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Choir Concert band
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
#
Giovanni Gabrieli
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James M
#
Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.69€
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
Concert band
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
44.69€
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
Concert band
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.69€
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
#
Concert band
#
EASY
#
Antonio Lotti
#
Brian Harris
#
KYRIE ELEISON
#
Bandroom.com Publications
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,...
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Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,Instructional,Sacred. 38 pages. Bandroom.com Publications #3134913. Published by Bandroom.com Publications (A0.859753). _______________________Choral work by Antonio Lotti (c.1667-1740); transcribed for band by Brian HarrisThe Kyrie is part of the Ordinary of the Roman Catholic Mass. This musical setting of the Kyrie was written for choir by Italian composer Antonio Lotti, who spent his entire career at the famous St. Mark's Basilica in Venice.The adaptation of choir literature for use by wind players provides an ideal tool for teaching basic musicianship such as intonation, balance, and blend as well as the advanced techniques of phrasing, nuance of line, and accuracy of ensemble articulation. Because the work consists of only 4 voices, players can more readily hear and address individual, section, and ensemble problems.The score and each part is notated with the specific voice assignment (S = soprano, A = alto, T = tenor, B = bass). This allows the conductor to rehearse like groups by simply asking for all players with the alto line and so forth. Knowing that another instrument is playing the exact same line can encourage them to listen across the band in order to match style/balance with the other players.You may view the entire score as well as additional part samples and detailed information for this work at my site www.bandroom.com - - - - - - - - - - - - - - -ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director at the public school and college level for over 30 years. His works are available from www.bandroom.com and as digital downloads.__________________________________
$30.00 ≈
27.96€
Concerto for Concert Band (2011) full score
Concerto for Concert Band (2011) full score
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score ...
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Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99 ≈
9.31€
Danny Boy for Concert Band -- Score
Danny Boy for Concert Band -- Score
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Concert band
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INTERMEDIATE/ADVANCED
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Benny G
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Benny G
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Danny Boy for Concert Band --
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Benny G.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1029321 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 17 pages. Benny...
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Concert Band - Level 4 - Digital Download SKU: A0.1029321 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 17 pages. Benny G. #4820863. Published by Benny G. (A0.1029321). The timeless Irish tune Londonderry Air comes alive in this bombasticarrangement for moderately-experienced wind band. Paying homage to brass bands ofthe British Isles, this piece features an expanded instrumentation with flugelhorn,separate baritone horn and euphonium parts, and optional Irish flute solos. A robustopening and fanfare (complete with simulated bagpipe drones in the low reeds andbrass) is followed by a brass choir and woodwind choir each reciting a verse. DannyBoy closes with a final exuberant refrain, full of the allure of the Emerald Isle.
$30.00 ≈
27.96€
Danny Boy for Concert Band -- Parts
Danny Boy for Concert Band -- Parts
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Concert band
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INTERMEDIATE/ADVANCED
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Benny G
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Benny G
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Danny Boy for Concert Band --
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Benny G.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1029322 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 42 pages. Benny...
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Concert Band - Level 4 - Digital Download SKU: A0.1029322 Composed by Benny G. Arranged by Benny G. Celtic,Folk,Holiday. Score and parts. 42 pages. Benny G. #4820875. Published by Benny G. (A0.1029322). The timeless Irish tune Londonderry Air comes alive in this bombasticarrangement for moderately-experienced wind band. Paying homage to brass bands ofthe British Isles, this piece features an expanded instrumentation with flugelhorn,separate baritone horn and euphonium parts, and optional Irish flute solos. A robustopening and fanfare (complete with simulated bagpipe drones in the low reeds andbrass) is followed by a brass choir and woodwind choir each reciting a verse. DannyBoy closes with a final exuberant refrain, full of the allure of the Emerald Isle.
