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A New World Movement Two: Flute
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You've selected:
A New World Movement Two: Flute
Sheetmusic to print
21 sheet music found
<
1
A New World---Movement Two: Flute
A New World---Movement Two: Flute
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Flute (band part)
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A New World---Movement Two: Fl
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0018119_F1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018119_F1. Published by Alfr...
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Marching Band - Digital Download SKU: AX.00-PC-0018119_F1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018119_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018119_F1). UPC: 038081278032.
$3.00 ≈
2.70€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Flute Quintet : 5 flutes
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INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
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Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Pe...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00 ≈
13.49€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by R...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00 ≈
13.49€
Aurora for Flute, Clarinet, and Piano
Aurora for Flute, Clarinet, and Piano
#
Flute, Clarinet, Piano (trio)
#
ADVANCED
#
Sy Brandon
#
Aurora for Flute, Clarinet, an
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Sy Brandon
#
SheetMusicPlus
Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1453141 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 93 pages. Sy Brandon #10...
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Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1453141 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 93 pages. Sy Brandon #1032369. Published by Sy Brandon (A0.1453141). Aurora has different interpretations in many cultures throughout the world. The meaning and mythology surrounding Aurora gave rise to the individual movements. I. Goddess of Dawn – The music of this movement reflects a sunrise from its first hint of light to its full-blazed glory. II. Ravens - Spirit Guides – Many North American cultures believed that the Aurora Borealis represented spirits of departed ancestors. Ravens were often thought to be the conveyor of the spirit to the heavens. This movement is a scherzo and trio. The scherzo represents the dancing and playful spirits where the trio has an ethereal quality. III. Sister of the Sun and Moon - The Greeks held that Aurora was the sister of Helios and Seline, the sun and moon respectively, and that she raced across the early morning sky in her multi-colored chariot to alert her siblings to the dawning of a new day. This movement contains colorful harmony. The rising line represents dawn while the rapid musical motifs represent Aurora racing across the sky. IV. Celestial Battle Between Good and Evil - It is said that many of the early Chinese legends associated with dragons were a result of the Northern Lights. The belief is that the lights were viewed as a celestial battle between good and evil dragons that breathed fire across the firmament. Battle music dominates the first two-thirds of this movement before giving way to the triumph of good over evil.
$15.00 ≈
13.49€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic ...
(+)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00 ≈
16.19€
A Thanksgiving Suite for Organ, Piano, Flute, and Clarinet
A Thanksgiving Suite for Organ, Piano, Flute, and Clarinet
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Martin Ellis
#
Martin Ellis
#
A Thanksgiving Suite for Organ
#
Martin Ellis Music
#
SheetMusicPlus
Clarinet,Flute,Organ,Piano - Level 4 - Digital Download SKU: A0.1314520 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classica...
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Clarinet,Flute,Organ,Piano - Level 4 - Digital Download SKU: A0.1314520 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Multicultural,Traditional,World. 30 pages. Martin Ellis Music #903273. Published by Martin Ellis Music (A0.1314520). A three movement suite for service or concert use including two famous American Folk melodies (Simple Gifts and The Ash Grove) and the German chorale Nun Danket Alle Gott also associated with Thanksgiving Sunday.  The festive first and last movements are for piano and organ duets and meant as prelude and postlude selections. The middle movement is a musical painting of the first Thanksgiving that paraphrases The Ash Grove played by a clarinet solosit, A newly written Native American Chant by flutist Linda Bergman heard on the recording, and the organ part serves as the narrator for the story with shades of Copeland and suspended harmonies throughout.  This piece is a great opportunity to feature some instrumentalists friends and the ever loved piano and duet genre for recital or church use.
$17.00 ≈
15.29€
The Fallen – Flute Concerto (flute part – flute and string orchestra)
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Chamber Orchestra
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ADVANCED
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
13.49€
The Fallen – Flute Concerto (string parts – flute and string orchestra)
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Chamber Orchestra
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ADVANCED
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00 ≈
26.98€
The Fallen – Flute Concerto (score – flute and string orchestra)
The Fallen – Flute Concerto (score – flute and string orchestra)
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Chamber Orchestra
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ADVANCED
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00 ≈
26.98€
New Tango No. 1: Movement
New Tango No. 1: Movement
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Jazz Ensemble
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ADVANCED
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Roger Aldridge
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New Tango No. 1: Movement
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. R...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #119381. Published by Roger Aldridge (A0.979627). New Tango No. 1: Movement (for jazz soloist, 5 wind instruments, and rhythm section) is an abstract piece. Inspired by the tango, it invokes dance movement as well as explores movement in and out of time in the music. The soloist's part is entirely improvised. The rhythm section goes between time and free-time. The soloist cues the rhythm section on when to make time and harmonic changes. The background ensemble is in free-time with each note conducted. During solos the background ensemble can improvise interactions with the soloist. This piece is highly dependent upon the soloist and ensemble to bring the music to life and take the audience on a journey. Space and understatement are important features of this music. The open, floating free-time melody and the space between its phrases enable the rhythm section to have a prominent role in playing layers of lines, textures, and colors. Using accordion and guitar (along with piano, bass, and drums) is highly recommended. A string instrument(s) such as violin or cello can improvise additional layers with the rhythm section. One of my essential concepts in this piece is for the ensemble to have the sound of a tango band (as closely as possible); however, the music has a great amount of freedom. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at NEW TANGO NO. 1: MOVEMENT PARTS (S0.84827). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00 ≈
8.99€
Beyond the Sky
Beyond the Sky
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Flute Trio: 3 flutes
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INTERMEDIATE/ADVANCED
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Contemporary
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Jeffrey Hoover
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Beyond the Sky
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Musicart Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 4 - Digital Download SKU: A0.971663 Composed by Jeffrey Hoover. 20th Century,Contemporary. 49 pages. Musica...
