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2,259 sheet music found He Won't Hold You (Jacob Collier) Trombone Ensemble
He Won't Hold You (Jacob Collier) Trombone Ensemble # Trombone ensemble # Contemporary # Jacob Collier # Michael Pilley # He Won't Hold You # Michael Pilley Musi # SheetMusicPlus
Trombone, Brass Choir or
Ensemble, Trombone Ensemble -
Advanced - Digital Download
By Jacob Collier. Arranged by
Michael Pilley. Score, Set of
Parts. 5...(+)
Trombone, Brass Choir or
Ensemble, Trombone Ensemble -
Advanced - Digital Download
By Jacob Collier. Arranged by
Michael Pilley. Score, Set of
Parts. 55 pages. Published by
Michael Pilley Musi From his acclaimed album Djesse Vol. 3, this is Jacob's favourite track and lends itself beautifully to a trombone ensemble. With a hymn-like chorale and a bluesy solo, along with half the ensemble being bass trombones, this is a great showcase of your ensembles warmth and sensitive playing.
This is an advanced work scored for soloist, six tenor trombones, four bass trombones and a contrabass trombone (playable by a bass trombonist with extreme range). If you are lacking extra bass trombonists, you can substitute tenor trombonists for the top three bass trombone parts.
The soloist part is mostly improvisational and would suit a jazz player. Top two tenor trombones carry more of the melody, with the 2nd playing a higher range. The next four tenor trombones add a lot of colour to the mix with different mutes, and the background effects you can hear on the track, and require agile trombonists.
As played by Super Bone on YouTube.
Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. Ten Selected Hymns for the Performing Duet, Vol. 6 - trombone (euphonium) and bass trombone (tuba)
Ten Selected Hymns for the Performing Duet, Vol. 6 - trombone (euphonium) and bass trombone (tuba) # 2 Trombones (duet) # INTERMEDIATE # Classical # Various # Ten Selected Hymns for the Per # KFS Publishing # SheetMusicPlus
Trombone, Tuba, Euphonium,
Bass Trombone - Intermediate
- Digital Download
Composed by Various. Arranged
by Kenneth D. Friedrich.
Christian, Gospel, Spiritu...(+)
Trombone, Tuba, Euphonium,
Bass Trombone - Intermediate
- Digital Download
Composed by Various. Arranged
by Kenneth D. Friedrich.
Christian, Gospel, Spiritual,
Sacred, Praise and Worship.
Score. 20 pages. Published by
KFS Publishing Volume five of ten in a large collection of arranged hymns, spirituals, and spiritual songs for trombone or euphonium and bass trombone or tuba duet. Difficulty level: 2 to 4
List: Immortal, Invisible, God Only Wise, In the Garden, I've Got Peace Like a River, Jesus Loves Me, Jesus, Lover of My Soul, Joyful, Joyful, We Adore Thee, Just As I Am, Lead On, Eternal King, Leaning On the Everlasting Arms, and Let Us Break Bread Togetherand#65279; Meat Salad for Solo Bass Trombone
Meat Salad for Solo Bass Trombone # Bass Trombone # ADVANCED # Contemporary # Jim Hopson # Meat Salad for Solo Bass Tromb # Cherry Classics
Music # SheetMusicPlus
Bass Trombone - Advanced -
Digital Download
Composed by Jim Hopson. 21st
Century, Contemporary
Classical, Jazz, Blues, Funk
Jazz. Solo Part. 3 pages.
...(+)
Bass Trombone - Advanced -
Digital Download
Composed by Jim Hopson. 21st
Century, Contemporary
Classical, Jazz, Blues, Funk
Jazz. Solo Part. 3 pages.
Published by Cherry Classics
Music Item Number: S0.714033
‘Meat Salad’ is a new piece for solo bass trombone commissioned by Ilan Morgenstern of the Vancouver Symphony Orchestra. Inspired in part by the slap-bass stylings of artists like Bootsy Collins and in part by the inimitable trombone playing of ‘Funky Fred’ Wesley, this piece is simultaneously a groovy crowd-pleaser and an acrobatic showstopper. ‘Meat Salad’ gives the advanced bass trombonist the opportunity unleash his/her full repertoire of tricks including: trills, growls, turns, glissandi, extended range, and just about every type articulation imaginable.
This piece was premiered in August 2019 at the 2nd annual Vancouver Trombone Week, with the composer adding an emphatic (if unsophisticated) cowbell accompaniment to Morgenstern’s bass trombone.
For advanced performers.
Below is a short track of Meat Salad brilliantly performed by Vancouver Symphony Bass Trombonist Ilan Morgenstern. Practice With Bach for the Bass Trombone
Practice With Bach for the Bass Trombone # Bass Trombone # ADVANCED # Studies # Sauer, Ralph # Sauer, Ralph # Practice With Bach for the Bas # Cherry
Classics Music # SheetMusicPlus
Bass Trombone - Advanced -
Digital Download
Composed by Sauer, Ralph.
Arranged by Sauer, Ralph.
Classical Period, Baroque
Period, Method, Etudes and
Exerci...(+)
Bass Trombone - Advanced -
Digital Download
Composed by Sauer, Ralph.
Arranged by Sauer, Ralph.