$40.00 ≈
37.28€
Footprints in the Snow by Debussy arr. for flute choir / ensemble
Footprints in the Snow by Debussy arr. for flute choir / ensemble
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ray-Michael Kauffman , a doRay
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Footprints in the Snow by Debu
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as do Ray meflute studio production
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production...
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Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,Concert,Contemporary. Score and parts. 21 pages. As do Ray meflute studio production #3927235. Published by as do Ray meflute studio production (A0.874250). Https://youtu.be/_e_043JWML4Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Preludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow . The piece is one of four Debussy preludes in book # 1. Thought to be inspired by the hugely popular French impressionist painting , called Snow at Louveciennes, Debussy's inspiration from Russian composer Modest Mussorgsky is evident in this piece through his utilization of a block-like dissonant chord just before the middle part of the piece My own personal touches on this piece, included extended chord progression and formation with small variants on melody and counter melodies, Also, more importantly, the expression of the performers interpretation as well as my own for the creation and musically paint a magical snow scene.Arranged and scored for piccolo, 6 flutes in c, alto flute in g, bass flute , opt. contra bass flute and / or optional cello.Perfect for large and small ensembles. Perfect for winter concerts, prelude services, recitals, concerts. I thought this impressionist piece, much like the the famous french paintings are a perfect pairing for winter, snow days, and environmental effects . Obviously, this is a professional arrangement, and super difficult to find on SHeetMusicPLus , compared to so many other simple and basic , cookie-cutter formatted arrangementsThis arrangement, however is true professionally arranged and definitely will stand out and shine for you ensemble or choir.A must for flute choir libraries!!
$15.00 ≈
13.98€
Selections from Mahler’s “Veni Creator Spiritus” for Concert Band (Conductor’s Score)
Selections from Mahler’s “Veni Creator Spiritus” for Concert Band (Conductor’s Score)
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Gustav Mahler
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Robert L
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Selections from Mahler’s “
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Robert Anello
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1114090 Composed by Gustav Mahler. Arranged by Robert L. Anello. 20th Century,Romantic Period. Score an...
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Concert Band - Level 4 - Digital Download SKU: A0.1114090 Composed by Gustav Mahler. Arranged by Robert L. Anello. 20th Century,Romantic Period. Score and parts. 29 pages. Robert Anello #716008. Published by Robert Anello (A0.1114090). Gustav Mahler’s “Veni Creator Spiritus†was a new musical setting for the lyrics of a 9th century Latin hymn, originally sung as a Gregorian chant, as an invocation of the Holy Spirit during the celebration of the Christian Feast of Pentecost. This work would comprise the Part I of the symphony with Part II being a setting of the words from the closing scene of “Faust†by Johann Wolfgang von Goethe. Mahler envisioned the premiere of this new symphony, Number 8, as a massively grand spectacle, with an orchestra not only including strings but a large brass and woodwind section, eight soloists, two full adult choruses, and a children’s choir. The full complement for the premiere was 171 instrumentalists and 858 singers, a total of 1029 musicians, which inspired the promoter to advertise the work as “Symphony of a Thousand.†Part I, “Veni Creator Spiritus,†expresses the whole range of human emotions: grand statements expressing the awe of divine majesty alternate with gentle melodic lines of tender love. It combines moments of awesome dramatic tension with the lightness of a fugue. Robert Anello’s arrangement makes this exceptional music accessible to large concert bands while maintaining the essence and flow of Mahler’s original work.
$9.99 ≈
9.31€
Sousa Semper Fidelis (Flexible Band)
Sousa Semper Fidelis (Flexible Band)
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Concert band
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John Philip Sousa
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Randy Calistri-Yeh
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Sousa Semper Fidelis
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Custom Chamber Music
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.745475 Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Holiday,Patriotic,Traditional. Score and pa...