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Woodwind Ensemble,Woodwind Trio Flute - Level 4 - Digital Download SKU: A0.971663 Composed by Jeffrey Hoover. 20th Century,Contemporary. 49 pages. Musicart Publications #5992083. Published by Musicart Publications (A0.971663). Beyond the Sky. Flute trio (1st doubling piccolo and 3rd doubling alto flute). Duration, 13 minutes.1. Black Hole (3 min. 45 sec.)2. A Crescent Moon, 1969 (3 min. 45 sec.)3. SETI Ratio (Search for Extraterrestrial Intelligence) (2 min.)4. Quantum Waltz (3 min. 30 sec.)The score and parts in this edition are arranged to be printed double-sided, with correct page turns.Beyond the Sky is a celebration of space exploration and imagination. It is in many respects a symphonic work for flute trio, with the characteristics and order of the four movements resembling the structure of a classical symphony. As a child during the Space Race, I was immensely interested in both terrestrial- and extraterrestrial-exploration, and as I composed this music a half-century later it made the most sense to set the musical ideas in this manner. In the first movement, Black Hole, two contrasting themes are presented and immediately developed: a theme of polyphonic gestures, with a contrasting second theme of chordal-textured music. The characteristic and somewhat liquid sound of the flute trio in the second theme is especially evident. The static and evolving blocks of music represent the gravitational collection of matter by a black hole. The second movement, A Crescent Moon, 1969, celebrates astronaut Neil Armstrong's moonwalk in July 1969. This slow, lyrical movement possesses a nocturnal quality while features the alto flute as a solo instrument. The third movement, SETI Radio (Search for Extraterrestrial Intelligence), is a slow through-composed scherzo. With piccolo, a high tessitura of the flute trio range is heard. The fourth movement is a dynamic Rondo Variations form. Quantum Waltz is just that, a small waltz where the music is developed with a recurring first section, alternating between new material.– Jeffrey HooverJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$21.95 ≈
19.74€
Romantic Sonata - Poems of Light
Romantic Sonata - Poems of Light
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Jeffrey Hoover
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Romantic Sonata - Poems of Lig
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Musicart Publications
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publica...
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Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95 ≈
19.74€
Mothers and Daughters
Mothers and Daughters
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Kathleen M
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Mothers and Daughters
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Kathleen M. Basi
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1106749 Composed by Kathleen M. Basi. Chamber. 19 pages. Kathleen M. Basi #709661. Published...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1106749 Composed by Kathleen M. Basi. Chamber. 19 pages. Kathleen M. Basi #709661. Published by Kathleen M. Basi (A0.1106749). Mothers and Daughters presents a flute duet in which the two parts are largely similar in difficulty and interest. Includes two movements: a lullaby in G minor and a technically challenging up-tempo movement that explores the shifting relationship between a mother and daughter as they grow, rebel, struggle, and ultimately find a new balance, illustrated by a shift from minor to major key. Grade 3.5 as measured by Flute World https://www.fluteworld.com/sheet-music-grading/?fbclid=IwAR3tvNX0V7z-Kbe-vTkKGltZFmuVtuv_Hjw9ay_fQvKO73jMMBcXByfxhd8 • Baby Mine: Meter: 3/4, 4/4 Key: G minor Level: 2 Range: Part 1 – G1-Eb3; Part 2 – D1-3B3 • Follow the Leader: Meter: 2/4, 5/8, 7/8, 3/8, 6/8 Shifting meters illustrate the tug of war as child seeks her independence Key: C minor/Eb major Level: 3.5 Range of student part: D1-F3. Mothers & Daughters was commissioned by Wendy Kvam as a graduation gift for her daughter.
