Download Digital Sheet Music of Just As I Am, Without One Plea for String Quartet: 2 violins, viola, cello

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Just As I Am, Without One Plea
Not classified 10

Piano & keyboards
Piano solo 8
Organ 6
Easy Piano 3
Piano, Voice 3
Piano, Vocal and Guitar 1

Guitars
Guitar notes and tablatures 1

Voice
Choral SATB 4
Choral 2-part 3
Choral 3-part 2
Vocal duet 1
Vocal duet, Piano 1

Woodwind
Saxophone (band part) 6
Oboe (band part) 2
Alto Saxophone 2
Clarinet 2
Flute 2

Clarinet Quartet: 4 clarinets 1
2 Flutes, Piano 1
Clarinet, Cello (duet) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute, Violin 1

+ 5 instrumentations

- Retract

Woodbrass
Trombone 2
Euphonium 2
Trumpet 2
Brass Quartet: 2 trumpets, horn, trombone 1
French horn 1

Brass quartet : 2 trumpets, trombone, tuba 1
Tuba 1

+ 2 instrumentations

- Retract

Strings
Viola 2
String Quartet: 2 violins, viola, cello 2

Violin, Viola (duet) 2
Violin 2
Violin, Cello (duet) 1

Cello (band part) 1
Cello 1
2 Violins, Piano 1
Viola, Cello (duet) 1

+ 4 instrumentations

- Retract

Percussion & orchestra
Concert band 1

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Just As I Am, Without One Plea

String Quartet: 2 violins, viola, cello

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2 sheet music found

America's Favorite Hymns arranged for Strings

America's Favorite Hymns - Strings
#String Quartet: 2 violins, viola, cello #EASY #Sacred music #Various #America's Favorite Hymns - Str #Colin Kirkpatrick Publications #SheetMusicPlus

String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship,...(+)

String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship, General Worship. Score, Set of Parts. 127 pages. Published by Colin Kirkpatrick Publications
This is an essential item for any string ensemble, whether string quartet or string orchestra. The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. The parts include 1st violin, 2nd violin, viola, cello and bass. You can brighten the tone quality by getting the more advanced violin players play an octave higher than the written part. (You can hear this effect in the audio demos.) The cello and bass parts appear on a single staff but there?s also a melody part provided in the bass clef should you require a cello or double bass solo. Of course, you can use any number of instruments to a particular part. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in string-friendly keys, the arrangements are not usually compatible with the brass and wind collections of the same title.

The collection includes the following titles: A Mighty Fortress Is Our God (Ein? Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Top¬la¬dy); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be the Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).

The audio demo contains the following titles (1) Abide with Me; (2) Nearer my God to Thee; (3) Be Thou my Vision and (4) What a Friend we have in Jesus.

$15.99 ≈ 14.83€

Jacques Leguerney: String Quartet in D for two violins, viola and cello

Jacques Leguerney: String Quartet in D for two violins, viola and cello #String Quartet: 2 violins, viola, cello #ADVANCED #Contemporary #Jacques Leguerney #II. Intermezzo #Jacques Leguerney: String Quar #Musik Fabrik Music Publishing #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor Ã cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist ThÃ©rÃ¨se Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor Ã cordes (inÃ©dit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor Ã cordes en rÃ© mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor Ã cordes en rÃ© mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??AcadÃ©mie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of FaurÃ©, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor Ã cordes en rÃ© mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.

$38.95 ≈ 36.12€