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3 sheet music found

Johann Speth - Toccata Prima - Transcription by Guido Menestrina

Johann Speth - Toccata Prima - Transcription by Guido Menestrina #Organ #Classical #Johann Speth #Guido Menestrina #Johann Speth - Toccata Prima - #Guido Menestrina #SheetMusicPlus

Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Publis...(+)

Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 â€“ after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (nÃ©e Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.

$3.99 ≈ 3.73€

Heinrich Nicolaus Gerber - (Organ) Concerto (à 2 clav & ped)

Heinrich Nicolaus Gerber - (Organ) Concerto (à 2 clav & ped) #Organ #Classical #Heinrich Nicolaus Gerber #Guido Menestrina #Heinrich Nicolaus Gerber - #Guido Menestrina #SheetMusicPlus

Organ - Digital Download SKU: A0.828693 Composed by Heinrich Nicolaus Gerber. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #11...(+)

Organ - Digital Download SKU: A0.828693 Composed by Heinrich Nicolaus Gerber. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #115413. Published by Guido Menestrina (A0.828693). Heinrich Nicolaus [Nikolaus, Nicholas] Gerber was a German organist and composer. He matriculated as a law student at the University of Leipzig on May 8, 1724, and towards the end of the same year became a pupil of J.S. Bach. In 1731 he was appointed court organist to the Prince of Schwarzburg at Sondershausen, a post in which, upon his death, he was succeeded by his son, the music lexicographer Ernst Ludwig Gerber (1746-1819). E.L. Gerber's dictionary of musicians (Leipzig, 1790-1792; revised edition, 1812-1814) contains a vivid account of his father's tuition under J.S. Bach. Numerous keyboard works by J.S. Bach survive in copies made by Heinrich Nicolaus Gerber during his Leipzig years (1724-1727), including the Inventions and Sinfonias (BWV 772-801), the French Suites (BWV 812-817), English Suites Nos. 1, 3, 5, and 6 (BWV 816, 818, 810, 811), the first two Preludes and Fugues from The Well-tempered Clavier Part 1 (BWV 846-847), and some miscellaneous works (BWV 818, BWV 819, BWV 914, and BWV 996).

$3.99 ≈ 3.73€

Jan Zach - Fugue in C Minor

Jan Zach - Fugue in C Minor #Organ #Classical #early 1745 he was living in Au #Jan Zach #Guido Menestrina #Jan Zach - Fugue in C Minor #Guido Menestrina #SheetMusicPlus

Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published ...(+)

Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 â€“ 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelÃ¡kovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to DlabacÅ¾, he studied organ under Bohuslav MatÄ›j ÄŒernohorskÃ½, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mÃªlÃ©es, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).

$4.99 ≈ 4.67€