Classical Period, Baroque
Period, Method, Etudes and
Exercises, Technique
Training. Individual Part. 32
pages. Published by Cherry
Classics Music Ralph Sauer's landmark new work, Practice With Bach, will challenge your technique and musicality with demanding new études. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.).
Tenor trombonists will find that the Alto version is excellent for high register practice and alto clef reading. Likewise, Tenor trombonists can use the Bass version for low register work.
Bass trombonists will find excellent material in the Tenor version for work in the upper register and tenor clef reading. The Euphonium version is in the same key as the Tenor version, but all in bass clef, with many more trills added. The Tuba version is in the same key as the Bass version, also with more trills.
Volume One contains Twenty-four études in all keys, based upon preludes from The Well-Tempered Clavier.and#65279; Chaccone for Trombone Quartet
Chaccone for Trombone Quartet # Brass Quartet: 4 trombones # ADVANCED # Classical # Johann Pachelbel
# Mark
LaFratta # Chaccone for Trombone Quartet # Cherry
Classics Music # SheetMusicPlus
Trombone Quartet Ensemble -
Advanced - Digital Download
Composed by Johann Pachelbel
(1653-1706). Arranged by Mark
LaFratta. Classical Period,
Baroque ...(+)
Trombone Quartet Ensemble -
Advanced - Digital Download
Composed by Johann Pachelbel
(1653-1706). Arranged by Mark
LaFratta. Classical Period,
Baroque Period, Renaissance.
Score, Set of Parts. 25
pages. Published by Cherry
Classics Music Ciacona (original key of F minor for organ) has been beautifully arranged for trombone quartet in C minor by Mark LaFratta. It is probably Pachelbel’s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention. It is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.
Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.
This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for: alto trombone, 2 tenor trombones, and a bass trombone Romanza and Scherzo for solo Bass Trombone and Piano
Romanza and Scherzo for solo Bass Trombone and Piano # Bass Trombone and Piano # ADVANCED # Contemporary # Pierce, Alan # Romanza and Scherzo for solo B # Cherry Classics
Music # SheetMusicPlus
Piano Accompaniment, Bass
Trombone and Piano - Advanced
- Digital Download
Composed by Pierce, Alan.
21st Century, Romantic
Period, Contemporary
Clas...(+)
Piano Accompaniment, Bass
Trombone and Piano - Advanced
- Digital Download
Composed by Pierce, Alan.
21st Century, Romantic
Period, Contemporary
Classical, Post-Romantic.
Solo Part. 31 pages.
Published by Cherry Classics
Music My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.
I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.
During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,
Andre Watts, and many others.
Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild.
Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs) Two Sacred Pieces for Trombone Ensemble Choir
Two Sacred Pieces for Trombone Ensemble Choir # Trombone ensemble # INTERMEDIATE/ADVANCED # Classical # Heinrich Schutz
# Kenneth Biggs # Two Sacred Pieces for Trombone # Cherry Classics Music # SheetMusicPlus
Trombone Ensemble Choir -
Advanced Intermediate -
Digital Download
Composed by Heinrich Schutz
(1585-1672). Arranged by
Kenneth Biggs. Baroque
Period...(+)
Trombone Ensemble Choir -
Advanced Intermediate -
Digital Download
Composed by Heinrich Schutz
(1585-1672). Arranged by
Kenneth Biggs. Baroque
Period, Renaissance, Early
Music, Sacred. Score, Set of
Parts. 32 pages. Published by
Cherry Classics Music Heinrich Schütz (1585-1672) wrote the Musikalische Exequien, opus 7 (SWV 279-281) for the funeral of Prince Heinrich Posthumus von Reuss (1572-1635). Prince Heinrich’s widow and sons commissioned the work upon his death and provided Schütz with Bible verses as the text, which were also inscribed on the prince’s coffin.
Two of the three parts of the Musikalische Exequien have been arranged for 8-part Trombone Ensemble in two different choirs. The first piece, Motet is reminiscent of Gabrieli's Sonatas. The second piece, Canticum Sineonis is dense, rich, and evokes deep spiritual suffering and loss.
Two Sacred Pieces have been exquisitely edited and arranged by Kenneth Biggs for moderately advanced performers and work very well with 2 Alto Trombones, 4 Tenor Trombones, and 2 Bass Trombones. The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir # Trombone ensemble # ADVANCED # Contemporary # Charles Ives
# Ross
Holcombe # The Alcotts - from Sonata No. # Cherry Classics Music # SheetMusicPlus
Trombone Choir Ensemble -
Advanced - Digital Download
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, ...(+)
Trombone Choir Ensemble -
Advanced - Digital Download
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, Set of
Parts. 44 pages. Published by
Cherry Classics Music Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.
Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.
The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.
This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers. Twelve Duos for Trombones based on Armenian Folk Songs
Twelve Duos for Trombones based on Armenian Folk Songs # 2 Trombones (duet) # ADVANCED # Folkloric/Traditional # Petros
Shoujounian # Twelve Duos for Trombones base # Cherry
Classics Music # SheetMusicPlus
Trombone - Advanced - Digital
Download
Composed by Petros
Shoujounian. 21st Century. 23
pages. Published by Cherry
Classics Music...(+)
Trombone - Advanced - Digital
Download
Composed by Petros
Shoujounian. 21st Century. 23
pages. Published by Cherry
Classics Music Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.