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We Can Work It Out
Not classified 162

Piano & keyboards
Piano solo 67
Piano, Vocal and Guitar 33
Piano, Voice 22
2 Pianos, 4 hands 22
Easy Piano 13

C Instruments 12
Organ 4
Big Note Piano 3
Piano Quartet: piano, violin, viola, cello 2

Organ, Piano (duet) 1
Piano Trio: piano, violin, cello 1
Piano Accompaniment 1
1 Piano, 4 hands 1

+ 8 instrumentations

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Guitars
Guitar notes and tablatures 24
Guitar 13
Melody line, (Lyrics) and Chords 12
Ukulele 6
Bass guitar 6

Lyrics and Chords 3
4 Guitars (Quartet) 1
Banjo 1
Dulcimer 1

+ 4 instrumentations

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Voice
Choral SATB 41
Choral 3-part 12
Choral 2-part 7
Choral SSAA 5
Choral TTBB 2

Vocal duet, Piano 1
Choral SSATTB 1

+ 2 instrumentations

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Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 22
Clarinet Quartet: 4 clarinets 7
Saxophone (band part) 6
Saxophone Quartet: 4 saxophones 6
Clarinet 6

Alto Saxophone 6
Tenor Saxophone 5
Tenor Saxophone and Piano 5
Descant (Soprano) Recorder 4
Clarinet and Piano 4
Flute 4
Baritone Saxophone, Piano 3
Oboe, Piano (duet) 3
Flute and Piano 3
Clarinet Ensemble 3
Alto Saxophone and Piano 3
Soprano Saxophone and Piano 3
Harmonica 2
Flute, Oboe, Clarinet, Bassoon 2
Baritone Saxophone 2
2 Flutes (duet) 2
Soprano Saxophone 2
Flute ensemble 2
English horn, Harp (duet) 1
Oboe 1
Treble (Alto) Recorder, Piano 1
Clarinet Quintet: 5 clarinets 1
Ocarina 1
Clarinet, Harp (duet) 1

+ 24 instrumentations

- Retract

Woodbrass
Trumpet 8
Trombone 5
Trombone (band part) 4
Trumpet (band part) 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 3

Trumpet, Trombone (duet) 3
French horn 3
Brass Quartet: 2 trumpets, horn, trombone 2
2 Trombones (duet) 2
French Horn and Piano 2
2 Trumpets (duet) 2
Trombone and Piano 2
4 Tubas 2
Trumpet, Piano 2
Brass Quartet: 4 trombones 2
2 Tubas (duet) 2
English horn, Harp (duet) 1
Euphonium, Piano (duet) 1
Trumpet, Euphonium (duet) 1
Tuba and Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trumpet ensemble 1

+ 17 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 25
Violin 6
Viola, Piano 6
Viola 6
Cello 4

Cello, Piano 3
Harp, Flute (duet) 2
Violin, Viola (duet) 2
Violin and Piano 2
Violin, Cello (duet) 2
String Quintet: 2 violins, viola, cello, bass 2
Cello (band part) 1
Double Bass 1
4 Double Basses 1
Double bass, Piano (duet) 1
Harp 1
String Trio: 3 cellos 1
Viola (band part) 1
String Trio: violin, viola, cello 1

+ 14 instrumentations

- Retract

Percussion & orchestra
Concert band 17
Brass ensemble 16
String Orchestra 8
Orchestra 7
Jazz Ensemble 5

Chamber Orchestra 3
Percussion Ensemble 3
Jazz combo 3
Drums 2
Xylophone 2
Handbells 2
Orchestra, Violin 1
Piano and Orchestra 1

+ 8 instrumentations

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Piano Quartet: piano, violin, viola, cello

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Pachelbel: Canon in D for Piano Quartet

Pachelbel: Canon in D for Piano Quartet #Piano Quartet: piano, violin, viola, cello #INTERMEDIATE #Classical #Johann Pachelbel #James M #Pachelbel: Canon in D for Pian #jmsgu3 #SheetMusicPlus

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instruction...(+)

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.

$46.95

O Come All Ye Faithful for Piano Quartet

O Come All Ye Faithful for Piano Quartet #Piano Quartet: piano, violin, viola, cello #BEGINNER #Christmas #Wade #James M #O Come All Ye Faithful for Pia #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Pub...(+)

Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â

$24.95