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A Few Good Men: Flute
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You've selected:
A Few Good Men: Flute
Sheetmusic to print
32 sheet music found
<
1
26
A Few Good Men: Flute
A Few Good Men: Flute
#
Flute (band part)
#
Jazz
#
Gordon Goodwin
#
Ralph Ford
#
A Few Good Men: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017251_F1 Flute. Composed by Gordon Goodwin. Arranged by Ralph Ford. Jazz. Part. 2 pages. Alfred M...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017251_F1 Flute. Composed by Gordon Goodwin. Arranged by Ralph Ford. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017251_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017251_F1). UPC: 038081456003.Adapted for the younger player from Gordon Goodwin's original Big Phat Band chart. It's a rock-march that begins with a drum cadence then into the funky-rock groove at 114 BPM. Includes written-out solos for tenor and trumpet 2, lead trumpet range is to written A above the staff and clear rhythm section parts with vibes. Hot! This title is available in SmartMusic.
$3.00 ≈
2.69€
Dimensión [violin + piano]
Dimensión [violin + piano]
#
Violin and Piano
#
INTERMEDIATE/ADVANCED
#
Juan MarÃa Solare
#
Dimensión [violin + piano]
#
Juan Maria Solare
#
SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.596563 Composed by Juan MarÃa Solare. 20th Century,Concert,Jazz,World. 18 pages. Juan Maria Solare #...
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Piano,Violin - Level 4 - Digital Download SKU: A0.596563 Composed by Juan MarÃa Solare. 20th Century,Concert,Jazz,World. 18 pages. Juan Maria Solare #4624367. Published by Juan Maria Solare (A0.596563). Juan MarÃa Solare: Dimensión Dimensión is a neolassical tango that was composed based on two simple piano pieces destined to young pianists: the first theme is Langostango and the second one Continuando. When joining to build up Dimensión, additional elements came into the game, such as an important secondary melody and a few transitions. Dimensión is therefore a clear example of a successful composition: a couple of good ideas and a lot of work to achieve that nobody notices how much work lies behind it. About the title, it obeys to my (slightly excessive) concern towards finding names that can be understood in any language of the places I usually am related to (i.e. in Spanish, English and German). In the case of dimensión it is a transparent word, understanding as such the words that are practically identical in any language while keeping their meaning (there exist words that are quite similar in different languages, but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words. In September 2002 I startd conducting the Orquesta No TÃpica at the University of Bremen, Germany, a chamber group of variable instrumentation devoted to tango music. Dimensión was the first piece that I composed especially for this group, in January / February 2003. The original version of Dimensión is therefore for Sextet: flute, clarinet, violin, guitar, bass, piano.Since that first version (performed several times in Germany and Argentina) I wrote a long dozen of arrangements for different instrumental groups.
$4.00 ≈
3.59€
Dimensión [trombone octet]
Dimensión [trombone octet]
#
Trombone ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Juan María Solare
#
Dimensión [trombone octet]
#
Juan Maria Solare
#
SheetMusicPlus
Trombone, trombone octet - Advanced Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Lati...
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Trombone, trombone octet - Advanced Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoire, Latin. Score, Set of Parts. 32 pages. Published by Juan Maria Solare
Dimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.
Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it.
About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.
In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.
Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.
Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI
$10.00 ≈
8.98€
Bach: Bist du bei mir BWV 508 for Flute & Piano
Bach: Bist du bei mir BWV 508 for Flute & Piano
#
Flute and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards...
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
29.60€
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
#
Flute and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,...
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
29.60€
Up I arose in verno tempore for flute and guitar
Up I arose in verno tempore for flute and guitar
#
Flute and Guitar
#
INTERMEDIATE
#
Anon
#
David Warin Solomons
#
Up I arose in verno tempore fo
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classica...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00 ≈
5.39€
Up I arose in verno tempore for alto flute and guitar
Up I arose in verno tempore for alto flute and guitar
#
Flute and Guitar
#
INTERMEDIATE
#
Anon
#
David Warin Solomons
#
Up I arose in verno tempore fo
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Cla...
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00 ≈
5.39€
My Flute and Me
My Flute and Me
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Flute and Piano
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BEGINNER
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Colin Kirkpatrick
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My Flute and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpa...
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Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95 ≈
5.34€
W.F.E BACH: TRIO IN G MAJOR IW 2 for flute, violin & viola
W.F.E BACH: TRIO IN G MAJOR IW 2 for flute, violin & viola
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Wilhelm Friedrich Ernst Bach
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Pat Spence
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W.F.E BACH: TRIO IN G MAJOR IW
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Piper Publications
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SheetMusicPlus
Small Ensemble Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811808 Composed by Wilhelm Friedrich Ernst Bach (1759 - 1845). Arranged by Pat Spe...
