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17 sheet music found Bartók: Rumanian Folk Dances, Sz.56 - brass quintet
Bartók: Rumanian Folk Dances, Sz.56 - brass quintet # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE/ADVANCED # Bela Bartok # Ray Thompson # Sz # Bartók: Rumanian Folk Dance # RayThompsonMusic # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Concert,Contemporar...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Folk,World. Score and parts. 25 pages. RayThompsonMusic #6455715. Published by RayThompsonMusic (A0.554008). Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Ten Easy Pieces
Ten Easy Pieces # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE/ADVANCED # Bela Bartok # Onder Ozkoc # Ten Easy Pieces # Onder Ozkoc # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1003143 Composed by Bela Bartok. Arranged by Onder Ozkoc. 20th Century,Standards. Score an...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1003143 Composed by Bela Bartok. Arranged by Onder Ozkoc. 20th Century,Standards. Score and parts. 65 pages. Onder Ozkoc #3682975. Published by Onder Ozkoc (A0.1003143). This set is a Brass Quintet (2 Trumpets in Bb, Horn in F, Trombone, Tuba) arrangement of Bartok’s Ten Easy Pieces for Piano (Sz 39, BB 51) with score and parts. Music originally has 11 short pieces with first piece numbered 0 (0 + 10). These pieces are actually not easy, they are mature and deep. This arrangement has got 9 pieces from Ten Easy Pieces. It seemed unreasonable (and maybe impossible!) to arrange other 2 pieces (nos. 9-10) in my opinion. All dynamics and tempo markings were written on the score like Bartok did. However, it was should kept in mind that this is an arrangement for brass quintet. So you should (and maybe must) try to find your own dynamics and tempos to achieve a great and seemlier result. There are *sign on some notes and it means, you may play these notes as written or an octave higher. If this sign is on the two or more parts in a same measure, you have to decide together to play an octave higher or not. In addition, you may play these nice pieces with your own ordering, regardless of numbers. It has 65 pages (score + parts). A Little Bartk Suite
A Little Bartók Suite # Brass Quintet: 2 trumpets, horn, trombone, tuba # EASY # Classical # Bela Bartok # Richard E Brown # A Little Bartók Suite # Dacker Music # SheetMusicPlus
Composed by Bela Bartok (1881-1945). Arranged by Richard E Brown. 20th Century, Repertoire, European, Recital. Score, Set of Parts. 22 pages. Published by Dacke...(+)
Composed by Bela Bartok (1881-1945). Arranged by Richard E Brown. 20th Century, Repertoire, European, Recital. Score, Set of Parts. 22 pages. Published by Dacker Music (S0.179943). - Score,Set of Parts - 20th Century,Repertoire,European,Recital - Dacker Music A Little Bart?k Suite, for brass quintet, makes great concert and contest repertoire for middle school and young high school players. The 5 very short movements are taken from Bart?k?s For Children, Vol. 1. Grade 3 - Duration 4:40 Valor (for Brass Quintet & Percussion)
Valor (for Brass Quintet & Percussion) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Dr # Valor # https://gildedmusicpress.com/ # SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gi...(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor” offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.”] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!” The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable. Twelve Duos for Trumpets based on Armenian Folk Songs
Twelve Duos for Trumpets based on Armenian Folk Songs # 2 Trumpets (duet) # ADVANCED # Folkloric/Traditional # Petros
Shoujounian # Twelve Duos for Trumpets based # Cherry Classics Music # SheetMusicPlus
Trumpet Duets - Advanced -
Composed by Petros
Shoujounian. 21st Century.
Score. 27 pages. Published by
Cherry Classics Music ...(+)
Trumpet Duets - Advanced -
Composed by Petros
Shoujounian. 21st Century.
Score. 27 pages. Published by
Cherry Classics Music Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trumpets based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trumpets.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trumpets: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and are written for C Trumpets, B-flat Trumpets, Cornets, B-flat Piccolo Trumpets, and Flugelhorns.