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Ace of Base
Not classified 42

Piano & keyboards
Piano solo 32
Piano, Voice 13
Organ 4

Piano, Vocal and Guitar 1
Piano Trio: piano, violin, cello 1

Harpsichord 1
2 Pianos, 4 hands 1

+ 2 instrumentations

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Guitars
Guitar 5
Guitar notes and tablatures 1
Bass guitar 1

Voice
Choral SATB 8
Choral TTBB 3
Soprano voice, Piano 3
Choral SSAATTBB 2
Choral SSAA 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Saxophone Quartet: 4 saxophones 2
Oboe (band part) 1
Saxophone (band part) 1
Clarinet Quartet: Clarinet, Violin, Viola, Cello 1

Tenor Saxophone and Piano 1
Flute Trio: 3 flutes 1
Saxophone Quintet: 5 Saxophones 1
Oboe, Piano (duet) 1
Alto Saxophone 1
Flute, Oboe, Piano (trio) 1
Flute and Piano 1
Soprano Saxophone and Piano 1
Flute, Oboe, Clarinet, Bassoon 1

+ 9 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
French horn 2
Trombone 1
2 Trombones (duet) 1
Brass Quartet: 2 trumpets, horn, trombone 1

Brass quartet : 2 trumpets, trombone, tuba 1
Horn Ensemble 1

+ 2 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 6
Violin and Piano 6
Cello, Piano 4
Violin, Cello (duet) 2
Viola 2

2 Violas (duet) 1
Violin 1
Harp 1
4 Harps 1
Piano Trio: Violin, Viola, Piano 1

+ 5 instrumentations

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Percussion & orchestra
Orchestra 8
String Orchestra 5
Concert band 4
Brass ensemble 3
Jazz Ensemble 3

Chamber Orchestra 3
Percussion Ensemble 1
Piano and Orchestra 1

+ 3 instrumentations

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• Ace Of Base

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4 sheet music found

Cantus ad pacem

Cantus ad pacem #Organ #ADVANCED #Classical #Peteris Vasks #Cantus ad pacem #Schott Music - Digital #SheetMusicPlus

Organ - difficult - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 18 minutes. Sch...(+)

Organ - difficult - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q3031. Published by Schott Music - Digital
Peteris Vasks has written a .large number of .pieces for the organ, both original works and arrangements of his own pieces which had originally been written for strings. The Riga-based composer created his ideal sound image after listening to the famous organ of the Cathedral of Riga. The basic idea of the organ work 'Cantus ad pacem' is, as with almost all of his compositions, the personal understanding of nature: the beauty of nature, on the one hand, and the destruction of nature by man, on the other hand.
Not presenting any great difficulties, Vasks' organ music displays an impressive variety of sounds, from the most intimate, restrained sounds to powerful chordal outbursts.

$18.99 ≈ 17.43€

Hagia Sophia

Hagia Sophia #Organ #ADVANCED #Robert M #Hagia Sophia #Schott Music - Digital #SheetMusicPlus

Organ - difficult - Digital Download SKU: S9.Q19995 PoÃ¨me symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadab...(+)

Organ - difficult - Digital Download SKU: S9.Q19995 PoÃ¨me symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q19995. Published by Schott Music - Digital (S9.Q19995). Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum â€“ but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The present music has to be regarded against this background: A reflection, contemplation with music and poetry. The Creation is powerful, but the truth about it is powerful as well. And the realization that the path to truth is reached through wisdom. As a consequence, this piece has to cross the powerful for half its duration, monumental. It is the cupola over all following (observing) verses (sections). From bar 371, the path leads back into the powerful, into the rejoicing (bar 406). It must not be forgotten to mention the suggestion of 'singing in a mosque' (bar 510) which is answered by a simple prayer (bar 511). This is reminiscent of the mosaic above the imperial door of the building portraying Jesus Christ sitting on a jewelled throne. He holds an open book in which one can read 'Peace be with you. I am the light of the world'. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.

$23.99 ≈ 22.01€

Orgelsinfonie No. 16

Orgelsinfonie No. 16 #Organ #ADVANCED #Enjott Schneider #Orgelsinfonie No. 16 #Schott Music - Digital #SheetMusicPlus

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration ...(+)

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying â€“ from the plague and war to the never-ending dangers of daily life â€“ was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

$21.99 ≈ 20.18€

Psalm-Sonata No. 1 for organ, by Brenda Portman

Psalm-Sonata No. 1 for organ, by Brenda Portman #Organ #ADVANCED #Sacred music #Brenda Portman #Psalm-Sonata No. 1 for organ, #Brenda Portman #SheetMusicPlus

Composed by Brenda Portman. 21st Century, Contemporary Classical, Sacred, Recital. Score. 32 pages. Published by Brenda Portman...(+)

Composed by Brenda Portman. 21st Century, Contemporary Classical, Sacred, Recital. Score. 32 pages. Published by Brenda Portman
Organ sonata based on the text from three psalms:
Psalm 13 "How long, O Lord? Will you forget me forever?"
Psalm 91 "He who dwells in the shelter of the Most High will rest in the shadow of the Almighty."
Psalm 98 "Shout for joy to the Lord, all the earth, burst into jubilant song."

Composed in 2020-2021, this piece moves from restlessness and agitation in the first movement, to peace and tranquility in the second, to exuberance and celebration in the third. Premiered 1/31/21.

$15.00 ≈ 13.76€