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Vocal Works
Not classified 895

Piano & keyboards
Piano, Voice 724
Piano, Vocal and Guitar 643
Easy Piano 98
Piano solo 51
C Instruments 21

1 Piano, 4 hands 4
Organ 3

2 Pianos, 4 hands 1
Piano (band part) 1
Piano Trio: piano, violin, cello 1
Piano Quartet: piano, violin, viola, cello 1

+ 6 instrumentations

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Guitars
Ukulele 32
Melody line, (Lyrics) and Chords 25
Ukulele Ensemble 13
Guitar 4
Guitar notes and tablatures 3

2 Ukuleles 3
Guitar (band part) 2
Guitar Ensemble 1

+ 3 instrumentations

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Voice
Choral SATB 188
Choral 3-part 64
Vocal duet 45
Vocal duet, Piano 38
Choral 2-part 31

Choral TTBB 30
Soprano voice, Piano 27
Choral Unison 23
Choral SSAA 16
High voice 8
Alto voice, Piano 7
Low voice, Piano 6
Voice solo 5
Soprano voice 5
Medium voice, Piano 4
Tenor voice 4
Low voice 3
Choral SSAATTBB 2
Choral SSATB 2
Mezzo-Soprano voice, Piano 1
Choral SSAB a cappella 1
Soli, Mixted choir and accompaniment 1

+ 17 instrumentations

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Woodwind
Flute and Piano 38
Clarinet and Piano 30
Alto Saxophone and Piano 21
Saxophone (band part) 19
Oboe, Piano (duet) 18

Soprano Saxophone and Piano 15
Tenor Saxophone and Piano 14
English horn, Piano 11
Baritone Saxophone, Piano 9
Alto Saxophone 8
Clarinet Ensemble 8
Saxophone Quartet: 4 saxophones 8
Bass Clarinet, Piano 5
Clarinet 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5
2 Flutes (duet) 4
Flute ensemble 4
Clarinet Quartet: 4 clarinets 4
Flute, Oboe, Clarinet, Bassoon 4
Flute Quartet: 4 flutes 3
3 Recorders (trio) 3
Flute 2
Piccolo, Piano 1
Recorder, Guitar (duet) 1
5 Recorders 1
Clarinet, Harp (duet) 1
2 Flutes, Piano 1
Bagpipe 1
Clarinet, Bassoon (duet) 1
Saxophone ensemble 1
Recorder Quartet 1
2 Clarinets (duet) 1
Oboe 1
Saxophone Quintet: 5 Saxophones 1
Flute Trio: 3 flutes 1
3 Clarinets (trio) 1
Oboe, Clarinet, Bassoon (trio) 1
2 Clarinets, Piano 1
Treble (Alto) Recorder, Basso continuo 1
English horn, Harp (duet) 1

+ 35 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 28
Brass Quintet: 2 trumpets, horn, trombone, tuba 22
Trombone and Piano 16
French Horn and Piano 16
Euphonium, Piano (duet) 14

Trumpet, Piano 13
English horn, Piano 11
Trumpet 10
Tuba and Piano 9
Trombone (band part) 8
Trumpet (band part) 7
Brass Quartet: 2 trumpets, horn, trombone 4
Euphonium, Tuba (duet) 2
Trumpet, Trombone (duet) 2
Trombone 2
Brass Trio 2
2 Trumpets (duet) 2
French horn 1
2 French horns (duet) 1
Trumpet ensemble 1
Tuba and Organ 1
Brass Quartet: 4 trombones 1
2 Euphoniums (duet) 1
English horn, Harp (duet) 1

+ 19 instrumentations

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Strings
Violin and Piano 46
Viola, Piano 31
Cello, Piano 23
String Quartet: 2 violins, viola, cello 13
Violin 11

Viola 8
Double bass, Piano (duet) 5
Cello (band part) 4
Cello 2
Harp, Flute (duet) 2
4 Cellos 2
Harp and mandolin 1
Violin, Guitar (duet) 1
Doublebass (band part) 1
Viola (band part) 1
String Trio: 3 cellos 1
String quartet: 4 violins 1
String Quartet : 4 violas 1
String Trio: violin, viola, cello 1
Harp, Voice 1

