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The Sonata no
Not classified 526

Piano & keyboards
Piano solo 438
Easy Piano 61
Organ 22
Piano, Voice 9
1 Piano, 4 hands 6

Harpsichord 5
C Instruments 4
Piano, Vocal and Guitar 3
Piano Trio: piano, violin, cello 3

2 Pianos, 4 hands 2
Piano Accompaniment 2
Piano Quartet: piano, violin, viola, cello 1
Piano Quartet: piano, 2 violins, cello 1
Big Note Piano 1

+ 9 instrumentations

- Retract

Guitars
Guitar 47
Guitar notes and tablatures 22
Piano, Guitar (duet) 9
2 Guitars (duet) 6
Ukulele 3

Guitar Ensemble 2
Banjo 2
4 Guitars (Quartet) 1
3 Guitars (trio) 1

+ 4 instrumentations

- Retract

Voice
Choral SATB 3

Woodwind
3 Saxophones (trio) 67
Flute and Piano 56
Flute, Oboe, Clarinet (trio) 50
3 Clarinets (trio) 49
Flute, Oboe, Bassoon 47

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 45
Flute, Clarinet and Bassoon. 42
Clarinet and Piano 38
2 Flutes (duet) 35
Flute, Violin and Violoncello 27
2 Saxophones (duet) 24
2 Clarinets, Bassoon 21
Flute Trio: 3 flutes 21
2 Clarinets (duet) 21
Alto Saxophone and Piano 20
Oboe, Piano (duet) 19
Flute 18
Saxophone Quartet: 4 saxophones 18
Tenor Saxophone and Piano 16
Clarinet 15
Saxophone ensemble 14
2 Recorders (duet) 13
Soprano Saxophone and Piano 13
Saxophone Quintet: 5 Saxophones 13
Flute, Oboe, Clarinet, Bassoon 13
Baritone Saxophone, Piano 10
Clarinet Quartet: 4 clarinets 9
Flute and Guitar 8
Bass Clarinet, Piano 8
Oboe, Clarinet, Bassoon (trio) 8
Clarinet Ensemble 6
Oboe, Bassoon (duet) 6
English horn, Piano 6
Flute, Violoncello 6
Flute, Clarinet (duet) 5
Treble (Alto) Recorder, Basso continuo 5
Clarinet and Viola 5
Flute, Viola (duet) 5
Clarinet Quintet: 5 clarinets 5
2 Oboes (duet) 4
Flute, harp and violin 4
2 Oboes and Basson 3
Recorder, Piano 3
Alto Saxophone 3
Flute Quartet: 4 flutes 3
Flute ensemble 3
3 Recorders (trio) 3
Saxophone 2
Piccolo, Piano 2
2 English horns and Pianoforte 2
Clarinet, Guitar (duet) 2
Flute Quintet : 5 flutes 2
English Horn, Guitar (duet) 2
Clarinet, Harp (duet) 1
Saxophone and Guitar 1
Descent (Soprano) Recorder, Piano 1
Recorder 1
English horn, Harp (duet) 1
2 Flutes, Piano 1
Clarinet, Bassoon (duet) 1
Oboe, Harp 1
Flute, Basso continuo 1
Descant (Soprano) Recorder 1
5 Recorders 1
Harmonica 1
Saxophone, Clarinet (duet) 1
Flute, Saxophone (duet) 1
Clarinet, Cello (duet) 1
Oboe (band part) 1
Pennywhistle 1
Recorder Quartet 1
Flute, Violin 1

+ 67 instrumentations

- Retract

Woodbrass
Trombone and Piano 26
Brass quartet : 2 trumpets, trombone, tuba 18
Trumpet, Piano 18
Brass Quintet: 2 trumpets, horn, trombone, tuba 17
French Horn and Piano 17

Euphonium, Piano (duet) 15
French horn 11
2 Trumpets (duet) 10
2 French horns (duet) 10
2 Trombones (duet) 9
Tuba and Piano 7
English horn, Piano 6
Brass Quartet 4
Trumpet 3
3 Trombones (trio) 3
Trombone ensemble 3
Trumpet, Trombone (duet) 3
2 Tubas (duet) 3
2 Euphoniums (duet) 3
Trumpet ensemble 2
2 English horns and Pianoforte 2
Trombone 2
English Horn, Guitar (duet) 2
Brass Quartet: 4 trombones 2
3 Trumpets (trio) 1
English horn, Harp (duet) 1
Brass Quartet: 4 trumpets 1
4 Tubas 1
Tuba 1
3 French horns (trio) 1
Trombone, Horn (duet) 1
3 Tubas (trio) 1
Trumpet, Horn (duert) 1
Brass Trio 1
Euphonium, Tuba (duet) 1
Brass Quartet: 2 trumpets, horn, trombone 1
Horn Ensemble 1
Trumpet (band part) 1

