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10 Bass Trombone Exercises
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You've selected:
10 Bass Trombone Exercises
Sheetmusic to print
6 sheet music found
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1
10 Bass Trombone Exercises (2nd Edition)
10 Bass Trombone Exercises (2nd Edition)
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Bass Trombone
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bingham-Kumpf
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10 Bass Trombone Exercises
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Eric Bingham-Kumpf
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 4 - Digital Download SKU: A0.1405130 Composed by Eric Bingham-Kumpf. 21st Century,Instructional. Individual part....
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Bass Trombone,Instrumental Solo - Level 4 - Digital Download SKU: A0.1405130 Composed by Eric Bingham-Kumpf. 21st Century,Instructional. Individual part. 9 pages. Eric Bingham-Kumpf #988171. Published by Eric Bingham-Kumpf (A0.1405130).
$7.00 ≈
6.55€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duet)
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EASY
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.
19. Ilium
This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.71€
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for TROMBONE in BASS CLEF
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for TROMBONE in BASS CLEF
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Trombone
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EASY
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Various
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Robert A KEATCH
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A LEARN TO PLAY book of 100 EA
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Trombone Solo - Level 2 - Digital Download SKU: A0.1105623 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicul...
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Trombone Solo - Level 2 - Digital Download SKU: A0.1105623 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708841. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1105623). If you're a beginner or looking to enhance your musical skills or looking to add Bass Clef, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the BASS clef a breeze.The book is designed specifically for beginners, containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes. It's perfect for teacher-student play-along and is available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS. Professional musician Keith Walker highly recommends this book, wishing he had it 50 years ago. It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms.A must-have for beginner instrumentalists of all ages.
$11.99 ≈
11.22€
10 Exercises to Master All Major Scales Vol. 1
10 Exercises to Master All Major Scales Vol. 1
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Aldo Salvent
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10 Exercises to Master All Maj
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SALVENT MUSIC LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,English Horn,Flute,Guitar,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.969255 Composed by Aldo Salvent. Instructional,Standards. Score and parts. 55 pages. SALVENT MUSIC LLC #6056115. Published by SALVENT MUSIC LLC (A0.969255). The ultimate method to practice effectively the major scales on every instrument. Become a confident player and achieve flawless technique that allows you to play everything, at any tempo..
$7.99 ≈
7.48€
Rhythm Rhumble!
Rhythm Rhumble!
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Concert band
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BEGINNER
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Kara Williams
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Part 2 Flute or Oboe
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Rhythm Rhumble!
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Kara Williams
#
SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1277791 Composed by Kara Williams. Children,Classical,Contest,Festival,Funk,Rock. Score and Parts. 47 p...
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Concert Band - Level 1 - Digital Download SKU: A0.1277791 Composed by Kara Williams. Children,Classical,Contest,Festival,Funk,Rock. Score and Parts. 47 pages. Kara Williams #869484. Published by Kara Williams (A0.1277791). Want a fun and funky work that is also a great way to engage novice performers in rhythm and listening exercises? Rhythm Rhumble! does just that! Tested and endorsed by a local ensemble, the classic rock beat is passed around the performers in between playing the parts written for their instruments. The players really have fun changing and organising themselves to play their respective parts - which is also very entertaining for audiences! The flex scoring and restricted rhythms and instrument ranges of this work mean it can be played by very novice performers in a group of as few as 10 players: Part 1 Flute; Part 2 Flute or Oboe; Part 3 Clarinet or Tenor sax; Part 4 Clarinet or Alto sax; Part 5 Clarinet or Alto sax, Part 6 Trumpet; Part 7 Trumpet or Horn in F; Part 8 Trombone, Euphonium or Bassoon; Part 9 Euphonium, Trombone, Bassoon or Bass clarinet; Part 10 Basses (optional); Mallet percussion (optional); Percussion (snare drum/tambourine and bass drum) To hear an audio file (midi) of the entire work, please go to karawilliamsmusic.com.
$20.00 ≈
18.71€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.36€
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1
10 Bass Trombone Exercises