+ 15 instrumentations

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Percussion & orchestra
Orchestra 20
Jazz Ensemble 15
Concert band 15
Chamber Orchestra 14
String Orchestra 9

Jazz combo 9
Big band 8
Brass ensemble 5
Handbells 2
Drum (band part) 1
Percussion Ensemble 1

+ 6 instrumentations

- Retract

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Vocal Works

Organ

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3 sheet music found

Complete Organ Works

Complete Organ Works #Organ #INTERMEDIATE #Classical #Complete Organ Works #Schott Music - Digital #SheetMusicPlus

Organ - intermediate - Digital Download Motet Intabulations. Composed by Heinrich Scheidemann (1595-1663). This edition: Sheet music. Masters of the ...(+)

Organ - intermediate - Digital Download Motet Intabulations. Composed by Heinrich Scheidemann (1595-1663). This edition: Sheet music. Masters of the North German School for Organ. Downloadable. Op. 4. Schott Music - Digital #Q47853. Published by Schott Music - Digital
The present volume of 12 Motet Intabulations complements the 3 volumes .already published .with organ music by Heinrich Scheidemann (around 1595-1663), so that the complete organ oeuvre of the organist from Hamburg is now available in a modern editorial standard. From 1611-1614 Scheidemann studied with Jan Pieterszoon Sweelinck in Amsterdam and from 1629 worked as an organist at St. Catherine's in Hamburg for about three and a half decades. He amalgamated the style of his teacher with North German tradition and is thus regarded as co-founder of the North German Organ School. For a long time, the skill to transfer vocal compositions into finger notation had been one of the main demands on a competently trained organist. At the beginning of the 17th century, however, the rather technical 'intabulation practice' faded into the background in favour of innovative forms of arrangement of the sacred cantus firmi. To Scheidemann belongs the credit for helping the genre tradition, which had unmistakably been in decline, to experience a late revival with his Motet Intabulations and for virtually erecting a glorious monument of excellent artistic quality to this type of composition &ndash. an important document in the history of organ music, and an interesting addition to the organ repertoire.

$28.99 ≈ 27.06€

Guthrie: Organ Prelude on In Nomine

Guthrie: Organ Prelude on In Nomine #Organ #INTERMEDIATE/ADVANCED #James M #Guthrie: Organ Prelude on In N #jmsgu3 #SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by...(+)

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works.Â The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England.Â The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.

$34.95 ≈ 32.63€

Organ Method

Organ Method #Organ #Organ Method #Schott Music - Digital #SheetMusicPlus

Organ - Digital Download SKU: S9.Q49648 This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q49648. Published by Schott Music - Digit...(+)

Organ - Digital Download SKU: S9.Q49648 This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q49648. Published by Schott Music - Digital (S9.Q49648). German.This method of organ playing presupposes a certain technical skill on the piano. The pedal exercises at the beginning are fundamental and should be practiced in all keys with gradually increasing tempo. The structure of this method is based on the increasing polyphony: two-part pieces are followed by three-and multi-part pieces. Studying the strict structure of the polyphonic compositions, getting a feel of the liveliness of these parts, their coming, going and returning, all this, with the knowledge of harmonic form and architectonic values, provides the essential background for the correct interpretation of polyphonic music, especially of the fugue. The most important musical forms have been used to illustrate the various possibilities of registration and its relationship to style (colourful, solo and smooth playing).Progress within this method is made in a winding pattern, i.e. by falling frequently back on earlier aspects, through the juxtaposition of special stylistic and formal features, in order to consolidate them or add to variety. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music over the centuries and thus be prepared for a really artistic performance and interpretation of old and new works on his instrument, especially for the incomparable art of our great Johann Sebastian Bach.Wer nach dieser Schule das Orgelspiel erlernen will, muss schon eine gewisse technische Fertigkeit auf dem Klavier besitzen. Die PedalÃ¼bungen zu Anfang sind grundlegend. Sie sind in allen angegebenen Tonarten und in allmÃ¤hlich beschleunigtem ZeitmaÃŸ auszufÃ¼hren.

$21.99 ≈ 20.53€