+ 33 instrumentations

- Retract

Strings
Violin and Piano 127
String Quartet: 2 violins, viola, cello 74
Violin 46
Cello, Piano 42
Viola, Piano 40

2 Violins (duet) 29
String Trio: violin, viola, cello 24
2 Cellos (duet) 19
Violin, Viola (duet) 18
Violin, Cello (duet) 17
Cello 16
2 Violas (duet) 15
String Trio: 3 violins 12
Cello, String Bass (duet) 12
Harp 10
String Quintet: 2 violins, viola, cello, bass 8
String Trio: 3 cellos 8
String Trio: 2 violins, cello 7
2 Violins, Piano 7
Viola, Cello (duet) 7
Viola 6
Violoncello, Basso continuo 5
Flute, Doublebass (duet) 5
4 Cellos 5
Double bass, Piano (duet) 5
Violin (band part) 5
Viola, Guitar (duet) 3
2 Double basses (duet) 3
Harp, Flute (duet) 3
String trio 3
Violin, Basso continuo 3
Viola (band part) 2
Viola ensemble 1
Cello Ensemble 1
String Quartet : 4 violas 1
String Trio: 3 violas 1
2 Harps (duet) 1
Cello, Guitar (duet) 1
String quartet: 4 violins 1
Violin ensemble 1
Double Bass 1
Harp, Cello (duet) 1
Harp, Violin (duet) 1
Doublebass (band part) 1
Piano Trio: Violin, Viola, Piano 1
Viola and Harp 1

+ 41 instrumentations

- Retract

Percussion & orchestra
String Orchestra 45
Orchestra 20
Chamber Orchestra 13
Brass ensemble 4
Concert band 4

Jazz Ensemble 3
2 Xylophones 2
Xylophone 1

+ 3 instrumentations

- Retract

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The Sonata no

Piano Trio: piano, violin, cello

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3 sheet music found

Piano Trio in C minor, Op. 143

Piano Trio in C minor, Op. 143 #Piano Trio: piano, violin, cello #INTERMEDIATE #Classical #Ferdinand Ries #Dianne James #Piano Trio in C minor, Op. 143 #Artaria Editions #SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...(+)

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.

$37.00 ≈ 33.14€

Christmas Trio No. 2

Christmas Trio No. 2 #Piano Trio: piano, violin, cello #ADVANCED #Christmas #15th Century Traditional, 17 #Graham Yates #Christmas Trio No. 2 #Graham Yates #SheetMusicPlus

Piano Trio - Advanced - Digital Download Composed by 15th Century Traditional, 17th Century Traditional, 19th Century Traditional, Adolphe Adam. Arra...(+)

Piano Trio - Advanced - Digital Download Composed by 15th Century Traditional, 17th Century Traditional, 19th Century Traditional, Adolphe Adam. Arranged by Graham Yates. Contemporary Classical, Christian, Blues, Christmas, Pop. Score, Set of Parts. 29 pages. Published by Graham Yates
A medley of four Christmas carols of French Origin: Noël nouvelet (Sing We Now of Christmas), Un flambeau, Jeanette, Isabelle (Bring a Torch, Jeanette, Isabelle), Il est né, le divin enfant (He Is Born, the Holy Child), and Minuit, chrétiens (O Holy Night). Arranged as a "fantasy-sonata" the first movement is driving, the second is a sweet lilting waltz, the third is a lighthearted take on the melody that alternates between "jaunty" and "solemn" (briefly employing bitonal harmonization) before launching into a blues variation. The finale is a "slow R&B" reimagining of O Holy Night that can be thought of somewhat as the love ballad reprise at the end of a Disney movie.

The trio lasts 9 minutes, and is suitable as a prelude or postlude for a church service or as part of a holiday recital. The difficulty is advanced, though the writing is simple enough that it should be able to be put together with minimal rehearsal time.

For more information, please contact graham.yates@gmail.com

$14.99 ≈ 13.42€

Piano Trio in E flat major, Op. 2

Piano Trio in E flat major, Op. 2 #Piano Trio: piano, violin, cello #INTERMEDIATE #Classical #Ferdinand Ries #Dianne James #Piano Trio in E flat major, Op #Artaria Editions #SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Art...(+)

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.

$37.00 ≈ 33.14€