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some were not
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Piano, Vocal and Guitar 347
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Piano Quartet: piano, violin, viola, cello 2
Accordion ensemble 1
Harpsichord 1
Piano Quintet: piano, 2 violins, viola, cello 1
Accordion 1
Big Note Piano 1

+ 11 instrumentations

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Guitar 28
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Bass guitar 3
Dulcimer 2

2 Guitars (duet) 2
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Melody line, (Lyrics) and Chords 1
Piano, Guitar (duet) 1
4 Guitars (Quartet) 1
Lyrics and Chords 1
Banjo 1
Mandolin 1

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Choral SATB 48
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Alto voice, Piano 10
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Choral 2-part 4

Tenor voice 4
Choral Unison 4
Choral SSAA 4
Soprano voice, Piano 3
Vocal duet, Piano 2
Baritone voice, Piano 2
Choral SSATTB 1
Vocal duet 1
Medium voice, Piano 1
Soprano voice 1

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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 30
Saxophone Quartet: 4 saxophones 26
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Saxophone Quintet: 5 Saxophones 16

Flute 8
Clarinet Ensemble 7
Clarinet 7
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Alto Saxophone and Piano 7
Soprano Saxophone and Piano 6
Flute, Oboe, Clarinet, Bassoon 5
Oboe, Piano (duet) 5
Flute ensemble 5
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Clarinet Quartet: 4 clarinets 4
Clarinet and Piano 3
Flute Quartet: 4 flutes 3
Flute Trio: 3 flutes 3
Flute Quintet : 5 flutes 3
3 Saxophones (trio) 3
Baritone Saxophone, Piano 2
Flute, Oboe, Clarinet (trio) 2
2 Flutes (duet) 2
Flute, harp and violin 2
Flute, Clarinet (duet) 1
Flute, Clarinet and Bassoon. 1
Descant (Soprano) Recorder 1
Oboe, Harp 1
Clarinet, Harp (duet) 1
Bass Clarinet 1
2 Clarinets, Piano 1
Soprano Saxophone 1
Treble (Alto) Recorder, Piano 1
2 Saxophones (duet) 1
Clarinet Quintet: 5 clarinets 1
English horn, Piano 1
Tenor Saxophone and Piano 1
Bass Clarinet, Piano 1
Saxophone and Organ 1
Piccolo 1

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Brass Quintet: 2 trumpets, horn, trombone, tuba 22
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Trumpet ensemble 4
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Tuba and Piano 1
Tuba (band part) 1
Trumpet, Trombone (duet) 1
4 Tubas 1
English horn, Piano 1
2 Trumpets (duet) 1

+ 16 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 33
String Trio: violin, viola, cello 23
Harp 19
Violin 13
Violin and Piano 9

Viola, Piano 8
2 Violins (duet) 6
Cello, Piano 6
Violin, Cello (duet) 5
String Trio: 2 violins, cello 3
Viola ensemble 3
Violin ensemble 3
Cello 3

Viola 3
4 Cellos 2
Harp, Flute (duet) 2
String Quintet: 2 violins, viola, cello, bass 2
Double bass, Piano (duet) 2
Harp, Voice 2
Cello Ensemble 1
Harp and Piano 1
String Quartet : 4 violas 1
Violin, Clarinet, Piano (trio) 1
String Trio: 3 cellos 1
String quartet: 4 violins 1
4 Double Basses 1

+ 21 instrumentations

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String Orchestra 26
Brass ensemble 13
Chamber Orchestra 11
Orchestra 9

Jazz Ensemble 6
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Percussion Ensemble 2
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Paregamutiun [cello solo] (suite of 4 pieces)

Paregamutiun [cello solo] (suite of 4 pieces) #Cello #EASY #Juan MarÃa Solare #Paregamutiun [cello solo] #Juan Maria Solare #SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 p...(+)

Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). ParegamutiÃºn (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, ParegamutiÃºn, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (HayastÃ¡n: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) DziranÃ Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirÃ¡n is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.ï»¿4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com

$10.00 ≈ 8.96€

Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello

Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello #Cello #ADVANCED #Classical #Jean Daniel Braun #Adam Riggs #Jean Daniel Braun: 5 Unaccompa #AR Publications #SheetMusicPlus

Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications...(+)

Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2]

These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.

There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello.

[1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011
[2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740

Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas

Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982

$25.00 ≈ 22.39€

The Unforgiven

The Unforgiven #Cello #EASY #Metallica #Aaron Sinnett #The Unforgiven #Aaron Sinnett #SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1375969 By Metallica. By James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Aaron Sinnett. 20th C...(+)

Cello Solo - Level 2 - Digital Download SKU: A0.1375969 By Metallica. By James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Aaron Sinnett. 20th Century,Rock. Individual part. 4 pages. Aaron Sinnett #960521. Published by Aaron Sinnett (A0.1375969). The key signature is the same as the original.The melody has been simplified to reduce the amount of syncopation. This makes it immediately more accessible to earlier-level players. The melody also features twice. First, it is presented quite low in register, entirely in the first position; Second, it is raised up one octave to where it is found in the fourth position and lower.The cue notes were written with the intent to be played. So, have at them if you so choose. If you are intermediate level all of the notes on the page are manageable.This is a cello only version.If you are still working out some technique, leave out the cue notes (and higher melodyâ€”the second verse. The melody could be played twice in either the low or high register depending on your level.) Later, come back for those notes and passages that are more difficult after achieving the requisite skills.In general, I think that Metallicaâ€™s songs lend well to the celloâ€™s register. I hope this will be a good experience for all.

$5.99 ≈ 5.36€