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I'm Good
Not classified 96

Piano & keyboards
Piano solo 77
Piano, Vocal and Guitar 66
Piano, Voice 46
Easy Piano 28
Organ 13

C Instruments 7
Piano Quartet: piano, violin, viola, cello 2
Accordion 2
Piano Accompaniment 1
Big Note Piano 1
Piano Trio: piano, violin, cello 1

+ 6 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 128
Guitar notes and tablatures 21
Bass guitar 11
Lyrics and Chords 9
Guitar 7

Ukulele 4
Banjo 1

+ 2 instrumentations

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Voice
Choral SATB 36
Choral TTBB 15
Choral 3-part 14
Choral 2-part 6
Choral SSAA 5

Vocal duet 2
Soprano voice, Piano 1
Voice solo 1

+ 3 instrumentations

- Retract

Woodwind
Saxophone 17
Saxophone (band part) 16
Flute 8
Clarinet 7
Saxophone Quartet: 4 saxophones 7

Alto Saxophone 6
Flute, Oboe, Clarinet, Bassoon 5
Oboe (band part) 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Flute and Piano 2
Tenor Saxophone and Piano 2
Clarinet and Piano 2
Bass Clarinet, Piano 1
Clarinet Quartet: 4 clarinets 1
Alto Saxophone and Piano 1
Flute Quartet: 4 flutes 1
Soprano Saxophone and Piano 1
Flute ensemble 1
Oboe, Piano (duet) 1
Descant (Soprano) Recorder 1
Baritone Saxophone, Piano 1
English horn, Piano 1

+ 17 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Trumpet 5
Trombone 5
Tuba 4
Brass quartet : 2 trumpets, trombone, tuba 4

French horn 3
Euphonium 2
Trombone and Piano 2
Euphonium, Piano (duet) 1
Trumpet (band part) 1
Brass Quartet 1
Brass Quartet: 4 trombones 1
Tuba and Piano 1
Brass Quartet: 2 trumpets, horn, trombone 1
English horn, Piano 1

+ 10 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 20
Violin 13
Cello (band part) 7
Harp 4
Viola 4

String Trio: 2 violins, cello 4
Viola (band part) 3
Violin, Cello (duet) 3
4 Cellos 3
Viola, Piano 3
String Quintet: 2 violins, viola, cello, bass 3
Violin and Piano 3
String Trio: violin, viola, cello 3
2 Cellos (duet) 2
String Quartet : 4 violas 1
String quartet: 4 violins 1
Violin, Guitar (duet) 1
String trio 1
String Trio: 3 cellos 1

+ 14 instrumentations

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Percussion & orchestra
Jazz Ensemble 25
Drums 15
Orchestra 9
Jazz combo 8
Brass ensemble 6

String Orchestra 3
Concert band 2
Chamber Orchestra 2

Percussion Ensemble 1
Handbells 1

+ 5 instrumentations

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I'm Good

Chamber Orchestra

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2 sheet music found

Homage to Sibelius

Homage to Sibelius #Chamber Orchestra #INTERMEDIATE/ADVANCED #Stanley M Hoffman #Homage to Sibelius #stanleymhoffman.com #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanley...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music.Â I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature.Â Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master.Â More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by Â Stanley M. Hoffman (b. 1959 [BMI])Â Inspired by the Music of Jean Sibelius (1865â€“1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:Â© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved. Â The sheet music is available from the composer and from Sheet Music Plus.

$103.50 ≈ 96.84€

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) #Chamber Orchestra #ADVANCED #Classical #Georg Philipp Telemann #Sneakwood Editions #TELEMANN – VIOLIN CONCERTO I #Sneakwood Editions #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÃœu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in â€˜La Bizarreâ€™ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called â€˜Relingâ€™ in certain regions of Germany, whence the concertoâ€™s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, â€˜a-a, a-aâ€™, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins â€˜forgetâ€™ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemannâ€™s music. If we knew that a satirist was at work in this â€˜Relingeâ€™ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos â€˜smack of Franceâ€™ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all â€˜sullen old heartâ€™ a little joke at the expense of the relevant concertos of a certain Italian composerâ€¦ â€“ Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com

$18.00 ≈ 16.84€