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Small Ensemble Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811808 Composed by Wilhelm Friedrich Ernst Bach (1759 - 1845). Arranged by Pat Spence. Classical,Concert,Graduation,Standards. Score and parts. 38 pages. Piper Publications #6385007. Published by Piper Publications (A0.811808). W.F.E. Bach, grandson of J.S. Bach, was the last in the long line of composers in the Bach family. Very few of his works have survived. The Trio in G major is one of two composed for the unusual combination of two flutes and viola. Here it has been arranged for flute, violin and viola. It would make a good companion piece with Beethoven’s Serenade for the same combination.The style is early classical retaining the Baroque reluctance to indicate dynamics , leaving this largely to the performers. I have added a few in parentheses ( ) and also some additional phrasings - shown with dashed lines to provide some guidance to less experienced players. The four movements are: Larghetto cantabile, Allegro, Poco Adagio and Presto. A trio of advanced intermediate players will discover that the Bach magic was there to the end.
$15.00 ≈
13.47€
The Good, The Bad And The Ugly (Main Title)
The Good, The Bad And The Ugly (Main Title)
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Concert band
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INTERMEDIATE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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The Good, The Bad And The Ugly
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1408640 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 75 pages. Lorenzo...
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Concert Band - Level 3 - Digital Download SKU: A0.1408640 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 75 pages. Lorenzo Bocci #991237. Published by Lorenzo Bocci (A0.1408640). THE GOOD, THE BAD AND THE UGLY Main Title - From The Good, The Bad And The Uglyfor Concert Band (with Fanfare Band parts) - with Choir (TB) optional - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (TB). Score and parts. With Fanfare Band parts. Duration 2'48''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Solo Clarinet in Bb, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Electric Bass, Drum Set, Tubolar Bells, Timpani, Guitar, Choir (TB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Solo Flugelhorn, Bb Flugelhorn 1, 2, 3.The Good, the Bad and the Ugly (Il buono, il brutto, il cattivo) is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as the Good, Lee Van Cleef as the Bad, and Eli Wallach as the Ugly. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. The main theme, resembling the howling of a coyote, is a two-pitch melody that is a frequent motif, and is used for the three main characters. The main theme, The Good, the Bad and the Ugly, was a hit in 1968 with the soundtrack album on the charts for more than a year.Subscribe to my YouTube Channel to stay updated on new releases.
$99.00 ≈
88.92€
A Dream from the Past
A Dream from the Past
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #7...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00 ≈
22.46€
The Good, The Bad And The Ugly (main Title)
The Good, The Bad And The Ugly (main Title)
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Film/TV
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Ennio Morricone
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Ben D'Ooge
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The Good, The Bad And The Ugly
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Ben D'Ooge
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SheetMusicPlus
Instrumental Duet Dulcimer,Flute,Instrumental Duet - Digital Download SKU: A0.836886 Composed by Ennio Morricone. Arranged by Ben D'Ooge. Film/TV. Score ...
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Instrumental Duet Dulcimer,Flute,Instrumental Duet - Digital Download SKU: A0.836886 Composed by Ennio Morricone. Arranged by Ben D'Ooge. Film/TV. Score and parts. 8 pages. Ben D'Ooge #443607. Published by Ben D'Ooge (A0.836886). Written by Italian composer Ennio Morricone. This is the title theme soundtrack music played throughout the movie The Good, The Bad and The Ugly, a 1966 Spaghetti Western film directed by Sergio Leone, starring Clint Eastwood, and marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. This is a duet arrangement for Native American style flute in the key of A minor playing the melody, and chromatic Appalachian mountain lap dulcimer playing rhythm backup chords. The Native American style flute arrangement is written in Nakai tablature. R. Carlos Nakai developed this system of tablature notation (commonly known as Nakai tablature) that can be used across a wide variety of flute keys and tunings. He published this in The Art of the Native American Flute (1996) with James Demars, Ken Light and David P. McAllester. This provides resources and support for musicians playing the Native American flute.
$6.99 ≈
6.28€
Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow Tr
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Connie Boss
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SheetMusicPlus
Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1347191 Composed by Spiritual. Arranged ...
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Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1347191 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 12 pages. Connie Boss #931987. Published by Connie Boss (A0.1347191). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a trio - can be SAT or SAA (low alto) with a choice of flute or violin or cello as an accent instrument and piano. Parts are included with purchase for all three instruments. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99 ≈
7.18€
3 Carols in 3 Part Flexible arrangements (Good King Wenceslas, Away in a manger, Joy to the World)
3 Carols in 3 Part Flexible arrangements (Good King Wenceslas, Away in a manger, Joy to the World)
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Concert band
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EASY
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Christmas
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Various
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David Catherwood
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3 Carols in 3 Part Flexible ar
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.739513 Composed by Various. Arranged by David Catherwood. Christmas. Score and parts. 40 pages. Opus 3 ...