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Concert Band - Digital Download SKU: A0.745475 Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Holiday,Patriotic,Traditional. Score and parts. 77 pages. Custom Chamber Music #353404. Published by Custom Chamber Music (A0.745475). Semper Fidelis is one of John Philip Sousa's most popular marches. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for bands of all types (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
$15.00 ≈
13.98€
American Patriotic Music for All, Volume 1 (Flexible Band)
American Patriotic Music for All, Volume 1 (Flexible Band)
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Concert band
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INTERMEDIATE/ADVANCED
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score a...
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Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350874. Published by Custom Chamber Music (A0.742741). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00 ≈
41.94€
America the Beautiful - Concert Band (with Optional Strings) Score and Parts PDF
America the Beautiful - Concert Band (with Optional Strings) Score and Parts PDF
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Concert band
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EASY
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Samuel A
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Brendan Elliget MAGA 537
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America the Beautiful - Concer
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.750976 Composed by Samuel A. Ward (1848-1903). Arranged by Brendan Elliget MAGA 537. Folk,Patriotic. ...
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Full Orchestra - Level 2 - Digital Download SKU: A0.750976 Composed by Samuel A. Ward (1848-1903). Arranged by Brendan Elliget MAGA 537. Folk,Patriotic. Score and parts. 38 pages. BJE Music #5793315. Published by BJE Music (A0.750976). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for Concert Band [Key of Bb]. There is also an optional Piano Part (Not shown on the score) and well as Optional String Parts (Not shown on the score) for an orchestral arrangement. There are parts for Descant Trumpet and Horn in F in the last verse (the 3rd verse in the MP3 recording).The MP3 was recorded with NotePerformer 3 - There are 3 verses:1. Clarinets only then Flutes and Saxophones successively added during this 1st verse2. All Brass and Percussion added for the 2nd verse.3. Full Band with the Descant line played by a Solo Trumpet and Solo F Horn in the 3rd verseGrade = 2.5 Duration = 2:28 mins (3 verses)
$25.00 ≈
23.30€
Christmas Carols For Band or Brass Choir - 1st & 2nd F Horns (Band) (Concert Band)
Christmas Carols For Band or Brass Choir - 1st & 2nd F Horns (Band) (Concert Band)
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Concert band
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Christmas
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G
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Christmas Carols For Band or B
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Rubank Publications
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SheetMusicPlus
Concert Band or Brass Choir Concert Band, Brass Ensemble SKU: HL.4475720 1st & 2nd F Horns. Arranged by G. E. Holmes. Instrumental. Christmas. Min...
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Concert Band or Brass Choir Concert Band, Brass Ensemble SKU: HL.4475720 1st & 2nd F Horns. Arranged by G. E. Holmes. Instrumental. Christmas. Miniature part. 8 pages. Published by Rubank Publications (HL.4475720). UPC: 073999757200. 5.25x6.75x0.042 inches.Everyone's favorite folio for caroling and virtually any holiday gathering! The flexible instrumentation of these arrangements has made them the top choice of school and community ensembles since their first printing in 1941. Though titled “for band or brass choir,†the arrangements can be played by any combination of wind and percussion instruments. A full set is still economical with parts priced at $3.95 ($5.95 for conductor) - or if you need replacement copies for the well-worn set in your library.
Song List
: Away In A Manger The First Noel God Rest Ye Merry, Gentlemen Hark! The Herald Angels Sing Joy To The World O Christmas Tree O Holy Night Silent Night We Three Kings Of Orient Are O Sanctissima Jolly Old St. Nicholas March Of The Three Kings O Come, Little Children O Little Town Of Bethlehem It Came Upon The Midnight Clear While Shepherds Watched Their Flocks Jingle Bells Deck The Hall O Come, All Ye Faithful
$4.99 ≈
4.65€
Alabama State Song - Concert Band
Alabama State Song - Concert Band
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Concert band
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EASY
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Edna Grockel-Gussen
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Michael Myrick
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Alabama State Song - Concert B
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MICHAEL MYRICK
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.765577 Composed by Edna Grockel-Gussen. Arranged by Michael Myrick. Folk,Graduation,Holiday,Patriotic. ...
