theme. Just before the end, the trombone tries to return to the calm that began the performance. A final strong gust from the entire ensemble puts an end to this idea, simultaneously signaling the end of the piece.
$39.99 ≈
37.42€
Old French Song
Old French Song
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Harp
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EASY
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Classical
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.
In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.
Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".
On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.
By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.
On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.
P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.
The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.
A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.
I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.
May be the staccatos suites you best, and you should try it.
The score was written on Finale.
The sound file was produced with samplers from Garritan,
intended as an audio support for the presentation of the score.
A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.
Thank you very much for taking your time to read this text and to listen to the file.
I hope you enjoy the music.
$4.99 ≈
4.67€
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Bow estate