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Concert Band - Level 2 - Digital Download SKU: A0.739513 Composed by Various. Arranged by David Catherwood. Christmas. Score and parts. 40 pages. Opus 3 Music #6117117. Published by Opus 3 Music (A0.739513). These versions of Three Popular Christmas Carols are straightforward arrangement for Flexible ensembles in 3 Parts and are suitable for any combination of Brass, Woodwind, Strings. The keys chosen are perfect to accompany singing and whilst the arrangements are suitable for school ensembles they will also work well with experienced players.The arrangements also allows for a great deal of flexibility in presentation and will sound complete with a few players, yet the scoring allows for parts for all orchestra, concert band or brass band players. A piano part is included for rehearsal/performanceA full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 Melody in C (Oboe, Flute, Violin 1)Part 1 Melody in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 1 Melody in Bass clef Euphonium, Baritone, Cello etc)Part 2 Harmony in C (Violin 2)Part 2 Harmony in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 Harmony in Eb (Alto Saxophone, Eb Horn)Part 2 Harmony in F (Cor Anglais, Horn in F)Part 2 Harmony in alto clef (Viola)Part 3 Bass in C (Cello, Double Bass, Bassoon , Bass Trombone)Part 3 Bass in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 3 Bass in Bb (Bb Bass Tuba, Trombone (treble clef)Piano/Keyboard
$9.50 ≈
8.53€
A Fistful Of Dollars
A Fistful Of Dollars
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Film/TV
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Ennio Morricone
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Ben D'Ooge
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A Fistful Of Dollars
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Ben D'Ooge
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SheetMusicPlus
Instrumental Duet Dulcimer,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.834322 Composed by Ennio Morricone. Arranged by Ben D'Ooge. Film/...
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Instrumental Duet Dulcimer,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.834322 Composed by Ennio Morricone. Arranged by Ben D'Ooge. Film/TV. Score and parts. 11 pages. Ben D'Ooge #6567677. Published by Ben D'Ooge (A0.834322). Written by Italian composer Ennio Morricone. This is the title theme soundtrack music played throughout the movie A Fistful of Dollars, a 1964 Spaghetti Western film directed by Sergio Leone, starring Clint Eastwood, and marketed as the first installment in the Dollars Trilogy, followed by For a Few Dollars More and The Good, The Bad And The Ugly.
$6.99 ≈
6.28€
A Fistful Of Dollars
A Fistful Of Dollars
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Concert band
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EASY
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Film/TV
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Ennio Morricone
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Ennio Morricone
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Lorenzo Bocci
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A Fistful Of Dollars
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1403955 By Ennio Morricone. By Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. 63 pages. Lorenzo B...
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Concert Band - Level 2 - Digital Download SKU: A0.1403955 By Ennio Morricone. By Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. 63 pages. Lorenzo Bocci #987080. Published by Lorenzo Bocci (A0.1403955). A FISTFUL OF DOLLARS (Per un pugno di dollari) From A Fistful Of Dollarsfor Solo Trumpet and Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. For Solo Trumpet and Concert Band. With optional Choir (SATB). Score and parts. With Fanfare Band parts. Duration 1'49''. Published by Lorenzo Bocci.Instrumentation:Full Score, Bb Solo Trumpet, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Percussion 1 (Bass Drum, Cymbals), Percussion 2 (Snare Drum, Castanets), Guitar, Choir (SATB) (Opt.).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.A Fistful of Dollars (Per un pugno di dollari) is a film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. Released in Italy in 1964 and in the United States in 1967, the film initiated the popularity of the spaghetti Western genre. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, both also starring Eastwood. Collectively, the films are known as the Dollars Trilogy, or the Man with No Name Trilogy. The film's music was written by Ennio Morricone. Sergio Leone requested Morricone to write a theme that would be similar to Dimitri Tiomkin's El Degüello (used in Rio Bravo). Although the two themes are similar, Morricone stated that he used a lullaby that he had composed previously, and developed the theme from that. The song is characterized by a famous trumpet solo, played by the Apulian Michele Lacerenza; it was also released on 45 rpm by RCA Italiana and was one of the best-selling records of the year.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
79.94€
MY SWEET LYDIA
MY SWEET LYDIA
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Joe Procopio
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the vocalist/bassist I
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MY SWEET LYDIA
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.48€
MARY ~ ELAINE
MARY ~ ELAINE
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Joe Procopio
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the vocalist/bassist I
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MARY ~ ELAINE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876448 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876448 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 23 pages. JoeCopio Music LLC #53327. Published by JoeCopio Music LLC (A0.876448). MARY ~ ELAINE Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MARY ~ ELAINE is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MARY ~ ELAINE makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MARY ~ ELAINE has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MARY ~ ELAINE includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.48€
JOEY'S READY
JOEY'S READY
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Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Joe Procopio
#
the vocalist/bassist I
#
JOEY'S READY
#
JoeCopio Music LLC
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876451 Compo...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876451 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 28 pages. JoeCopio Music LLC #53333. Published by JoeCopio Music LLC (A0.876451). JOEY’S READY Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio JOEY’S READY is a dance written and arranged by Joe Procopio for a small ensemble, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of JOEY’S READY makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, JOEY’S READY has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 2 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for JOEY’S READY includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.48€
LILLY'S DANCE (THE TUMBLER)
LILLY'S DANCE (THE TUMBLER)
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Joe Procopio
#
the vocalist/bassist I
#
LILLY'S DANCE
#
JoeCopio Music LLC
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Compo...
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99 ≈
4.48€
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A Few Good Men: Flute