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Concert Band - Level 2 - Digital Download SKU: A0.765577 Composed by Edna Grockel-Gussen. Arranged by Michael Myrick. Folk,Graduation,Holiday,Patriotic. Score and parts. 82 pages. MICHAEL MYRICK #3379139. Published by MICHAEL MYRICK (A0.765577). Treat your audience to an incredible salute to the state of Alabama! Written for the celebration of the state's bicentennial, this arrangement pays tribute to the rich history of Alabama. A warm opening introduces this selection with the main thematic material stated by the woodwinds. Thematic material is developed throughout culminating in the singing of the official state song of Alabama. This arrangement is easily edited to fit your performance needs. SATB choir part sold separately. Available for Orchestra, Concert Band, SATB Choir, SSA Choir, and TTBB Choirhttps://youtu.be/IzF2Tuda0fM
$49.95 ≈
46.55€
Ave Verum Corpus for Concert Band and Optional Choir
Ave Verum Corpus for Concert Band and Optional Choir
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Concert band
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Diego Marani
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Ave Verum Corpus for Concert B
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Diego Marani
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.528107 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Sacred,Standards. Score...
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Concert Band - Level 3 - Digital Download SKU: A0.528107 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Sacred,Standards. Score and parts. 35 pages. Diego Marani #4745361. Published by Diego Marani (A0.528107). Ave verum corpus (Hail, true body), (K. 618), is a marvelous motet composed by Wolfgang Amadeus Mozart in 1791, six months before his death. It is a setting of the Latin hymn Ave verum corpus and was composed for the feast of Corpus Christi.This arrangement for Concert Band with Optional Choir includes the following parts: Flute, Oboe, Bassoon, Bb Clarinet 1-2-3, Bb Bass Clarinet, Eb Alto Saxophone 1-2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1-2-3, F/Eb Horn 1-2, C/Bb Trombone 1-2, C/Bb Baritone 1-2, C/Bb Tuba, String Bass, Choir (SATB).
$34.99 ≈
32.61€
'Ave Maria' - Raymond Fenech (For Concert Band, Soprano, Baritone and Choir)
'Ave Maria' - Raymond Fenech (For Concert Band, Soprano, Baritone and Choir)
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Concert band
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INTERMEDIATE/ADVANCED
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Raymond Fenech
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Raymond Fenech
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'Ave Maria' - Raymond Fenech
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Raymond Fenech
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.879776 Composed by Raymond Fenech. Arranged by Raymond Fenech. 20th Century,Latin,Sacred,Spiritual,Wedd...
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Concert Band - Level 4 - Digital Download SKU: A0.879776 Composed by Raymond Fenech. Arranged by Raymond Fenech. 20th Century,Latin,Sacred,Spiritual,Wedding. Score and parts. 58 pages. Raymond Fenech #486184. Published by Raymond Fenech (A0.879776). This is an original Ave Maria with Traditional Latin Lyrics, composed for Concert Band, Soprano, Baritone and Choir (two voices). The level is Intermediate/ advance Intermediate. You will also get an Optional piano score which could be used for rehearsing the Choir and voices. The duration of this Ave Maria is 7.05 minutes and it could be reduced to 4.35 minutes if you omit the repeat.
$40.00 ≈
37.28€
Christmas Day (Fantasy on Old Carols) by Gustav Holst - arranged for concert band
Christmas Day (Fantasy on Old Carols) by Gustav Holst - - concert band
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Concert band
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INTERMEDIATE
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Classical
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Contemporary
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Gustav Holst
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George Willson
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Christmas Day
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.927185 Composed by Gustav Holst. Arranged by George Willson. 20th Century,Christmas,Romantic Period. Sc...