$6.99 ≈
6.29€
Snapshots of MONA: Wind Quintet
Snapshots of MONA: Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Fiona Hickie
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Snapshots of MONA: Wind Quinte
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Fiona Alice Hickie
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.738035 Composed by Fiona Hickie. Baroque,Classic...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.738035 Composed by Fiona Hickie. Baroque,Classical,Contemporary,Jazz,Multicultural,World. 58 pages. Fiona Alice Hickie #4330567. Published by Fiona Alice Hickie (A0.738035). A revised version of 'Snap Shots of MONA' with a new movement. MONA is a fantastic Museum of old and new art located in Tasmania, Australia. The brain child of David Walsh, the new art aims to get us visitors to open their minds to new experiences. This work is a 'Pictures of an Exhibition' style work based on a few of the artworks at MONA. Here it is scored for wind quintet. It includes: The Void The AncientsReflections: 20:50In the Time of VermeerRite of OpinionThe Fat Car
$25.00 ≈
22.48€
Vonnegut Trilogy
Vonnegut Trilogy
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Terry Vosbein
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Vonnegut Trilogy
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Max Frank Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.
$29.99 ≈
26.97€
Goin' Over Home
Goin' Over Home
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Sacred music
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Evelyn R Larter
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Evelyn R Larter
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Goin' Over Home
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Evelyn R Larter
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SheetMusicPlus
Flute,High Voice,Piano,Violin - Level 4 - Digital Download SKU: A0.1174166 By Evelyn R Larter. By Traditional. Arranged by Evelyn R Larter. Christian,Fol...
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Flute,High Voice,Piano,Violin - Level 4 - Digital Download SKU: A0.1174166 By Evelyn R Larter. By Traditional. Arranged by Evelyn R Larter. Christian,Folk,Religious,Sacred,Spiritual. 19 pages. Evelyn R Larter #774329. Published by Evelyn R Larter (A0.1174166). The American folk hymn Wayfarin’ Stranger and the African American Spiritual Soonah Will Be Done are here combined into a medley on the shared theme of journeying through life towards heaven. A brief quote from the slow movement of Dvorak's New World Symphony (Goin' Home) connects the two songs. For more advanced performers, it is suitable as a church prelude or offertory and also at recitals and memorial services. For more information on my music please visit www.evelynlartermusic.com or my Facebook page for Evelyyn Larter Music.
$8.99 ≈
8.09€
Oelflecke auf dem Wasser [woodwind quintet]
Oelflecke auf dem Wasser [woodwind quintet]
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Juan MarÃa Solare
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Oelflecke auf dem Wasser [wood
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan Maria Solare #4598385. Published by Juan Maria Solare (A0.596552). Ölflecke auf dem Wasser ( Oil spots on the water )This is my second Wind Quintet. The first one (Strange preludes and double canon) was written in 1992, this one in 2003 and there are numerous sketches (even complete movements) for a third one.The title Oil spots on the water doesn't have much with ecological issues, but rather with those abstract, colourful, poly-semantic shapes of small oil spots on asphalt, especially when it rains.The Wind Quintet Ölflecke auf dem Wasser was selected in 2003 in a shortlist of 31 among 270 compositions for the project Neue Kammermusik für Musikschulen (New chamber music for music schools) by the Verband deutscher Musikschulen (Association of German Schools of Music) in Bonn, Germany.In October 2004 this piece, together with two other pieces by the same composer, received first prize at the Bremer Komponistenwettweberb organised by the Council of the Music (Landsmusikrat) in Bremen, Germany.Ölflecke auf dem Wasser was first performed on 10th July 2004 at the Castle Sonderhausen in Germany by the Wind Quintet of the Music School Carl Schroeder of Sonderhausen: Eva-Maria Albrecht (flute), Malte Schneegaß (oboe), Antje Eckstein (clarinet) Julia Wallis (bassoon), Manuela Hirsch (horn), Stephan Uhl (conductor); in the cycle Neue Musik in alten Residenzen (New Music in old residencies) of the Council of the Music Thüringen.After the premiere, Stephan Uhl published an article about the piece: Juan MarÃa Solares 'Ölflecke auf dem Wasser' (2003) für Bläserquintett. Anregungen zur Praxisarbeit zwischen Interpretation und Improvisation (Oil spots on the water (2003) by Juan MarÃa Solare: Ideas about rehearsal practice between performance and improvisation). This article was published in November 2004 in the book Ensembleleitung Neue Kammermusik (Dokumentation und Arbeitshilfe des Modellprojekts), edited by the VdM (Verband deutscher Musikschulen - Association of German Music Schools), Bonn, ISBN 3-925574-59-X, pages 82-86.In March 2005 Oil spots on the water was chosen in the shortlist at the Piece of the Year Competition organised by Alan Taylor and the London Chamber Group. In this context it was performed on 10th July 2005 at a venue unknown to the composer.
$4.00 ≈
3.60€
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A New World Movement Two: Flute
