Download Digital Sheet Music of L Blues for Clarinet Quintet: 5 clarinets

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L Blues
Not classified 23

Piano & keyboards
Piano solo 728
Accordion 242
Piano, Vocal and Guitar 20
Piano, Voice 7
1 Piano, 4 hands 6

Easy Piano 5
C Instruments 5
Organ 2
Piano Trio: piano, violin, cello 1

+ 4 instrumentations

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Guitars
Bass guitar 195
Guitar 122
Guitar notes and tablatures 31
Ukulele 5
Ukulele Ensemble 4

Melody line, (Lyrics) and Chords 2

+ 1 instrumentations

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Voice
Voice solo 88
Choral 3-part 3
Vocal duet, Piano 1
Choral SATB 1
Choral SSAA 1

Choral 2-part 1

+ 1 instrumentations

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Woodwind
Saxophone 1,117
Clarinet 386
Flute 362
Recorder 26
Oboe 18

Alto Saxophone 10
Tenor Saxophone 8
Soprano Saxophone 5
Eb Instruments 4
Clarinet (band part) 3
Saxophone Quintet: 5 Saxophones 3
Clarinet Quintet: 5 clarinets 2

Saxophone (band part) 2
Saxophone Quartet: 4 saxophones 2
Saxophone and Piano 1
Clarinet and Piano 1
Oboe (band part) 1
Clarinet Quartet: 4 clarinets 1
Flute ensemble 1
Tenor Saxophone and Piano 1
Flute (band part) 1
Saxophone ensemble 1

+ 17 instrumentations

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Woodbrass
Trombone 339
Trumpet 330
French horn 16
Euphonium 14
Tuba 12

Bass Clef Instruments 6
Bb Instruments 3
Trumpet (band part) 3
Trombone (band part) 3
2 Tubas (duet) 2
2 Trombones (duet) 1
Tuba (band part) 1
Trombone ensemble 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass Quartet: 2 trumpets, 2 trombones 1

+ 10 instrumentations

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Strings
Violin 32
Viola 24
Cello 16
Cello, Piano 3
String Quartet: 2 violins, viola, cello 2

Violin (band part) 2
Viola, Piano 1
Violin, Cello (duet) 1
Doublebass (band part) 1
Violin and Piano 1
Viola (band part) 1

+ 6 instrumentations

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Drums 163
Concert band 41
Orchestra 29
Jazz Ensemble 9
Jazz combo 4

Percussion 2
School Ensemble 1
Chamber Orchestra 1
Percussion (band part) 1
Flexible Instrumentation 1

+ 5 instrumentations

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L Blues

Clarinet Quintet: 5 clarinets

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2 sheet music found

Clinch at midnight - Charleston/Two Step - Clarinet Quintet

Clinch at midnight - Charleston/Two Step - Clarinet Quintet #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Jazz #Thomas Graf #Thomas Graf #Clarinet in Eb (opt #Clinch at midnight - Charlesto #Thomas Graf - the-hit-factory.com #SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pa...(+)

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pages. Thomas Graf - the-hit-factory.com #6348639. Published by Thomas Graf - the-hit-factory.com (A0.569421). A top arrangement for your ensemble, simple key (D minor), funny melody (a pinch Muppet Show, a spoon Charleston, an associated shot ragtime, a little blues scale, its simple form (AABA) - a simple recipe your audience will love! Ein Top-Arrangement fÃ¼r Ihr Ensemble, einfache Tonart (D-minor), lustige Melodie (eine Prise Muppetshow, ein LÃ¶ffel Charleston, ein gehÃ¶riger Schuss Ragtime, ein wenig Blues-Scale, seine einfache Form (A-A-B-A) - ein einfaches Rezept, das Ihre ZuhÃ¶rer begeistern wird! Instrumentation: Clarinet in Eb (opt.), Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb/Eb (Alto), Clarinet 4 in Bb/Eb (Alto), Bass Clarinet in Bb , Drums (opt.) Format: Score and part are in letter format. Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .

$14.99 ≈ 13.81€

Watermelon Man for Clarinet Quintet & Opt. Drumset

Watermelon Man for Clarinet Quintet & Opt. Drumset #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Jazz #Herbie Hancock #Keith Terrett #Watermelon Man for Clarinet Qu #Music for all Occasions #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.

A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.

The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.

Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B

Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.

On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.

This version was often featured on The Weather Channel's Local on the 8s segments.

The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.

A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

$14.99 ≈ 13.81€