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Concert Band - Level 3 - Digital Download SKU: A0.927185 Composed by Gustav Holst. Arranged by George Willson. 20th Century,Christmas,Romantic Period. Score and parts. 77 pages. George Willson #6645143. Published by George Willson (A0.927185). Written in 1910 and dedicated to the music students of Morley College, Gustav Holst wrote Christmas Day for choir and a sizable orchestra to perform a series of old Christmas carols. Themes and variants of In Dulci Jubilio (Good Christian Men Rejoice), God Rest Ye Merry Gentlemen, The First Nowell, and Come Ye Lofty, Come Ye Lonely are interwoven throughout the piece with Holst's clever craftsmanship, and although the composer and his heirs thought little of the work, it has enjoyed popularity as a seasonal choir piece. This setting revises the original orchestral/choir version note for note for the modern concert band with no concessions made except for some slight key shifts in consideration for band. This composer also likes featuring neglected sections, when possible, so the opening alto solo is arranged for a lone tuba to take before the piece opens up for everyone else.
$35.00 ≈
32.62€
Christmas Carols for Band or Brass Choir
Christmas Carols for Band or Brass Choir
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Concert band
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Christmas
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G
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Christmas Carols for Band or B
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Rubank Publications
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SheetMusicPlus
Concert Band or Brass Choir Concert Band, Brass Choir, Woodwind Ensemble, Brass Ensemble SKU: HL.4475820 Conductor. Arranged by G. E. Holmes. Inst...
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Concert Band or Brass Choir Concert Band, Brass Choir, Woodwind Ensemble, Brass Ensemble SKU: HL.4475820 Conductor. Arranged by G. E. Holmes. Instrumental. Christmas. Miniature part. 20 pages. Published by Rubank Publications (HL.4475820). UPC: 073999784800. 6.75x5.25x0.07 inches.Everyone's favorite folio for caroling and virtually any holiday gathering! The flexible instrumentation of these arrangements has made them the top choice of school and community ensembles since their first printing in 1941. Though titled “for band or brass choir,†the arrangements can be played by any combination of wind and percussion instruments. A full set is still economical with parts priced at $3.95 ($5.95 for conductor) - or if you need replacement copies for the well-worn set in your library.
Song List
: Away In A Manger The First Noel God Rest Ye Merry, Gentlemen Hark! The Herald Angels Sing Joy To The World O Christmas Tree O Holy Night Silent Night We Three Kings Of Orient Are O Sanctissima Jolly Old St. Nicholas March Of The Three Kings O Come, Little Children O Little Town Of Bethlehem It Came Upon The Midnight Clear While Shepherds Watched Their Flocks Jingle Bells Deck The Hall O Come, All Ye Faithful
$6.99 ≈
6.51€
All people that on earth do dwell (for choir and concert band)
All people that on earth do dwell (for choir and concert band)
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Concert band
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BEGINNER
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Sacred music
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Louis Bourgeoius
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Mark Armstrong
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All people that on earth do dw
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Seolta Music Limited
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1299502 Composed by Louis Bourgeoius. Arranged by Mark Armstrong. Religious,Sacred. Score and Parts. 27...
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Concert Band - Level 1 - Digital Download SKU: A0.1299502 Composed by Louis Bourgeoius. Arranged by Mark Armstrong. Religious,Sacred. Score and Parts. 27 pages. Seolta Music Limited #889375. Published by Seolta Music Limited (A0.1299502). Traditional well-loved hymn arranged for SATB choir and band by Mark Armstrong. Its composer, Louis Bourgeois (Loys Bourgeois) (c. 1510 to 1515 – 1559 or later) was a French composer and music theorist of the Renaissance. He is most famous as one of the main compilers of Calvinist hymn tunes in the middle of the 16th century. One of the most famous melodies in all of Christendom, the Protestant doxology known as the Old 100th, is commonly attributed to him.To browse all band and choir titles from Seolta Music please click here.
$30.00 ≈
27.96€
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