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jmsgu3
Not classified 963

Piano & keyboards
Piano Quartet: piano, violin, viola, cello 52
Piano solo 31
Piano Trio: piano, violin, cello 28
Organ 23
Piano Quintet: piano, 2 violins, viola, cello 6

Easy Piano 4

+ 1 instrumentations

- Retract

Guitars
Piano, Guitar (duet) 7
Guitar notes and tablatures 2
Guitar 2

Voice
Choral SATB 6

Woodwind
Flute and Piano 297
Clarinet and Piano 189
2 Saxophones (duet) 186
Oboe, Piano (duet) 183
Alto Saxophone and Piano 157

Soprano Saxophone and Piano 147
2 Flutes (duet) 145
Tenor Saxophone and Piano 145
Baritone Saxophone, Piano 142
2 Clarinets (duet) 117
Bass Clarinet, Piano 117
English horn, Piano 99
Clarinet 88
2 Oboes (duet) 58
Saxophone Quartet: 4 saxophones 43
3 Saxophones (trio) 28
3 Clarinets (trio) 27
Clarinet Quartet: 4 clarinets 15
Flute ensemble 15
2 English horns and Pianoforte 14
Flute Trio: 3 flutes 14
Clarinet, Cello (duet) 13
Oboe, Bassoon (duet) 13
Piccolo, Piano 12
Flute, Violoncello 12
Oboe, Harp 8
Clarinet, Harp (duet) 8
Clarinet Ensemble 7
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 7
Oboe, Cello 6
Flute Quartet: 4 flutes 6
Flute, Viola (duet) 4
Saxophone ensemble 4
Flute, Oboe (duet) 4
Flute 4
Treble (Alto) Recorder, Piano 3
Flute, Oboe, Clarinet, Bassoon 3

Saxophone and cello 3
Flute, Clarinet (duet) 3
Recorder, Piano 3
Saxophone and Harp 2
Flute, Violin 2
English horn, Harp (duet) 2
Baritone Saxophone 2
Flute, Violin and Violoncello 2
Bass Clarinet 2
Saxophone, Bassoon (duet) 2
Alto Saxophone 2
Saxophone Quintet: 5 Saxophones 1
Flute, Bassoon, and Piano 1
Flute, Clarinet, Piano (trio) 1
Flute and Strings Trio 1
Saxophone and Piano 1
2 Oboes, Piano 1
Soprano Saxophone 1
Oboe 1
Flute, Cello, Piano (trio) 1
Clarinet, Bassoon (duet) 1
Descent (Soprano) Recorder, Piano 1
2 Flutes, Piano 1
2 Oboes and Basson 1
Tenor Saxophone 1
Clarinet, Violin (duet) 1
Oboe and viola (duet) 1

+ 59 instrumentations

- Retract

Woodbrass
Euphonium, Piano (duet) 135
French Horn and Piano 115
Trombone and Piano 115
English horn, Piano 99
Trumpet, Piano 83

2 French horns (duet) 60
Tuba and Piano 56
Trumpet 44
2 Trombones (duet) 41
2 Trumpets (duet) 36
2 Euphoniums (duet) 36
Brass Quintet: 2 trumpets, horn, trombone, tuba 28
2 Tubas (duet) 15
2 English horns and Pianoforte 14
Trumpet, Trombone (duet) 6
Brass Trio 5
French horn 5
Horn, Cello (duet) 5
3 Trombones (trio) 5
Euphonium, Tuba (duet) 4
Trombone ensemble 4
Tuba and Organ 3
Brass Quartet: 4 trombones 3
Brass quartet : 2 trumpets, trombone, tuba 3
English horn, Harp (duet) 2
Brass Quartet: 2 trumpets, horn, trombone 2
Euphonium 2
Tuba 2
Trombone, Tuba (duet) 2
Bass Trombone and Piano 2
Trumpet, Cello (duet) 1
Bass Trombone 1
Trumpet, Tuba (duet) 1
Brass Quartet: 4 horns 1
3 French horns (trio) 1

+ 30 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 284
Violin and Piano 180
Cello, Piano 163
Viola, Piano 155
String Trio: violin, viola, cello 96

2 Cellos (duet) 66
2 Violins (duet) 62
2 Violas (duet) 61
Violin, Cello (duet) 22
2 Double basses (duet) 16
Viola, Cello (duet) 15
Violin, Viola (duet) 14
Harp, Flute (duet) 14
Harp 13
Cello (band part) 12
Harp, Violin (duet) 8
Cello 8
Violin 7
String trio 5
4 Cellos 4
String Trio: 3 cellos 4
Harp, Cello (duet) 3
Cello, String Bass (duet) 3
String Trio: 2 violins, cello 3
Viola 2
Viola and Harp 2
String Quartet : 4 violas 2
Cello Ensemble 2
String Trio: 2 violins, viola 1
Viola (band part) 1
Cello, Organ 1
Double bass, Piano (duet) 1
Violin, Organ 1

+ 28 instrumentations

- Retract

Percussion & orchestra
String Orchestra 117
Brass ensemble 23
Concert band 13
Chamber Orchestra 9
Orchestra 8

Handbells 4
Vibraphone 1

+ 2 instrumentations

- Retract

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jmsgu3

Flute, Oboe, Clarinet, Bassoon

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3 sheet music found

Beethoven: Three Equali WoO 30 for Double Reed Quartet

Beethoven: Three Equali WoO 30 for Double Reed Quartet #Flute, Oboe, Clarinet, Bassoon #EASY #Classical #Ludwig van Beethoven #James Guthrie, ASCAP #Beethoven: Three Equali WoO 30 #jmsgu3 #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.551808 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christ...(+)

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.551808 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. 17 pages. Jmsgu3 #5722789. Published by jmsgu3 (A0.551808). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver GlÃ¶ggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet

$29.95 ≈ 27.48€

Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only

Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only #Flute, Oboe, Clarinet, Bassoon #EASY #Guillaume de Machaut, 1300-137 #James M #Bassoon Duo #Machaut: La Messe de Nostre Da #jmsgu3 #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...(+)

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Â Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

$49.95 ≈ 45.83€

Solage: Le basile for Mixed Woodwind Quartet

Solage: Le basile for Mixed Woodwind Quartet #Flute, Oboe, Clarinet, Bassoon #EASY #Solage #James M #Solage: Le basile for Mixed Wo #jmsgu3 #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Fes...(+)

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

$32.95 ≈ 30.23€