Download Digital Sheet Music of Michael Story for Handbells

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Michael Story
Not classified 147

Piano & keyboards
Piano solo 74
Piano Accompaniment 53
Piano, Vocal and Guitar 23
Piano (band part) 16
Piano, Voice 16

C Instruments 14
Easy Piano 12
Organ, Piano (duet) 2
Organ 1
1 Piano, 4 hands 1

+ 5 instrumentations

- Retract

Guitars
Guitar (band part) 54
Electric Bass (band part) 15
Guitar notes and tablatures 5
Guitar 2
Baritone Ukulele 1

Voice
Choral SATB 31
Choral 3-part 8
Choral 2-part 5
Choral SSAA 5
Choral Unison 3

Choral TTBB 2
Soli, Mixted choir and accompaniment 1
Alto voice, Piano 1

+ 3 instrumentations

- Retract

Woodwind
Saxophone (band part) 819
Clarinet (band part) 639
Flute (band part) 270
Oboe (band part) 212
Flute 10

Alto Saxophone 5
Flute and Piano 5
Oboe 4
Clarinet 3
Saxophone 2
Oboe, Piano (duet) 2
Flute Quartet: 4 flutes 2
3 Saxophones (trio) 1
Clarinet Quartet: 4 clarinets 1
Saxophone Quintet: 5 Saxophones 1
Clarinet Ensemble 1
Flute ensemble 1

+ 12 instrumentations

- Retract

Woodbrass
Trombone (band part) 590
Tuba (band part) 379
Trumpet (band part) 346
French horn (band part) 291
Tuba 59

French horn 23
Trombone 14
Tuba or Euphonium or Saxhorn 9
Trumpet 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass quartet : 2 trumpets, trombone, tuba 1

+ 6 instrumentations

- Retract

Strings
Violin (band part) 173
Doublebass (band part) 92
Cello (band part) 59
Viola 36
Viola (band part) 18

String Quartet: 2 violins, viola, cello 11
Violin, Cello (duet) 6
Violin 5
String Trio: 2 violins, cello 5
String Trio: violin, viola, cello 3
Cello, Piano 2
Violin and Piano 2
Cello 1
2 Violins (duet) 1
Violin, Viola (duet) 1
Harp 1

+ 11 instrumentations

- Retract

Percussion & orchestra
Concert band 2,711
Percussion (band part) 535
String Orchestra 179
Percussion 140
Timpani (band part) 122

Drum (band part) 103
Marching band 92
Orchestra 81
Jazz Ensemble 43
Drums 2
Handbells 2

Jazz combo 2
Xylophone 1

+ 8 instrumentations

- Retract

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International Artists :
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Michael Story

Handbells

Sheetmusic to print

2 sheet music found

Taste and See - Handbell Score

Taste and See - Handbell Score #Handbells #EASY #Christmas #Michael Helman #Good King Wenceslas #Taste and See - Handbell Score #Chorister's Guild - Digital #SheetMusicPlus

3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB409 Composed by Michael Helman. Holy Communion. Score. 12 pages. Chorister's Guild -...(+)

3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB409 Composed by Michael Helman. Holy Communion. Score. 12 pages. Chorister's Guild - Digital #CGB409. Published by Chorister's Guild - Digital (C7.CGB409). UPC: 749193010433.Beginning with a stately announcement of Christ's birth, this medley of carols moves gracefully from tune to tune as it tells the story of the nativity. The carols included are He Is Born; Good King Wenceslas; O Come, Little Children; and Good Christian Friends, Rejoice. The medley is further enhanced by the use of chimes and various handbell techniques, such as shake, ring touch, and pluck or mallets.

$4.95 ≈ 4.63€

Caravan

Caravan #Handbells #ADVANCED #Jazz #Duke Ellington and his Orchest #Michael Gancz #Caravan #Michael Gancz #SheetMusicPlus

Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Ti...(+)

Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositionsâ€”although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hitâ€”jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58â€“59.

$5.00 ≈ 4.68€