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Anonymous 4: Star in the East
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You've selected:
Anonymous 4: Star in the East
Sheetmusic to print
4 sheet music found
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1
Anonymous 4: Star in the East
Anonymous 4: Star in the East
#
Choral
#
Christmas
#
Anonymous
#
Marsha Genensky
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Anonymous 4: Star in the East
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Marsha Genensky
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SheetMusicPlus
Composed by Anonymous. The Southern Harmony (1835). Arranged by Marsha Genensky. Sacred, Christmas. Score. 3 pages. Published by Marsha Genensky (S0.189415). - ...
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Composed by Anonymous. The Southern Harmony (1835). Arranged by Marsha Genensky. Sacred, Christmas. Score. 3 pages. Published by Marsha Genensky (S0.189415). - Score - Sacred,Christmas - Marsha Genensky
$1.99 ≈
1.84€
He Is So Good (for 3, 4 or 5 octave handbell choir)
He Is So Good (for 3, 4 or 5 octave handbell choir)
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Handbells
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INTERMEDIATE
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Sacred music
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Anonymous and Ralph E
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G
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He Is So Good
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.953728 Composed by Anonymous and Ralph E. Hudson. Arranged by G. R. Adkison. Christian,Easter,Sacred. Score. 4 pages. Gary ...
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Handbell - Level 3 - SKU: A0.953728 Composed by Anonymous and Ralph E. Hudson. Arranged by G. R. Adkison. Christian,Easter,Sacred. Score. 4 pages. Gary Ray Adkison #14273. Published by Gary Ray Adkison (A0.953728). He Is So Good is a 3-4-5 octave, 45 measure medley of the Christian hymns God Is So Good and At the Cross (Alas, and Did My Savior Bleed) arranged for 3-4-5 octave handbell choirs. Because of the inclusion of At the Cross, this arrangement might be suitable for Easter/Lent. The overall theme is the love of God for us, whether as the Father or as Jesus. The strategy of this arrangement is to start out softly and *very* plainly and build---both in volume and in complexity. From the chorus of At the Cross to the end, a lot of doubling of the melody in the highest bells is used. There are two surprise modulations used in the chorus of At the Cross. In At the Cross there are chords used that are more interesting than those in the original hymn. After the triple-forte volume level at the end, there is a mezzo-piano tag, echoing the melody of the preceding musical phrase, with a chord progression that is substantially different from the original version of this hymn. This arrangement is probably a 3 plus (3+) level of difficulty, with the plus being due to some eighth-note runs in the bass line towards the end of At the Cross. The demonstration audio file provided is in a piano voice (patch) but suffices to demonstrate how the arrangement is generally meant to sound.
$2.00 ≈
1.85€
Folk Songs For Classical Guitar - Volume 31 (Songs 811-837)
Folk Songs For Classical Guitar - Volume 31 (Songs 811-837)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
#
SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1165267 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1165267 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #765624. Published by Socrates Arvanitakis (A0.1165267). This is the thirtieth-first of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 31 (Songs 811-837)St AthanStar of Belle Isle (the)Star of County Down 1 (the)Star of County Down 2 (the)Stately Southerner (the)Still Still, StillStranger in Cork (a)Streets of LaredoStrike the BellSussex Mummer’s CarolSwan Swims So Bonny (the)Swansea TownSweet Chiming Bells (While Shepherds Watched)Sweet KittySweet MarySweet Nightingale 1 (the)Sweet Nightingale 2 (the)Sweet Nightingale 3 (the)Sweet Nightingale 4 (the)Sweet Nightingale 5 (the)Sweet Nightingale 6 (the)Sweet Primeroses (the)Sweet WilliamSword Dance 1Sword Dance 2 (prologue to dance)SylviaTailor and the Carrion Crow (the).
$25.00 ≈
23.06€
There is no Rose
There is no Rose
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Choral SATB
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INTERMEDIATE
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Christmas
#
verse five, some harmony is fo
#
Tim Attride
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There is no Rose
#
Tim Attride
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.8...
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Choral Choir (SATB) - Level 3 - SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.851304). Starting with bars of 11 beats might raise a few eyebrows. However, this short setting of anonymous C15th words (as with many of my pieces) is intended to support the text, rather than be a nice tune with words shoehorned in. What turns out to be a flowing opening line for the Sopranos (/ solo) leads into a simple refrain. Altos join for the second verse, still in unison, with a slightly elaborated 2-part refrain including duplets against 3/4. So on with the Tenors added in verse three and the Basses in verse four. By verse five, some harmony is forthcoming, as is a brief division for the Sops. Although the nominal key rests in C minor and the refrains so far have resolved on a G major chord, the final chorus ends on a triumphant 8-part C major chord.A definite showpiece for an (at least) reasonably competent choir.
$1.99 ≈
1.84€
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1
Anonymous 4: Star in the East
